Heavy with style but lacking in substance. That's the sum of Peaky Blinders.
Peaky leans hard on slow motion shots and a modern punk/indie rock soundtrack that you'll either love or hate. I actually like the choice of music but how many times do we need to see someone walk past a fire breathing factory with a cigarette in hand and punk rock blaring in the background before some actual character development happens?
Cillian Murphy is excellent but aside from one or two other characters the rest of them are very one dimensional. You see all the faces in the background pic on this page? Less than half of those faces have any real narrative in the show. Because of this you are left with just a couple of prominent figures that tend to be overused
The story-lines are never all that compelling either unfortunately, style wins out here as well.
I thought the first season was decent and I was curious to see if they would improve for the second. When it was announced that Tom Hardy would be joining the cast I was pretty excited. Sadly his role isn't featured that much so his impact was minimal.
I see people trying to compare Peaky Blinders with Boardwalk Empire and I just don't see it, Boardwalk had compelling story-lines and an ensemble cast it actually used. Here's hoping season 3 will be different.
"iF yOu ThInK tHiS hAs A hApPy eNDinG, yOu hAvEn'T beEN pAyInG aTteNtIOn"
Literally everyone except Daenerys got a happy clean ending.
This episode and this season as a whole have been a complete and utter disaster. the decline of storytelling quality from the last seasons is shocking. The show is barely recognizable at this point.
A character who wasn't a contender for the throne ended up on it even though they have done absolutely nothing this whole season, had lots of potential to make for a very interesting role but was ignored and swept aside then suddenly elected king.
Daenerys's character being completely butchered as she was turned from someone who never showed the slightest disregard to innocents' safety to someone who commits mass genocide and shows no remorse afterwards, all in the span of 2 episodes.
So many character arcs were neglected or wrapped up poorly. Jon being reduced to a secondary character with a combination of three sentences of dialogue, Jaime's development being thrown out the window, Cersei barely doing anything and then getting killed by bricks, Tyrion, the master tactician, turning to a gossiping idiot then getting promoted after he quits his job (seriously?)
So many plot points were discarded or turned out insignificant. Azor Ahai, Jon's lineage, The Lord of Light, Cersei's prophecy...etc
The whole White Walkers storyline being eliminated in one episode, then the whole Iron Throne storyline being eliminated as well in the end (FFS)
So much shit not making the slightest bit of sense. Dany's army multiplying, Arya's impenetrable plot armor, The North getting the independence while the Iron Islands didn't when they were the first ones to demand it, Drogon not killing Jon after he killed Daenerys, hell, the Dothraki and the Unsullied not killing Jon after he killed Daenerys, The point of the Night's Watch now that the WW are gone. Tyrion being in chains and holding up a presidential vote over who would run the 6 republics. HBO c'mon man.
Overall the pacing was too fast and inconsistent, the ending was rushed, anti-climactic and nonsensical. This couldn't have ended in a worse way. Kudos to D&D!
Amazing,Unpredictable! Watching it was a roller coaster of emotions,sometimes the movie is a dark comedy , after that a romantic comedy, the next minute a revenge thriller, It's tonal shifts made me laught,cry,angry,fearful,happy and eventually made me think a lot about the ending , i think it's going to be devisive between people.But for me it worked and when i play the movie in my head and what this character has been dealing with in her life i think it fits perfectly.I felt satisfied
The subject matter we're dealing with here is very challenging to adress in a movie and Emerald Fennell(writer and first time director) is not afraid of exposing all the parties involved when something like that happen and how everyone involved could deal with it , she knocked it out of the park.
Carey Mulligan gives what i think migt be the best performance of her career , i really hope she could snag an Oscar nomination
She killed it as Cassandra this young woman with a tragic past who's on a journey of her own trying avenge what happened to her , perfectly casted here and i wouldn't imagine someone else taking that role.
You don't really know how to feel about her like sometimes she's likable and funny , the next minute she goes dark and very serious and frightening , those shift personnalities were well executed! The cast was great too , everyone nailed their part really !
The movie does not answer eveything that happened , there a times you wonder what happened to that guy and what happened to that woman because they don't show you so you make your own image of the events or you trust Cassandra's word's which i very much liked, it leaves you making you own assumption for some parts.
Overall, the movie is well directed , the writing is so strong here and a screenplay oscar nomination is very plausible and it's just very a beautiful movie to watch , the colours the cinematography, the sets, it's like you're in a candy world , the soundtarck is great and the use of music was on point .
This movie is ambitious and important and i don't think it will be forgotten by people , it just needs time to grow .
In 'The French Dispatch' director Wes Anderson goes all out with his characteristic aesthetic, beautiful visuals, use of colour and attention to detail. The music is great, fantastic even at times. There are more top actors than you could find at an average Oscars party. And visually most of shots are works of art all by them self. It is rather unfortunate that Wes his attention to detail do not translate to a more coherent story as a whole, holding the movie back.
'The French Dispatch' contains three separate stories, only trivially connected by a fourth overarching story about a newspaper and its journalists (based on the origins of a real newspaper.) On their own, each story is serviceable, but unfortunately the guiding story is lacking enough substance to make it work as a whole. The at times rather dense dialogue, riddled with puns and metaphors, also do not help with avoiding confusion. Especially for the average cinema visitor. However, the jokes and puns are often positively unexpected and with a great show of comedic timing, even during otherwise non comedic scenes. And this is without having to resort to the type of subversive humor we so often see nowadays in blockbuster films.
The three stories on their own, especially the rather quirky first one about the convicted murderer, are all interesting and fun enough to make the viewer invested. And although each story is not likely to be strong enough in its current form to carry a whole film, I think they could have benefited from some more time. To give the characters some more and/or better introduction. It would also have the benefit of seeing some more from all the fantastic actors.
I would recommend to watch this movie at (a somewhat larger screen) at home, where you have the option to rewind. That way it is also possible to appreciate the many details in many shots and scenes.
With every movie Wes improves his meticulous and almost obsessive attention to detail in every shot. Considering the visuals; In 'The French Dispatch' he once again trumps every movie Wes Anderson has made before, including the well received 'Budapest Hotel' and his critically acclaimed stop motion films 'Fantastic Mr. Fox' and 'Isle Of Dogs'. Of course there is an ample amount of his characteristic centered camera work, straight angle moving and panning, and the painting-like sets in almost every shot. He plays with aspect ratio and switches between colour and black and white for significant portions of the movie. And there is even a fully (drawn) animated section, which is a lot of fun.
If a movie was only visuals, this one would have been rated a 10/10.
I absolutely enjoyed the music and music timing in this. Composer Alexandre Desplat (who often composed for Wes Anderson his films) made a score that was often subtle, while still reinforcing the atmosphere of the movie and the scene. I also noticed some parts where video and audio were carefully timed to match one another. On a few occasions the music felt like a temporary extra character in the scene, leading the atmosphere instead of only enforcing it, and I found myself actively appreciating it more than I usually do when watching a film.
With all the actors involved, and the limited time they are given, it is difficult to properly discuss acting as a whole. There are so many fantastic actors in this, but the lack of screentime for each of them makes none of them award worthy. I have to mention Benicio del Toro for his acting though. With his menacing performance he outshines most of the other actors. And that is with a cast like this very difficult to do.
Overall I enjoyed this movie a lot, but even though I would like to recommend it, it is difficult to recommend to most people except for people already familiar with Wes Anderson his work. It might be not accessible enough for the average person, with the separate stories and visual style. While for a film fan the story issues can be problematic. Its shortcomings are especially unfortunate, because it likely will be a cause for less people to watch it.
