Well that was a complete waste of time. Nothing happens after episode 5. They should’ve ended the season at episode 5
If they can hack into 3 automated cars to kill Saul, TF they doing when he's on an airplane, just malfunction some microcontrollers on the plane and crash it.
Also if the probe is flying at 80km/s as they show after the 3rd blast, the velocity is not increasing, hence there is no acceleration hence no force acting hence no stress in the joints, how TF did it snap.
Besides all of this, if their proton computer can mess up results of a particular accelerator, and they fear humans, just set off the abundant nuclear weapons we have. problem solved. why the elaborate plan of taking down humanity with taking down science.
Hey Zach, not every action scene needs slow motion. For fucks sake
I liked the film, even though logic was often sacrificed for effect. For example: G.H. reaches the beach and discovers a wristwatch sticking out of the sand. He uncovers the watch and discovers an arm. He looks up and sees the body of a pilot belonging to the arm. He continues to look around and sees that there are bodies and debris all over the beach, including huge pieces of debris from the plane. The effect was nice, but of course you would have seen the debris and the bodies immediately, and not discovered the watch first.
Americans saying that "original" was better than this one. Little do they know that "Alive" wasn't the first film about this accident. Actually, a mexican movie released in 1976 was the first one ever made and it wasn't bad at all.
Yes, this version is slow paced and with less action than previous movies, specially the american one, but technically and emotionally is way above the first two movies. J. A. Bayona goes deeper in the emotional part of each character, this time, using the real names of the survivors, besides, it was filmed in part in the same spot where the accident took place. Hey, we even have cameos of some of the survivors.
Sorry, but people saying this "remake" is bad, is just lazy people that don't like to read subtitles. This movie will be nominated for an Oscar, I can tell you that.
"Greg, do not put any more lemon water or wasabi in his eyes!"
As someone "smart" Saul is easily the dumbest person on the show. Why did they write him like this?
Am I crazy or did some of the dialogue audio get messed up in this episode? Almost like something very slightly muffling the audio of Jin and the shooter.
Very good start, getting you hooked in the narrative. I don’t think splitting the book character Wang Miao into 5 characters is a big problem. Although I fear that the oxford 5 might stay a little flat as characters.
Farewell Succession, there’s no doubt in my mind you’ll be remembered as one of the greatest TV shows of the modern era.
This episode was amazing. But why is this listed as a special?
That might’ve been one of the best pieces of storytelling the MCU has ever told. The allegory on determinism weaved in with the ought/is argument within the frame of individual wants and purpose-driven choice… As a season the first as a whole is still better, but this isn’t just the best episode of the series - but up there with the best moments of TV in recent memory.
Not to mention the implications for what this poses on the future Kang arcs and Renslayer’s future as a seemingly(? vaguely left to interpretation) foil of larger importance. Watching the relatively well done caricature that was Loki upon initial introduction into deeply multilayered literal time god/jailer (again beautifully vague) of the multiverse over a decade later was so well written. I think I’m even still absorbing some of what I just saw.
Balancing comedy, brevity and existentialism - all while maintaining impeccable pace. 10/10, hats off to everyone involved.
After reading the book, I did believe that its component parts would be very difficult to adapt to the screen. My fears were that it would be mangled in the same fashion as the dreadful mess that is 'Foundation'.
I have also watched the first episode of the 2023 Chinese 'Three Body'. That has problems. It is terribly slow-paced; repetitious and, on Prime Video, fairly poor video quality & indifferent subtitle translation. It did seem to be sticking to the plot of the book, but glacially. After seeing this version, I won't be going back..
The opening scenes are shockingly graphic. Mao's 'Cultural Revolution' in the mid-1960s was brutal. Well done to the writers for starting with this part of the story.
As an aside, why do so many of the characters smoke? In the scenes set in the 1960s, fair enough, but those in 2024?
Anyway, many of my misgivings were allayed. The story elements are coming together by the end of this opener and I look forward to the rest.
Monologues. That should be Mike Flanagan's middle name: Mike Monologue Flanagan.
So much of his work consists of one person talking to someone else in some grandiose monologue that drags on a bit longer than I wish it would. It becomes it's most egregious when those monologues aren't in line with the theme of the show or when they talk for three minutes when they could get the same message out in thirty seconds.
It's exhausting. I zone out so quickly.
Totally based on nostalgia effect, it follows the exact same plot device of the original series, without any sign of novelty whatsoever. Completely useless for whoever knows already the story, for the others is the summary of what to expect watching the 450+ episodes of the animated series.
There is no question that Alejandro G. Iñárritu is a great director. But that doesn't change the fact that I was unable to connect with "Bardo" for the majority of the time. To my shame, I have to confess that at many points I didn't understand exactly what I was watching. Iñárritu stages many moments in a truly amazing way and shows the full extent of his creativity. At the same time, he was probably a bit self-indulgent and pretentious while making this film.
Almost every scene drifts into surrealism, making it extremely difficult to even begin to follow the plot (at least that's how I experienced it). The plot is also unfocused. The extremely long runtime along with the jumbled plot are really not a good combination. I haven't seen a movie as exhausting as "Bardo" in a long time. At least the finale managed to grab my attention, though.
Except for a few impressive moments, the latest work of the master director is truly a disappointment. At this point in his career, Iñárritu has, of course, earned the right to make the films he is most passionate about. But I personally prefer his earlier works far more.
The best growth of any character in the entire story, period. Amazing. As sad as it is he was destined to be alone, he always did have glorious purpose.
Holy fuck. I have goosebumps. Might be the best episode of TV this year. Fucking amazing. Honestly, I can't blame Tom for what he did, he's taken so much shit from everyone, including his own wife.
LIKE TRAIN TO BUSAN BEFORE THERE WERE TRAINS.
"The amazing trio of fucked up brothers". For a moment, a very brief moment, I believed that they were really going to unite to "save" the company, but I realized that they would not last and never did. perpetuating these power games.
To Shiv and Roman with their affectionate moment realized that they are broken and Ken, unfortunately, was unable to realize that.
I felt like I was seeing my family come together and I had a huge blow to see that fight - especially with Kendall like that, falling off the building without having thrown himself.
And in the end, the succession went to the most unpredictable, but clear that it could and, perhaps, should be him. Tom finally got the Empire of the Roys without being a Roy.
End of season 10/10 Thank you, HBO.
The whole bomb sequence was great. Dying especially at "Okay, sounds like we were successful. Is there anything else I can help you with today?"
Very powerful movie! I don't need to repeat, what the other comments already pointed out.
The only 2 things I found a little bit weird, were 1st: that it seemd like nobody told Ruben, that his hearing will be different after the surgery. I don't think (or hope) that the doctors he probably talked to, wouldn't tell him that.
And 2nd, I feel like "Metal" as a genre, probably hasn't been handled fair here. I do not listen to Metal myself, but obviously for a lot of people it sounds just like "loud noise" which Ruben turns off at the end.
So metaphorically... Maybe that thought goes too far, but I feel, that metal as a genre was handled a little negative. Like these two only played Metal because they were hurt from the past and that they had to get out of it, to start living a normal life again. But still for the characters, as they were presented, I think storywise it worked and the journey they had, was resolved very very well.
But these really are the only issues I had. People should definetly watch it! Great movie! :)
Strong start, and I say that acknowledging that Asimovian truism is obvs not their goal. I legit love where they’re taking the whole “prophecy” narrative, since that aspect of the OG story would be hard to convey as a TV show..
Making it a battle of rebellious, savant-tier genius vs a technologically elite Empire of forgotten dreams—whose ruler is a clone controlled by an actual robot—really makes it feel relevant to our experience: moneyed royalty building an algorithmically-powered, AI driven—chatGPT, Google Bard, etc)—but potentially distopian future… Pretty excellent.
A great movie that reduces the Zemeckis version to a minor footnote. Setting it in fascist Italy adds a whole new layer of depth to this story, but I also noticed Del Toro’s pulling some ideas from his own work here, The Devil’s Backbone in particular. Voice acting’s great, I love that he cast the greatest working actress as a non-speaking monkey. Visually it’s perfect, that’s almost to be expected from this director. However, this film in particular has a stop motion animation style I’ve never seen on film before, the textures are unique and beautiful. My only real complaint comes with the songs, not only because they’re generally poorly written and performed (I’m very clearly hearing the pitch correction, which isn’t intentional), but they also felt more sentimental and Disney-ish than what the rest of the film seemed to be going for. Thankfully, most of them were quite short.
8/10
Listen up, folks! I gotta confess something here. This show has got me hooked like a fish on a line. And let me tell you, the lead character is the bee's knees of 2023 television.
Signed,
Manly Bachelor heterosexual man in his early 50s
Just as brutal as the game, well done. Only downside is it felt short and rushed. Would have been nice for a little more time in the hospital with strategy from Joel instead of him going all terminator.
A bizarre, suspenseful, twisted, darkly comic, elegantly crafted horror thriller. This film is aimed to satire upper-class snobs and pretentious critics without coming across as obnoxious. And let's be honest, making fun of snobs will never not be funny. Not only this film nails what it aims for, it offers some nice surprises as well. The suspense continues to just build and build and build. Ralph Fiennes performance in the role of the Chef is simply outstanding. There's something so intimidating about his presence and I really was the edge of my seat the whole time. I'm pleasantly surprised by how much I enjoyed this. I'm glad that I went in knowing very little about it. Definitely going into my top 2022 horror list.
Be careful of claiming you are burdened with glorious purpose... You just may end up being so. What a great character arc. Series stands so far above much of the rest of the drek Marvel/Disney is churning out.
Would have been perfect, if it wasn't for breakneck pacing. Bertholdt's dream and Annie's meeting suffered the most.
I don't understand why they skipped Annie's part in taking the Wall... Different viewpoint should have brought additional info on the table. I mean it's not important, they still show Colossal Titan exhausted and on it knees nice juxtaposition to the iconic moment and also explanation for weird footprints from season 1 and Dina walking by thanks Annie It just odd and felt more impactful in the manga.
If anyone interested in the panels with Annie's part in the plan:
https://official-complete-2.eorzea.us/manga/Shingeki-No-Kyojin/0096-016.png
https://official-complete-2.eorzea.us/manga/Shingeki-No-Kyojin/0096-017.png
https://official-complete-2.eorzea.us/manga/Shingeki-No-Kyojin/0096-018.png
https://official-complete-2.eorzea.us/manga/Shingeki-No-Kyojin/0096-019.png
https://official-complete-2.eorzea.us/manga/Shingeki-No-Kyojin/0096-020.png
https://official-complete-2.eorzea.us/manga/Shingeki-No-Kyojin/0096-021.png
Also kinda surprised that they didn't emphasized on trio first and changed focus to warriors here:
https://official-complete-2.eorzea.us/manga/Shingeki-No-Kyojin/0096-033.png
But oh well. At least Mappa didn't f**ed up anything important, yet. Unlike the whole Uprising Arc... so I'm happy as hell. Great episode.
- We are going to fight those dirty mexican as if they were dirty iraky.
- How are we going to do that, Chef?
- We are going to find the most bad ass contractor that isn't afraid of being dirty (read torturing people for gaining information) and unleash him on unsuspecting mexican cartel family while paying him handsomely. But we are still going to tell him off if there are any cops killed while the undercover super secret operation is in progress. We are not complete barbarian, after all.
..... Much action and much suspense music later: End Credit
A disappointment. Not the follow up of the first installment that I was hoping for.
