Hey Zach, not every action scene needs slow motion. For fucks sake
I liked the film, even though logic was often sacrificed for effect. For example: G.H. reaches the beach and discovers a wristwatch sticking out of the sand. He uncovers the watch and discovers an arm. He looks up and sees the body of a pilot belonging to the arm. He continues to look around and sees that there are bodies and debris all over the beach, including huge pieces of debris from the plane. The effect was nice, but of course you would have seen the debris and the bodies immediately, and not discovered the watch first.
Americans saying that "original" was better than this one. Little do they know that "Alive" wasn't the first film about this accident. Actually, a mexican movie released in 1976 was the first one ever made and it wasn't bad at all.
Yes, this version is slow paced and with less action than previous movies, specially the american one, but technically and emotionally is way above the first two movies. J. A. Bayona goes deeper in the emotional part of each character, this time, using the real names of the survivors, besides, it was filmed in part in the same spot where the accident took place. Hey, we even have cameos of some of the survivors.
Sorry, but people saying this "remake" is bad, is just lazy people that don't like to read subtitles. This movie will be nominated for an Oscar, I can tell you that.
Very powerful movie! I don't need to repeat, what the other comments already pointed out.
The only 2 things I found a little bit weird, were 1st: that it seemd like nobody told Ruben, that his hearing will be different after the surgery. I don't think (or hope) that the doctors he probably talked to, wouldn't tell him that.
And 2nd, I feel like "Metal" as a genre, probably hasn't been handled fair here. I do not listen to Metal myself, but obviously for a lot of people it sounds just like "loud noise" which Ruben turns off at the end.
So metaphorically... Maybe that thought goes too far, but I feel, that metal as a genre was handled a little negative. Like these two only played Metal because they were hurt from the past and that they had to get out of it, to start living a normal life again. But still for the characters, as they were presented, I think storywise it worked and the journey they had, was resolved very very well.
But these really are the only issues I had. People should definetly watch it! Great movie! :)
A great movie that reduces the Zemeckis version to a minor footnote. Setting it in fascist Italy adds a whole new layer of depth to this story, but I also noticed Del Toro’s pulling some ideas from his own work here, The Devil’s Backbone in particular. Voice acting’s great, I love that he cast the greatest working actress as a non-speaking monkey. Visually it’s perfect, that’s almost to be expected from this director. However, this film in particular has a stop motion animation style I’ve never seen on film before, the textures are unique and beautiful. My only real complaint comes with the songs, not only because they’re generally poorly written and performed (I’m very clearly hearing the pitch correction, which isn’t intentional), but they also felt more sentimental and Disney-ish than what the rest of the film seemed to be going for. Thankfully, most of them were quite short.
8/10
A bizarre, suspenseful, twisted, darkly comic, elegantly crafted horror thriller. This film is aimed to satire upper-class snobs and pretentious critics without coming across as obnoxious. And let's be honest, making fun of snobs will never not be funny. Not only this film nails what it aims for, it offers some nice surprises as well. The suspense continues to just build and build and build. Ralph Fiennes performance in the role of the Chef is simply outstanding. There's something so intimidating about his presence and I really was the edge of my seat the whole time. I'm pleasantly surprised by how much I enjoyed this. I'm glad that I went in knowing very little about it. Definitely going into my top 2022 horror list.
- We are going to fight those dirty mexican as if they were dirty iraky.
- How are we going to do that, Chef?
- We are going to find the most bad ass contractor that isn't afraid of being dirty (read torturing people for gaining information) and unleash him on unsuspecting mexican cartel family while paying him handsomely. But we are still going to tell him off if there are any cops killed while the undercover super secret operation is in progress. We are not complete barbarian, after all.
..... Much action and much suspense music later: End Credit
A disappointment. Not the follow up of the first installment that I was hoping for.
This film is a masterpiece. Every few years I look to see if there is any new Anime out there of equal scope and quality, and am completely disappointed.
To the haters who watch Akira and didn't "get" it, you shouldn't mistake your own lack of comprehension for a lack of meaning. One needs to watch Akira a few times to really piece together what is happening.
This is not a Hollywood film. It will not spoon feed you a convenient plot with happy endings. But if you put a little effort into it, this movie will deliver.
Pro-tip: Don't watch the English overdub, do subtitles. The Japanese voice actors deliver powerful performances. Also the subtitles make a lot more sense than the English overdub, as by necessity, the writers must hack on a script quite a bit to make the voice over fit into the pace and rhythm of the film. This is why overdubs almost always lose meaning, in addition to making the lips look silly.
I would have given a higher score but Chris didn't punch any boulder during the movie, which is quite unrealistic.
Totally based on nostalgia effect, it follows the exact same plot device of the original series, without any sign of novelty whatsoever. Completely useless for whoever knows already the story, for the others is the summary of what to expect watching the 450+ episodes of the animated series.
There is no question that Alejandro G. Iñárritu is a great director. But that doesn't change the fact that I was unable to connect with "Bardo" for the majority of the time. To my shame, I have to confess that at many points I didn't understand exactly what I was watching. Iñárritu stages many moments in a truly amazing way and shows the full extent of his creativity. At the same time, he was probably a bit self-indulgent and pretentious while making this film.
Almost every scene drifts into surrealism, making it extremely difficult to even begin to follow the plot (at least that's how I experienced it). The plot is also unfocused. The extremely long runtime along with the jumbled plot are really not a good combination. I haven't seen a movie as exhausting as "Bardo" in a long time. At least the finale managed to grab my attention, though.
Except for a few impressive moments, the latest work of the master director is truly a disappointment. At this point in his career, Iñárritu has, of course, earned the right to make the films he is most passionate about. But I personally prefer his earlier works far more.
