The movie is BEAUTIFUL, and if you're looking for an action movie I definitely recommend it. However, if you're an actual fan of Avatar 1, you will be disappointed.
Overused plot twists :
- bad guy that comes back to life (terminator like),
- a boy raised by the Na'vi that is actually the son of the bad guy (jungle book / star wars like)
Remakes of scenes from the first movie :
- Jake riding sea horses for the first time,
- his son becoming friend with the most dangerous Tulkun (VS Jake and the big Leonopteryx making him Toruk Makto);
- Colonel being overconfident while getting his Banshee (just like Jake);
- Earthers burning the houses of Metkayina (VS when they burnt the Mother Tree);
- the wife of the chief (Ronal) losing her Tulkun and accusing Jake for bringing the Earthers (VS Neytiri losing her ikran and saying she never wants to see Jake again);
- exact same sentences ("The people say that the energy is just borrowed and you have to give it back");
- Jake's son behind chased by a very agressive fish in an unfamiliar environment (VS Jake chased by the Thanator in the forest;)
- the obvious end with a close up shot on Jake's eyes... (was thrilling once but come on...)
The apparition of useless characters :
- Spider makes no sense. He hated his dad, then decided to save him and then joined back Jake and the others???? so obviously the bad guy will come back;
- the Earthers who stayed from the first movie (they just appear 10 seconds to help Jake's daughter),
- the female colonel who brings nothing to the plot,
- Neytiri's mother who appears for 5 seconds maybe...
The lack of character development : they pretty much have 1 personality trait at the start and don't really grow from there, which is very different from the first movie -
- the colonel still hates the Na'Vis even after learning their language and getting his flying pet (his personality is basically "I hate Jake" throughout the entire movie),
- Neytiri hates Spider from the beginning,
- Jake is insufferable with his sons until the very very end where he softens up a bit...
The lack of plot coherence :
- Where the hell did the Metkayina go once the fight actually started?? (because their chief was supposed to get his daughter back);
- Why would the Earthers risk to lose the amrita (product from the tulkuns) that is funding all the actions on Pandora just to satisfy the seek for revenge of a soldier??
Lastly, and this is what frustrates me the most : the many stories started that do not have an end -
- Why is Kiri able to control Eywa? Why is Ronal not saying anything when she's supposed to be that spiritual??
- How is humanity actually planning to move to Pandora?...
Overall, I would recommend the movie if you decently liked the 1st one and want to stay in the same universe. But if you are looking for an actual sequel with a great plot and story / character development, be prepared to be disappointed.
Sometimes I'm amazed about how such mediocre movies can be pumped and overhyped for so little...I mean it could have almost been a decent action movie if it was a little bit shorter, and had at least one tiny bit of developing in the storyline beyond "cool machines driven by freaks chasing in the desert".. All in all beside a great costumes design and props what you are left with, is just some sort a giant shallow videoclip, with a great visual reworking of the post atomic imaginary introduced from the first Mad Max. Oh yes and plus some half naked models.
It's true, after all those useless blurry, hyperkinetic camera movements we got overdosed in the last decades, it's refreshing to see some more traditional shooting with a proper image composition...on the other hand Fury Road to (badly) counterbalance one good thing, need to add something really wrong, hence I have the feeling it will be remembered for one of the worst night photography seen since who knows when maybe the 70s...I mean blue filtering for the night sequences?! c'mon is that a joke?!...in the age of the uber ISO settings digital camera brought even to consumer market? Is really depressing to see so blatantly fake night scenes in a big budget movie...and for no imaginable reason.
I was about to let it go half the way, honestly I made it to the end just out of curiosity...not for the movie itself which became boring pretty soon, but because I was desperately looking for that special something that should have made this movie worth at least some of the praise I had read from audience and critics alike. Needless to say, there was nothing until the end...just you know, the desert...
Pankaj Tripathi dominates in the quintessential film talking about a bold subject with a hillarious and thought provoking execution.
My Rating : :star::star::star::star: (82/100)
OMG 2 is a sequel of popular film OMG which Paresh Rawal and Akshay kumar back in 2012. Unlike its predecessor which talked about atheism , the current talks about belief and faith in God. The film primarily delivers a strong social message and pleas for immediate reforms in the Education System constructed by the British during their term before independence. The humour is excellent & is spiced with sarcasm and wit, credits to the writer director Amit Rai that his execution with all the dialogues are on the money. All characters felt organic, and matter is handled with complete care and based on facts. Pankaj Tripathi is excellent, Akshay is sharp and appropriate for the role and the entire ensemble delivers an engaging affair which doesn't let you loose grip on the subject. A smartly executed, important film which will resonate with the millenials. Expect many thought provoking introspection as the film challenges unconventional norms. This film deserves your attention.
The film rides high especially due to its organic ensemble casting. Akshay Kumar as Shiva's is the best thing happening to the film. Even with a short screen presence he delivers the reminiscence from the predecessor and impact this film needed. Pankaj Tripathi is a bonafide star, he never dissapoints when he does drama and this like no other is one of his best works. Yami Gautam is pitch perfect in role, she delivers strong points with ease and delivers a challenging role with brilliance. The dialogues and wit in humour generated the loudest of cheers in the cinema screen I was in, and I pitched in too.
Overall, a much needed and important films which should be presented back to back woth such storytelling untill the reforms are made. There have been smaller projects talking about this subject but no changes are made till now. This time the problem needs addressing. A film you can take your family and enjoy. CBFC giving it an A certificate is the dumbest thing possible which highlights how backward the mentality is. Recommended.
Instagram , Threads, Twitter : @stremgenx
Kartik & Kiara's latest is a pure & endearing romantic drama leaving you with a canvas of strong emotions
My Rating : :star::star::star::star: (82/100)
SatyaPrem ki Katha is one of the biggest surprises of the year. Not only it gives you a sweet, appealing romantic drama but leaves us with a salient message at the end. Laced with stellar performances by the leads, the film offers strong emotional values , stunning cinematography with a vivid pallete of colours, some soulful melodies and a pure unfiltered story. Sameer Vidwan's debut as a bollywood director deserves the praise for deriving such a moving perfomance from Kartik and Kiara. The film starts strong with a jovial and comedic first half and slowly turns out to be a hard-hitting family drama post interval. Even with a few screenplay inconsistencies and overload of songs, SatyaPrem Ki Katha takes an cathartic and intense approach without necessarily being preachy to convey it potent message.
The best aspects of the film is the fantastic casting. One of the finest performances by Kartik where he choose a resonating story and plays a naive but sensible small town gujju guy. His dynamics through all the emotions is extremely well maintained and performed. Another strong aspect is Kiara's sensitive performance. She deserves much better roles than just being eye candy in bollywood projects. She is extremely adorable and beautiful as Katha. The chemistry is convincing and compelling. Gajraj Rao and Supriya Pathak provide the much needed depth and support the film deserves.
Overall, a fulfilling family drama which touches a sensitive topic without being preachy and serves us with a brush of various emotional dynamics catering to all this genre can serve. Rich perfomances by the leads makes this a compelling and captivating success as a well made film of the year.
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