That ending musical montage was brutal. Merciless. It had me ugly crying, wtf!
"The more you know who you are, and what you want, the less you let things upset you."
Glad Disney got rid of this movie cause it wouldn't turned out so good otherwise. Funny and likeable protagonist (great voice acting), girl power done right. Gay couple but not forced. Quite emotional as well. Glad to see the classic animation style made more creative and modern instead of the usual Pixar 3D models.
One of the best episodes! Bluey and Bingo mirroring evolution of the species while ageing metaphorically, was brilliant!!
This series don’t have the right to be that wholesome. This episode is perfect.
I was smiling the entire movie. The level of detail and care that went into this film is incredible. Tributes from the first game to the last mario game. Yes, it's a children's movie, yes, the screenplay is not a masterpiece and yes, you will like it more if you are fan of the games. But it's a fun ride from start to finish.
[7.9/10] We have so many stories about the burden of being the chosen one. Everything from Harry Potter to Buffy Summers to Avatar Aang delves into the burden of carrying the world on your shoulder as the fabled champion. It’s a good thing, to humanize those fighting against a supernatural evil, make them recognizably human despite their heroic poses and incredible gifts.
But Encanto explores something rarer -- the burden of not being the special one, of feeling like you have something to give the world even if you haven’t been blessed by the divine or fate or random chance with the abilities of your fellow men and women. The movie celebrates the self-made miracles that follow in the wake of those individuals, who likewise struggle with self-doubt and certain hurts, but who also do the hard work of making things better without the magical boosts the chosen ones have in tow.
The center of the story is a young woman named Mirabel, the lone powerless member of the magical Madrigal family. Since her abuela first discovered the titular “encanto” (or enchantment), every Madrigal child received a wonderful “special gift” when they came of age. It could be super-hearing or the ability to speak to animals or even the power of prophecy. But whatever the gift, the family uses their collective talents to help build and protect their town.
The film is, effectively, a tug of war between Mirabel, who feels left out of the family due to the encanto mysteriously skipping her, and her grandmother, who is fiercely devoted to holding the family, the miracle, and the home and town both fuel, together at any cost. Mirabel labors to do good, to contribute, despite being the lone non-magical Madrigal under their roof. And Abuela Alma pressures everyone in the family, including herself, to use their powers to the peak of their potential in order to be worthy of the mysterious gifts they’ve received.
It’s a potent metaphor for the story of so many immigrant families. The older generation is acutely aware of the sacrifices necessary to scrape together what their family has, so well-meaning parents and older relatives push their progeny to climb higher, do better, to hold onto it and be worthy of their blessings. The younger generations, in turn, can mean well but crack under that pressure, feeling as though they’re not good enough or that if they stumble, even a little, they’ll be letting “the family” down. The resolution of those two sides, the harmony it finds in intergenerational understanding, is Encanto’s greatest strength.
But hey, the pure aesthetics and artistry of the presentation aren’t bad either! The family dynamics Encanto deploys are universal, but it’s a devotedly Colombian movie. Along with other recent Disney animated films, that cultural specificity gives it a greater flavor and a rich tradition to pull from when filling in the corners of its world. The colors, architecture, flora, fauna, food, and dance all have a distinctive flair, which make the movie an inviting and enervating experience.
To that end, the studios’ animators continue to outdo themselves. There’s an incredible amount of expression in the movements of Mirabel and her family, whether they’re salsaing or arguing or heaving donkeys around. In both traditional music numbers set within the heightened (and radiant) reality of the film, and in more impressionistic numbers with fantastical representations of the characters’ wishes and anxieties, the directors and animators catch the eye with fabulous movements and inventive imagery. As pure visual expression, the movie wows.
The same goes for the music. With original songs from Lin-Manuel Miranda, there’s an almost effortless sense of high quality melody and verse at play. Miranda’s trademarks, with fast-talking verbiage and a cacophony of parts stacked on top of one another, return here with the composer’s usual alacrity. But so too does his ability to stir the soul, in inspirational tunes and sentiments that could come off saccharine were the craft not so good and the harmonies not so piercing. The artist remains Disney’s cheat code, with songs that soar nearly as well as those in the Miranda-assisted Moana.
That film scans as Encanto’s closest predecessor, another tale of a young woman finding her place in the hierarchy of her family and village, grappling with how she differs from expectations. The film pulls from other pieces of Disney history, with a second act sequence that evokes the Cave of Wonders escape from Aladdin, and a delightful living house character that feels of a piece with Beauty and the Beast. But it’s Moana, with its similar musical stylings, comparable visual flair, and lack of a villain in favor of reconciliation and self-actualization, that proves the closest analogue.
And yet, in its own way, Moana is also a chosen one story, while Encanto marks new territory for the House of Mouse, in exploring how those less “burdened by glory” can still make the grandest contributions. In the end, Mirabel not only unravels the mystery (more or less) of what her missing uncle Bruno prophesied, but discovers that the family members she envied for their abilities struggle just as much as she does to live up to expectations, in a way that went unseen by their abuela. It reconnects her with the family members she bristled with or otherwise felt apart from.
More than that, though, when the miracle does fail, when the family home does crumble, when the town they support does crack, it’s Mirabel who gives everyone the strength to rebuild it, magic or no magic. In the absence of those gifts, she learned to be strong without it, to rely on herself, on hard work and empathy, to make the difference, which turns out to be exactly what the family needs. The town, rather than turning on the Madrigal, comes to help in the effort, completing the “We are the ones we’ve been waiting for” sensibility of the fable.
In the effort, Abuela Alma recognizes that Mirabel is the miracle, that her children and grandchildren matter far more as who they are than the gifts that they bear. It’s a lovely, life-affirming sentiment, where both generations truly see one another and recognize both their mutual struggles and the good intentions behind them.
The Madrigal family that reunites under a new banner is a slightly scrappier one, falling short of the standards of perfection both chosen ones and immigrant families hold themselves to. But it is also one which is more whole and full of acceptance, where all of the cousins and kin are allowed to relax and express themselves, where those who remain unblessed by the supernatural or fated still find ways to be extraordinary.
A very good IJ movie, probably my third favorite after the first and third film. It feels like a full on IJ film, lots of action, a bit of humor, nice ending.
The only negative thing about it would be that some of the CGI was a bit iffy towards the end. However, it still worked and didn't bother me.
Would highly recommend :thumbsup:
Sheer fun. I laughed, I danced, I sung along.
"The thing about this form of communication is you're likely to talk about nothing. But I just want to say... all this nothing has meant more to me than so many somethings."
I love Meg Ryan's character, the setting, the development of the story and of course the chemistry between them. But every time I watch it I end up disappointed with the ending. Instead of proving herself to be a woman with integrity (and slapping him for the way he manipulated her), she just falls into his arms unquestionably. Unlike her heroin Lizzie Bennet would have done.
It's one of the few Nora Ephron romantic films I really complain about the ending
Growing up, Paris was a favourite of mine. I enjoyed his youth, boyish charm and natural cheek. Now as a woman, I find myself quite taken with Chakotay. Rewatching Voyager feels like home. Love it.
The Lego Movie is ridiculously fun while offering more than just that. Richly layered plot, fantastic animation and a sense of humor that is self aware offer more than what you expect.
It’s a fun kids movie… Nothing more, nothing less! There are definitely worse kids movies but also better ones. If you watch this with a kid in the cinema, you might find yourself chuckling a few times, which is good. Just don’t set your own standards too high, it’s not for you.
It’s so funny to me how this kids movie with lego characters has deeper and more challenging things to say than most movies that are made for adults.
The way that this is constructed as a narrative is truly genius.
It’s essentially a big ode to creativity, but it also takes a firm stance about how corporatism can ruin it by favouring predictability and stability.
Not to mention that it also looks great, the voice acting is top notch and the animation is inventive.
And it manages to be funny for all ages.
It feels a bit too long though, which comes as a result of it being as fast paced as it is and makes it overstay its welcome.
The closest we will get to a Bluey movie. It was pretty awesome. I'm glad they are staying put.
The thing that is absolutely fascinating, is that we didn't see him kill her. And i thought he might be innocent. I'm not sure really. The detectives and the prosecutor kinda twisted things?
I'm not sure...
And another odd aspect, is that body that washed up. It had it's arms severed with surgical precision, yet wasn't the woman in question's body. So why was that mentioned?
I don't know if he was guilty or innocent. A lot of the things could be coincedence, like getting bath mats. Though... There was the aspect of the surgical cleaner in the drains. Although didn't they say it LOOKED like it? Or even if there WAS that stuff in the drains, it could be natural cleaner or some other reason. But it is suspicious, as is the paint and bath mat.
But it is very interesting in this episode how you don't really know if he's guilty or innocent. The guy and the prosecutor were quite confident, but the woman had doubts. I have doubts, too. The guy mainted his innocence all through the episode and he was quite passionate sometimes about his innocence. Even though he was an asshole, that doesn't make him guilty of being murderer. But i guess it makes you more look like one, and that could also be a lesson in society. Don't be an asshole.
Watching order
Because there are some issues with watching this, here is the order.
Copying from the site in case it ever goes down, but this info came from here: http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html
It's probably more confusing here on trakt, so go to the above linked site for a better layout.
The Miniseries
Night 1
Night 2
Season 1
1.01 33
1.02 Water
1.03 Bastille Day
1.04 Act of Contrition
1.05 You Can't Go Home Again
1.06 Litmus
1.07 Six Degrees of Separation
1.08 Flesh and Bone
1.09 Tigh Me Up, Tigh Me Down
1.10 The Hand of God
1.11 Colonial Day
1.12 Kobol's Last Gleaming, Part I
1.13 Kobol's Last Gleaming, Part II
Season 2
2.01 Scattered
2.02 Valley of Darkness
2.03 Fragged
2.04 Resistance
2.05 The Farm
2.06 Home, Part I
2.07 Home, Part II
2.08 Final Cut
2.09 Flight of the Phoenix
2.10 Pegasus (56 minute extended version)
2.11 Resurrection Ship, Part I
2.12 Resurrection Ship, Part II
2.13 Epiphanies
2.14 Black Market
2.15 Scar
2.16 Sacrifice
2.17 The Captain's Hand
Razor (101 minute extended version - not the 81 minute broadcast version)
Important note: This was originally broadcast just before Season 4, but chronologically it fits here, telling more of the Pegasus's story. Some people argue it's better to watch after Season 3, as originally broadcast, but it makes most sense to watch it here.
The reason that the placement of Razor is a hotly contested issue among BSG fans is because of a bit of dialogue at the very end (in the last 10 minutes) which sets the tone for Season 4 (barely even a spoiler). Everything else in this TV movie is not a spoiler.
So why place it here, and not where it was originally broadcast, if there's any sort of issue? Because, chronologically, the story is set here, and by the time you reach the end of Season 3, the story of Pegasus will feel like ancient history. Indeed, that was the complaint echoed around the internet from fans after Razor originally aired -- it had nothing to do with what was going on in the story at that time.
As a result of this, most fans agree it's better to watch Razor here. In doing so, you'll appreciate the story more and it will have greater emotionally resonance. In short: I highly recommend that you follow my advice and watch it here.
There is one small caveat, however: In order to deal with the above dialogue issue, and so not to unintentionally alter the tone of Season 3, I have two, very specific instructions that I recommend that you follow for your absolute optimum enjoyment.
I will try not to spoil anything with these instructions, so pay attention. You need to press MUTE on your TV (and/or turn off any subtitles) in the following two moments. Both of these moments occur in the last 10 minutes of the story, so you can relax and enjoy the first 90 mins before you need to worry.
Press MUTE when:
and shortly afterwards:
That's it! That's all you have to worry about. Two very small moments, and even if you don't unmute it, it's not a huge spoiler, it just unintentionally alters the tone of Season 3 if you don't, so do try your best to follow my instructions.
2.18 Downloaded
2.19 Lay Down Your Burdens, Part I
2.20 Lay Down Your Burdens, Part II
The Resistance
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
Season 3
3.01 Occupation
3.02 Precipice
3.03 Exodus, Part I
3.04 Exodus, Part II
3.05 Collaborators
3.06 Torn
3.07 A Measure of Salvation
3.08 Hero
3.09 Unfinished Business (70 minute extended version - Note: Not included on Region 2 DVDs, but is included on ALL Bluray releases.)
3.10 The Passage
3.11 The Eye of Jupiter
3.12 Rapture
3.13 Taking a Break From All Your Worries
3.14 The Woman King
3.15 A Day in the Life
3.16 Dirty Hands
3.17 Maelstrom
3.18 The Son Also Rises
3.19 Crossroads, Part I
3.20 Crossroads, Part II
Razor: Yes, this again. (Well this is where Razor was originally broadcast, after all.) Remember the last 10 minutes where I told you to MUTE two small moments? Well, guess what, now is when you get to go back and hear what was said. Watch the last 10 minutes of Razor here.
Season 4
4.01 He That Believeth In Me
4.02 Six of One
4.03 The Ties That Bind
4.04 Escape Velocity
4.05 The Road Less Traveled
4.06 Faith
4.07 Guess What's Coming to Dinner?
4.08 Sine Qua Non
4.09 The Hub
4.10 Revelations
Season 4 Continued (aka "Season 4.5" or "The Final Season")
4.11 Sometimes a Great Notion
The Face of the Enemy
A 10 episode web-based series (although it plays together like an intense mini-episode). (36 mins.)
4.12 A Disquiet Follows My Soul (53 minute extended version - only on Bluray releases)
4.13 The Oath
4.14 Blood on the Scales
4.15 No Exit
The Plan (DVD/Bluray movie)
A stand-alone movie that shows (approximately) the first two seasons from the Cylons' perspective. (You finally get to see "The Plan", mentioned all those times in the opening sequence!) Although The Plan was originally released after the show had finished, it is generally agreed that it should be watched here, so that everything is all tied up when you do reach the end.
4.16 Deadlock
4.17 Someone to Watch Over Me
4.18 Islanded In a Stream of Stars (62 minute extended version - only on BluRay releases and Region 1 DVDs)
4.19 Daybreak (150 minute extended version - only on BluRay releases and Region 1 DVDs)
The Plan : This is where this DVD/Bluray movie was originally released (after the show had finished). It seems universally agreed that it's preferable to watch this after No Exit, instead of after you've finished the entire series, but there's no harm in waiting until now.
Then Caprica the series: http://trakt.tv/show/caprica
Being a Colombian I can tell you that it was set in a perfect way.
The colors, the cultural diversity, the music that represents us, the typical foods, the personalities, everything. You could even say that the background on the violence is very well done. In Colombia we have a big problem that is forced internal displacement, so much so that we are the number one country in this. The fact that they gave a few little moments about this conflict ... brought me to tears, but I really appreciate it.
It is the perfect tribute to my beautiful land. I loved it.
In addition, I feel that it is very easy to connect with the characters and give each one a little development, considering that there are so many.
I have a little criticism for the movie though. I feel like a little more explanation was needed as to why Mirabel could not receive the miracle when she was a child and the specific reason why Casita was cracking. Maybe they could make it a bit longer to explain this, but overall I liked it.
Pd: Lin Manuel Miranda never disappoints, I'm his fan 4eveeeeer
I think the message of the movie is rendered more important and urgent by the fact that so many adults simply don’t get it.
The story is beautifully told, but in a society obsessed with being successful the metaphor about the gifts flies over most heads.
I read the book as this release came nearer, and I thought that while good, it was clearly a ‘first big passion project that grew in scope and theme in the telling’. And that resulted in a charming work, but also one that could be refined and sharpened if given a second go around and seen by experienced eyes. Well, this movie did that and then some. It’s an affecting allegorical fairy tale for our time, one I honestly sorely needed after all that happened today.
If there’s one word to sum it up, it’s unapologetic. There’s a very big reason Disney didn’t take this on, yes, but there’s a whole lot smaller ones too. This is daring in a way their work hasn’t been allowed to be in years, if not a decade or two. A gay romance is one of its centerpieces, but it also tackles the fear of the other hurting so many today, the classism holding so many down, how it’s rooted institutionally, how you can’t just play nice and appease them. Balister did everything right, he played by the rules, he excelled, he gives them chance after chance, but that’s never going to be enough. The system and those behind it will toss you aside because you don’t belong.
Riz Ahmed plays him perfectly, making what could’ve been a stick in the mud such fun to listen to, and displaying his journey from lost and tossed aside golden boy to a man who’s found strength in the truth and most of all, his friend. In conjunction with the most effective set of puppy dog eyes I’ve ever seen, you can’t help but feel and root for him. Beck Bennett is always a gem in any ensemble and gets some big laughs. Eugene Lee Yang was a sleeper hit- I didn’t expect a Try Guy to remind me so heavily of Crispin Freeman, and that is high praise. It’s not that he sounds like a discount version of him, but that he has a similar lived in earnestness and genuine personality amidst a theatrical and dramatic performance, somehow grounded and knightly all at once. And Conroy is a risible antagonist, one who has convinced herself her paranoia and prejudices are noble and for the greater good and all the worse for it. She does not consider herself a monster by any means, but an aggrieved martyr doing what must be done, and Conroy makes her real while not sympathetic to anyone but herself.
But the most striking performance of all, of course, is Chloe Grace Mortez as Nimona. She put her heart into this role and you can feel it. She straddles the line of what could’ve been either ‘softened and smoothed so as to lose all edges’ and ‘so obnoxious and bloodthirsty so as to lose empathy’, and makes it look easy, instead conveying a character who’s found her way to survive in a world that turned its back on her first. An inner pain at the heart of her rage, one that’s always hoping that she’ll be proven wrong. Or rather, proven right with what she first saw all those years ago- that people can accept and love something different. But the film also never frames her as in the wrong for pointing that anger where it belongs- at the system that props up what was done to her. Many films would’ve agreed the director was the only problem, but this one asserts that the institute and the wall that enables and created her must also be torn down. Mortez goes hand in hand with immaculate writing and gorgeous animation to craft a character who’s hilarious, heartfelt, and devastating. Nimona in motion is such a striking vibrancy against everything else, bringing a life and beauty and color they don’t see until the end. And it makes it such a gut punch when Nimona has lost hope and that pink is replaced with black and white.
There’s a lot of ways Nimona resonates with today. The Director exclaiming Balister has a weapon is a subtle, brief one that only lasts a minute but hits like a punch to the gut. There’s Nimona defending herself being taken as self evident proof she is a monster. There’s her suicide attempt, where the rampage in the book is a path of vengeance here it’s just a last resort after once again losing everything and being rejected on a fundamental level. All that is one reason Disney wouldn’t take this on. But another is it’s sense of humor, or in acknowledging that yes kids know what blood is and many like it and they can handle it. The movie’s not a bloodbath by any means, but blood is just. There! Gay people are there! This movie, despite Disney, despite the conservative backlash against queer children’s media, is here. Saying you are seen. You are not alone. It’s something I think a lot of people, of any age, needed to hear today, and will need to hear in the future. I know I’m one of them.
Be warned: this show has straight relationships. There's actually men and women who love each other, I can't believe they are pushing this agenda. Can't we just keep politics out of these shows?
Argo expertly builds tension and makes you wonder whether the mission will succeed. Enjoyable, Suspenseful and well-acted.
I'm fully in love with the way this show lets its characters fail in front of each other, the way characters call each other out for wrong-ass behaviour, the way forgive and reconcile... folks seeing each other, showing each other kindness. Even though it's paper-thin in some areas, the areas in which Ted Lasso are trying the hardest to succeed (humour through character and empathy, mainly), it's just f*ing **excelling. Also: Hannah Waddington is just ridiculously good in this episode. I know I've seen her in several things over the years, but I hadn't quite noticed how great she is at the acting until this role.
If you're a fan of the Super Mario Bros games (like I am), love Video Games, or have kids, I highly recommend this high fast paced, funny, and visually pleasing film!
A lot of critics didn't like it, but the Audience Score is at 95% for a reason! I love fun movies at the theater, and I bet you would too!
I don’t care what anybody says! I started smiling when the Nintendo-logo appeared in front of my face on the big screen for the first time ever and stopped when the movie was over. It’s fun, fantastic and full of easter eggs. For long time fans (like me) this is everything I wanted to see. I love it!
I actually liked the first Sing because it felt so sincere from the characters' perspective (not Moon's, I still hate him). But this film just throws it all out the door aside from Johnny and Ash who have somewhat interesting personal stories but feel like rehashes from the previous one.
Sing 2 is great when it comes to its colourful visuals and of course the musical numbers. But falls flat in the story department and especially in its villain. It is just the first movie over again but with the villain just one-dimensional. There is no effort to even try to have the villain be slightly compelling or relatable to any degree and doesn't add any motivation besides typical greed. Boring.
While I did say the visuals are colourful and great, it lacks any creativity like any Illumination film with how it uses the shots. It feels so flat and relies on the characters to tell the story as it doesn't show. But like I said, the first film managed to do a good job with characters and their perspectives. Here it can't juggle all the plotlines going on. Even with it being so simple.
This movie is not good. But Taron Egerton is just superb in his role as Johnny so I can't fault it too hard.
4/10
I totally love this movie I used to play Super Mario Brothers back in the days and I'm so impressed with the detail they put into this movie truly love you highly recommended it's must watch
