This is a very weird movie, but not by its content. Hard to tell whether it was worth watching.
Visually it's nice, extremely clean and ordered. But 90% of what happens has absolutely no interest. Family picnic. Wife showing the garden to her mother. Some random conversations. Dictation of work letters. Administrative work. It is very boring, soporific even.
The only interest comes from knowing who those people are and the whole context, and the contrast with the banality of their lives, with the clinical simplicity of administrative decisions.
The whole camp is hidden behind a wall. There is just a background noise, far away, muffled, some cries, some gunshots. And the chimneys smoke.
Among what is banal but extremely shocking by the context:
- The mother complaining she could not get her neighbour's curtains.
- The commander getting a new post, but her wife complaining about losing her garden
- The sales pitch of the new generation crematorium
- Being so happy that the plan is named after him that he calls his wife in the middle of the night
- Ashes used as fertilizer in the garden
The only small moments that acknowledge the violence are:
- the wife, upset, threatening the maid that she could have her incinerated just like that
- the commander having a young girl sent to his office
- in the commanders meeting, the word "extermination" is said once, but all the rest is just logistics and quotas
At the end, a cutscene shows people cleaning the camp, and it takes a while to realize they are cleaning the current day Auschwitz museum, I guess showing the continuity of mundane tasks in all circumstances.
So in the end, this is definitely a work of art that succeeds in what it's trying to achieve. However the boringness is what makes it special, and you can't avoid the fact that it is mostly boring. Not to watch when sleepy or tired.
Heads up: I know that there are a lot of folks going into this expecting it to scratch the same itch as Game of Thrones or Vikings.
You’re going to come out extremely disappointed if you expect that.
This is way slower and artsier than your average 'manly' action movie, the tone and feel are more akin to something like The Revenant
Alright, so I did not give this its due the first time around, here are my updated thoughts.
The first thing that stood out to me during the rewatch is how much of the imagery had already burned itself into my brain, there are so many fantastic long takes that I still easily remembered months after seeing it the first time.
I love the brutal and raw feel, which combined with the score creates a very good sense of atmosphere.
The characters clicked for me this time around, a lot of their development is done in subtle and visual ways (pay attention to how cold Skardsgard’s character claims he is versus how he acts). As a result, I wasn’t bored and the pacing fell into place for me.
While the story is still a little by the numbers and predictable, I picked up on this theme of the toxicity and pointlessness of revenge, which sets it apart from similar stories like The Lion King or Hamlet.
The action slaps, but I’m still not a fan of some of the arthouse touches. For example I don’t get what that hallucination fight during the sword retrieval scene wants to convey.
But yeah, it’s much better than I initially gave it credit for, even if it’s nowhere near peak Eggers.
7.5/10
This is me bordering into "unpopular opinion" territory again.
I don't know what it is with movies this year. Most of those I really looked forward to ended up being a disappointed. I enjoyed the book and I grew up loving the 90's adaptation and I really wanted to love this one, the trailer looked great and I generally love musicals, so I don't know exactly what it is here, that did not sit well with me. Maybe it was the bizarre singing babies opening scene already (creepy af).
I never really got around to listen to the musical soundtrack or even watch it, so I went into this adaptation without much knowledge (only song I knew beforehand was 'Revolting Children') and while the music was mostly fine, I found the songs painfully forgettable.
The actors were okay, I guess. Matilda's parents were funny, but didn't get enough screentime. Lashana Lynch was lovely as Miss Honey (what a voice!) though I found her a bit too meek for most of the film's run. I usually love Emma Thompson, but she didn't really do it for me as the Trunchbull. Pam Farris was fierce and scary, yet oddly funny and entertaining while Thompson nailed the mean-spirited nature, but failed to evolve above that. Her portrayal felt oddly safe. Young Alisha Weir certainly has screen presence and will go her way (and I don't want to be too critical of child actors, it's more the direction and writing I'm blaming here) but Matilda often felt too serious or even too bratty compared to her book counterpart or the relatable portrayal by Mara Wilson, who made her extraordinarily endearing.
I know I shouldn't compare adaptations too much, but I just can't help it. This one was clearly a high value production spectacle but it lacked the heart and soul of the 90s film. The tone was all over the place, it was too long and oddly boring at times.
It had it's moments but overall it lacked the certain something.
And really, wtf was that added subplot about Matilda's story that turned out to be about Miss Honey's parents? That was just bizarre and unnecessary.
I don't know where all the negative comments are coming from. I loved this sequel.
The Matrix Resurrections keeps to the theme of the original movie, while leveraging plot points from the previous sequels to resurrect the Neo :heart: Trinity love story after 20 years (according to the movie timeline it's 60 years) .
The Matrix movie critics love to over-intellectualize the philosophy of the story arcs and characters. Over the last 20 years, I've heard critics trying to justify religion (ex: Buddhism) using the Matrix movies. Today, reading the comments here, this seems to have evolved into people trying to explain transgenderism using The Matrix (maybe because the creators of Matrix are transgender?).
I always believed that these movies oppose group think and are about breaking free from hive-minds and intellectual-echo-chambers (aka The Matrix). For example, Twitter today, with its Leftist cancel mobs, is a great example of a Matrix. Every time I read about a famous person getting "cancelled" or "de-platformed" by a social media platform, I picture an image of Neo being dragged out of the embryonic sac and getting violently unplugged by machines and thrown away (from the original Matrix movie).
For me, as a career software engineer, The Matrix movies are also about algorithms and logic. The unpredictability of a code base as it gets larger and complex. Eventually, leading to anomalies and vulnerabilities. I loved Neil Patrick Harris' performance as the new Architect of the Matrix. What a legend!
Is the franchise getting stale? Absolutely. It's a formula movie franchise. I watched all Fast and the Furious movies and the spin-offs too. I'm not the one to judge. :rofl:
A secret room in the house where everything you wish for just appears. While the pitch is interesting, the scenario is not really exploiting it.
Yeah they get crazy, money (that they don't even try to use), great clothes, great food, famous art, etc. But they go over that in just a few days. While never even once taking something outside, really ? I mean it's not like the process takes a while, it disappears in a few seconds so that means they never did it even once! So what was the point of all this money ?
Then comes the main and only story, Kate wishes for a kid. And well, that's not very interesting. The final part, though totally expected, brings a little action and tension, but not enough to make it a good movie.
There could have been some research on how it works or where it comes from, but we're just being told that Matt is doing that, is obsessed by that even, that's it. No real insight on what he's doing or how or if he gets a lead or something, no history, no metaphysics stuff, nothing.
There could have been some exploration of what the room can do, ho far can it go, you can see the possibilities when Shane creates a whole outside, but not exploited either. Can it create things that do not exist ?
There could have been a price to pay that comes later. Nope.
There's a storyline with the previous owners of the house that could have led to interesting things just to find out that they did exactly the same thing, so not much interest here either.
So a great concept, but turns out the movie is barely using it, such a waste.
Gun Fu, Gun Porn, Stylized Ultra violence, call it whatever you want, but, one thing is certain, John Wick 3 delivered it all, and then brought you second and third helpings. Tom Cruise gets a lot of cred for doing his own increasingly elaborate stunts for each M.I. installment, but I'll see you EVERY stunt the couch jumping Mr. Cruise has done his ENTIRE career, for the first two action sequences in this movie ALONE! Also, Keanu Reeves isn't just harnessed to a plane or rappelling down the side of a building and leaping across roof tops. Reeves weapons handling and combined intricate fight sequences aren't the result of Steven Seagal style quick cuts, Fast and Furious edits, post SFX, or tricky camera angles to disguise whats actually happening. It's VISCERAL, because the camera lingers on the mayhem so that the viewer can savor each strike, slash, stab, and gunshot, and ALL the accompanying carnage. Not in Sam Peckinpah slo-mo, but in real time, yet, somehow, one is still able to take it all in, and then the sequence would end, just about the same time you remembered to BREATHE!
https://www.youtube.com/watch?time_continue=20&v=nrawit53W7s
Yes, it's over the top, but this is the world John Wick inhabits. A culture of hired assassins, an entire society, existing just beneath the surface of the one you and I can see, the one the rest of us inhabit. A society with rank and file members, management, service, and executive classes, and RULES. And it is the rules, which have kept order from devolving into chaos for hundreds of years, that have made them "different from the animals".
For the love of his deceased wife, a car, and a puppy, John Wick reached his proverbial "last straw". (John Wick 1) For his loyalty to a blood oath, which was broken, he violated a cardinal rule, and was marked for death. (John Wick 2) Yet, using those same rules and oaths, (and his particularly unique set of skills) he was able to braid for himself a life-line, tenuous as it was, but a life-line nevertheless. The powers that be cannot allow that to happen, and seek to intimidate, punish, and if necessary eliminate each of those who extended him a thread of that line, even if they technically only "stretched" the rules. What they have failed to realize is that John Wick's reputation as the "Baba Yaga", the proverbial Boogie-man, is not only well earned, but, if anything, it is UNDER stated.
Those who were paying attention saw that we actually DID get quite a bit of origin/back story on the eponymous Mr. Wick, as well as a glimpse into the world of the contract killers, as to how the contracts are put out, and the hierarchy that pulls the strings behind the scenes. I look forward to seeing this expanded upon in future installments
Kudos and Props this installment to Iron Chef Mark Dacascos and a host of other Asian Martial Artists as the closest thing John has to true competition, yet, they are at the same time fanboys who geek out at getting a chance to fight him.
To Halle Berry, for NAILING her fight sequences, then being a trooper and not quitting when her scenes cost her a couple of broken ribs. Her character obviously has some issues with the menfolk, considering how many she shot in the "kibbles and bits. Also props to the trainers of her two pups, and the stunt men for allowing same said puppers to gnaw precariously close to their kibbles and bits until she shot them. OUCH!
In case you doubt me:
https://www.youtube.com/watch?time_continue=66&v=xa2RJPrY2Og
To Laurence Fishburne, for making sure that Neo still has Morpheus as a Mentor, even if you "sometimes have to cut a Mo Fo".. All we need now is Carrie-Anne Moss' Trinity to show up in the inevitable Part 4, and all will be right in the Universe. (make it happen writers)
10 out of 10 - Best of the 3 so far IMO
kay 1st things 1st...if you can't handle the word motherfucker you should NOT watch this movie.
This movie is AMAZING!!! It's definitely deserved the blockbuster line. This one has it all! Action, humor, great story line, music!! Yes I even dare to say that this soundtrack is close to the Guardians Vol 2 soundtrack! Baby driver is nothing compared to the music they use in this one!
Swearing A LOT!! When I'm going to watch the movie again I'm going to count the amount of times the word "motherfucker" is used...cause it's quite a lot.
Personally I never get tired of hearing Samuel L. Jackson say that word, but some might think it is a bit over the top. Also Ryan Reynolds looks pretty damn hot in this movie...must be the beard and not the Deadpool look XD.
You know those action movies where they race cars through tiny streets, they prefer to do that in Paris a lot too...well get ready for a new city to blow your mind.. Amsterdam is here baby!!! I do hope no bikes were hurt during this movie cause ouch!! Although some scenes are a little over the top it still makes a great movie overall. Even the bad dutch accent is kinda cute in this movie, you can pick out who is Dutch, French and American..so cute XD.
It's kinda sad that this movie is only 118 minutes, you know a movie is good when you're sad it's over. The only thing I wasn't to fond over was the romantic aspect of the movie, it is needed sometimes but as most of the things they overdid that too, but hey if you're madly in love with someone you might not think it's too much.
This movie is a blockbuster for sure and should've been titled THE MOVIE OF THIS SUMMER!!! While it will probably not get any Oscars (Samuel L Jackson should just get one for using motherfucker! And Ryan Reynolds just for looking this hot!) it is definitely a movie you MUST SEE...unless you really can't handle swearing and a good action movie...please do not watch it then.
I give this movie 10 out 10!!!!
It isn't an easy task, trying to sum this film up in a couple paragraphs, but I will do what I can. This is one of those films that I walked into with sky-high expectations and it is one of the very few that not only met those expectations, but beat the piss out of them as well. Kingsman: The Secret Service has all the makings of a great thriller/comedy/action/spy/romance film and if you are a fan of movies at all, I highly recommend it. I am not going to go into detail about the movie, you should really just go watch it.
Throughout the film, there were a couple of times that I was reminded of the Men in Black franchise. Though Kingsman has nothing to do with extraterrestrials, the humorous secret service theming is very familiar. But I found Kingsman to be superior in several ways. The story is complete and satisfying with a few decent twists but nothing totally mindfucking. And if you are like me and expect a certain level of character development in order to be happy, you won't be disappointed.
There is a small bit of disbelief that you have to suspend in order to enjoy the movie, but I had no trouble with that. The fight scenes were ridiculously cool, even for someone like me that isn't really an action kind of guy. I am more about finding an emotional connection to the characters in a film and I became fairly attached to several of them in this one. My only real complaint was that a couple instances in the film that utilized a green screen were very noticeable and almost hard to get past. But what it lacks in green screen effects, it more than makes up for in humor and other special effects.
So, in conclusion, this was a movie well worth seeing. So hurry up and catch it while it's still in theaters.
