Nothing comforts anxiety like a little nostalgia.
If anything, Hollywood has boiled that concept down to a science over the past few years, as this film is basically a summary of everything that’s wrong with the industry in a neat, 148 minute package.
It thinks it’s meta and self-aware by pointing out how cynical and cheap franchise filmmaking is.
That might sound similar set-up as 22 Jump Street, but this film proceeds to be cheap and cynical itself without saying anything substantial beyond its own set up, so it embraces what it’s trying to criticize.
Everything in this movie is structured as an excuse to show stuff you’ve seen before, there are little to no original concepts or ideas that push the franchise in an interesting direction.
It’s mostly a rehash of the first film (mixed with some stuff from Reloaded and Revolutions in the second half), except the action isn’t nearly as good, it’s more predictable and convenient, the performances are nowhere near as memorable (that’s what you get from replacing your 2 best actors), it looks uglier and more synthetic, the pacing isn’t as tight, and it’s a lot more dull because of how much it overexplains itself.
It also ditches the cyberpunk aesthetic, and replaces it with something a lot more bland and boring, stripping the franchise from a lot of its personality.
It’s honestly quite an accomplishment when you think about it: the original is one of the best, most successful, big budget films ever made that still maintained a strong artistic and alternative impulse.
This, on the other hand, couldn’t be any more lowest common denominator if it tried to.
It’s a parody of itself and modern blockbuster filmmaking.
I suppose that was Lana Wachowski’s goal to some extent, but it isn’t very compelling to watch.
3/10
Before explaining why I liked this movie, I'd like to point out that the main idea of the movie is NOT that you need find your purpose to have a happy life. It's the exact opposite! I'm not saying this just to be a professor, but because it's really important and that's why I loved the film so much. You don't need to be fixated about something to find a meaning in your life. You need to savour it and learn to enjoy the little moments instead of waiting for something big to happen to reach happiness. It's so profound and refreshing. A movie just about a guy waiting for his big moment and feeling fulfilled after having reached it would have been dull, boring, trite and most of all wrong, like pretty much all "self-help" advices.
Instead the opposite idea is presented and if you just pay attention to the dialogues -and the story, really- you'll understand what I mean and most importantly what you might apply to make your everyday life better.
But back to the movie I've got to say I almost cried as the end was approaching as much as I was going to turn off the tv when the movie started. The whole initial setting reminded me too much of Inside Out, a film I quite disliked, so I was worried it was a copy of it (it kind of is in the beginning). But luckily the second half steered away from it and developed in one of the most moving film I've seen in a long time. Undoubtedly one of Pixar's best.
Dunkirk by Christopher Nolan was just a fabulous experience. I definitely enjoyed the movie quite a bit from start to finish, and usually war movies aren't really my cup of tea (at least not anymore). However, cinematically, the entire movie is just a masterpiece. As a big movie buff, I could appreciate how meticulously crafted the whole movie was. It's so hard to create a movie like this within this genre while trying to remain "minimal", but Christopher Nolan accomplishes it in every sense of the word.
He seamlessly interweaves 3-4 different plot narratives/timelines, while using minimal amounts of exposition. He gives the viewer such a sense of a looming and foreboding threat, while never even having a Nazi soldier on screen at any time. He tells us "so much with so little" and allows the viewer to take in the conflict of each situation (and there are a lot of them) rather than point it all out to us. In that sense, you really feel like you're getting into the mind of each one of the soldiers/main characters when they are contemplating some very crucial decisions that literally determine life and death, for not just them, but many other men as well.
Nolan gives us continued development, closure and solid endings in each one of the tiny subplots that he sets off from the beginning. It's definitely a joy seeing how all the different plotlines intermingle with each other at the end especially with the civilian aspect added in. And, most importantly, he accomplishes all this in less than 2 hours (and by a damn good margin as well).
If you appreciate amazing direction, cinematography, and vision within a movie, this will be an absolute joy. It could definitely get Christopher Nolan that elusive Best Director Oscar come Academy Award season. I watched Dunkirk in 70mm, but, honestly, I couldn't really tell the difference, especially without being able to do a side-by-side comparison to a regular version. Overall, it didn't seem too different from the usual XD or IMAX type presentation at my local big theater. Still, the movie is a visual treat lending heavily to more practical effects that gives a nice sense of realism to it all.
Anyways, this gets a solid 9/10 from me, coming from a war movie curmudgeon. Watch it, and you won't regret it.