I cried more than one hour because of him! Maybe there is someone who never seen this before so I don´t wanna write here spoiler but he is the best character for me so I cried like little kid when it happened. I was all day so sad from that. I was like a zombie..
Jordan Fisher's Those Magic Changes gave me all the feels.
The best performance I've ever seen about Jake Gyllenhaal ! I enjoyed all the movie.
Top Movie! Really enjoyed every minute!
Funny as hell and delightful rated R content. Was not disappointed.
120 minutes of jokes, pop culture references and free violence. This could be 120 minutes Deadpool standup.
The friend zone has been taken to a whole new mechanical level.
This film makes believing in fairies cool again.
So I went to see this in the 70mm tour they're doing. I'm glad I did, it was a cool experience. I'm not sure if they'll have the opening overture and intermission in the standard release or not, but it really felt like I was going to a classic film viewing in the 50's or something.
Now, onto the film. It is really hard for me not to enjoy dialogue in Tarantino films. I love the opening talks back and forth as three of the eight are driving up to the cabin. And then you get to the cabin and get to hear a lot of great dialogue from the rest of the eight. It is all great, and perfectly sets you up for violence later on.
I enjoy just about everything in this movie. Every actor is turning in a great performance, but I specifically loved Samuel L Jackson and Walton Goggins. Both went from very good at the start, to extremely entertaining by the third act (unlike the sudden voiceover).
If you like Tarantino films or westerns at all, you should certainly check this one out.
An extraordinarily story, and it will give you chills.
The thing that i loved that the story-line was from the child's eyes.
One of 2015 best movies.
Wow, just wow! Brie Larson is fantastic!
9.5/10. There are times when I feel jaded as a viewer. When it seems like despite the breadth of films out there, that I know most of the tricks, to where while I can appreciate a film's achievements in sort of a detached way, when I can even be engaged and invested in something, it doesn't necessarily reach me in the way that movies did when I first started watching them. The scope of appreciation has widened, but the emotional resonance feels muted, because I can't help but see the strings.
And then a film like Room comes along.
And Jack sees the expanse of sky for the first time. And Joy hugs her parents after not seeing them for seven years. And Robert can't even look at his grandson. And Nancy tells her daughter that she's not the only one whose life was destroyed. And Joy tells her mother that if she hadn't been taught to be nice, she might never have gone with Nick. And there's a supreme, heartbreaking look of guilt on her face when a reporter asks if she should have given her son up while in captivity. And Jack walks in on his mother's suicide attempt. And Nancy hears her grandson say "I love you." And Jack sees a real live dog, and makes a real live friend, and cuts his hair to give his mother his strength.
And I wince and I laugh and I cry and I gasp at this beautiful, devastating, intimate, life-affirming film. This is why we make movies. I love popcorn films, with the fights and flashes and epic feel, and I love the big dramas, with their scope and their sense of grandness and the talent on display, and I love those classic film comedies that mix the absurd and the irreverent and the memorable into a single hilarious package. But the films like Room simultaneously so small and so personal, yet so powerful and affecting, have a special place. These are, as Robert Ebert once put it, the empathy machine that is film working at peak efficiency, taking us into the lives of people who have suffered and been unfathomably wronged, and carries us with them as they carve out a way forward.
I didn't know I wanted a film that feels like a cross between Oldboy, Life Is Beautiful, and Boyhood, and yet the elements Room shares with each--the sense of isolation, the loving way in which a parent tries to distract their child from a continuing tragedy, the slice-of-life, impressionistic depiction of a young boy's innocence--come together to form something absolutely tremendous.
That last facet of the film, the fact that it filters the entire experience through young Jack's eyes, is a stroke of brilliance. There's a matter of factness, a certain directness or even blitheness to the way children experience the world. Using Jack as the lens through which Room tells its story renders those events not only realer, but plainer, imbuing them with the unvarnished perception of childhood. The way the film is able to get into Jack's head, to allow the audience to view these horrors and steps to recovery through his eyes, is its greatest strength and most impressive achievement.
By the same token, Brie Larson as Joy deserves all the accolades she's received for her performance here. While still a prisoner, she carries herself with such an air of both utter resignation and quiet resolve, someone who's been beaten into submission but carries on with whatever she has left. And once she returns home, the guilt that consumes her, the anger that she has for the world that kept turning without her, are palpable in every moment without fading into overwroughtness.
The film can essentially be divided into those two halves. The first is the story of Jack and Joy in Room, of the way that Joy makes unbearable circumstances livable for her son, the way that she copes and shields Jack from the horror around him, and how Jack strains and struggles to understand the idea of the world beyond those four walls, to where he can, eventually, help the two of them escape. The second half is far less intense, but still endlessly intriguing and affecting. It's a quiet domestic story about how people recover from that sort of trauma, both Joy who feels the opposite of survivor's guilt and second guesses herself, and Jack who is exposed to a big scary world, the depth and breadth of which is entirely alien to him.
But throughout both halves, there is such a pure emotional truth in each moment, from the simple joys that Jack enjoys within the home he doesn't realize is a prison, to his anger and resistance at having that fantasy shattered, to Joy's dispirited but resolute attempts to keep him happy and healthy, to the realistic, painful difficulties parents and children face when rebuilding a family seven years after a tragedy, to the wonder and fear a small boy has for what lies beyond the garden gate, and the unmitigated joy at every step taken toward some cobbled-together normalcy. Room is a beautiful, heart-wrenching, intensely personal film, that takes an unflinching yet uplifting look at how people cope and come back from the worst that our world has to offer.
This movie takes no hostages... The driving was absolutely top notch, the special effects were beyond good and although the action was relentless, it never once felt fatigued or over done. This movie delivers on all its promises. If you want a pure action flick that wastes no time, Mad Max Fury Road is it!
I had no exceptions when I walked into the cinema, but I walked out content and happy. Charlize Theron is a sight for sore eyes even when she's tuff and hard. A movie that should be seen in cinemas, great action throughout the movie.
One of the best compliments you can give to a movie is that it takes you and wouldn't let you go before the end credits. That's what Max Mad did to me. The whole movie is so intense that my eyes were glued to the screen. The cinematography is gorgeous and make a world come to life. The main characters feel real and you can rely to them. I like it when a main characters isn't the 'invulnerable' hero, so you feel more tenses in the scenes because 'it could go wrong for him'. All this is directed in a perfect way. All of the action is filmed with a steady cam, thank god! No shaky cam but steady and wide shots which make the action scenes a real experience. I have no real faults with this film, I loved it from begin to the end. So I would recommend it for everyone who wants an awesome 2 hours.
Still just a bit confused, but definitely impressed. This movie is a great way to tell something really important without turning it into an 100% boring and 0% "reachable" documentary. In a way, it dares you to not believe them, the characters—their story and what they did—neither what the future can hold. By doing so, it scares us twice as much and makes us keep discussing it all, long after it finishes. Very good.
This is why I should write reviews straight after the film...
Anyway, I liked this movie. It was surprisingly clever, witty and fresh. It was also self-aware but not in a absurd Scary Movie way. It wasn't a parody but at the same time, it took a stoner movie and just, i guess, made it good. Characters had personalities but I guess the focus was more on the plot as opposed to character development. There were nice twists and it didn't go down a cliche route with romance but didn't feel uneventful for that.
I'll write a better review on a second watch. I promise.
Legendary!
G, I love this movie.
Here are 15 lessons I learned from Kung Fu Panda 2
01 Never lose your sense of humor.
02 Nightmares are visualizations of your inner fears.
03 We must do, what we are afraid to do.
04 If your heart is filled with hate, it can never be filled with love.
05 Live in the moment. The here and now is the only thing that matters.
06 If you are angry, it doesn't help to release it on a pole or people next to you.
07 The problems we have, are only (reflections) inside our self.
08 If you want to find inner peace, you need to let go.
09 You are yourself your biggest enemy.
10 When you accept your past & accept who you are - you can access your full potential.
11 Anything is possible (if you are in inner peace).
12 Nobody can tell you who you are, you have to discover it for yourself.
13 Revenge can blow up in your face and your victory will be short lived.
14 Everything happens for a reason - even pain will result in meaning (loss of parents -> dragon warrior).
15 Never give up.
One of the best movies that Disney has made. The visuals and animation is incomparable to any studio (except Disney itself with Pixar) and the story is so well balanced, with (meta-)comedy and drama/suspense mixed so well together. The voice actors really makes you believe in a world where animals can be anthropomorphic and live in a society. A must-watch for children but also anyone who appreciate the beauty of animated storytelling.
A delightful, ambitious and fun Disney animated film. Definitely their best politically correct movie. That has a smart story about racism while being entertaining without making you roll your eyes.
I was one of the lucky few to attend an early screening, and I must say, this is one of the best Disney movies EVER! The quality of the animation is beyond compare. The story is balanced with deep moments and really great comedic bits, and I couldn't stop myself laughing at each joke and meta-joke the movie threw at me. The cast is great, it's uncanny how much life they are able to give to these anthropomorphic animals. I'm definitely going to see it again when it premieres in a few weeks!
Absolutely beautiful. The story, the message, the visual, the acting, I found everything so appealing and engaging. For me, it was the first time I was able to smile while watching something related to the towers, I didn't necessarily remembered a tragedy, but I rather felt hopeful while seeing the amount of beauty a man was able to produce.
Best visual effects I have ever seen. Funny, exciting and lovely.
I think I enjoyed this film.
I say I think as it quite literally caused a cold sweat! I'm not the best with heights - and - the scenes in this film, the realism, I felt transported to that wire; it was terrifying!!
I know it to be be true, but, I can barely believe Philipe walked out on that wire not once but 8 times. Certainly worth a free pass but sadly the 'forever' part of that cannot be fulfilled.
With an impeccable mix of live action, CGI and a stampede of adventure, "The Jungle Book" proves Disney is once again king of the jungle.
Not terrible, not great, just... fine. Easily the worst of the new trilogy. Script-wise it was a real letdown from DoFP and First Class, and Apocalypse as a villain is stereotypical and brings nothing new to the table. Oscar Isaac was so wasted in this role.
While being a complete deus-ex-machina, the Quicksilver scene is again the best in the movie.
He states "There is one question" and "only one answer is required." the question is "any questions " meaning (do you have) any questions. Yes or no is irrelevant. There can be any amount of answers but only one is REQUIRED. There is no right answer, no wrong answer. The paper was purely a clue, (and a distraction.) The entire movie is about attention to detail!
As a movie it's the most well crafted of the series. But as an adaptation of the book, it was by far the worst.
