A show notorious for an awful ending comes back from the dead and has an even worse second ending.
An ending which wasn't earned at all:
- Dexter is acting sloppy and idiotic the whole time. This is a man who got away with hundreds of murders.
- Angela, who hasn't been able to solve a series of missing persons cases in her own town for 10+ years, solves the BHB case thanks to a series of plot contrivances, a google search and a freaking retcon (the M99/ketamine inconsistency, that made all of this possible). Her conversation with Batista in the final episode makes no sense either.
- The writing for Harrison is all over the place. After ten episodes I barely know who this kid is and what he wants. He keeps running away from conversations until the final couple of episodes and then we get barely 45 min of father-son bonding out of the whole season. His 180° turn in the next and final episode feels incredibly rushed.
- The show completely falls apart when Dexter kills Logan and he didn’t have to. All the evidence they had on Dexter was circumstantial at best, they had nothing solid to tie him to any of the murders. Any capable lawyer would have got him out of this. So his decision to attack a cop and prove himself a killer is the most illogical and out of character action he could have taken at the time. It was all downhill from there.
I am not upset Dexter died. His death could’ve happened in any number of fulfilling ways that honored the journey and the themes of humanity, morality, consequences, personal growth, development of empathy, justice/vengeance, the lasting effects of trauma the show explored in its' original run.
I’m upset they instead had his own son put him down like an animal while undermining years of character development to tell us he was just a psychopath incapable of feeling all along. Vilifying him entirely at the last second to force this outcome feels like weird moralistic bullshit punishing and mocking us for caring. Miss me with that bullshit.
Clichéd and derivative nonsense
Matilda Gray (Lydia Wilson) is a talented cellist whose life is turned upside down when her mother, Janice (Joanna Scanlan), suddenly commits suicide. Whilst going through Janice's possessions, Matilda finds newspaper clippings reporting on the disappearance of a young girl from a small Welsh village 23 years earlier. With her best friend Hal Fine (Joel Fry) by her side, Matilda travels to Wales to try to find out why her mother was so interested in the case, and what she finds will cause her to call into question everything she thought she knew.
Requiem is not a very good show. The plot is utterly derivative, with writer Kris Mrksa stealing bountifully from everything ranging from Henry James's The Turn of the Screw (1898), to Jack Starrett's Race with the Devil (1975) to Robert Eggers's The VVitch: A New-England Folktale (2015). Matilda fails to engender even a modicum of empathy. She's deeply unlikable, and shows little self-awareness as she harasses a child and a clearly mentally-unstable woman. And then there's the tonal raison d'être - the "horror" of it all. Director Mahalia Belo is very much of the modern school of horror filmmaking; mix equal parts shallow focus camerawork, high contrast shadows, and unnatural noises, and finish with a garnish of implausible jump scares. Also Tara Fitzgerald, as antiques dealer and all-round weirdo Sylvia Walsh, appears to have forgotten how to act. The last twenty minutes of the last episode are pretty decent, and properly creepy, but by then it's far too late.
