Netflix loves to cancel its shows without warning, and it especially loves canceling them after 3 seasons, so I'm about 60% sure this is goodbye. But then again, Sex Education has been a huge hit for them, so I guess we might get a renewal.
If this is the series finale, it's pretty good. Unlike last season, there aren't any major loose ends left. The only storyline that hasn't been resolved is the paternity of baby Joy. Judging by Jean's reaction, it's not good news for Jakob.
As much as I disliked Hope all season, I enjoyed her conversation with Otis. It made her feel a bit more human, even if she is still deeply terrible.
The Groffs had a great storyline. I loved seeing Adam and Michael grow in their own ways. If we do get another season, I hope they explore their relationship a bit more. It's sad that things didn't work out for Adam and Eric, but maybe it's for the best. Eric clearly has some things to work through before he's ready to commit to one person. And seeing Adam discover his talent and passion was lovely. He didn't win, but he still achieved something really impressive all on his own.
I'm glad Aimee knocked some sense into Maeve. Their friendship is genuinely one of the best parts of the show. We didn't get a lot of Otis and Maeve in this episode, but if this is the end of the road, Maeve got a very fitting and satisfying ending. She finally has a family and she's off to do her thing in America. She deserves the world and finally she's getting it. And things with her and Otis are left open ended and hopeful. Even though they can't know if they'll still be right for each other when she returns, they're both willing to give it a shot. That's good enough for me.
I do hope this show comes back. I really do. There's something so quirky and unique about it, the storylines are great and the cast is excellent. It's truly a gem. But I'm keeping my expectations low just in case. Netflix has disappointed me many times before.
No. No. I refuse to believe this.
I'm not crying, not yet. But I have this horrible, cold, twisting sensation in my stomach that usually means I'm nervous. Right now it means that my worst nightmares have come true.
I can't say that I didn't expect Root to die, but I didn't expect it to happen before the series finale, and even then, my silly, naive heart still hoped against all hope that she'd miraculously survive.
Root died protecting Harold, fighting for a cause she believed in. She transcended death and became The Machine's voice. They couldn't have possibly come up with a more fitting end for her character, but that doesn't mean I'm the tiniest bit okay with her dying. I feel sick, to be honest. I can't breathe. I don't know how to process this. Is this what heartbreak feels like? It sucks. It sucks so badly.
It's no secret that I loved Root. I absolutely adored her. She was one of my favorite characters of all time, and her journey from an antagonist to a hero was nothing short of extraordinary. I feel like a part of me died with her, and I don't think I'll ever get it back.
I can't focus because my feelings are overwhelming me. It was a brilliant episode. Great action, great Harold speech in that interrogation room, great Root/Shaw scenes... I need to scream into my pillow. Root just got Shaw back! It's not fair!
How am I supposed to live after this?
Everything hurts, and nothing matters anymore.
I think I need a hug.
Okay, so apparently this episode aired a day early in Canada? Thank you, Canada. You rock.
That being said, my mind is filled with incomprehensible yelling, and my hands are shaking, so I'll keep this one brief.
Have we just watched Shaw's Winter Soldier origin story?
Sarah Shahi was on fire, hot damn. What an amazing performance.
I was sure that Shaw's escape wasn't real the moment I saw that random-ass boat. Way too convenient. Then the episode made me doubt a few times whether it was a simulation or reality, but in the end it turned out to be exactly what I'd suspected from the beginning.
I'd been waiting to see my baby Shaw again for so long, but I wasn't prepared for that. God, I can't deal with my emotions. It's too much.
I just really want them to kill Greer, all right? Slowly and painfully. Hell, I'd kill that asshole myself if I could.
If the simulation was in Shaw's head, why wasn't it from her point of view? And have those creeps watched Shoot bang every time they've run it?
This episode was unbelievably sad, and I'll probably still be crying about it next week, but Sarah Shahi tearing apart Amy Acker's shirt might just be the greatest thing I've ever witnessed with my own two eyes. Is there any chance we'll get some more of that when Root and Shaw are finally reunited in the real world?
Shaw has chosen to put a bullet in her head 6,741 times instead of killing Root. I'm bawling. Ultimate OTP goals right there.
What an exquisite episode. It struck the perfect balance between heartbreaking and awesome. Easily one of the best they've ever done and definitely in my top 3.
I'll be on the floor sobbing uncontrollably if anyone would like to join me.
Even with the soapy melodrama, occasional bad acting and a considerably lower budget (probably 2% of the budget of this show per episode): Arrow managed to create better characters and more visceral, memorable and coherent action scenes in its first 2 seasons compared to this show. I’ll even go as far to say that it looks better, despite using incredibly basic set ups and filmmaking techniques. Getting Hailee Steinfeld was a great choice, but her character isn’t leaving a very strong or likable impression. In comparison, Joss Whedon managed to make you care about Clint’s character within 15 minutes of screentime. Well, enough to make you care as a side character.
Moreover, this feels like a studio giving their impression of a Marvel Netflix show, like Daredevil or Jessica Jones, but it doesn’t understand what makes those shows good. It’s so tame and uninspired. It seems to aim for 80’s cheese at points, but even those old action movies had some bite to them (despite how silly they could get). The comedy is mostly flat out lame and cringy, with the role playing scene probably being the lowest low of the entire MCU so far. The recent Marvel projects have had such a weird shift in terms of comedy. They used to be great at making mass product films that were at least a little bit clever and subversive. It’s no surprise that a lot of people who worked on Community also work behind the scenes at Marvel. It’s like they fired those writers after phase 3 ended, and hired the Friends team instead. Their quality control is spreading very thin.
Here we are. Season 1 finale. It's a good thing that we already know we're getting season 2, 'cause that cliffhanger was brutal.
I'll be honest, Legion took me completely by surprise. Before it premiered, I was pretty sure I would like it - I mean, it's not like I'm hard to please when it comes to TV shows. Give me some well-written characters and relationships, some fight scenes, a few explosions, a superpower or two and I'm on board. Legion has all of that, but with a twist. I came in expecting a cool origin story kind of thing, and I came out riding a motherfucking neon-colored LSD train of insanity that blew my mind in a thousand different ways. And I loved it. It wasn't just different, it was unlike anything I'd seen before. And I can totally understand why some people didn't like it. But to me, it was everything I never knew I wanted. The acting is great, the special effects are top-notch, the music is awesome and the "gotta do it for the aesthetic" attitude resulted in some truly spectacular visuals. Overall, I'm very satisfied and I'm looking forward to seeing where the writers will take the show in the future.
This show manages to keep me on the edge of my seat even when there's nothing happening. And when there IS something going on, most of the time I don't really understand it. But somehow, that's not a bad thing. I've found that the best way to approach Legion is to not try to make sense of it because there rarely is any. I just sit back, relax and watch the insanse spectacle unfold with wide-eyed wonder. It's fun. When I was a kid, I used to have one of those toy kaleidoscopes and I would spend hours staring at all the colorful shapes. For some reason that's what watching this show feels like to me. Memories inside memories, monsters, no-places, the whole Cary/Kerry thing, jumping between genres faster than you can say "schizophrenia", that creepy-ass Angry Boy, King the dog not being real (saddest thing to happen on this show to date tbh), Syd's narration that was either absolutely nonsensical or way too deep for me to understand, the lighthouse that looked like it was made of candy, the dude with the milky eye... It's fucked up and confusing, and wonderfully mad. And I can't get enough of it.
X-Men '97 stuck the landing and then some, and that feels like an understatement. "Tolerance is Extinction Part 3" was unbelievably good. What a way to wrap up a season, and what a way to revive a show! Every character got their moment to shine, every detail and plot point served a purpose. The show managed to bring back a cartoon from 30 years ago, update it, modernise it, make it relevant to younger audiences and current social issues, while also maintaining its heart intact in a way that immediately feels familiar to everyone who's grown up with it.
In a way, it feels that the show has grown and matured along with its original audience. Now tackling more serious issues, not holding back on the commentary, exploring trauma, grief, the anger caused by injustice, and remaining true to the X-Men's history as an allegory for the prejudice experienced by marginalised groups, while also understanding how crucial the 'found family' theme that defines the bond that holds those characters together is.
Every nod and Easter egg comes from a place of loving and respecting those stories and the artists and creators who over the years shaped those characters. All episodes were filled with references that comic book fans would recognise, but not once did it feel gimmicky or cheap. The season finale perfectly wrapped the main storyline, but also opened the way for what comes next, and season 2 cannot possibly arrive fast enough.
The hospital storyline was thrilling, but it got overshadowed by Shaw's escape. That was a wild ride.
I legitimately laughed when Shaw shot Lambert. He really had it coming. Confronting Shaw without a bulletproof vest or backup was one of the stupidest things I've ever seen on this show. Maybe even the stupidest since the list of dumb stuff on Person of Interest isn't very long. It's one of the best TV shows I've ever had the pleasure of watching, after all.
Root only had a handful of scenes in this episode, which was kind of a disappointment after the previous one. On the other hand, we got Root in glasses and a lab coat, so I won't complain. Can Amy Acker please stop doing that thing with her face? You know, the thing where she's so goddamn stunning and perfect? I can't handle it.
It seems that I've developed trust issues, and even though I'm 99.9% sure that this time Shaw really got away from Samaritan, a part of me is still afraid that there'll be some cruel plot twist. I can't wait for next week. Hopefully we'll finally get a Shaw/Root reunion. It's about damn time.
Do you guys realize that there are only 5 episodes left? How am I supposed to live after this show ends?
