I hate Criston Cole so much.
[8.5/10] Well, if you want to get my attention with a new Star Wars show, kicking things off with a badass wire-fu fight with none other than Trinity herself, Carrie-Anne Moss, as a Jedi Master, will absolutely do it!
What a breath of fresh air this is! From that action-packed opening sequence, The Acolyte grabs your attention with verve and character. There are lived in touches, a sense of mystery and excitement, and most of all an immediate whiff of who every major character is and what they mean to the story. It’s easier to set up interesting things than it is to pay them off, but if this first hour is any indication, it’s going to be easy to be along for the ride.
I cannot say enough good things about the opening sequence. Maybe I’m a sucker, but so much modern action, including in Star Wars media of recent vintage, is chopped up all to hell in the editing bay. That kind of choice neuters the impact of the fights for me. So taking a cue from Moss’ turn in The Matrix and not only embracing those wire fu influences, but letting us see the fight in longer shots and a more measured pace and cinematography really lights my fire.
Plus man, for all of the Japanese cinema influences in Star Wars, I’m not sure we’ve ever gotten a legitimate kung fu fight on screen in the franchise. (“The Duel” from Star Wars: Visions has a bit of that, and I guess we get brief glimpses of Qi’ra from Solo doing a bit of martial arts as well.) The frantic motion of Mae and the more measured movements of Indara’s response help sell the difference between one who’s still learning and full of emotion versus a centered master. The fight itself is glorious, with well-staged action and strong visual storytelling and choreography. And the clincher -- that Indara falls not from mistake or being bested in combat, but from saving an innocent, makes her a noble and tragic figure, while justifying how this skilled but comparative amateur could take her down.
And that's just the opening scene! Dayenu -- it would have been enough.
From there, the episode splits into two story threads that eventually intersect: Osha, a former padawan being questioned and detained for the murder, and Sol, her former master, deciding to track her down. Both stories work, and the place they weave together is especially meaningful.
I appreciate the twist here. The show does a good job of suckering you into thinking that Osha committed this crime on her day off from being a “mechnik”. She has the ability, given her former training. She has the reason for resentment, having seemingly been expelled from the order thanks to Master Indara. And she has a tortured past, of great loss of her family that, as we saw with Anakin, can lead a young force-sensitive person to some inner demons. So it’s entirely plausible, even expected, that she’s the one going toe-to-toe with Indara in the opening.
I’m not always a fan of big twists, but I appreciate the reveal that it was, in fact, her twin sister who went against Indara for a few reasons. One, it’s meaningful for Osha. To learn that the sister she thought was long dead is still out there and assassinating her former allies leads to complex emotions. For another, it portends an intriguing opportunity for “for want of a nail” storytelling, showing where the different paths of daughters from the same family led them.
Most of all, it puts is in the position of Master Sol and the other Jedi, being intuitively sympathetic to this young woman who seems friendly, funny, and earnest, while wondering if the difficult things she’s been through have caught up to her in some way. Playing with the audience’s sympathies and expectations like that, to connect them to the characters’ perspectives, is the right way to use a twist, instead of just using a reveal for shock value.
Osha’s misadventures along the way are fun and sympathetic. I love the sense of her scraping by as a low-rent nomadic mechnik after leaving the order, keeping her spirits up but just getting by. I like that, through Yord at least, the Jedi seem like smug cops rather than noble monks, who are railroading Osha. I like her excitement on the prison transport, where she’s bitten by her altruism, but empathizes and saves others, which should be our proof that she’s not the one who took out Indara. All these scenes reveal character in a compelling way, and Amandla Stenberg does a stellar job inhabiting the role.
There is also such exquisite texture! The opening scene has a real old world village cantina vibe, and should make Crouching Tiger, Hidden Dragon fans cheer. Her talking tool droid, Pip, is frickin’ adorable and endearing, and I can easily imagine every nerdy kid watching this show wanting one of their own. The ship designs are memorable and distinctive inside and out. (I especially like the droid-run prison transport.) And the different species represented are memorable and original. (The cyborg dude is especially striking.) Plus hey, the Trade Federation aliens are well done and familiar to anyone who watched the Prequels growing up.
Speaking of which, this version of the Jedi feels particularly indebted to the Prequels. There’s great discussion of the danger of attachments, of training someone who’s too old and has been through too much, of the Order’s political enemies. Setting this show a century before Revenge of the Sith frees you from a lot of the continuity shackles other Star Wars stories have to contend with, so it’s interesting that The Acolyte seems to be picking up themes and concepts from the Prequel era.
That not only includes Yord, who already seems to be the show’s stick in the mud, but from Master Vernestra, who seems more interested in wrapping up this matter quickly than in seeking justice. Heck, Master Sol even feels a bit akin to Qui Gon Jinn, someone who’s patient and wizened, but who allows himself a more emotional connection and less rigid view than the Order.
I like Sol a lot. Making the deuteragonist a master who still cares for his padawan, and is trying to balance that care and trust against his obligations to his order, makes for a compelling mix. He’s a good match for Jecki, his quietly caustic current padawan. And he’s a good counterpoint to Osha, someone who represents a difficult part of her past, but who still plainly has her best interests at heart.
The moment where he seeks her out is well done too. There’s a real The Fugitive vibe to the confrontation, with an appropriately Jedi twist. And most importantly, Sol believes his former pupil. When she’s desperate and running for her life and confronted with destabilizing surprises about her past and her family, he still trusts and accepts her. That is powerful, and portends worthwhile things to come.
The Acolyte leaves us with teases of potential sith-adjacent interlopers and weaponless threats and internal politics within the High Republic. Those are tantalizing enough as teases. But what I appreciate most about this opening hour is the good nuts and bolts work we get: in the cinematic craft, in the well-defined and sympathetic character dynamics, and in the way the script plays with our expectations. If The Acolyte can keep this up, it has a promising future ahead.
(Spoilers for Star Wars: The Clone Wars: There’s many ways in which Osha’s story seems like a reinterpretation of Ahsoka’s. Everything from the fugitive hunt to the master who still loves and trusts her, to the Jedi Order dealing with political pressures give you the sense of what Anakin’s padawan went through. Obviously Ahsoka never had an evil twin, but it’s interesting to see the franchise revisit that story shape in a different time and place. I’m not complaining! I love that storyline, and I’m excited at the notion of exploring Osha’s relationship with the Jedi and the Force through this lens.)
Sundays are what they now used to be - great return :fire::heart_eyes:
I count 133 fuck/fuckin'/fuckers/fucked...anyone?
Solid fuckin' continuation to a fuckin' bad ass series. :grin:
"Why tell a deadman the future?"
I couldn't have asked for a more fitting finale for this "piece of an art" mini-series. The bar was set high. It could've been either like the GoT finale or Breaking Bad finale. So glad they stayed consistent from start to finish. Undoubtedly, this ranks among the greatest miniseries ever produced.
Many people may be dissatisfied with the finale if they expected to watch an all-out war, which contradicts the entire idea of the show.
Pants tent! :rofl: Man, that callback.
I seriously hope we get a special or two at least, if not a full other series, I know what they said, but come on... :clap_tone1::clap_tone1::clap_tone1:
A terrific ending to one of the greatest shows of my lifetime...gonna miss it so fucking much. Long live Larry David!
Wow, could be the best season yet!
Let's fucking go. I inevitably cried, I was so waiting for that last scene. Too bad it felt a bit rushed but it also felt so good to see both the CRM and Thorne annihilated.
At this point I'm just waiting for Rick to reunite with Daryl.
As someone that dislikes group chats and has been put in the uncomfortable position of having to turn down an invitation, I felt seen. Lol.
Calling out discrimination and preaching tolerance? The X-men have gone woke!
-some clueless idiot.
Jane’s interactions w/ Lisbon were adorable!
Percy fights Hades, meets Zeus and discovers the identity of the real lightning thief. Bit of a different approach from the book for the big finale and the plot twist but I think it worked in favor of this television adaptation. Loved the visuals of Mount Olympus looking grand as ever but I was expecting a bigger reveal of Zeus' character. A nice touching moment between Poseidon and Percy though. Overall a solid and faithful first season for the series. Hopefully Disney sees this project through to the end adapting all five books in the series. Still patiently waiting on the series renewal.
So sick. sons bannng there mothers out, and into danger
Everyone forgets that these last episodes had to be made during Covid protocols so these last episodes are going to be a little different. Yes this was a slower episode, but still really good. Now about the episode, Ray's an Ass and Jason shouldn't trust him. Ray will protect Ray and no one else. Someone is setting up Jason and I can't wait until Jason takes him/her down.
For NCIS show this has been quite entertaining. This is what’s been missing.from the main shows when the introduction of foreign agents …..the cultural differences.
This episode just shows that you don't need action, just well performed dialog. I had a few moments that just had me on the brink of tears, but the "feels" were real. I love this series.
Sad to see this show end I really loved it. Also happy with the ending of the show, everyone sort of had their happy ending. Time for a re-watch haha I do miss Nic but Billie was the best outcome for Conrad
An outstanding episode. loving this season.
Maybe the best episode yet, it was tense from start to finish. The addition of the new character added a lot to the show on a story and emotional level. The two leads are also doing a great job.
Ser Criston Cole is a Dragon rider now!
The actress that plays Gigi is very good.
What an emotional and amazing episode this was…the resident keeps getting better with each episode, which it thought can’t be possible since Emily V. Left…I am glad I was wrong :)
Not gonna lie, this was a great episode. Her husband is such a douchbag, what a dick. Messed up ending. Hope she gets payback in second season.
It's really fucked up how everything was covered up by most of the other wrestlers. Tony Atlas feels really genuine and Brody seems like a great guy. It's a shame this happened.
Long live King Kong Brody!
