That was pretty bad.
From the scenario that probably took two minutes to write, to the shitty blurry fx, and the constant inconsistencies.
The story is so basic and predictable it hurts, and basically nothing happens.
1) He finds a cure
2) It turns him into a superhuman monster
3) His friend take the cure anyway and becomes a killer
4) He chases him
There's basically no side plot or anything else happening. The cops part are 100% useless. The romance is almost inexistent, but still turned into an important plot point.
Most of the action is just blurs. Blurs because they're moving fast (with shitty effects, see below), and falling a lot, and if it wasn't enough let's add a batnado so that it's really really unwatchable.
The echolocation effects are just as bad and useless.
The other bullshit:
:arrow_forward: Of course the science part, but that is expected
:arrow_forward: When he measures his need for blood, it's 6h and he basically reverts and suffers almost immediately, and duration is going down. However later in the hospital, it's 6h and nothing happens. Later in prison it's very probably a lot more than that. Honestly we don't care, but then why the constant repeated shots of his watch ringing 6h ?
:arrow_forward: Nicholas has time and ability to call him but let himself die without calling an ambulance
:arrow_forward: It's all about "they will die young", since they are children. But then we're 25 years later and it's the same.
:arrow_forward: The bats are supposed to be secret, but as soon as she finds them, they are always exposed
:arrow_forward: The bats "would kill anyone but accept him" because he's like them, well they didn't kill him the first time, when he was still human
:arrow_forward: We never hear again of the little girl, what was the point ?
:arrow_forward: Why are they smoky when they move ? They just move fast because they're strong, they're not magically changing themselves into smoke. This is stupid, very annoying and unwatchable.
:arrow_forward: Why can't Milo do the same thing he does ?
Ending is very anticlimatic, with no post resolution, it just ends.
Then come the post credits. And I was like "wtf, this looks like DC". In the sense that it was trying to very hastily trying link / create a hype / build a universe believing that hastily adding a glimpse of information or characters plus a post credit scene would be enough to build the MCU. The I realized this is not Marvel, this is Sony trying to build a Spiderverse, and boy are they as shitty as DC to do that.
Ok lets break this down:
Major spoilers ahead.
Peele's new film is a clever, cerebral look at modern day US....A. I thought it was very good. It is such a layered film. I wasn't really a fan of Get Out, I thought that film was hugely overrated. But 'Us' is on another level.
There is alot going on in this movie in the background. So much foreshadowing and symbolism. So many nods to the socio-political landscape of America. The apocalyptic scenario we all face if we don't wake up. (11:11 is the rapture in the bible). Even the score in the baseball match is 11 - 11.
Right from the off we are given some easter eggs. There are are several characters wearing Black Flag t-shirts. Look up Black Flag records, what do you get:
https://i.imgur.com/8g518y3.jpg
With Scissors being the main motif for violence. As they're a symmetrical tool used to break things apart.
There is also a nod to 'The Lost Boys' in the opening scene as it's set in the mid 1980s on Santa Cruz boardwalk and we're told they're shooting another film there.
https://i.imgur.com/TDXxXQ1.png
Lupita Nyong'o's character wins a Thriller t-shirt early on. Then we see her doppleganger presented in this way, more than a passing resemblance:
https://i.imgur.com/yO6oleU.png
https://i.imgur.com/drHrXFs.jpg
The main theme is one of how society has been torn apart in recent times. This manifests itself in the way people that you think are normal, showing behavioural traits / opinion / beliefs you would never expect them to show / hold. Some people describe this as "the rise of the right" and "empowerment". They suddenly have a voice. This is shown in the movie by the tethered suddenly having a voice (literally as Red can now speak). They rise up and challenge.
It's no coincidence then, that the main moment of the movie happens when the central figure looks into a mirror. We need to take look at ourselves sooner rather than later.
The ending (humans linked in a barrier) also has large connotations with 'a wall', we all probably know what Peele was alluding to there.
https://i.imgur.com/mvkCyaV.jpg
There is also a very strong link to those tethered underground being the underclass. Eating raw meat. Underground. Peele may be alluding to the poverty gap widening.
There are also a load of nods to popular culture. I loved the beach scene reminiscing Jaws. I loved the car on the road reminiscing the Shining opening sequence, plus the twin girls paying homage to that movie.
https://i.imgur.com/vBN8bFG.png
The VHS tapes on the shelf at the beginning are a nod to popular culture (the Goonies etc) . And if you think about it - there is also a character in the Goonies that is tethered and can barely speak. I wouldn't be surprised if this is another of Peele's tenuous but clever links.
https://i.imgur.com/Tjy46bY.png
The music is also used brilliantly, especially towards the end with a stripped down version of 'I got 5 on it 'adding to the tension. A comedic NWA moment hints at Peele saying that popular culture and consumerism is for the privelaged and has effects on us a sit seeps into the public consciousness.
There's also a hint at Peel's Hitchcockian influence with the birds on the beach.
https://i.imgur.com/MdsmIWJ.jpg
I just enjoyed the intelligence of this film. The thought process gone into it. I wish all horror films were this cerebral.
Us tries to make us look at our shadows and reflect on who we are and whether we have best intentions or are complicit in something that will undo us. Whether we let the tethered prevail as they rise is the question left unanswered by Peele. Hopefully not.
Great film.
Honestly, Im not gonna say anything. I'm way too mad.
ACTUALLY IT'S GONNA BUG ME IF I DONT. HOLD MY BEER CUZ IM GONNA RANT.
WHAT :clap:THE :clap:FUCK :clap:.
SERIOUSLY, I don't even know where to start.
They just got all of Dean's character development and shoved up their ass. Boy finally, FINALLY, has control over his life; he's not being controlled by his dad or Chuck or whateverfuck supreme power, his life is his own and he was ready to LIVE it, for God's sake he got a freaking dog. And for what? To be killed by tetanus. The whole season was about defying "destiny", and they killed him the way that was supposed to happen since season 1. I'm sorry but that's just lazy.
DONT GET ME START ON CASTIEL CUZ IM GONNA BE COMPLAINING ABOUT THAT TIL THE DAY I DIE, mf sacrifice himself to save dean's life, just for him die weeks later, WHAT'S THE POINT??? But serious it bugged me so much the fact that they didn't even knowledge his sacrifice, they didn't mourn him or mentioned him. Boy got sucked to mega turbo hell and all that was said was "well too bad". Castiel deserved better. He really did.
I'm not even gonna talk about Sam cuz I'm still offended by those wigs. But what was the point of making him and Eileen a thing, if at the end he wasn't gonna stay with her? Serious.
It just feels like these 15 years of character build, stories, arcs didn't mean shit because at the end they went with the path that was been there since season 1. Dean died young, on a hunt, without a family of his own, and Sam got to live his apple pie life with wife and kids.
WHAT WAS THE POINT.
I've anticipated this movie since at least 2014 and when COVID hit, I was sure the last chance for Indy V was gone. All this to say I've been EXTREMELY hyped for this movie. It had impossible expectations to fill in but, at least for me, it most definitely did.
The de-aged Harrison Ford looks AMAZING. I loved seeing Indy fight some nazis again and it really made it feel like the original movies.
Mads Mikkelsen is obviously an amazing actor.
I also loved seeing Indy in the '60s, I feel like they acknowledged his age without making too much fun of it.
The story was amazing. I'm a sucker for time-travelling and I didn't dare hoping he would actually travel in time. 2000 years at that. Ofcourse it would have even been cooler if he ended up at a time and location of the original trilogy but that's just me.
I feel kinda bad for Shia! And for the characters in general, losing a son must be the most devestating feeling in the world. Therefore I felt genuinely happy when we saw Marion and that they reconnected.
If rumours are to be believed, the ending was rewritten. So I'm not sure at all but it did feel like Indy really intended to stay in the past. I think he would have died quickly so he wouldn't really change the past. It would have been cool if he was the skeleton buried at Archimede's grave.
I'm not sure what those final moments were about, Indy (?) picking up his hat again?
The score might go down on a rewatch and I have small complaints. I didn't understand why Fleabag would lock Indy in with some stone cold killers.
For me it's a perfect Indiana Jones movie. It had everything I could wish for and I had 2,5 hours of fun!
Personally, I don't understand all the hate around this final installment in the series. I thought this was a pretty good Indiana Jones movie, all in all, and I've watched them in the theater since they first came out (except this one).
Yes, the beginning has some de-aging and it's not great - but you get used to it pretty fast and I was seeing old Indiana Jones in no time. Yes Harrison Ford doesn't do his own stunts anymore but he's pretty old to be jumping horses through downtown New York. Lots of CGI in this one, but that's where we are today - you don't see hardly anything but CGI these days so why should this film be any different?
The story is pretty outlandish, but then again the first one that everyone loves had spirits jumping out of an mythical box so you have to suspend your disbelief if you want to watch shows like this.
If I were to rate this in the series as a whole:
#1: Raiders of the Lost Ark
#2: Last Crusade
#3: Dial of Destiny
#4: Temple of Doom
#5: Crystal Skull (mostly because Shia LaBouff sucked)
I get that some people, particularly with Temple of Doom, will disagree with my ranking but they are mine, not yours.
I went Into DoD with a ton of trepidation, all I heard was how bad it was in places like Trakt, but in reality it surpassed my expectations by a pretty large amount. They had a nice nod to all previous characters (except Brody, that was disappointing to me - I know the actor is dead but a mention would have been nice). I think this was a good final movie for Indie.
This was, for me, the best show of the year so far. It is for Netflix this year what Stranger Things was for last year. A real surprise, far better than it looks. I watched the special, and I don't usually do that. I picked up the book and started reading it, and young adult fiction isn't a genre I usually look at. Hollywood hasn't cast it in a very nice light with things like Twilight; even less cringey films like Divergent and The Maze Runner give the YA genre a two-dimensional feel, a feel of shallowness that is easy to take in but doesn't really get inside your head much. Just a one-and-done kind of thing. And this isn't that. It's so much better. I went in thinking this was a show for middle and high school kids, and it really isn't. Especially after the 9th and 12th episodes. Not to mention the finale. Spoilers follow.
After watching — I finished it just 24 hours ago — I went back and forth on whether the suicide was justified or not. Actually for a while I thought they might pull a twist ending and reveal that she didn't actually go through with it, but made it look like she did to raise awareness. There was a program that ran in high schools in Northern California (where this takes place) where they had a guy dressed up like the Grim Reaper take the popular jocks out of school. They were put up in a resort while the rest of the school was told they died. And then they put on this play where they were killed by drunk driving. It sounds silly now, but it was serious then. And it happened at my school (Santa Rosa, Montgomery High, Class of 1998) and I was smart enough to see that it was fiction, but it still young enough for it to affect me. (Sure enough, never drank and drove. Actually don't drink anymore, so I can drive those who can't.) So I thought this series might be doing that, and that they could, and still be impactful. Spoiler: [spoiler]It's not, and the suicide is shown in the finale.[/spoiler]
As for justifications, that's harder. It's important to note here that nobody is perfect, including the adults. It's also important to note that nobody is purely good or evil. Even the one character everyone hates by the end ([spoiler]Bryce{/spoiler]), probably has some good in him. It's just outside the scope of this show to humanize him. We can guess. [spoiler]He was rich, and lived a life free of consequences. His parents were never around, and he was able to buy beer underage because he was a successful athlete and town hero. He literally stated that there was nothing wrong with raping girls. And he believed it because he had never been denied anything.[/spoiler] The big problem I have with the suicide is not that the events leading up to it did or didn't justify suicide. It's that she spent hours calmly laying out everything that was wrong, in a cool and methodical way, on those tapes, after making the decision, and yet she still did it. The planning of the tapes, the recording, setting up distribution, [spoiler]getting Tony to manage the backups and watching people,[/spoiler], I think she could have backed down. I think she was smart enough to by that point and could have gotten help. No tapes, no planning? Sure. Impulse decision. After all that, though? I don't really see it.
I'd also like to get into the school counselor, Mr Porter. School counselors are psychologists only in the same sense that security guards are police officers, i.e. they're not. You could say they're failed psychologists, and maybe some are, but they may not all be. He wasn't an exceptionally bad one. He might have even been above average. I think a big difference between school counselors and psychologists are that school counselors work for the school. They aren't truly advocates for the individuals they try to help. I think he needed to go the extra mile and coach her, and tell her that she needs to declare [spoiler]that she was raped, and that she said no, and that she tried to make him stop, even if she really didn't exactly. There was no deception on her part, or seduction, the guy had raped before, and in her presence no less, and she clearly did not want to have sex, and he knew it[/spoiler]. Yes, I think he should have coached her to embellish the truth a little for the greater good, for the sake of the next victim. Would it have been dishonest? I don't think so. No more spoilers.
But I'm getting off-track. Was it a good series? In no uncertain terms, yes it was. You should absolutely watch it, and then you absolutely should reach out to a niece or a nephew or the child of a family friend and let them know that you are there for them. It doesn't really help as much coming from parents, because parents are always judging. They kind of have to. Kids need an external resource they can count on. Someone they trust won't look down on them because they tried drugs or experimented with sex. Someone who won't add to their problems. Someone who generally makes them feel better when they're down. Even popular kids need it, but the nerds, the emo kids, the losers, those kids need it especially because they have such little support from their peers. And yes it's a bit rude to use those labels, but they exist, those kids exist, and we can't let them slip through the cracks. And one photo, one tweet, one rumor can make the most popular kid in school join those unfortunate groups. And then that kid can go on fooling their parents into thinking they're still on top of the social ladder, when inside they're dying, and we see that in the show with one of the characters.
Ok, that's going to be a hard one to review.
Not because it's bad or just ok, not at all. As the little "10" in the top-left shows, I've give this show the best possible score.
No, the difficulty is in finding the right words that will explain WHY this tv show deserve such a number.
Before getting into it, I must say that I've watched every episodes, including the special where the actors and crew explain how and why they did this show (you should watch it). And I have not read the book.
As I want this review to be read by as much people as possible, I will not give any spoiler. So feel free to continue reading !
First, the actors, and mainly the three main characters for me, meaning Dylan Minnette (Clay), Katherine Langford (Hannah) and Kate Walsh (Olivia, Hannah's mom). Their work is just astonishing.
Second, the pacing. The show find the right balance between content and emptiness. Seems weird writing this. But we're dealing with a suicide, with depression, and the void it creates is one of the hardest thing to translate and the producers found a way to make you feel it at your core.
Which explains my third point : this show can be overwhelming. 13 episodes that you want to watch, but you also dread watching. There is, in each of those episodes and even more in some of them, a psychological pressure that can almost be too much to bear.
Fourth, thriller. 13 reasons why. 13 reasons you want to know. 13 reasons that you discover slowly, methodically, but 13 reasons that are sometimes implied a bit before they're revealed. It creates a thrill, that you're on the verge of understanding or at least zeroing on what really when on.
Fifth, the candor of this show. I have never watched a a show that committed to being true, to ring true to how teenagers think and feel and live. Some people will think that things aren't really like that, that they can't be and it's just so that there is a story. I was a teenager not so long ago, and I found so many truths in this show that it even felt a bit awkward. That this character could have been me. Or this one.
When TV produces so many "teenage" shows that just transform teens into adults, or teens into dumb versions of humans, watching this felt surreal. Like someone finally understood what it meant. What the struggles were and how to show them in their purest form.
Sixth and last one, Suicide. No one wants to talk about it. Most TV shows that depicts one, uses it as a plot excuse. A way to spice things up.
This one does not. This is the first thing you learn when watching. You start with the suicide and then you try to explain what when on in Hannah's life, in her head, that made her do this. And the show is clear, you can't explain suicide. You can't rationalize it. But you can try to understand the actions and thoughts that lead to it. To try and prevent that for ever happening again.
And the show is exceptional at that. Yes it depicts all the elements that lead to a suicide, but by showing them, you also teach people how to recognize signs that could point you to a person in distress. And it also shows that our actions have consequences, may those actions seems trivial at first. And to those that are in distress it also shows that there always are people caring for you. You may not see it, they may not show it, but there are there and you need to have the strength to at least reach out to them. The will help you. And if this seems too much for you, there are free hotlines that you can call at any time to at least talk. Because talking is healing.
I could continue and expand this list much more, but I'll stop there.
Just go watch it. Take a month of Netflix, you won't regret it.
After listening from TAPE 01 SIDE A to TAPE 13 SIDE A in just two nights this is what I think about "13 REASONS WHY":
First of all I have to recognize I didn't know about the book until I started watching "13 REASONS WHY", I haven't read it yet and maybe never will, probably because TV Series' production, photography, postproduction, cast, acting, story, rhythm and overall quality it is excellent and easily deserves a rating between a 9.7 and 10, I would have given it a 10, but I reserve that specific number for those rare gems that can't be measured by any standard because they simply don't fit in any scale, the rare masterpieces. Yes, those exactly, the ones you can only wonder how come they became and not why or how they did it because it's beyond your comprehension and you somehow now will transcend its time to become a classic. So unless they enable the 10 MasterPiece rating, it will have to suffice a 9 for the time being. Maybe I'll change my mind later or not, I don't know yet.
I think the TV adaptation (or the original novel) isn't really critique to the values of the [post]milenial average American teenager, the High School System or even bullying itself. But it's rather a quite more profound harsh critique to "The Post Milenial Egotistic and Hypocritical Society" where we all live, at least, in the western world. A Society whose values are taught to most kids by example, carrying them unconsciously to their teenage years and, many, to their adulthood where they're passed to the next generation.
It uses a group of High School Students, "13 REASONS WHY" as an analogy. All to make us, the adults, look in the mirror, rethink about our Individual Accountability and Responsibility for our acts or lack of thereof, how we intentionally misuse the concept "Society" (the Group) as an easy excuse, or way out from Individual Accountability and Responsibility out of pure egotism –selfishness (a Group with "N REASONS WHY").
As I said is more to this story that what meets the eye, the author is critiquing Society as a Whole from a moral standpoint to whoever was willing or able to see beyond the analogy he chose to depict it:
That is why after TAPE 13 SIDE A, there isn't anything meaningful left to tell. It's meaningless what they did or didn't do to anyone. You can imagine whatever you prefer, because no matter you come up the conclusion is always the same. These "13 REASONS WHY" where hers, what they did or didn't is history that can't be changed, so Hannah isn't coming back.
To all those thinking there will be a second season (or mini season), if Netflix continues respecting the original artist work and is wise enough to pull at the top, it won't ever be another.
Remember what Hannah explained on the TAPES about "The Butterfly Effect", our actions, given the adequate circumstances, could put in motion a chain of events whose consequences we would not be able to foresee, and later on she talks about that those tapes could create its own butterfly effect. What you see as the series avances and clearly in Episode 13 - TAPE 13 SIDE A is how that butterfly effect is working exacerbating what Hannah, not the victim, but the person corresponsable for the pain of others, had done actions when she was alive that have consequences and after she was gone with her detailed plan for the 13 TAPES.
Near the end in TAPE 13 SIDE A, even though he had been subtlety suggesting it throughout most of the 13 TAPES, the writer by focusing Hannah actions and probable consequences tries to clearly shows how nobody is perfect, not even Hannah. Perfection is at what we should aim but it's almost impossible, we are simply imperfect human not Gods, the only think that we are asked is to really try as hard as we can. The author puts on the table once again the need to understand and assimilate that we are responsible for our actions and be courageous enough to accept that with responsibility comes accountability and not just to ourselves but to others too.
P.S.
I agree with the message of the author, but I'm afraid I have an even darker view of humanity. I have been wondering what could probably be the worst course of action that anyone can take, but specifically humanity as a whole, I have reached the conclusion that it would be "to simply start doing nothing about almost everything if it's not involves fun".
I believe that it can not be considered an out of this world thought, specially in the light on whose hands it's the atomic football nowadays and the fact that no one did anything to prevent it when it was still possible.
I would bet hedonism together with egotism have already made to the top spots in the current list of The Seven Capital Sins. It all probably started with the fall of Berlin Wall, in the last decade of the XX century and have continued to gain momentum during the first the seventeen years of XXI century, a trend which doesn't seems its going to reverse or stop anytime soon.
But if the time comes, to which I'm look forward, to bury this "malade" which affects everyone: the old, the middle age, the young, etc…
I think its epitaph should read like this: "Here lies: I don't give a fuck about you or anything for that matter, and unless it involves alcohol, drugs, chicks, guys and/or loud music, I ain't going so don't bother me with any of your shit. We kindly ask you to respect his wishes and not bother him with any shit whatsoever unless his strict requirements are meet."
