Watching order
Because there are some issues with watching this, here is the order.
Copying from the site in case it ever goes down, but this info came from here: http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html
It's probably more confusing here on trakt, so go to the above linked site for a better layout.
The Miniseries
Night 1
Night 2
Season 1
1.01 33
1.02 Water
1.03 Bastille Day
1.04 Act of Contrition
1.05 You Can't Go Home Again
1.06 Litmus
1.07 Six Degrees of Separation
1.08 Flesh and Bone
1.09 Tigh Me Up, Tigh Me Down
1.10 The Hand of God
1.11 Colonial Day
1.12 Kobol's Last Gleaming, Part I
1.13 Kobol's Last Gleaming, Part II
Season 2
2.01 Scattered
2.02 Valley of Darkness
2.03 Fragged
2.04 Resistance
2.05 The Farm
2.06 Home, Part I
2.07 Home, Part II
2.08 Final Cut
2.09 Flight of the Phoenix
2.10 Pegasus (56 minute extended version)
2.11 Resurrection Ship, Part I
2.12 Resurrection Ship, Part II
2.13 Epiphanies
2.14 Black Market
2.15 Scar
2.16 Sacrifice
2.17 The Captain's Hand
Razor (101 minute extended version - not the 81 minute broadcast version)
Important note: This was originally broadcast just before Season 4, but chronologically it fits here, telling more of the Pegasus's story. Some people argue it's better to watch after Season 3, as originally broadcast, but it makes most sense to watch it here.
The reason that the placement of Razor is a hotly contested issue among BSG fans is because of a bit of dialogue at the very end (in the last 10 minutes) which sets the tone for Season 4 (barely even a spoiler). Everything else in this TV movie is not a spoiler.
So why place it here, and not where it was originally broadcast, if there's any sort of issue? Because, chronologically, the story is set here, and by the time you reach the end of Season 3, the story of Pegasus will feel like ancient history. Indeed, that was the complaint echoed around the internet from fans after Razor originally aired -- it had nothing to do with what was going on in the story at that time.
As a result of this, most fans agree it's better to watch Razor here. In doing so, you'll appreciate the story more and it will have greater emotionally resonance. In short: I highly recommend that you follow my advice and watch it here.
There is one small caveat, however: In order to deal with the above dialogue issue, and so not to unintentionally alter the tone of Season 3, I have two, very specific instructions that I recommend that you follow for your absolute optimum enjoyment.
I will try not to spoil anything with these instructions, so pay attention. You need to press MUTE on your TV (and/or turn off any subtitles) in the following two moments. Both of these moments occur in the last 10 minutes of the story, so you can relax and enjoy the first 90 mins before you need to worry.
Press MUTE when:
and shortly afterwards:
That's it! That's all you have to worry about. Two very small moments, and even if you don't unmute it, it's not a huge spoiler, it just unintentionally alters the tone of Season 3 if you don't, so do try your best to follow my instructions.
2.18 Downloaded
2.19 Lay Down Your Burdens, Part I
2.20 Lay Down Your Burdens, Part II
The Resistance
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
Season 3
3.01 Occupation
3.02 Precipice
3.03 Exodus, Part I
3.04 Exodus, Part II
3.05 Collaborators
3.06 Torn
3.07 A Measure of Salvation
3.08 Hero
3.09 Unfinished Business (70 minute extended version - Note: Not included on Region 2 DVDs, but is included on ALL Bluray releases.)
3.10 The Passage
3.11 The Eye of Jupiter
3.12 Rapture
3.13 Taking a Break From All Your Worries
3.14 The Woman King
3.15 A Day in the Life
3.16 Dirty Hands
3.17 Maelstrom
3.18 The Son Also Rises
3.19 Crossroads, Part I
3.20 Crossroads, Part II
Razor: Yes, this again. (Well this is where Razor was originally broadcast, after all.) Remember the last 10 minutes where I told you to MUTE two small moments? Well, guess what, now is when you get to go back and hear what was said. Watch the last 10 minutes of Razor here.
Season 4
4.01 He That Believeth In Me
4.02 Six of One
4.03 The Ties That Bind
4.04 Escape Velocity
4.05 The Road Less Traveled
4.06 Faith
4.07 Guess What's Coming to Dinner?
4.08 Sine Qua Non
4.09 The Hub
4.10 Revelations
Season 4 Continued (aka "Season 4.5" or "The Final Season")
4.11 Sometimes a Great Notion
The Face of the Enemy
A 10 episode web-based series (although it plays together like an intense mini-episode). (36 mins.)
4.12 A Disquiet Follows My Soul (53 minute extended version - only on Bluray releases)
4.13 The Oath
4.14 Blood on the Scales
4.15 No Exit
The Plan (DVD/Bluray movie)
A stand-alone movie that shows (approximately) the first two seasons from the Cylons' perspective. (You finally get to see "The Plan", mentioned all those times in the opening sequence!) Although The Plan was originally released after the show had finished, it is generally agreed that it should be watched here, so that everything is all tied up when you do reach the end.
4.16 Deadlock
4.17 Someone to Watch Over Me
4.18 Islanded In a Stream of Stars (62 minute extended version - only on BluRay releases and Region 1 DVDs)
4.19 Daybreak (150 minute extended version - only on BluRay releases and Region 1 DVDs)
The Plan : This is where this DVD/Bluray movie was originally released (after the show had finished). It seems universally agreed that it's preferable to watch this after No Exit, instead of after you've finished the entire series, but there's no harm in waiting until now.
Then Caprica the series: http://trakt.tv/show/caprica
SPOILERS AHEAD…. I don’t even know if I can put into words how much I fucking love this film!!! American History X is such an underrated masterpiece—literally, from start to end. This is not an easy film to watch, but damn is it worthy of every second.
A 1998 film directed by Tony Kaye presents to us the story about a neo-Nazi skinhead named Derek Vinyard—marked with a life of cruelty, violence, racism—who is sent to prison after brutally murdering two black men who attempt larceny. Once released, he desires a change and understands his mistakes. Derek sets off to change and fix the things he did wrong, specifically that his younger brother Danny doesn’t follow in his footsteps.
American History X obtains beautiful cinematography. There is an extremely distinct and intelligent representation of hatred in the movie’s photography. The past is shot in black and white to portray how Derek viewed the world as plain as black v.s. white; and the present is shot in colour to represent Derek’s change and comprehension of what social hatred has done to better his life, which is simply nothing but pain.
Sadly, 20 years later, American History X is still relevant to this day. Recently, many problematic hate groups have been exposed and often include neo-Nazis. Never had I thought I would live in a world filled with this atrocity but disappointingly, they have always been there. Deep inside, I have this raging gut to show this film to all people that commit hate crimes or simply hate. Hell, how could that ever happen, right?
Why is it that I love American History X so much? It is because the message that this film sends out is astonishing. The script is in every single way a lesson, and it all concludes perfectly at the end. This movie in no way sets out to present white people being victimized by different races and ethnicities. It simply speaks to the world about not only racism, but how hatred can affect individuals and tear loved ones apart. Technically, this entire movie should be the definition of hate. That “Hate is baggage. Life’s too short to be pissed off all the time. It’s just not worth it.”
The movie accomplishes to teach us how individuals are never born hating. People learn to hate, and if they can learn to hate, then they can be taught to love. There are numerous amounts of scenarios where this is shown through the film’s very memorable moments. From the curb stomp scene, which presents HATE, sending Derek to prison (presenting: hate does not mean better), where he soon experiences BETRAYAL from a group of neo-Nazis when they rape him, to unexpectedly befriending a black man, displaying LOVE.
Edward Norton, Edward Furlong, Beverly D’Angelo, and Jennifer Lien did amazing jobs portraying their characters—each and every single one of them with so much pain. The most difficult scene to watch was the brutal dinner table scene where Norton gives a fucking powerful performance. He really demonstrated how deep the character’s hatred can go once he sends endless insults to the Jewish man whom during that scene was in a relationship with his mother. Not to mention the part where he begins to suffocate his own sister!!
The ending of the film was the most unexpected and completely heartbreaking. Although this is a film that revolves around white supremacy, I cannot be the only one who was hoping for a happy ending. Watching a family go through such horrendous events and then watching this former neo-Nazi noticing his mistakes and profoundly attempting to fix them, only to see them end on the murder of his young brother is truly fucking tragic.
In a way, during that last scene American History X presents the cycle of social hatred. One loses, and the other wins, continuing to pass on the hate. That kid was probably put up to a test, and as soon as Danny’s blood splatters over his face, the kid’s eyes open wide, and we know he regrets it.
I have read the original script of American History X and I seriously wish this film could’ve been longer. I really believe it still would’ve been successful if they included a few scenes from the original screenplay. AMAZING MOVIE!
I'm sure most people reading this page wish the show wasn't cancelled. Here is an article from Vanity Fair that talks with Paul Feig about what would have happened with the characters next.
Lindsay Weir (Linda Cardellini)
Paul Feig: I always figured something bad was gong to happen to Lindsay when she was out with the Dead. [The series ended with her ditching a summer-school program to follow the Grateful Dead with Kim Kelly.] I was hoping the second season would open with her being taken out of a concert on a stretcher while Queen’s “Tie Your Mother down” plays. That’s all I had. But I thought it would be interesting—she comes back, has completely lost the trust of her family; so she’s in even deeper having been really been outed as a problem. But there wasn’t a strong direction I had for her; I just knew she’d probably end up at some point in her twenties in Greenwich Village as a performance artist, and after that she’d probably become a lawyer—a human-rights lawyer.
Sam Weir (John Francis Daley)
Sam’s future was going to be drama club. Because that was my experience in school: I got deep into drama club. That was the storyline I was most excited about, because I was going to portray what actually happened to me. I thought he’d be more on the stage crew than actually performing, just because that was kind of interesting, the guys that were keeping it together from behind the scenes. But my drama teacher, who was one of the biggest influences on my life creatively, was an alcoholic, and over the course of my sophomore through senior year, she got worse and worse and started depending on me. I’d get called away from class under the guise of an emergency, and it would be her on the phone saying, “You’ve got to come pick me up. I left my car at the bar last night.” So I was really excited to get that going, this weird kind of taking-care-of-an-adult relationship, while he’s still learning amazing stuff from her, this tortured drama-teacher soul. That bummed me out the most, not getting to play that story out.
Neal Schweiber (Samm Levine)
Another burning desire I had was to get Neal into swing choir. Now Glee has taken it and run with it, but I always thought that would be a funny world for Neal to go into. There’s a weird little clique, and you have all these inside jokes, and all these kind of obnoxious performance things you bond with people over—I just thought he would really blossom in there and think he was kind of the king of the school. We figured it could be his outlet while his parents are going through a really horrible divorce. Since Judd had gone through that in his real life, that was kind of going to be his domain—telling all his tales from adolescence through that.
Bill Haverchuck (Martin Starr)
With his mom dating Coach Fredricks, Judd and I liked the idea of Bill slowly becoming a jock—that he turned out to be good at basketball and started to get into it, so that he was getting pulled a little more over to the jock side. Which would create an odd little rift with him and the other geeks. Because Martin is quite athletic in real life, and we were like, “Oh, let’s maybe play that out for him.” He works out a lot, Martin does, and at the beginning of the show he would come in with these giant biceps—we had to make him stop doing that.
Daniel Desario (James Franco)
Daniel’s such a drifter. I always liked the idea that eventually Daniel would probably end up in jail. [Laughs.] We were kind of, you know, taking him in this different direction. I wasn’t quite sure where that was going to lead. I knew it couldn’t stay in that world. I always liked the idea of: you go away for the summer and you come back and everybody’s kind of in a different place. But it’s hard to say with him; I think he had too many things pulling him in different directions. Having lost Kim, there would be a weirdness between them. But I wasn’t quite sure yet.
Kim Kelly (Busy Philipps)
I wanted Kim Kelly to be pregnant, but it wasn’t necessarily going to be Daniel’s. I thought this actually happened when she was out on the road with Lindsay following the Dead—that she shacked up with some guy, whether she was high at the moment or whatever, and comes back pregnant. That was another burning desire of mine, because when we were in high school there’d always be a girl or two who were pregnant, and it was so mind blowing. I thought it would be interesting with Daniel kind of around, and it’s not his, and it’s weird—and would he step up, since she doesn’t really know who the dad is, or isn’t really in contact with him? So maybe it was a chance for Daniel to become a young teen father—see what could have happened if we had a second season? And Kim and Lindsay—that would become a true friendship. Obviously they would have to have some back and forth and falling apart, but I like the girl power they had at the end of the last episode—they had both come through the fire in different ways and really bonded hardcore.
Nick Andopolis (Jason Segel)
I liked how we were kind of moving Nick towards having to go into the army, because of his badass dad. ’Cause that was a real option for so many people in my school—but he would be desperately trying to avoid it. But I was never quite clear exactly what direction we were going to go with Nick.
Ken Miller (Seth Rogen)
There was a guy I knew in school who was kind of Ken-like and he moved away to Hawaii; we were told he moved there just so he could smoke pot. I don’t know if that was the direction Ken was going to go. I always liked that we had set up that he had rich parents. But Ken’s such an enigma. I think he’s the guy that just kind of hangs around town. My instinct is we would have had the most fun searching for what his life would be. We liked to surprise people with Ken’s character—what was the thing you’d least expect he would do, or place he’d come from? I can completely see us loading him up with a lot of weird shit. I was sad we never got to show his parents, and God only knows whom we would have had him dating. I can definitely see a scenario where Lindsay would have tried dating Ken—that would be really funny. High-school romances are so flash-in-the-pan; there’s that awkwardness of having your ex walking around the school. Or, in my case, girls who turned me down but I had the awkwardness of them knowing I was into them and they had no interest in me.
Millie Kentner (Sarah Hagan)
We had actually thought about trying to turn Millie into a burnout at some point—“What? You’re what?” It would have been really fun to twist where she was going. I love changing people’s alliances. Because no one knows who they are or what they’re doing—basically they’re trying on different hats, different masks, if you will.
Cindy Sanders (Natasha Melnick)
We ended with Cindy as such a hardcore Republican. I liked her being a weird nemesis for Sam—I would have loved seeing them run against each other for student-council president. There’s nothing funnier to me than when the person you were in love with suddenly becomes this monster. You can’t figure out why you liked them. I think we would have had a lot of fun with Cindy.
Full article at http://www.vanityfair.com/online/oscars/2012/12/paul-feig-season-two-freaks-and-geeks
This film is great! The film is about two hitmen hiding out in Bruges, awaiting orders from their employer. Things happen that I'm not going to explain because it would spoil the movie, but I will say that the movie's very entertaining and it has a good sense of dark humor. There are some action-thriller elements to it, but it's mostly a comedy. And how refreshing it is to see a comedy that doesn't completely do away with the idea of consequence. The two main characters have an entertaining contrast and they work very well together comedically. Colin Farrell and Brendan Gleeson do very well to play their characters and both can provide a variety of dimensions to the characters in specific scenes. I had no idea who was actually in this movie, so when I saw that ONE actor suddenly appear I was extremely delighted and impressed. An extremely well-written film with plot twists and turns that you will not see coming with plenty of intelligent humour and some dumb humour along the way to make this a very entertaining ride. Like I said, I don't want to spoil too much, so I'm just going to leave it at that and say you should check it out!
"In 1956, renowed mathematician Kurt Godel wrote a letter to John von Neumann postulating the existence of a single proof that could unlock the fundamental laws that bind our universe.
Fantastical at the time, technological innovations and conceptual advancements over the last half-century have brought us closer to discovering the proof's frightening potential.
Today it is considered the most important unsolved problem in computer science.
It is simply known as P vs NP."
The opening titles of Travelling Salesman serve almost as an elimination process. If any of that makes you think "Huh? Who? What?" this film may not be for you. That is not meant as condescension, it is just that this film gives no quarter. You either understand what it is talking about or you don't. Names and events are casually dropped with history serving as exposition. The low rating is indicative of that. Again, that is not meant as condescending and I don't believe the film to be either. Twenty minutes in and I had a great respect for writer/director Timothy Lanzone for having a vision and never swaying from it.
Travelling Salesman is an ultra low budget feature with an intelligent and dense script, excellent cinematography and editing, and solid natural performances.
Taking place almost entirely in a single room the film chronicles the conclusive meeting of 4 mathematicians, truly the smartest men in any room they are in, as they turn over the findings of their 4 year top secret project to their Department of Defence handler. Their discussions centre around an 11th hour addendum to their findings, a betrayal of their agreement, that document morally questionable applications of their earth shattering work. Struggling with the ramifications they try and talk themselves into acceptance and sign off on each of their $10 million dollar pay checks.
Travelling Salesman left me thinking long after the credits rolled, in fact I watched it again the next day to let it rattle around some more. Shot in just 10 days on a reported budget of $10,000 I found this film to be a remarkable achievement.
Totally Ninja²
Ok, so first thing. If you didn't like Man of Steel you WILL NOT like this movie.
This movie will also attract a lot of hate, but if you are a person that likes movies they like without listening to others, read on for my impressions.
I enjoyed it for the most part and went in completely blind (avoided all trailers/reviews/articles), there were a lot of great scenes and visuals but also a lot of terrible/boring scenes and visuals in a less but still substantial volume. Now some of the really great shots may have been spammed in the trailers so won't have the "wow" factor for people that watched all the trailers 50 times, but for me they were great.
A bit of overuse of CGI at points and some was bad, while other scenes had great effects. Some of the characters were fantastic like Ben's Batman, Jesse's Lex and Laurence's Perry White, while others should really move along... Lois looking at you.
I did find myself getting a bit excited for some of the fight scenes and "Justice League" setup. I will mention the lack of real "flow" for the first two acts of the films and I honestly think (hope at least) that if they release a "directors cut" it would solve the broken flow of the first two acts.
It may get called "Bad", but it's no where close to being Fantasic Four bad.
After a long time, finally we can see the great Robert Downey Jr. do something different than the superhero Iron Man, or even the very intelligent but insane Sherlock Holmes. Nothing against, as the success of these two blockbusters owes much to his talent and what he gives to his characters. In The Judge we can see him doing a deeper and more serious role, never losing his ironic side and that funny that always makes us laugh whenever it is necessary. Here plays a character that can be perfectly adapted to real life and I confess that I've been missing to see him again in a different register.
The Judge is divided between the courtrooms and the family drama of a family marked by problems from the past that are still unresolved. Attorney Hank Palmer (Robert Downey Jr.) is forced to return to his hometwon in Indiana, 20 years later, for the funeral of his mother. Hank always had problems with his father (Robert Duvall), a very well respected judge in the city, and during his short stay his father is considered the main suspect of an homicide. Hank is forced to help his father to find out the truth and eventually re-connects with his brothers and even with some old acquaintances of the small town.
The film is not simply a story about courts, laws or criminal justice, but a family drama where the characters are going to rediscover themselves, learn how to forgive and respect each other. The emotional side of the story is more important than everything else, and despite the numerous clichés that the film may have, they result in a perfect way to what the film is supposed to give us and it never disappoints.
It is certainly a film of great performances! The chemistry between Downey Jr. and Duvall is really great and all their scenes together are very intense. The entire supporting cast does a very good work, but is mostly Downey Jr. and Duvall what make The Judge to be not just a drama of conflict between father and son, but a real portrait of many families, sincere and honest that has a slightly different ending than we are expecting.
After a long time, finally we can see the great Robert Downey Jr. do something different than the superhero Iron Man, or even the very intelligent but insane Sherlock Holmes. Nothing against, as the success of these two blockbusters owes much to his talent and what he gives to his characters. In The Judge we can see him doing a deeper and more serious role, never losing his ironic side and that funny that always makes us laugh whenever it is necessary. Here plays a character that can be perfectly adapted to real life and I confess that I've been missing to see him again in a different register.
The Judge is divided between the courtrooms and the family drama of a family marked by problems from the past that are still unresolved. Attorney Hank Palmer (Robert Downey Jr.) is forced to return to his hometwon in Indiana, 20 years later, for the funeral of his mother. Hank always had problems with his father (Robert Duvall), a very well respected judge in the city, and during his short stay his father is considered the main suspect of an homicide. Hank is forced to help his father to find out the truth and eventually re-connects with his brothers and even with some old acquaintances of the small town.
The film is not simply a story about courts, laws or criminal justice, but a family drama where the characters are going to rediscover themselves, learn how to forgive and respect each other. The emotional side of the story is more important than everything else, and despite the numerous clichés that the film may have, they result in a perfect way to what the film is supposed to give us and it never disappoints.
It is certainly a film of great performances! The chemistry between Downey Jr. and Duvall is really great and all their scenes together are very intense. The entire supporting cast does a very good work, but is mostly Downey Jr. and Duvall what make The Judge to be not just a drama of conflict between father and son, but a real portrait of many families, sincere and honest that has a slightly different ending than we are expecting.
