The real question is why the hell did the guy charge money for snacks at the white house?
Ends on cliff hanger. Starts new ep. 5 minutes in its good. next 40 minutes its quite disappointing. Ends on cliff hanger. Repeat.
On the surface this film is about a group of people who have been labelled “villains”, working together to save the world. But really, this film is about one man and one man alone, he isn’t strong, but yet he defies all odds and sacrifices his life to save his friends. His only power is his bravery, he is the driver of the van and the main character of this film, Milton.
Denis Villeneuve is the man!
There’s only one word that came into my mind after watching it: finally.
Finally, a blockbuster that isn’t afraid to be primarily driven by drama and tension, and doesn’t undercut its own tone by throwing in a joke every 30 seconds.
Finally, a blockbuster that puts actual effort in its cinematography, and doesn’t have a bland or calculated colour palette.
Finally, a blockbuster with a story that has actual substance and themes, and doesn’t rely on intertextual references or nostalgia to create a fake sheen of depth.
Finally, a blockbuster that doesn’t pander to China by having big, loud and overblown action sequences, but relies on practical and grounded spectacle instead (it has big sand worms, you really don’t need to throw anything at the screen besides that).
Finally, a blockbuster that actually feels big, because it isn’t primarily shot in close ups, or on a sound stage.
And of course: finally, a blockbuster that isn’t a fucking prequel, sequel, or connected to an already established IP somehow.
(Yeah, I know Tenet did those things as well, but I couldn’t get into that because the characters were so flat and uninteresting).
This just checks all the boxes. An engaging story with subtext, very well set up characters, great acting (like James Gunn, Villeneuve's great at accentuating the strengths of limited actors like Dave Bautista and Jason Momoa), spectecular visuals and art design (desaturated but not in an ugly washed out way), pacing (slow but it never drags), directing, one of Hans Zimmer’s best scores: it’s all here.
I only have one real criticism: there’s too much exposition, especially in the first half.
It can occasionally hold your hand by referencing things that have already been established previously, and some scenes of characters explaining stuff to each other could’ve been conveyed more visually.
Other than that, it’s easily one of the best films of the year.
I’ve seen some people critiquing it for being incomplete, which is true, but this isn’t just a set up for a future film.
It feels like a whole meal, there are pay offs in this, and the characters progress (even if, yes, their arcs are still incomplete).
8.5/10
For the love if shit, people. Without the first 3 episodes we wouldn't have this episode. Without the first 3 episodes this one wouldn't be as impactful. It's storytelling and all part of a larger whole. Stop saying, "finally we're getting somewhere," or "this is what the show should have been from the start." Its a journey. Just sit back and enjoy the ride. Holy shit.
Seeing a film that's won the Palme d'or at Cannes or Best Picture Oscar is like drinking a bottle of ridiculously expensive wine: with every sip you ask yourself over and over again if it deserves the price. Fortunately, Parasite is so good you won't be drinking very long because you'll be drunk on its power soon enough.
A film that crosses genres so many times it leaves a permanent mark, Parasite is a clever story performed wonderfully and directed to perfection.
When you watch a movie and wish that it went for another 2 hours - fantastic.
This movie stressed me the fuck out.
This is the Unforgiven of superhero movies, a brutal yet tender portrayal of former heroes growing old. Logan is tired and world weary, waiting for death to take away his pain. Charles is 90, riddled with drugs to mute his mind, his "super weapon." Despite their friendship their relationship is fractured. Into their lives comes a new mutant and a road trip begins.
I don't want to say much more, having given away a little of the premise already explored in the films trailers. This is a tough, violent and sad film with few moments of humour. There is action but not of the blockbuster kind, one key car chase is like something from a 70's thriller.
This is the swan song of Logan and Charles, both actors giving it their all in their final performances as these characters. To bring them back after this film would undermine their work and the story here.
The film is brilliant and I can't recommend it enough - don't expect a traditional X-Men movie and you will be blown away. If the film itself were a mutant I would say its genes had been spliced with Mad Max and Shane, with a little bit of Children of the Corn (and I mean that in a good way). Excelsior!
Intelligent, twisting, gripping, well written and well acted. Definitely worth a watch. Netflix gives you options - mine was the original German with English subtitles. That’s my recommendation.
cassie was just asking to get hereditary’d in the car going 100mph
Everything I wanted it to be and more. Perfectly cast and excellent soundtrack by Hans Zimmer. Epic Sci-Fi at its best.
Before explaining why I liked this movie, I'd like to point out that the main idea of the movie is NOT that you need find your purpose to have a happy life. It's the exact opposite! I'm not saying this just to be a professor, but because it's really important and that's why I loved the film so much. You don't need to be fixated about something to find a meaning in your life. You need to savour it and learn to enjoy the little moments instead of waiting for something big to happen to reach happiness. It's so profound and refreshing. A movie just about a guy waiting for his big moment and feeling fulfilled after having reached it would have been dull, boring, trite and most of all wrong, like pretty much all "self-help" advices.
Instead the opposite idea is presented and if you just pay attention to the dialogues -and the story, really- you'll understand what I mean and most importantly what you might apply to make your everyday life better.
But back to the movie I've got to say I almost cried as the end was approaching as much as I was going to turn off the tv when the movie started. The whole initial setting reminded me too much of Inside Out, a film I quite disliked, so I was worried it was a copy of it (it kind of is in the beginning). But luckily the second half steered away from it and developed in one of the most moving film I've seen in a long time. Undoubtedly one of Pixar's best.
Best episode so far. I pride myself on seeing most things coming in a series, but this episode blew my mind. I had no idea Bernard was one of them untill he said 'What door' near the end of the episode.
It's so much fun. It knows what type of movie it is and delivers. The story kept me on my toes. The ensemble cast is terrific. Chris Evans having a blast playing an asshole, Ana de Armas is great, and Daniel Craig playing a detective with a funny accent is a treat. I want to see this again knowing the plot so I can look for all the subtle foreshadowing.
After a rewatch I am even more impressed with how good the script is and how much is set up and paid off. This one is of the better movies of the year.
This is a smart, funny and very entertaining movie with a killer soundtrack. The soundtrack has a little bit of everything and is choreographed perfectly into the action. Ansel Elgort is great and so are Kevin Spacey and Jon Hamm.
EDIT: Saw it again and it is still just as great.
"Every time someone steps up and says who they are the world becomes a better, more interesting place, so thank you." <3<3<3
I don't think many people realize how important this episode, and Brooklyn Nine-Nine in general, are. The show's talked about many issues, and I think it's very important that this episode focused on white supremacy and police brutality towards the black community. I love Brooklyn Nine-Nine and I think it's one of the most underrated sitcoms of this generation. More people should focus on this show. Please do not get it cancelled.
One of the best anti-war movies of all time. I was shaking and had heart racing the whole run-time.
One of the most memorable cinema-experiences I ever had. After the credits rolled, no one made a move for two minutes. Everyone sat quietly and thought about what they had seen. At one point early in the movie almost everyone had also stopped eating their popcorn.
Watch it in Cinema if you can. Watch it in german if you can. Watch it in german with subtitles if you must. Or wait for it's Netflix-Release. But watch "All Quiet on the Western Front" no matter what. And learn from it.
One of the most intense movies you'll ever see.
It's nothing like the other movies in the series. Very mature, dark and brutal but also authentic in it's own way. The best movie in the X-men universe.
"My pain was selfish, because it was never only mine. For everybody in this place, there was someone who mourned their loss. Even if they didn't know why." - Akecheta
look i don't have epilepsy, but i was close to having a seizure in the lights out scene lmao
This is the best episode of the season so far, maybe the best episode of the show. Akechta's story is heartbreaking. When he was walking around looking for Kohana and found her and then realized he could do nothing about it really got to me. That piano cover of Heart-Shaped Box was fantastic too.
Holy fuck. I have goosebumps. Might be the best episode of TV this year. Fucking amazing. Honestly, I can't blame Tom for what he did, he's taken so much shit from everyone, including his own wife.
I got massive GTA 5 vibes from this. Just look at it: heists, hijacking cars, more heists, criminals being portrayed as eccentric & nuts, planning heists in an abandoned urban building; hard to miss the influence.
It still feels like an Edgar Wright film though. In fact, it very much starts like one of his comedies, but then it takes a complete tonal shift around the halfway mark. It becomes much darker, and it’s suddenly driven by tension instead of jokes.
A lot of movies can’t pull that off, but this one does simply because you can look at this premise as lighthearted, but there’s nothing too ridiculous or stupid for it not to work as a serious thriller either.
The directing and editing are really stylish and inventive, the performances are good, plenty of character development (a lot of which is done visually), excellent music selection, and there are a few twists in the second half I didn’t see coming.
My only complaint is that the romance subplot starts a bit clunky, but it evens out as the film goes along.
8.5/10
