While still funny and immensely entertaining, I confess I was a little disappointed with Deadpool. With this character, they had an opportunity to make a completely ridiculous and nonsensical superhero movie, and what we got as another generic plot following the tired origin story / damsel-in-distress formula, with a bit of crude humor and 4th-wall breaking mixed in. I almost wonder if that was the cost for finally getting this movie made.
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@genesisx @myerz Nobody in this comment reply seems to make any sense. OP's not tired of the breaking of 4th wall--OP thinks the movie should go beyond that! DEADPOOL should've been MORE non-sensical rather than just a generic comedy-action with a bit of breaking of 4th wall.
And yeah this is the first we've seen Deadpool's origin story but we have already seen COUNTLESS of other superheroes' origin story. Which is kinda boring.
Damn son, I didn't know fanboys can be this dense.
Shout by PrisonMike
This movie is dumb.
Something else needs to be pointed out as well. They never show her getting off the dam tower. Lame ending.
Why didn't she just stuff the phone in the bird
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@mediacenterkodi or the phone on the drone....
It was alright, predictable and jumpscarey but didn't really have an ending. I was expecting them to do a kind of viral meta ending where she kills herself (alone) at the end, but she smiles directly into the camera, so now it's like we are the cursed. But it just ends...
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That ending is so good wtf wish they went with that
This documentary made no sense. The first girl was from Norway and sometimes in London but had her Mum in her phone as ‘Mom’? I think the producers faked a lot of this and that is just one red flag for me to not believe this one sided story.
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@waltandmartha Okay so I won't rush to watch this one, thanks for the heads up.
Well here goes. I did not like the movie. Out of all the Marvel movies, this was the weakest. Especially weaker than the two previous Spider-Man franchises. I did not want Marvel to go the DCU route and change the characters, especially Aunt May. The only people they correctly portrayed were Vulture and Peter. Why does Peter do all the Spider-Man stunts in a school which has cameras?? And why is Flash Thompson not a jock? Where's Spider-Man's origin? I want to see Uncle Ben, the wrestling match, hell, even Harry. That said, this is nothing compared to the Amazing Spider-Man series, which features my favorite portrayal of Spider-Man. 4/10
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@genesisx to be fair, how many origin reiterations do we need? It needed to be changed up.
Don’t watch this in theaters if there’s a chance of your friends saying a word.
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@gallifreysbowtie That's so funny, I did this.
Don’t watch this in theaters if there’s a chance of your friends saying a word.
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@coffee_in_an_iv I had fun noticing how people stopped eating their popcorn because they didn't want to make a sound.
Review by Xiofire
Midsommar is a complicated beast. Those going for something as linear as Hereditary will be immediately disappointed by Midsommars somewhat convoluted plot elements and meandering pace. I sat in the cinema as the credits rolled by, deep in thought about what I just watched, and if it was any good. Nothing really sat well with me, and the film didn't really connect upon immediate completion, but I gave it time to digest.
Ari Asters two movies are very much at odds with each other. Hereditary slaps you with it's excellent presentation, pace, sense of dread and quality of acting on display. Then, upon further inspection, it's woven plot elements and symbolism shine through on subsequent viewing.
Midsommar is very much the opposite. The film almost dawdles in it's presentation and doesn't fully attack you with it's acting chops or narrative (although Florence is simply stunning in her portrayal of Dani). Midsommar more presents it's parts in a very matter-of-fact fashion, and then leaves it up to you to connect the dots of both the plot and what's on display. While there is far too much to unpack in this small comment section, I'd just like to detail some of my favourite themes on display in Midsommar, and why it went from a 6/10 during my cinema viewing, to a solid 8 - 8.5/10 upon reflection.--- LONG DISCUSSION OF SPOILERS BELOW THIS POINT ---
One of Midsommars central parallels is the individualism/selfishness of Western life and it's stark comparison to the commune we are introduced to. Examples of this are: During the intro, Dani is going through the trauma of a suicidal family member and her boyfriend, Christian, is encouraged by his friends to abandon her in her time of need telling her to see her therapist as it's not his problem. Christian echos these sentiments directly to Dani about her sister, telling her to leave her alone as she is just doing this for attention. Upon arriving at the commune in Sweden, Mark is unwilling to wait for Dani to be ready to take shrooms. Josh, knowing of Dani's recent trauma involving death, subjects her to the suicide of the elders for his own thesis and research. Christian uses the situation to further his own academic efforts, much to the annoyance of Josh. Everyone is acting in their own self interest regardless of the emotional toll this takes on their friendships. This is a stark contrast to how we see the commune deal with distress, emotion and personal issues. When Dani sees Christian cheating on her, the female members of the commune bawl, weep, scream and cry along with Dani, literally experiencing her burden with her to lessen the load. As described by Pelle, the commune "hold" you during your distress, helping you cope and living through those emotions with you. This is further cemented by the scene earlier in the movie, shortly after Dani's sister commits suicide. We see Dani hunched over Christian's lap overcome with emotion, screaming out the pain of the loss of her sister. Christian is anything but present however, his eyes vacant as if he weren't there with her at all. This is possibly my favourite theme of the movie, as it really paints how alone we are in modern society regardless of how many people we surround ourselves with. How many people are actually there for us in our time of need? Sure, they might be physically present, but are they actually there, sharing our pain? It's truly terrifying to think about.
My other favourite theme is who is and isn't a bad person. I've seen many people online say they think Christian is a horrible boyfriend for how he treats Dani. While I can understand their position, I struggle to see how Christian is the bad guy for his actions. Christian finds himself in a dying relationship which he is mentally checked out from but decides to stay to help her through the grief of losing her parents and sister. Christian even goes as far as to bring her on vacation with him to help her through her trauma, even though he wants to split up with her. Would the audience have prefered Christian leave Dani right after she lost her family? That would have been MUCH worse. Do these actions warrant what happens to Christian? I don't think so at all. Christian is so misunderstood in this movie, I can't wait to see it again to draw more conclusions on his character. Is Josh a bad person for wanting to fully envelope himself in a foreign culture? Although we know it is largely for academic gain, Josh does seem to love learning about the culture of these people, wanting to see how they operate and know every intricacy of their faith. Does this warrant his murder for trying to document their sacred texts? Should an outsider be murdered for enjoying and absorbing someone elses culture and customs, or should they be thanked for their interest and passion? (Sidenote, I see Josh's character as a direct reflection of the usual racial stereotypes we see in movies of this ilk. Usually we see the white academic researching the savage native/minority tribe, but Josh is the exactly flip of this, which is a nice touch). Were Connie and Simon wrong for coming into another culture and expressing disgust at their customs? Should they have been so outwardly disgusted and vocal about their disapproval while being welcomed in by the commune? Sure it didn't warrant their ultimate fate, but this small subplot asks an interesting question about outsiders attempting to shape and alter other cultures and customs as it doesn't sit with their ideals.
Other small details:
While it's directly conveyed to the viewer that the red haired girl is attempting to cast a love incantation on Christian via pubes in his pie and runes under his bed, very little attention is given to the fact that Christians drink is a slight shade darker than everyone elses. From the tapestry we see at the start of the festival, we know exactly what the red haired girl has slipped into his drink :face_vomiting: Fantastic subtle horror/grossness.Pelle talks about how his parents died in a fire and the commune helped him through the trauma of that loss. After the ending, it's pretty clear the fire wasn't an accident, and they evidently died for some kind of ritual.
Artwork above Dani's bed at the beginning shows a girl with crown kissing a bear. While direct foreshadowing to latter events, it also asks the question if this was all fate. Dani's sister's final message reads "I see black now" (potentially a reference to The Black One) before killing herself and her parents. Were Dani's parents 72 and this was the end of their cycle? Was Dani's sister already a distant member of the commune?
Runes are scattered all throughout the film to foreshadow certain character arcs or add more meaning. My favourite hidden rune is the doors to the temple, which when open, make the rune for "Opening" or "Portal". Amazing attention to detail.
Yeah, this movie is much MUCH better on reflection and I absolutely cannot wait to see it again. I really hope Ari's 3 hour 40 minute directors cut is released so there is more to dissect. While not as immediately impressive has Hereditary, Midsommar definitely has the layers and complexity to be a slowburn horror classic.
EDIT: I am now 4 days out from my first viewing and I've not stopped thinking about this movie. I've become a frequent visitor of the films subreddit and have even purchased/listened to the films dread-inducing yet somehow joyous soundtrack a number of times throughout the days. I've been reading up on runes and their meanings, reading up set analysis for hidden meanings and any other small details others can find. A movie hasn't vibed with me like this for a long long time so to reflect this, I think it's only right I bump my score from an 8/10 to a 9/10. When I can get my hands on the digital download/Blu-Ray, I'm sure this might even go higher.
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@xiofire Despite disagreeing with your take on Christian, I really like this review and agree with most of it. Thanks for expressing it so elegantly!
I don't really get what the big deal was with The Terminator. Perhaps it was revolutionary for its time and nobody had made a tense action thriller before (I have no idea whether this was actually the case), but watching it now, it's pretty ordinary with far, far too many plotholes and inconsistencies to really make it worthwhile.
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@aldy That Filminator is out there..it can't be bargained with, it can't be reasoned with, it doesn't feel pity or remorse or fear, and it ABSOLUTELY will not stop...EVER, until it leaves a shitty review
So this piece of shit gets a higher rating then The hunger games: Mockingjay part 2?
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Agreed, Mockingjay was a terrible movie.
So this piece of shit gets a higher rating then The hunger games: Mockingjay part 2?
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Mockingjay part 2 is terrible
definitely my favorite of the Christopher Reeves Superman movies I remember loving this movie when I was a kid because of all the action sequences involving the other kryptonians which was definitely a step up from the previous Superman film where there was no real villain to challenge him physically
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@sawyer189 Then why a 4 out of 10 ? Lol
A really cool idea for an allegory, but it could’ve, and should’ve, gone a lot deeper with its social commentary.
A lot of it feels half baked and not all that sharp.
Also, the characters are flat, and it leaves you with a lot of questions that needed to be cleared up (Why do people go to this place? Who’s behind it? Etc.)loading replies
@jordyep this movie needs at least one hour more
A really cool idea for an allegory, but it could’ve, and should’ve, gone a lot deeper with its social commentary.
A lot of it feels half baked and not all that sharp.
Also, the characters are flat, and it leaves you with a lot of questions that needed to be cleared up (Why do people go to this place? Who’s behind it? Etc.)loading replies
@jordyep I think that not having answers place us in the character's perspective; we know as much as him. It reminds me Cube (https://trakt.tv/movies/cube-1997)
Review by Toliman
VIP10TLDR ? This movie is Disingenuous. At best, it's a Ghoulish dark satire of the republican party during the Bush/Cheney era. Except, they forgot to insert comedy or satire. As a result, it's grim and insulting, the parody is often at the expense of the audience being too stupid or uncaring, or religious. Large chunks of american history are deleted, omitted or filtered so that the movie can focus on the death toll of the war, or the "Wazzup" meme, etc.
large chunks of Dick Cheney's history don't make it into the movie, or are stylised / exagerrated / spoofed.
It is a well made disaster of a movie. Care went into making this.
But, it's as bad as Holmes & Watson, Star Trek Discovery, The Last Jedi or Ghostbusters 2016. It's deeply unlikeable at times, and it is actively trying to rewrite history as it goes. I'm not a republican or a conservative, i don't follow politics, this is a highly deranged film that is deceptive at times, and I doubt that any of the events took place, as a result of the ham-fisted effort at painting Cheney as some mastermind villain, working in the shadows. It's only missing that villain laugh track during the more hammy moments.
The most sanguine part of the movie is that they treat the WTC bombing and 9/11 properly, but they draw an enormous bow throughout.
part of the movie hinges on the use of executive power being wielded by Dick Cheney through the Bush Presidency, to the degree that they'll infer it becoming part of the reasons why Cheney brought the war from Afghanistan to Iraq, and that he also used the position to secure oil reserves in Iraq before the war started, as well as ignore questions / receive kickbacks from Haliburton contracts, and infer that he brought a lawyer into the emergency/control room during the "crash" period of 9/11 post-pentagon collision, as airline flights and air corridors were shut down, airports were being closed, and private/civilian aircraft were being tracked and landed in airports, etc. So that he could wield this Executive Power without asking the senate or the Congress or the President for approval.
It walks the line of defamation, and yet, apparently it's from the guy who made Anchorman 2 and Step Brothers, Talladega Nights, The Other Guys. Brad Pitt and Will Ferrel financed this movie, i think. Their companies are in the titles.
All of the Actors do a great job. I even like Annapurna for their video game productions (Donut County, Gorogoa, Edith Finch, Florence), and i've seen a handful of Annapurna movies, like Phantom Thread, Her, American Hustle, and Sausage Party...
I went in with no preparation, and assumed it would be a dark comedy with political overtones, because, politics and Steve Carell, and I can see Aquaman later on. It can't be that bad, it's Christmas week.
This movie has the unfortunate effect of making you hate theatrical movie releases and critics, and perhaps all movies.
Yet, it's so well made, it has style, artistic credibility, and it's directed, shot and lit perfectly, the sound is on point, the acting is sometimes forgettable, But it's similar in style to other "moral" drama films, like "The Big Short", leading into the Global Financial Crisis where they pander heavily on people's motives and actions of "we're getting away with it", sic. The pandering is incredible.
It is a better political movie than most, but it's utterly manipulative and disingenuous at it's heart, and nothing can make that funny or amusing.
Michael Moore's Fahrenheit 11/9 is unhinged and deranged, while Vice, is just powdercoated hatred and bile, trying to hide under progressive and democratic ideals. it's more like an upmarket youtube political conspiracy movie talking about Hilary Clinton's "SECRET Brain surgery", George Soros, the Koch brothers or the Jewish conspiracy movies you get recommended after watching "The Young Turks" or "David Pakman".
They even sink low enough to include a "Ghostbusters 2016" poke at the audience in the end credits by lampooning the partisan nature of the film, in an attempt to skirt criticism and outrage
A sideplot about an hour in, has a series of scenes in a focus group with the same strangers. The marketer/political consultant asks the group to raise their hands to choose between climate change or global warming. Another time, it's a choice between Estate Tax or Death Tax, inferring that marketing & political think-tanks, along with Fox News, used politically correct language in the 90's and 2000's to make conservative ideas palatable.
At the end of the movie, Cheney is in a cross-chair interview, after just having had a heart replacement. As the interview starts, the scene pauses, and Cheney/Bale instead, turns away and lectures the audience directly (invoking Frank Underwood's, stylised yet sociopathic 'lectures' in House of Cards) , saying he did what was best for America, despite the cost and the lives lost in the war(s) sic. It's just on the borderline of "helping make america great again" and a typical Frank Underwood self-justification, we fade to black, get a terrible americana/Fly Fishing title credits to the music of West Side Story's Puerto Rican version of "Coming to America" and we return to the Focus Group, mid-credits. The final scene has the consultant ask what people thought about the movie. A member of the group, complains that the movie insults conservatives, while the neighboring person insists it's factual, with the first man then calling it liberal propaganda, and then calling the other a libtard, sic. and hits him, both getting into a fist fight, while the camera turns away, to another woman, who turns to her neighbour in the room, and says she's going to enjoy the next Fast and the Furious movie (sic).
The implied comment is that they did the research, and had to improvise the story in-between, because nobody would speak about Dick Cheney's history or family to set the record straight. When/If you see a biography of Barack Obama in a few years, attending child brothels with kevin spacey in indonesia,
receiving oral sex from a pansexual transvestite, while he's snorting a line of cocaine off a preteen boy, while another person is handing Barack a membership form for the Democratic Party ... Vice, is going to be the movie that they quote and use dialogue from.This is the kind of movie that Alex Jones and infowars would make of Hilary Clinton & Barack Obama, by selectively omitting pages from a biography, and denigrating the characters and roles they undertook. The excuse would be, they couldn't confirm the story, so they took liberties and stuck with the facts, being transcripts, police records, licenses, marriage dates, etc.
I'm Australian, I genuinely don't care about the politics, but the smearing of the republican party is like a sledgehammer at times.
There are several Saturday Night Live level 'jokes' or skits/scenes that don't even make you cringe, they're just deeply unsettling attempts at humor or levity. Care went into the timing to paint several scenes as 'dark', or darkly funny at the expense of others. I expect people would laugh at them, it didn't connect with me, or the other 5 people in the theater.
It's not quite Fahrenheit 11/9 levels of insanity, on the contrary. It walks the line of parody, conspiracy and defamation neatly in a lighthearted attempt to skip 20 years of context, in a 2 minute conversation.
There's an early moment, perhaps 40 minutes in, where Steve Carell as Donald Rumsfeld is ruminating to a younger Dick Cheney in a random hallway of the oval office, about the imminent bombing of cambodia while Nixon is talking with Kissinger in a spare room of the Oval Office to avoid recordings. Mid-lecture, you hear Carell while we see a village about to be bombed mid-lecture, a typical cambodian/indonesian forest village, women and children sitting around, before explosions occur, and the scene changes back to Carell & Bale, unphased.
This kind of manipulative sledgehammer is used, repeatedly to invoke... satire? outrage ? compassion ?
This occurs about 5 or 6 more times, with even less subtlety.
Alfred Molina's "restaurant" scene, Molina's character offers Cheney and 3 seated guests at a restaurant table, Extraordinary rendition, Guantanamo Bay as menu options , is ham-fisted, but it's executed darkly and humorously, similar to say, Aaron Echkhart's Thank You For Smoking scenes, lampooning Tobacco, Firearms and Alcohol lobbyists.
It's the kind of movie where you could let things slide if you were a lifelong US democrat, because it tries to tell harsher truths of the political and military consequences, overtly, by flashing to bombings, drone strikes, torture, rendition, deception and greed, during the more infamous moments of nixon's career and Bush's presidency.
And it profoundly relies on Fly fishing to represent Dick Cheney, as other movies do (2007's Shooter) to the point where they use gaudy Americana as Fly Fishing decorations (rockets, drones, Oil Rigs, missiles, the white house, Surveillance cameras) in the end-credits.
There's element's of Zero Dark Thirty in the invocation/flashes of torture, waterboarding, confinement, exposure, even the Abu Ghraib incident/leak with a prisoner being dragged by a Dog Collar by Lynndie England (the "work safe" versions) appears here. and rendition scenes along with the "Shadow government" themes of Dick Cheney's role as Vice President during George W Bush's tenure. It is highly implied several times that Cheney set himself up as the Executive, the CEO in charge of the war by undermining George Bush and, being responsible for the birth of ISIS, hiding reports from the president, etc.
They walk the line when it comes to defaming the Cheney family, there's also an implication of Lynne Cheney's father, Wayne Vincent murdering his wife in an argument by drowning, and of Lynne Vincent, being raped by her father Wayne in an over-edited and dubbed scene that was heavily muffled to avoid the censor noticing. Wayne, is seen pointing to his daughter during a muted, abbreviate shouting scene implying alcoholism and frequent domestic violence.
It extrapolates the most defamatory versions of people, and highlights that absurdity.
It takes what should be parody or simulacra, a 'bad saturday night live' sketch comic scene, and extrapolates moments as their cheapest moments. It's also high budget, they take Sam Rockwell's version of President Bush, Governor Bush, and rotoscope him into the more infamous moments of Bush's Presidency, i.e. the mid-war "Mission Accomplished" presentation on the Carrier Deck.
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@toliman For someone who cares so much about "facts," it's interesting to note that you did not use "(sic)" properly /even once/ in this long ham-fisted soliloquy.
Hated it.
As simple as that.
Terrible way to take the series to. I mean it's not as bad as the prequels, because the acting is quite all right, but it hits so many bullshit moments where I was facepalming every other scene it's unbelievable.loading replies
@bejot you clearly facepalmed the whole movie and didn't see it properly
