This season’s art is so much better than it was at first. It’s dynamic and smooth, and just a pleasure to behold.
Mimi annoys me to no end. “What do you mean you can’t tell me about your super secret government job?! Whaaah!”
I was really cheering for Kinsey to drown. And Tyler suddenly becoming angsty is just stupid.
They just randomly get power-ups and upgrades? Where were these when they had to fight Dark Kingdom?
Lol his accent suddenly changes once his identity is discovered. What? Why would it, if he had a perfect American accent to begin with? This show is so stupid.
A very weird, even lame, filler episode.
The second season is so much better than the atrocious first one. I'm glad I gave it a chance.
I've always hated this episode. Just a montage of stuff that's happened so far with comments from the Sailor Senshi about mysterious new characters from upcoming season. Boring!
Martin Lawrence said it best, “This is some real telenovela sh*t.” What a terrible, convoluted mess of a plot.
The actresses who played young Mia and Elena did good job imitating Kerry Washington’s and Reese Witherspoon’s mannerisms. Though KW’s face-acting looks unnatural on anyone.
A extra star for the beginning, and an extra one for the metaphor. Otherwise a very weak film with very weak characters that do things that make no sense.
You gotta love and appreciate Tarantino's style to enjoy Death Proof, because this is the least mainstream film of his that I've ever watched. Definitely not for the masses.
This season is fire! They sure improved so much since AS1.
You'd die to get in that pool, you say?
They should have compressed the first 5 episodes into one hour premiere and led with the whole Fiona thing. I can't believe it took them nearly until the end of the season to actually introduce a plot catalyst. Writing needs a lot of trimming and editing. And normally I like Merritt Wever, but her acting is off balance here. It's like she's not sure which facial expression to settle on during a scene, so she throws in all of them.
Why do tv parents tiptoe around their entitled, obnoxious teenagers? Shit like that makes me dread becoming a parent one day.
Fantastic art in this episode. They gave their final episodes to the best art director, I see.
I can see why they keep pushing the power of love message so hard, but Sailor Moon makes some really dumb decisions in this one. I swear, she only wins against evil out of sheer stupid luck. Like almost the entire squad (not to mention, the whole world) was nearly wiped out because of her.
Very powerful episode. Not just on this show, but counting everything I've seen this year so far.
Some of the twists are a bit far-fetched now. Oh, she missed x number of days in school? Must be pregnant! The baby was born in March, must be the one person I know who was also born in March! The killer had brown curly hair? Must be the first person with brown curly hair I meet! Rather ridiculous!
Gloria Swanson is a treat to watch in Sunset Blvd. In any other film she would have come off as overly dramatic, but as a washed-up silent era diva she is absolutely perfect with all of the accompanying hand-wringing, dramatic head angles, and intense eye glares. It's old school acting, where theatre was more of an influence than realism.
William Holden's Joe is a typical macho hero of the Golden age: sounding grumpy and slightly shouty, but simultaneously emotionally blank. He typically calls his much younger love interest "kid", grabs her by the shoulders and smashes his mouth into hers as his interpretation of a passionate scene. I sort of dislike him. He takes advantage of Norma's wealth, but then acts like it's a burden, age shaming her to no tomorrow.
At the same time, the movie is a wonderful satire of the realities of Hollywood. How sad that a woman past her early thirties is considered a has-been with no prospects? While not as bad nowadays, the practice seems to persist, with most movie moms with teen children being played by 30-year-olds.
The structure is also neat, being told from the point of view of a murdered man. In the end, this film has an unmistakable tinge of gothic fiction - a tale of a haunted house, where the haunting is the apparition of regret, old glamour gone shabby, and madness. The monologue and snappy lines also put it squarely into a film noir territory - the quality kind, not overdone to death. Billie Wilder was a visionary filmmaker.
I like Milk's style of drag and she was great to watch on Drag Race, but she came off incredibly bratty and entitled in All Stars. She was obviously tanking in the challenge, but was completely delusional about the fact.
I wouldn’t be surprised if producers deemed Dela’s constant winning too predictable, so they just gave her a cash prize to bow out. El scandalo?!
O.M.G. Shangela was the star of the episode!!
Can’t believe it, Shangela was robbed 100%. Trixie is shady af and I don’t buy the innocent act. She will never have my support.
The best episode in a very long time! Just a goofy, parody of itself, but such a joyful one.
Now that this contestant is gone (good riddance), I'd be happy with any of the remaining queens being crowned.
This episode is awkward. Like watching old people trying to interact with technology. I guess it was supposed to be funny, but just didn't register at all.
Just like with the rest of the show for me, I really didn’t care for the main conspiracy plot/freaky experiment son bit, but I thoroughly enjoyed the standalone, monster-of-the-week episodes. Season 11 started out rough, but quickly found footing, with some episodes feeling like the classic X-files.
I don't know... the challenge is called "evil twin" and the judges are complaining that some costumes are too similar looking. There was nothing twin-like about most of the concepts, except for Kameron's and Eureka's. I get that Kameron's outfits were more Halloween than drag, but I think she nailed the idea. Don't name the challenge "evil twin" if you don't want a good vs evil iteration of the same outfit!
