This is Steve Harrington's favorite movie.
This is Steve Harrington's favorite movie.
This is Steve Harrington's favorite movie.
This is Steve Harrington's favorite movie.
Probably the least moving episode in the series for me. But I still liked it. It's really wonderful. And I love seeing the kids grow up.
I like that they took it slowly, not immediately jumping into action. It's like the beginning of a movie, rather than trying to be a whole movie in itself. They knew that people who like the show will continue to watch the series. Still a lot of things going on though.
I hated this episode until the very end, where it hit me hard.
Good episode, but I think the Barb search could have been made more impactful.
A vaguely whimsical horror show.
I don't like the creative decision that magic comes from pain. It could have been from love, or both. But the idea that every one of the students are bubbling with rage in each and every spell seems pretty far-fetched. In Star Wars, dark magic is formed by anger, and light magic by... well, something like mindfulness and concentration, I guess. That would have been better. Maybe something like that appears later on in the series.
The only thing I can say out of spoiler is, I think a part of this episode is a bit redundant.
The episode is a bit filler-y, but very good filler, and it does tie in to the story and character relations. How is it filler then? Well, the long dream-like sequence I think does not forward the main plot very much, and it doesn't seem to affect Quentin psychologically after this, except that he's mad at Julia.
A bit filler-y episode. The dead brother thing is a bit of a tangent and also stupid, although it was emotional and helps build Alice's character.
If I was younger, I wouldn't have cared.
The book mating thing was a creative way for Marina to meet Quentin and stuff, but a bit too long and silly for me. Sofia's and Quentin's drama there is a bit... I don't understand why Q is such a jerk there, but I also kind of like that sequence for some reason.
The original (Swedish) title is Mannen på taket.
The original (Swedish) title is Du levande.
The original (Swedish) title is Att angöra en brygga.
The original (Swedish) title is Det sjunde inseglet.
The original (Swedish) title is Djävulens öga.
The original (Swedish) title is Nattens ljus.
The filmmaker Ingmar Bergman gave input on the screenplay.
The original (Swedish) title is Bergman – ett år, ett liv.
The original (Swedish) title is Videomannen.
The original (Swedish) title is Riten.
The original (Swedish) title is Fårödokument 1979.
The Swedish title is Beröringen.
This is an American-West German production directed by Swedish film maker Ingmar Bergman. The German title is Das Schlangenei. The Swedish title is Ormens ägg.
The original (Swedish) title of the production is Karins ansikte.
The original (Swedish) title of the production is Efter repetitionen.
The original (Swedish) title of the production is Love. Love is a male given name.
The original (Swedish) title of the production is Larmar och gör sig till.
The original (Swedish) title of the production is För att inte tala om alla dessa kvinnor.
The original (Swedish) title of the production is Trollflöjten.
The original (Swedish) title is Fårödokument.
The sequel is Fårö Document 1979 (Fårödokument 1979). It was meant to be a trilogy, but a third installment was never made.
