It would be foolish to think that this episode would even begin to compete with the theatrical experience of last week's. Thankfully this is still a solid and meaningful episode that keeps a good pace.
Hilariously, after finally focusing on Ahsoka, she introduces the episode and then bows out for another chapter of Star Wars: Sabine Wren. Truthfully, it means so much more for a member of Phoenix Squadron to be there when Thrawn is introduced instead of Ahsoka. Sabine has a much stronger connection to him because of their history from Rebels. Infinitely more so for Ezra Bridger. And live-action Sabine is growing on me. I wonder how much of it is because of the hair.
I expected Thrawn, I did not expect Ezra. Getting both introduced in the same episode, the first act of the second half of this potentially-limited series, signals the speed at which the plot is going to move from now on. Ezra's introduction was quiet and emotional. Thrawn's introduction was Star Wars: Fury Road. Lars' scene chewing coupled with Thrawn's "haunted organ" theme song from Rebels is just... perfect. After this episode, every doubt I had about Thrawn have vanished.
Both live-action actors were the voices of the animated character in Star Wars: Rebels. Both fell right back into their respective roles with ease. Live-action Ezra (Eman Esfandi) It is not the same person as the voice of Ezra from Rebels (Taylor Gray). Completely fooled me by how perfectly Esfandi captured Ezra's inflections and cadence when talking.
The reunions were the focus of the episode, but there was a lot of nice details scattered throughout. There was so much more information about Baylan and Shin than I expected. And it felt like Shin was starting to experience disillusion with her Master's wisdom. She's becoming uneasy by everything that's happening and seems to be really bothered by the idea of witches. The purrgil only travel to Dathomir to die - the ring around the planet is a giant boneyard - so how would a purrgil take anyone back? And most importantly, there are good dogs in every galaxy.
Fun fact: Enoch, the Captain of the Guard, is Amos from The Expanse. I don't think it's stunt-casting, we're gonna see him do something interesting before this is over. Also, one of the Nightsisters is Claudia Black. Counting Dawson and Tennent, this episode has an oddly-large amount of established star power.
It feels like episodes 6 & 7 are the build up for the finale of episodes 8 & 9. Best to just be like Ahsoka during this whole episode and sit back and enjoy the ride there. Filoni is not the kind of person to let the mid-season overshadow the finale... it's potentinally going to be batshit crazy.
Once again, the animators taking Every. Single. Live-action. Producer. To. School.
Real blackout darkness without making the show difficult to watch. Every light source and shadow in this episode was premeditated. Even when characters were completely hidden by shadows, I could still see what was going on on a nine-year-old LCD. The entire episode took place on an island experiencing total overcast and yet everything still looked beautiful and colorful.
If a genie suddenly told me I had three wishes, my first wish might actually be that every human values and respects the ability to competently frame and light a scene!
As for the actual story... Asajj Ventress, Kraken Whisperer.
The way Ventress was so casually (re)introduced, and the way she relates to the Batchers was a real left-field play and I really liked it. And they finally said "Midi-chlorians" after being so cheeky for so long with M-count this, M-count that. Just say the word. It's not cursed or anything.
Another thing I really liked is how Crosshair gave Ventress his hand. Good Crosshair, you're LEARNING!
Omega's journey is about to get very heavy, and we are now at the half-way point for the final season. This whole series has been one bar higher than the animated Star Wars that came before, and this season has been so focused and devoid of any distractions. I'm so conflicted that this is the end, but I'm so pleased that this isn't the end for Filoni's animated Star Wars.
(I'm still holding my breath for a complete remaster of the original Clone Wars series using the current version of their animation engine.)
That's it, final episode of Loki, final episode of anything in the MCU. This is the reboot point, everyone. All future shows and movies are canceled. Stay tuned for a new Iron Man movie starring someone without a checkered past. :P
Justice for Ahmed Best, achieved. Welcome back, Sir.
If you think this is not for you because you don't play video games or never got into Tetris, just give this movie a chance. It is an exceptional piece of storytelling with very little cruft. It is witty, it is funny, and it just a wonderful ride from beginning to end. It has a lot of worn-out tropes, but it never dwells on any of them long enough to complain about them.
And the soundtrack must've broken the bank. Not just a who's who list of 1980s hits, but covers in Russian and in Japanese rarely heard outside of their respective countries. And to top it all off, a custom remix of Opportunities by The Pet Shop Boys intermixed with the Tetris theme. This might end up being my favorite soundtrack of 2023.
I know this movie heavily embellishes a lot of fact for the sake of drama. But if there is any truth to the claim that Howard Lincoln not only went to Soviet Russia just to secure the rights to Tetris but also escaped by the skin of his teeth, then my already high amount of respect for the man just went through the roof.
"I'm going to make him watch all the Star Trek, all three series." - Danielle Poole, 2003~4
If you count The Animated Series, that means this timeline did not get Deep Space Nine or Voyager (or Enterprise). I can imagine this has something to do with the falling out Ronald D. Moore had with Star Trek's Executive Producer at the time Rick Berman, who gave him hell on DS9 and led him to leave Voyager very early on. I wonder how many TNG movies there are in this timeline. This episode is set about around when the last TNG movie, Nemesis, was released in our timeline.
Edit: Someone else pointed out that FAM's timeline might have gotten Star Trek Phase II. Which would mean no Next Generation either. And because The Motion Picture was created from the ashes of the cancellation of Phase II, probably no Star Trek films at all! Imagine a few years of 60s Trek, a couple years of 60s cartoon Trek, then maybe a few more years of 70s Trek, all influenced by a young Roddenberry. And then the franchise peters out and gets shelved alongside shows like Battlestar Galactica and Space 1999 because people are much more interested in actual space travel than imagined space travel.
This version of Batman & Co. needs to be a whole separate series.
I don't think anyone was asking for gator wrasslin' down on the bayou in Star Wars, but here we are.
Ah, my favorite Chaos Lesbians are back!
The fight between Mark and Anissa has a very strong General Zod controlling Superman by threatening Lois Lane vibe.
I fear no man. But that thing... picture of Miss Minutes ...it scares me!
I don't know what the best part of this episode was. The jaunty Marvel Studios theme, the set design, or Jonathan Majors' ability to become a completely different person. He Who Performs.
It took less than a minute to realize that Minutes was Kang's "kid" who wanted him all to herself, but boy oh boy is she so much more messed up than that. So much so that it made Renslayer seem like a reasonable person during most of this caper.
The Empire is Nestle.
(Five.)
If nothing else, this is a tremendous step up for Alison Pill after Star Trek Picard.
I wasn't expecting competent law vs justice philosophy from a children's show. Good for them.
This movie is good, but not as good as it should have been. Not because of the casting, not because of all the political checkboxes, and certainly not because a bunch adult babies got scarred over a plot-relevant and completely believable relationship.
This movie is not as good because it's the first time Pixar has spent the time and resources making a complete cash grab instead of bringing an original idea to life. Even against the endless Toy Story sequels, which are at least continuing to tell a story that means something to the original movie, Lightyear feels uninspired.
The visuals are outstanding, the humor reminded me of the slapstick from WALL-E, Chris Evens did a very believable job as Buzz Lightyear and I might not have known it wasn't Tim Allen if I hadn't already found out. But there's so much everymovie genericness to Lightyear that it makes The Good Dinosaur feel more original and Pixar-like. As disregarded as THAT movie is, at least it has the honor of being one of the original ideas invented when Pixar was founded.
Instead, with Lightyear, we're watching a movie about a movie within the universe of another movie (that is the official claim made at the start of the film). Maybe if they had made something that resembled what would have actually been released when Andy was a child (a mid 1990s American action movie set in space), it would have passed on account of its period charm.
The animated Buzz Lightyear of Star Command movie and TV series that Disney made ages ago are much better stories about a real Buzz Lightyear. Those works are already classics as far as many people are concerned. This movie will probably just be in every completionist's library for completion's sake.
shamelessly puts Lightyear in his complete library of everything Pixar has ever released
If nothing else, I'm only here for Ramin Djawadi's music and Ed Harris' scene chewing. I left this episode very satisfied.
JUST the Mandalorian parts by themselves made this one of the best episodes of the series. JUST those parts.
I did not have Mr. Pershing Goes to Washington on my bingo card. Damn them for making Coruscant feel so real, because I know I can never go there. I really wanted to believe that Kane was genuinely converted and Pershing was the one who was harboring malcontent. Gideon may be gone, but she is definitely working for whomever sent all those TIE Bombers.
But the gold medal goes to the final scene. Bo had a classic come-to-Jesus moment. It's not the life she envisioned, but it's the best life available to her now. Can't wait to feel the uncomfortable silence between her and Paz. And I was scared that Bo would somehow know who the Armorer is and they would have a serious falling out. I guess the worst thing right now is having a Kryze & a Vizsla living in the same cave.
Also this is in keeping with my selfish head-canon that Grogu is going to get a mommy.
On any other series, that would have been the season finale. Ten years ago, it would have been considered a TV movie.
Not just on terms of length, because it wasn't even the longest episode of the season thus far, but on terms of stakes and delivery. They pulled out all the stops, showed us all the things, culminated everything that the season has been building up to... save for one small child.
Where all the other episodes (except for one unfortunate bummer) pulled at the heart strings and brought progressive thought and understanding in the way Trek fans had enjoyed for years, this episode was one bombastic, cinematic moment after another. And I can appreciate that, when employed correctly. So many TV shows (and movies) don't, and all the explosions and dying and interstellar war fail to mean anything. Despite this, there was a single thought-provoking plot thread that came to a close...
Ensign Charly Burke.
I understand, and sympathize, with a lot of the hate surrounding the character. Though, I'm glad that the vast majority of that hate was aimed at the character and not the actor. Orville fans setting the bar for more established fandoms. And I personally wish they could have fleshed her out more than they did. But in the end... they did a good job with her arc. She was ripped out of her happy little life, forced to work alongside the person who inadvertently caused the person she loved to die for no reason, forced to tow the line on a ship that wouldn't tolerate racism towards the enemy the way the rest of the Union might have (wrongly) put up with. And she grew. Against her desire to grow, she grew. She grew more than she was aware of. When she had no time to think, she reactively defended Issac and ultimately the Kaylon as a people. So, I don't hate Charly as a character - especially not now. I think it was a competent execution of a trope that is used far too often and falls flat almost all of the time. Hell, even the funeral felt earned.
The rest of the episode is so dense, and doesn't ever slow down. But it's also a very visual. surface-level affair compared to the rest, so I'll just say that it was general sci-fi excellence. A great dessert after an even greater meal. I was genuinely shocked by Admiral Perry, especially his awareness of his decisions (Somewhere between Lawful Neutral and True Neutral). It's a shame he's gone now, but I'm more surprised we got Ted Danson in a recurring role for two seasons. I knew that a major shift in power was coming because of the last episode, but I was not expecting the team-ups we are left with. After all the griping about the shorten ed episode list, the length of those episodes and how tight the narrative has been leaves me stunned there's still a whole other episode to go after all of this. See you on the other side.
This show is Mad Men set in a Black Mirror universe.
I guess it's getting low rating from people that need the conceit revealed within the first couple of episodes. I like that we're being led along and not allowed to see the whole board. There's a chance that it could end in disappointment, but I'm willing to give it a chance. I can enjoy the Rocket-age aesthetic in the mean time.
(No spoilers)
I should have known MacFarlane would do something like this. No cliffhanger, nay, rather an anti-cliffhanger. Last week was the season finale, this was a tribute to the series thus far. And it was earned.
Instead of going into specifics for the episode, I'll just summarize how I feel about The Orville as a whole. This show started in 2017, almost at the exact same time as Star Trek Discovery. I was eagerly awaiting both for what I thought were similar reasons. To say that these two shows are the exact opposite of one another is an insultingly tremendous disregard to the scope of the reality that surrounds the existence of both series.
Both The Orville and Discovery shamelessly lied to its viewers. Discovery was suppose to bring the ideals of Star Trek back in the first of many new series, and The Orville was suppose to be Family Guy in space. Here we are, five years later, and I don't think anyone correctly predicted what either of those properties would actually end up being.
For all the terrible things that have happened in the world (most notably during these last five years) and for all the personal hardships I've endured during that timeframe, The Orville has defied everything (including Star Trek itself) and chosen to believe better of humanity. Much the same way a chintzy, low-budget sci-fi show did back in the 1960s, when many were convinced the world was going to burn in nuclear holocaust. And even though that little sci-fi is now a cultural giant with the power to be whatever it wants, it wants to be something else for now. Like we needed that campy, optimistic, character-driven show then, we need shows like The Orville now.
We'll always have classic Star Trek, we'll always have three seasons of the best send-up to Star Trek ever created, but we need more. We need a continuous drip of positivity and introspection this concentrated because things really have gotten that bad again and it feels like no one else is willing to try - not even those best positioned to do so.
Disney would be brainless not to renew this show for multiple additional seasons. Even from a purely self-serving position, it would be stupid to not use The Orville to their advantage. Yeah, they already own Star Wars, but the Venn diagram of the Star Wars and the Star Trek fanbases looks kinda like the Mastercard logo. Now Disney owns the only real contender to Star Trek. Just keeping this show going as is would bring in droves of Trek fans old and new.
Rest in peace, Norm Macdonald.
#RenewTheOrville
Dammit, I just wanted to watch some science fiction. I didn't want to have to clean myself up off the floor with a mop... for 75 minutes!
(I now have more to say...)
Everyone else is going on about the child actor who plays Topa and Palicki playing Grayson. They made this episode, without a doubt.
But I want to draw more attention to Peter Macon's Bortus. The character's best episode and Macon's best acting ever in my opinion. Klyden finally shows up in season 3 only to fuck off in the very same episode! Hilarious. He wasn't badly acted, but he was more of a caricature than anything else. I get it, the episode needed him to be that way. But Bortus shows so many layers and emotional combinations. Multiple times throughout the episode I stopped sitting and watching and found myself standing and watching, and once holding my hand over my mouth and fighting back my own tears as a father. It hit so hard and so soundly, no once feeling forced or cringy or convenient to the plot. He was behaving like a real dad who had real desires and fears for his child. It's in this acting and getting to see these scenes play out on their own time that the show is partially forgiven for shamelessly running so gosh darn long!
Though I did get to the point where I was asking myself how many MORE addendums was this episode going to get? But, in the end, I'm glad that it went out the way it did. With a lot levity and positivity instead of that safe, diplomatic conclusion the Union brass felt tied to - which would have echoed the failure from the first season during the trial on Moclas. I'm also glad that Mercer and Grayson got chewed out for it. It would have felt fake if there was no repercussions. But because the fleet is at war, The Union can't afford to jail any command officers, and Moclas can't afford to lash out the way they'd like to either. That's definitely the only reason that Admiral was satisfied with her mere pound of flesh from each of them. And also why she was willing to admit that she was unofficially happy everything worked out in their favor.
Secondly, I want to draw attention to the actual footage from "About a Girl" from the first season used in the simulator. I don't know how they pulled this off, but the perfect editing required to make the new footage of Topa and Grayson blend in with something that was shot five years ago and not even look slightly uncanny is probably owed to the COVID downtime. Seth MacFarlane said that since they couldn't do any shooting or practical work, they kept refining the post-production of the episodes they were already working on while they waited for the all clear to go back to work. This has to be one of those episodes because I was looking for blurry lines and cuts in the footage or other strange artifacts that HAD to exist and it just looks like it was all shot at the same time in the same physical space. Bravo to the editing team, this is clearly your best work.
The previous episodes do have much better pacing (even Electric Sheep), no argument there. But this episode is of the storytelling caliber that Tom Hanks uses when he needs a few more Oscars to decorate his tenth mansion. The Orville set a new bar for themselves and for all modern science fiction with this story. Both in-universe and out-of-universe, this was a comeback victory several years in the making. It still blows me away that The Orville is both generously pulling from its own past to create new and continued stories while also being mature and reserved enough to not overdo it or wear out the gimmick. They (again) covered a topic of white-hot contention at one of the worst moments in American history to do so, and they did it with respect for themselves and for their viewers. And without a doubt the beaming approval of a particular Great Bird. Maybe Umbrella Academy (they kind of already are) or Doom Patrol could pull it off. I honestly don't know what else is on TV right now that could even reach such heights without a massive overhaul to their writing team.
(Obligatory remark about people who are repulsed (Klyden'd, if you will) by the topic of this episode needing to grow up and realize that they've only got so much time on this Earth to enjoy life and how they're currently, objectively failing to do so. And also morbidly curious as to why they're watching this show knowing full well what it is and then acting surprised that such topics are broached. And reminding them that if they hate this episode it's probably only going to get worse from their point of view - especially if this show is renewed for a fourth season.)
This show has so much heart! You have to be predisposed to hating anything that isn't classic Marvel to not enjoy this. Moon Knight was breathtakingly beautiful and way out there story-wise, but I didn't latch onto it the way I've taken to Ms. Marvel.
This is how you take characters and stories that are new to the Marvel pantheon and get people who grew up with the Silver Age heroes and more traditional storytelling to care about them as much as Captain America or Iron Man. This is the kind if energy the entire MCU needs going forward.
Just wow. The subtle change in Crosshair's voice when Mayday was buried in the snow, you could hear genuine compassion and concern in him for the first time. Dee Bradley Baker is a vocal wizard.
(I really gotta stop watching For All Mankind & The Orville back-to-back. There is such a thing as too much of a good thing, it can be mentally exhausting with the right pair of stories.)
A part of me wants everyone on Mars to go rogue, join forces, and declare themselves an independent planet. That would be very silly from a writing perspective, but I still want to see it.
Again, the brief moments of humor are very on point and appreciated. Because the overarching story this time is heavy, Doc. I want to know why the General got visibly pensive when Vice President Foghorn Leghorn started preaching fire & brimstone in the President's office. I want them to stop suggesting that people are going to kill themselves only for them to just... not.
The weakest thing about this season continues to be poor, old Danny boy. Please wrap it up next episode and get back to the inevitable three-way peace treaty between NASA, the Soviets, and Helios so we can see growth on Mars the way we never got to see it on the Moon.
(And if there's a Cthulhu in the water.)
The nightmarish intro to this episode was the funniest this show has ever been.
If this isn't proper Doctor Who, I don't know what is.
Some of those shots of Kashyyyk look like actual McQuarrie paintings. Absolutely beautiful episode.
The most fun and fancy free Marvel movie since the original Guardians of the Galaxy. I was worried, but the only reason you won't like this movie is if you think the MCU has to be dark and surrius all the time or are intimidated by leads that are not white and/or male.
Also, we got old (good) Fury back. They need to add "What If..." to the title of Secret Invasion and never discuss it again.
So good to have decent hard science fiction back on the air. Technology on the show has progressed to the point where I can start to see and feel parallels with The Expanse and Mass Effect (minus the aliens... ...so far). The visuals have also really gone up another level. The wide shots of them towing the asteroid are incredible!
I also missed the Soviet political intrigue. Now that The Americans is finished, it's a good way to keep myself from making the mistake of rewatching all of that again. Not because it's bad, but because I won't be able to stop. My backlog of stuff I haven't watched would put a curse on me.
Strong start, no time wasted. A much better start than teen angst and love triangles in the space hotel. This show really has become the heir apparent to classic Star Trek. Instead of a humanity that drives itself to the brink of extinction and has aliens hold their hands as they learn to travel the stars, humanity saves humanity. A humanity that prevents itself from becoming complacent and keeps feeding the hunger to go further. And we get to watch how, instead of making a perfect utopia, it simply makes the world better one little bit at a time. This is the show that will make future generations look upward and get inspired to be their best selves. And hopefully some of that positive change will affect this version of humanity.
(I always smile when I see the Okudas in the credits. They are good stewards of this show the way they were good stewards of Star Trek. Their respect for the story helps set For All Mankind shoulders above the rest.)
Getting Part Three vibes again. A sense of "That's it?" when the episode closes coupled with the realization that pieces have been moved into position and the plot has been set up for some bigger thing that's about to happen.
I was confused and then delighted by Ezra's whole attitude. He's doing a kind of "Jesus in the wilderness" thing and seems to have a very different connection to the Force than he did when we last saw him. The way he moved when he fought looked like something was moving him. Lightsabers? Ain't nobody got time for that.
As short as this episode was, we got see a lot of different class pair-ups at the end. Baylan vs Ahsoka was power vs power; This time their dual ended in a stalemate. Sabine vs Shin was cunning vs fury; This time Shin didn't underestimate Sabine, but Sabine still held her ground. Ezra vs Shin was wisdom vs fury; The first time Ezra had to fight in a long time, and it showed. "The spirit is willing, but the flesh is bruised and spongy." And Ahsoka vs Shin was balance vs fury; The thing that shook Shin the most was that Ahsoka wasn't angry at her. Shin comes from a time after the fall of the Jedi Order and I don't think she's ever had to face someone properly trained in the Jedi arts before.
The time spent with everyone else was pithy and just served to put them in their place for the finale. The scene on Coruscant was almost useless (of course Hera would be excused and protected for abusing her powers as a General), but Filoni does know how to force a grin out of me with a very unexpected C-3PO cameo. Apparently 3PO was having a spinal malfunction that day. I did appreciate the Gideon past-tense name drop which cements exactly when Ahsoka takes place against the third season of The Mandalorian (release order = chronological order).
Again, solid content, but nothing special... not yet at least. There's no question that Filoni is just putting runners on the bases to tee things up for a grand slam (baseball metaphor). It's what he always does. By now, even the lay viewer should understand that. Maybe it won't be exactly what I personally dream it could be, but good money says it'll be worthwhile. If you're still not sold on this series, or harboring discontent just because Disney's name is attached to Star Wars now, take advice from the wise, old star whales and fuck off to somewhere else.