In its first film season, 1927–28, this award (like others such as the acting awards) was not tied to a specific film; all of the work by the nominated cinematographers during the qualifying period was listed after their names. The problem with this system became obvious the first year, since Karl Struss and Charles Rosher were nominated for their work together on Sunrise but three other films shot individually by either Rosher or Struss were also listed as part of the nomination. The second year, 1929, there were no nominations at all, although the Academy has a list of unofficial titles which were under consideration by the Board of Judges. In the third year, 1930, films, not cinematographers, were nominated, and the final award did not show the cinematographer's name.
Finally, for the 1931 awards, the modern system in which individuals are nominated for a single film each was adopted in all profession-related categories. From 1939 to 1967 with the exception of 1957, there were also separate awards for color and for black-and-white cinematography. Since then, the only black-and-white film to win is Schindler's List (1993).
Floyd Crosby won the award for Tabu in 1931, which was the last silent film to win in this category. Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography.
No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame (1927), and Four Devils (1928). The Right to Love (1930) is incomplete, and Sadie Thompson (1927) is incomplete and partially reconstructed with stills.
The first nominees shot primarily on digital video were The Curious Case of Benjamin Button and Slumdog Millionaire in 2009, with Slumdog Millionaire the first winner.[1] The following year Avatar was the first nominee and winner to be shot entirely on digital video.[2]
In 2018, Rachel Morrison became the first woman to receive a nomination. Prior to that it had been the last Academy Award category to never nominate a woman.[3][4]
https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography#Winners_and_nominees
Since 1984, the Criterion Collection has been dedicated to publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements. No matter the medium—from laserdisc to DVD and Blu-ray to streaming—Criterion has maintained its pioneering commitment to presenting each film as its maker would want it seen, in state-of-the-art restorations with special features designed to encourage repeated watching and deepen the viewer’s appreciation of the art of film.
Films listed in order of spine numbers. Releases with multiple films are listed as individual items where appropiate.
Last Update: Releases up to July 2024 (Spine #1228)
Source: https://www.criterion.com/shop/browse/list?sort=spine_number
Since 1984, the Criterion Collection, has been dedicated to gathering the greatest films from around the world and publishing them in editions that offer the highest technical quality and award-winning, original supplements for a wider and wider audience. The foundation of the collection is the work of such masters of cinema as Kurosawa, Fellini, Bergman, Tarkovsky, Hitchcock, and Kubrick. Each film is presented uncut, in its original aspect ratio, as its maker intended it to be seen. To date, more than 150 filmmakers have made it into the collection.
Source: https://www.criterion.com/library/list_view?b=Criterion&m=dvd&s=spine
Empire Magazine published in September 2008 their 500 Greatest Movies of All Time List, selected in a poll by over 10,000 Empire readers, 150 film makers and 50 film critics.
http://www.empireonline.com/500/
Collection of additional "must-see" Danny Perry's movies, presented in the back of his "Guide for the Film Fanatic"
546 movies missing. Imported from external source.
A Personal Journey with Martin Scorsese Through American Movies is a documentary film of 225 minutes in length, presented by Martin Scorsese and produced by the British Film Institute.
In the film Martin Scorsese examines a selection of his favorite American films grouped according to three different types of directors: the director as an illusionist: D.W. Griffith or F. W. Murnau, who created new editing techniques among other innovations that made the appearance of sound and color possible later on, the director as a smuggler - filmmakers such as Douglas Sirk, Samuel Fuller, and Vincente Minnelli, who used to hide subversive messages in their films and the director as an iconoclast, those filmmakers attacking social conventionalism — Charles Chaplin, Erich von Stroheim, Orson Welles, Elia Kazan, Nicholas Ray, Stanley Kubrick, Arthur Penn, and Sam Peckinpah."
The list includes the films mentioned in order of appearance. The documentary can be found here https://trakt.tv/movies/a-personal-journey-with-martin-scorsese-through-american-movies-1995.
Source: http://en.wikipedia.org/wiki/A_Personal_Journey_with_Martin_Scorsese_Through_American_Movies
The 2013 edition can be found at http://trakt.tv/user/sp1ti/lists/they-shoot-pictures-dont-they-1000-greatest-films-2013.
Welcome to 2012's edition of the 1,000 Greatest Films. This will be the last update prior to the publication of the 'earth-shattering' Sight & Sound poll which will be unfurled later in the year. The Sight & Sound results will no doubt have a major impact on TSPDT's 1,000 Greatest Films listing. It will become the most heavily weighted poll within our calculations. Anyway, that is then, and this is now."
Source: http://www.theyshootpictures.com/gf1000.htm
TSPDT is building a list of 1000 Noir films to expand on its previous 250 Quintessential Noirs. Following the initial collection of 100 noirs, a further 900 noir films (or films with prominent noir elements) will steadily be added (in a fairly random manner). This list will contain the full 1000 films which are the 1,000 most cited noir films (according to TSPDT's research). Please note that this list has not been and will not be ranked.
Source: http://www.theyshootpictures.com/noir1000.htm
The title here should be "The Big Film Noir-ish List" but I leave it as is for easy searching.
Film Noir is not a genre, rather it was a movement. The last true film in that movement was "Touch of Evil" in 1958. This list includes Film Noir, Neo-Noir, Post-Modernist Neo-Noir, and other films that were informed - either in theme or form - by the Film Noir movement.
If your favorite didn't make the list, feel free to comment so I can add them to the list.
The 500 movies in this list have been selected by a combination of 10,000 Empire readers, 50 critics and 150 of Hollywood's finest.
The 250 Quintessential Noir Films listing contains 241 films that all contain three key ingredients.
The nine films, that have been included, that exclude at least one of these key ingredients are two Non-American-produced noir (The Third Man and Mr. Arkadin), four colour noir films (Leave Her to Heaven, Niagara, Party Girl and Slightly Scarlet), and three films from the early 1960s (Cape Fear, Underworld, U.S.A. and The Naked Kiss).
List has been curated by Bill Georgaris on They Shoot Pictures, Don't They?
The National Film Registry is the United States National Film Preservation Board's selection of films for preservation in the Library of Congress. The Board was established in 1988. Each year, 25 "culturally, historically, or aesthetically significant films" are preserved, to increase awareness for its preservation. To be eligible for inclusion, a film must be at least ten years old but it is not required to be feature-length, nor is it required to have been theatrically released.
Source: https://www.loc.gov/programs/national-film-preservation-board/film-registry/complete-national-film-registry-listing/
This list contains all movies that have won the Best Cinematography prize in the Academy Awards.
Source: https://en.wikipedia.org/wiki/Academy_Award_for_Best_Cinematography
About The Poll
This poll was conducted in November 2008. The list was compiled using votes from Empire readers, Hollywood actors, actress and key film critics.
Since the 2015 TSPDT has released a companion to their greatest 1000 films, consisting of the films ranked 1001-2000. This list contains the most recent version of this list, with all the previous lists in the history.
Source: http://www.theyshootpictures.com/gf1000_films1001-2000.htm
Film noir is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression. Film noir encompasses a range of plots: the central figure may be a private investigator (The Big Sleep), a plainclothes policeman (The Big Heat), an aging boxer (The Set-Up), a hapless grifter (Night and the City), a law-abiding citizen lured into a life of crime (Gun Crazy), or simply a victim of circumstance (D.O.A.). Although film noir was originally associated with American productions, the term has been used to describe films from around the world. Many films released from the 1960s onward share attributes with film noirs of the classical period, and often treat its conventions self-referentially. Some refer to such latter-day works as neo-noir.
Deciding that Londoners should have the opportunity to view a film masterpiece approximately every day during the course of the year, BFI film archivist David Meeker approached the board of directors at the BFI in 1982 with his idea of compiling a list of 360 of the world’s cinema masterpieces, collect brand new, state-of-the-art prints of each film and issue a companion book for each movie. This list of films, referred to as the 360 Classic Feature Films project, was published in Sight and Sound's June 1998 issue.
A personal introduction to 1000 movies by the provocative contemporary film critic and historian David Thomson.
Source: https://www.amazon.co.uk/Have-You-Seen-Introduction-masterpieces/dp/014102075X
Academy Award Winners For Best Cinematography
by G&A