I'm not a "Trekkie"; I was never a huge fan of the original television series or films but I must say I thought J.J. Abrams take on Star Trek was excellent. Star Trek had some great action and amazing special effects scenes and an awesome plot wrapped around it nicely. All the actors and actresses were perfectly cast for their roles. J.J. Abrams yet again does an amazing job. I have a feeling everything that man touches turns to gold. Even if you compare this film to others in its genre besides just past Star Trek films, it's still better than most I have seen.
8/10
Great movie
Very well balanced
Between some fun lighthearted comedy and some serious Trek.
Great cast that all put an amazing performance in.
The soundtrack is really,really good and
This movie being over a decade old still very much holds up today.
I´m a decade long Star Trek fan and I promised myself never to watch this. I kept that promise for eight years and then someone got me the BluRays as a gift. So I break my promise.
I can understand why so many old Star Trek fans hate this and why a lot of people who never saw Trek love it. It has all the incredients of a modern blockbuster and if you have no previous knowledge of the Trek mythology you´ll be fine. But here is the thing - they could have done all of this without alienating the loyal Trek fan and, in my opinion, would have come up with a better movie.
Now I understand a Star Trek movie has to apeal to a broader audience. I even understand, althought not liking it, the reasons behind the alternate timeline plot. Continuity is a b***h. I must say after seeing the movie I even can see some appeal in the new timeline. What I don´t understand, and don´t like is the way the characters are treated. There are some scenes in the movie that I´m sure Trek fans wanted to see for a long time f.e. Kirk cheating the Kobayashi Maru. This should have been a gift to the fanbase. What did they do ? They make a mockery out of it. We see Kirk eating and apple and behaving like a pre-schooler. Alltogether there is too much of the stupid sort of humor going on. And of course today every movie needs a romance so we take the most logical choice - Spock. Of all characters. Brilliant idea.
The science in the movie is crap. Star Trek allways prided itself on getting the science right. It really isn´t nessessary to put that much stupid stuff in any movie.
As for the technical part: I will only say lens flare. That was the most nerving thing in the whole movie. This has nothing to do with making it look more real. The CGI thought looked really good. The design is inconsistent. You have that modern looking bridge with all those screens and stuff and an engine room with boilers, tubing and water cooling (?!).
I could write probably another 1000 words or so but I guess I made my point. I know it´s the Trek fan speaking inside but I really could have liked this movie a lot more. Come to think of it, the whole movie reminds me a lot of fan-made Trek movies and episodes I´ve seen. It´s the vision of what a certain Star Trek fan thinks it should be. Unfortunately the fan who made this was 12 years old.
Since I now own the set I will go on and watch the sequels hoping to see improvement. Please note this is only my personal opionion. Star Trek was always about tolerance - if you liked the movie that´s fine with me. I know a lot of people did which lead to more and ultimately even a new TV series. And that alone might be worth it.
It's a great start for the reboot although it had to many sciency sounding bullshit for my taste (red matter, time travelling black holes, a supernova that destroyed planets outside it's system and that threatened the whole galaxy?).
For me, the best Star Trek movie. The story is interesting and features some nice plot-twists. I especially like to see the younger versions of Kirk, Spock and so on and that they really let Vulcan be destroyed by the time-traveling Romulan ship.
Rating-wise minus 1 star for the time-traveling that plays a major part although we have seen it in a LOT of other Star Trek flicks and minus another star for the SFX that are sometimes clearly visibly as computer animation -> 8/10.
What I find myself asking myself when I watch this movie is "would I rather be watching this or the original timeline movies that are generally considered bad". My rating of 7 puts this movie above Nemesis, Insurrection, Generations and Final Frontier, as well as tied with In Search of Spock and The Motion Picture. But for me, those movies are very different products.
Star Trek 2009 is pretty much JJ Abrahms wheelhouse. Competent, if suffering from a lack of soul and something to say. It makes for a very watchable movie, but not a particularly interesting piece of art.
Those original timeline movies I list? they're much sloppier and less "good" by traditional film criticism. But for me, they have a lot more heart and soul to them. So in a way, I respect them more, even if I consider all of them (including the two it's score is tied with) less quality movies.
[8.4/10] The 2009 Star Trek movie lacks the contemplative bent of the franchise that spawned it. There are few, if any, real moral or philosophical dilemmas at play. Those who enjoy this universe and the stories told within it for their aspirational, thoughtful bent will and did walk away disappointed by what is more in the vein of high-flying blockbuster entertainment.
And yet, that’s often the first thing to be jettisoned in Star Trek’s jaunts on the big screen. Trekkies who can set that aside and embrace the blockbuster mode of the franchise that’s been in force (more or less) since 1982 when Trek meets cinema will discover one of the series’s most exciting, invigorating, and impressive silver screen outings. Somehow, J.J. Abrams’s star-bound coming out party manages to deliver thrilling set piece after thrilling set piece, establish new versions of a familiar crew, and most of all, deliver on character.
That’s Abrams strength as a filmmaker and storyteller. Much has rightfully been made over his inability to end things. But much of that stems from a focus on establishing character over story. He’s more apt to try to endear the audience to the players he puts on the screen than to move them in one coherent direction or another. Good endings require satisfying narrative resolutions. Good beginnings, on the other hand, require characters you can root for and, more than anything, that you want to keep spending time with. Abrams’s filmography, and this movie in particular, delivers on that in spades.
It achieves that feat not only with tremendous casting and smart scene-to-scene script-writing, but by crafting compelling arcs for its major leads. Kirk and Spock, as they did in the old days, get the lion’s share of the story here, but Star Trek ‘09 puts that focus to good use.
For Spock, that means telling a story of the venerated Vulcan reconciling his human emotions with his culture-bound stoicism. The fulcrum of his arc is his mother, Amanda, with his attachment to her summoning a sentimental, sometimes angry side that he cannot suppress despite all his discipline. That attachment spurs him, away from the Vulcan Science Academy, into scraps with his fellow Vulcan pupils and with Kirk, and eventually toward risking his life to avenge his mother and save his people. His journey here is one of embracing that part of who he is and acknowledging it as a strength not a weakness, through the mother he so loves.
But Kirk doesn’t have mommy issues; he has daddy issues! What’s striking about his arc in Star Trek ‘09 is that it’s basically the inverse of his arc in Wrath of Khan. While the 1982 classic was about loss finally catching up with the good captain, after he evades it for so long despite his long history of risk-taking, the 2009 reboot is about a Kirk who was born into loss. His path in this film is to embrace that “I don’t accept no win scenarios” side of his personality, and use it to counteract the staid, dogmatic vibe in order to save the day.
Those arcs are simple and straightforward enough, but also incredibly effective. This Kirk is not just another lovable rogue, but someone haunted by his father’s death and legacy, trying to live up to both. This Spock has the layers of emotion beneath a stoic exterior in the proud tradition Leonard Nimoy established, making the cracks in the facade all the more impactful. It’s elemental character work that resonates, especially when brought to life by such sterling performers.
That is, arguably, the greatest feature of Star Trek ‘09. Whatever else you can say about plotting or continuity, Abrams and company find a nigh-perfect set of inheritors to the original cast and give each of them moments to shine.
Chris Pine doesn’t start Shatnering even for a second, but captures the soul of Kirk for a new era. Zachary Quinto could be forgiven for doing a Nimoy impersonation, particularly with the man himself on set, but instead he channels the spirit of the original Spock while putting his own spin on it. Zoe Saldana’s Uhurua is confident and commanding but sensitive. Karl Urban’s Dr. McCoy is the closest to a straight up impression, but absolutely gets Bones’s irascible charm. John Cho and Anton Yelchin bring low-key humor and sweet earnestness to Sulu and Chekov. And Simon Pegg’s Scotty is feisty and rough and round the edges in a truly endearing way. The new cast was always going to be the hardest part of a reboot, but Abrams and casting directors April Webster and Alyssa Weisberg absolutely nail it.
Better yet, they give the rest of the cast something to do. The Trek movies, like the 1966 series, put most of the focus on Kirk and Spock and, to a lesser extent McCoy, leaving everyone else fighting for scraps. Star Trek ‘09 remedies this, with cool moments in the spotlight for Sulu’s swordplay, Chekov’s system-taming abilities, and Scott’s transporter wizardry, among other fun character beats for each. Uhura gets the biggest upgrade, not only being treated like an expert officer, but acting as a foil, in different ways, to both Kirk and Spock.
The movie also manages to evoke stellar performances in big parts and small parts from the rest of the cast. Jennifer Morrison earns the tragedy of the film’s explosive opening with a small amount of screen time. Leonard Nimoy returns to the role he made famous with impressive ease and gravitas. Bruce Greenwood in particular finds the balance between encouraging father figure and consummate officer that lives up to the legacy of Captain Pike. Aside from a serviceable but unmemorable villain turn from Eric Bana, Abrams gets the best of everyone he puts on the screen.
And he puts a lot on the screen! Make no mistake, this may very well be the best Star Trek has ever looked on the big screen. Yes, there’s rampant lens flair and some odd dutch angles at play. But there’s also incredibly slick direction and production design. The film’s creative team does a stellar job of reimagining the old 1960s aesthetic for modern times, with sharp uniforms and futuristic-looking ship interiors that still call to mind the spirit of the old ones. Abrams includes plenty of glory shots of the crew in their new digs and the Enterprise itself looking spiffy and ready to go, with passes that call to mind The Motion Picture.
Star Trek ‘09 is also filled to the brim with rousing action sequences. The Kelvin explodes in a suicide run. Young Kirk races the cops over a canyon while the Beastie Boys blare. There’s skydiving runs that lead to fist flights and clashes of swords, races against elaborate plumbing systems, and the inevitable leaps and jabs that come from encounters with the bad guys. Whether it’s ship-to-ship combat or human-to-vulcan scraps, Abrams and director of photography Dan Mindel deliver heart-pumping set pieces with relish and vigor. There’s a frantic pace to the movie that keeps the film light and nimble, borne out in these well-staged, well-edited, well-crafted visuals.
But what of the plot, you ask? In terms of the basics, it’s nothing special. Familiar but villainous aliens resnet the Federation and a group of not-quite-ready cadets have to spring into action to stop them. It’s not the first time the Star Trek franchise has deployed those tropes. But Star Trek ‘09 gives them a little extra oomph, not only due to the time travel shenanigans that are also practically intrinsic to Trek, but also for the sense that arch baddie Nero is trying to avenge the destruction of Romulus and make Spock in particular feel his pain. It’s not much, but it adds an emotional contingent to the usual doom and destruction threat that gives it a bit more life.
The brilliant turn, though, comes from that time travel premise that manages to both connect Star Trek ‘09 to the prior adventures of Kirk and company, while also giving this new setup the leeway to explore without having to be slavish to continuity. Spock’s speech to that effect gilds the lily a little bit, but making Nero a timeline disruptor who ends up bringing prime Spock with him accomplishes so much.
First, it’s the sort of high concept, timeline-hopping craziness that some of the most enjoyable Trek stories are built around. Second, it frees Abrams and his team up from the strictures of 40+ years of continuity and expectations of the future. Third, it builds a bridge between the new cast and the old, with Nimoy/Spock all but blessing the new faces without erasing the old stories. And last but not least, it honors the old Trek, while giving these characters new challenges both personal and professional to conquer.
It’s a wonderfully clever solution to the soft reboot problem. Whatever later stumbles Roberto Orci and Alex Kurtzman may be responsible for, their script here gives fans enough of a mix of the fresh and the familiar to soar, with enough of an excuse for changes and homages in turn.
Those homages, mind you, are utterly delightful for the longtime Trekkie. There’s expected bits like Spock saying “Live long and prosper” while giving the Vulcan salute and other famous quips, but these typically come with enough of a twist or wry line that makes them more than just a soulless conjuring of something the audience already knows and likes. But there’s also nice little tributes to less-loved entries in the canon, from Star Trek: Enterprise to The Animated Series, with subtler callbacks like Kirk chowing down on an apple. While the movie throws off the shackles of rigorous continuity, Abrams, Orci, and Kurtzman clearly reveled in honoring the stories that made this one possible.
It’s the same approach Abrams would take to revitalizing the Star Wars franchise less than a decade later, one founded on lovable characters, rollicking adventures, and reverence for what came before with enough new twists on it to make the old feel new again. It is, frankly, strange returning to his first, 2009 effort at a star-centered film in the shadow of all that’s happened since.
The “NuTrek” era of films this movie was meant to kick off never matched the acclaim or box office success of this opening salvo, despite reuniting the same team. Orci would pen other genre tales that mostly disappointed audiences. Kurtzman would go on to shepherd Star Trek into its third major T.V. epoch, polarizing fans in the process. Abrams would resurrect another moribund interstellar franchise, only to cement a reputation as an imitator and, eventually as a ruiner, when he tried to wrap it up. If you saw this movie in 2009 and were told these three men shepherded some of the biggest genre properties imaginable, you’d expect far greater things than the mixed results they’ve produced over the ensuing decades.
Still, what grabs you when returning to Star Trek ‘09 is how the film plays to Abrams’s considerable strengths as a filmmaker. No, the story does not have the high-minded perspective or scientific rigor of (some) of the franchise’s prior movies and T.V. shows. But he does have the visual chops to convey the grandeur, excitement, and scope of Trek, carrying the audience’s attention and investment through from the first big set piece to the warm, final send off.
More than that, though, he knows what franchise luminaries like Gene Roddenbury, Gene Coon, and Nicholas Meyer knew when picking these same toys out of the toybox -- that what makes these stories come to life is the characters. It is no small thing to establish new versions of beloved icons. Despite that uphill climb, Abrams not only refreshes the roster with a murderer’s row of talented performers, but he roots these high-flying, phaser-blasting adventures in those characters’ journeys.
Chris Pine’s Kirk is a different person than William Shatner’s was, but he’s also a different person from the bar-fighting townie we meet early on to the responsibility- and risk-taking officer we see at the end. Zachary Quinto’s Spock is not the wizened ambassador whose spritely figure Leonard Nimoy still cuts, but he is a man, and a vulcan, better able to resolve those two parts of himself than when the movie begins.
And Abrams’s Star Trek is not the same as Roddenberry’s Star Trek, instead becoming something slicker and shinier and more bombastic, but it is still built around these men and women who make up the heart of this series and whose experiences engross and inspire us. Good beginnings depend on that sort of character. Whatever stumbles this version of Star Trek would have in the future, this movie and its commitment to developing those figures amid a rip roaring good time more than earned J.J., his crew, and his cast, their chance at a five-year mission.
More action than story, this Star Trek origins is a fine addition to the franchise. Some of the timeline retelling is difficult to follow and the action is kind of hindered by the audience already knowing which cast members HAVE to live and which one is the sacrificial ensign. I also had a large problem with the horrible cave scene fighting the snow monster which had such a Star Wars feeling combining Hoth and Sarlacc from Jedi. Great casting and great action more than make up for any shortcomings and I look forward to future installments.
Beam me up Scotty I got take a dump or something
Action from start to end ..loved it. I recommend it to all who love action.
The story is hilarious, but it is really entertaining.
I truly think it's the best film of the decade. Actors, story, action, music, etc. are all masterfully used to tell an engaging story I enjoy on each viewing.
It seems this movie is either loved or hated. Those who hate it are concerned with its violation of the "prime directive" and canon established in the original series. J.J. Abrams delivers instead an action film filled with phaser fire and photon torpedoes. I am not a huge fan of the original series or any of its various incarnations and I have to snicker at those who rail against this movie because of the warring and violent confrontations throughout its runtime. The original Kirk and crew were always fighting with a variety of nasty aliens albeit it on a much smaller scale. While I generally prefer "smart" Sci-Fi over "Star Wars" clones Abrams' "Star Trek" is an exception I'll make. Ignoring that it probably doesn't follow the original series timelines and overall canon really isn't going to be a big deal for most viewers. There are some truly illogical (thanks Spock) things about this movie. Why doesn't Nero travel through time to save Romulus instead of going just far enough back to destroy other planets in a vengeful fit? If the supernova that consumes Romulus were actually destroyed by a Spock-induced red matter black hole doesn't Romulus die anyway without its sun? There are many more moments that made me scratch my head. Also what was the point of the juvenile Kirk driving a vintage Corvette off a cliff to the strains of "Sabotage"? It's an obvious attempt to pump the young viewers with an adrenaline rush. It's a clichéd technique used in way too many of today's movies. I can however handle that Kirk bumps into old Spock on the ice planet. It was close to Vulcan which is where the Enterprise was. Old Spock could have remembered the location on the planet where Young Spock had banished Kirk and positioned himself in a logical location to meet him. There is an incredible number of things to love about this movie. The casting choices were terrific overall and the actors chosen do a great job in channeling the original characters. Specifically Chris Pine Zachary Quinto and Karl Urban as Kirk Spock and McCoy. The visuals were stunning and especially appreciated were the shots of a nimbler Enterprise maneuvering through space junk and when it settles near a beautiful Saturn. I could have used a few more awe-inspiring shots and a little less "shock and awe" come to think of it. Personally I am almost always pleased with J.J. Abrams' films and TV efforts and the new "Star Trek" did not disappoint. In fact it did quite the opposite. It breathed new life into a tired old franchise that had been stuck in syndication hell. For this rescue I think all Trek fans could be a little grateful.
Brilliant casting ! Brilliant story ! Brilliant film !
Rewatched this prior to Beyond. Better than I remembered. I also completely forgot how Kirk's hands get swollen like Hitch's face. Or My Name is Earl's face. Comedy gold!
Honestly, incredible film, an incredible reboot...!!!
Much better than Into Darkness and probably J.J. Abrahams' only film that doesn't feel like he stole ideas from others films. Meaning Into Darkness would have been better if it wasn't a Wrath of Khan tribute.
While despite liking Force Awakens many would complain that it's too much like a New Hope all over again.
Anyway Abraham's first Star Trek is ambitious and the best since First Contact. Due to a smart script and a unique use of time travel to make the film half remake half sequel.
I've been a Trekkie since childhood. The Next Generation made sure of that. This reboot has taken a lot of flack from Trekkies, but I can't really agree with their misgivings. I really like this movie, and I'm sure I'll enjoy anything they create in this new Trek universe.
...and to those that think there's way too many women in their underwear in this one and Into Darkness and that it breaks with what is Star Trek...have you ever seen TOS?
Great movie. Yes, I watched the original series, the next generation and movies before that one. This is by far the best. Plot made sense, acting was amazing, script was good and no character had annoying behavior (I always fear Disney injects some cute brabbling something in any space relayed flick) .
out of my mind this can be far good.make me want to watch the prequel.
As a person with absolutely no background watching anything Star Trek related other than the two new movies, I thought it was pretty good
The new Star Trek movies are so much better now. Enjoy.
Insane alternate plot line that barely stands up to dissection. Still for a big budget it is gripping, well acted and worthwhile.
This is just awesome. I have watched it many times and still not tired of it. Can't wait for the next one.
Best Star Trek movie EVER!
The reboot of Star Trek was very successful. Here and there are a few references to previous movies and tv shows (Admiral Archer's prized beagle). Everything in this movie is perfect. The story, the visual effects and the characters. J.J. Abrams and the screenwriters really did a perfect job on this movie.
The alternate universe in witch this movie is playing was a fantastic idea. The possibilities in witch Star Trek 2 and hopefully other movies can go are endless. Old enemies from the tv show like for instance Khan Noonien Singh could reappear and make the lives of the crew on the USS Enterprise very difficult with some new evil master plan.
I can't wait for Star Trek 2, it will be just as awesome as this one is!
I enjoyed this well enough back when it came out. I wasn't a Trek fan in the past, so all the bits about alternate timelines and whatnot were completely lost on me. I understand what they were doing, now.
I also understand why many Star Trek fans were not pleased with this film. They just turned Star Trek into a fairly brainless action flick. Not that Trek was ever devoid of action, but it was almost always done intelligently. This, on the other hand, is a collection of fairly nonsensical events.
You know one thing that's good, though? At least the bridge in this film has plenty of lights on. All of the nuTrek TV shows take place in the fucking dark. Turn some damn lights on!
Abrams' effectively reboots Star Trek in a very clever way, but like most of the films, it is very different from the TV series and eschews exploration in favour of a more action orientated approach. What Abrams does get right is his approach to the characters, with spot-on casting and some clever twists on the audience's knowledge and expectations of the original show. The plot is a fairly standard revenge story and apart from a standout action sequence on Vulcan, there is little that hasn't be seen before, but the interplay between the characters is tremendously entertaining and for that, Abrams deserves a lot of credit.
I saw this in the theater with my friends when it came out, before knowing what kind of director JJ Abrams was, or what caliber of "writer" Alex Kurtzman was, so not really knowing at all what to expect. What followed was appreciation for how nice the ships and stars and nebulae looked... and gaping disbelief with how unbelievably, wantonly stupid the script and characters were. Even had I not had any expectations for characters that had been established for decades, the plot contrivances and blatant disregard for any remote accuracy on the scale of how astronomical distances would effect how events play out in the plot are the absolute laziest and nonsensical screenwriting you can find in Hollywood 'sci-fi'. On top of that, blatantly apparent realizations that would inform the decisions and actions of the characters don't seem to have any bearing on the plot. Instead we get Eric Bana reduced to Saturday morning cartoon villainy because JJ and Kurtzman wanted a simplistic evil that cannot be reasoned with, because... well, because that's what they are and they're too stupid to write something better.
ranting digression:
That's what you get with stupid writers. Instead of making the "smart" and "good" characters actually intelligent and realistically and meaningfully virtuous, they just make "not the main character" evil and stupid. It's like high school bullying, but the writer is the bully god of their script. Kurtzman did the same thing with DISC, which completely jumped the shark before the fifth episode by doing this same thing, despite starting the show off with a treatment that was partially penned by Fuller, who's at least a competent writer, but who left before the show aired. I think we can see why.
tangent over
It's an absolute farce.
No major plot point would play out the way it did in this "science fiction" film. Absolutely nothing makes sense, and the characters are insufferable.
I was amused when people got offended when the sequel came out and the Spock/Kirk reversal travesty scene happened, because that character assassination and skinwalking of named characters had already fully played out for me in this film, and I actually enjoyed the second one more, subjectively, purely due to the fact that it hit the ground running and never stopped long enough to give you a chance to think about the plot holes, JJ already having made his half-hearted, micro-brain attempt at setting up a grand space opera in the first film, so the second was just all explosions and edgelording. The main characters are also less obnoxious and slightly more rational in the second than they are in this one. It's almost like he didn't care about the characters, or the plot implications of the source material, or the narrative in general, to have a plan for character and plot development laid out to begin with (he says coyly).
At the time I would have had a hard time imagining how a creator could have so haphazardly mishandled an entire decades-long, multi-series property, and so completely missed the point of the source material. Starting fresh is one thing, but JJ was interviewed as saying he "didn't like Star Trek" because it was "too cerebral". You can look it up on Youtube. Seeing that, and how he became the go-to reboot boy for Big Hollywood, it's easier to see how we got to the point of low-brow Blockbusters and endless, soulless cash grab reboots being the norm. Why make something good when the public is too stupid and undiscerning to demand better, as long as you flash some pretty lights and attractive people in their faces?
how on space, that a warp speed enterprise can pop up as if it is millennium falcon? :D
A loving reboot of an eternal favourite hits all the right marks. In another fitting tribute; a security(red) guy gets it on an away-mission.
J.J. Abrams re-imagines one of science fiction's best-loved franchises, modernizing it in a technological sense without losing the aura of uncharted adventure that's so crucial to its identity. It looks sleek and new, appropriately forward-gazing, but it still feels like Star Trek. Just... without quite so many grey hairs.
It's a bit more pop than the earlier model(s), with a heavier emphasis on action scenes and the typical Abrams tendency towards gigantic set pieces, which some might read as a sort of dumbing-down to reach broader audiences. A fair criticism, but it’s a necessary change to keep pace with the super-budget blockbuster crowd. Big-time plot developments are tossed around like loose change, including the annihilation of two core planets (plus much of their inhabitants) and an essential use of time travel to distinguish the new crew members. That's a lot of forward motion for a series that had been relatively slow to rock boats in the past, but I found the speedier tempo to be a welcome shift. With only a few expositionary exceptions, it punches pedal to metal from the prologue and maintains a speedy, engaging pace for the duration.
Most every casting decision is made with care and discretion, the effects work is universally appealing and unique (it caught a lot of flack at the time for using so many lens flares and hand-held shots, but I think those add a necessary layer of intrigue and validity to the environment) and the universe feels broad and alive, both in the variety of alien races present in most scenes and the physical realities of life aboard an operational spacecraft. My one major gripe is that it gets way too cute with all the winks and nods to franchise lore. Once or twice, okay, that's a nice bone for the die-hards if it fits the moment. But this script is absolutely soaked with them and it quickly grows forced and unwieldy.
A good start for the new crew, clearing the field for contemporary adventures without disrespecting their long, storied history. Youthful and energetic, it zings right along with staggering sights, steep stakes, mesmerizing monsters and one or two familiar faces.
It's super fun with a great new cast and some old.
everything about this adaptation is perfect, seriously, amazingly done, a truly gift for star trek fans!
I mean, it's nice that everyone on that crew is super hands-on, but this conn-tag ("You're it!") seems a bit ridiculous. Why do you even have commanding officers when they do everything themselves anyway?
I do love the face Spock makes every time someone insults his mother - you can practically hear the Kill Bill Siren.
I am not a Trekkie. In fact, I'm really not a fan of science fiction in general. I think it is important to state that up front because a reviewer's opinion could be swayed one way or the other based on their intimacy with the franchise. If anything I think that I had a bias against the Star Trek movies as a kid because my mother liked them (not to mention that my uncles used to scare me by pretending to be the Gorn when I was a kid). Anyway, this movie was a blast. At different times it was thoughtful, funny and endearing while always being engaging. They managed to to something that is often extremely difficult in movies: introduce a whole bunch of characters will being true to the franchise. They have really set themselves up for a nice run with the next two or three movies (until someone screws it up). After watching the film I read the reviews (rottentomatoes.com says that 95% of the critics gave it a positive review) and I can see that not everyone felt this way. Many felt that there was too much action and not enough of what made the series great. I won't comment on that because... well.... I'm not a trekkie. follow me at https://IHateBadMovies.com
Best of all the Star Trek movies.
They did a good job with the reboot, only wish they hadn't...
Shout by Koen KlarenVIP EP 11BlockedParentSpoilers2014-06-22T10:50:15Z
This movie successfully breaks my heart within 10 minutes, every time I watch it.