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Private Notes
Features Elisabeth Schwarzkopf, Galina Visnevskaya in the Scottish Opera's production of Macbeth, The Kantor Theatre Company from Poland, and Fenella Fielding in a late-night revue.
Features the La Mama Theatre Company from New York; Bunraku, traditional Japanese Puppet Theatre; a recital by Frederica Von Stade; and Judith Blegen as Susanna in 'The Marriage of Figaro'.
Writer Germaine Greer and her god-daughter Ruby take a look at a child's Edinburgh Festival and some of the fringe activities, including Gruppo Teatro Libero from Rome and Quentin Crisp.
A look at the opening of the Royal Exchange Theatre in Manchester.
Gavin Miller interviews the director Robert Altman on "M*A*S*H", "Nashville", "Buffalo Bill and the Indians" and more.
David Gould, the expert who discovered Tom Keating's Samuel Palmer imitations, shows the process of identifying and analyzing suspected pictures.
Gavin Millar talks with Frank Westmore, whose family has dominated the make-up departments of American cinema for decades.
Peter Shaffer, writer of 'Equus', talks about his plays, his life and the theatre with an excerpt from the 1976 stage production of 'Equus'.
Gavin Millar interviews director Eric Rohmer about 'Die Marquise von O', 'Claire's Knee' and 'Love in the Afternoon'.
British illustrators Mick Brownfield and Allan Manham are documented working on their current projects; Artist Chris Orr probes the dreadful truth behind the net curtains of suburbia.
Don Siegel, director of 'The Shootist', 'Charley Varrick', 'Coogan's Bluff', 'Dirty Harry' and many other violent thrillers talks about the problems of the director who is typecast by his success in one specialized genre.
A look at Theatre National Populaire, one of France's leading theaters, and Patrice Chéreau's 'La Dispute' by Marivaux and Roger Planchon's 'Tartuffe', as well as scene's from Planchon's scenes from his Blues, Whites and Reds.
In light of the low proportion of British films in the 20th London Film Festival, Gavin Millar looks at what's wrong with the British film industry and distribution system.
Sculpture for the Blind - a special Tate Gallery exhibition; Linda Benedict-Jones, photographer; James Boswell - a revival of his war pictures.
Arena speaks with Spanish directors at the Madrid premiere of 'The Long Vacation of 36'.
20th anniversary tribute to Bertolt Brecht at Newcastle's University Theatre with scenes from 'The Good Woman of Setzuan' and prose, poetry and music.
A look at the Disney exhibit at the Victoria and Albert Museum; an interview with 'The Ritz' director Dick Lester and actress Rita Moreno; an excerpt from Buster Keaton's 'Spite Marriage'; and the results of the Titles Competition.
Gavin Millar talks to Mel Brooks just before the London release of 'Silent Movie'.
An introduction to the magical world of wood-sculptor Sam Smith, plus a look at one of this month's major exhibitions.
Gavin Miller talks to director Martin Ritt, writer Walter Bernstein, and actors Woody Allen and Zero Mostel about 'The Front'
An interview with Stewart Parker about his new musical 'Spokesong' with excerpt; a profile of 81 year old actor Richard Goolden with scenes from 'Toad of Toad Hall' and Tom Stoppard's 'Dirty Linen and New-Found-Land'.
Ralph Steadman illustrates a children's anti-war story, caricatures at his local pub, and speaks about his drawing techniques and his work, including Alice, and impressions of the Patty Hearst trial and the Watergate hearings.
Gavin Miller discusses 'Network' with director Sidney Lumet and Robert Kee; Alberto Cavalcanti talks about his film career on the occasion of his 80th birthday.
Peter Stein, director of Die Schaubuhne theatre co-operative, comes to London with his Shakespeare Project. Includes extracts from 'Summerfolk' and 'Shakespeare's Memory'.
Gavin Millar talks to New Yorker critic Pauline Kael about Costa-Gavras' 'Z' and 'Section Speciale', along with her passion for the movies and how she wields her power.
Arena investigates holograms and their potential in the arts; artist Kit Williams' vivid folklore paintings.
On the occasion of the release of the third film version of 'A Star is Born', James Mason talks about the curious business of stardom and how it has changed.
Arena visits three theatres - the Mercury Theater in Colchester, the Humberside Theatre in Hull, and the Duke's Playhouse in Lancaster - to find out what they are doing, how they are doing it and why they think they should go on doing it.
A look at Ealing Studios, including excerpts of many of their popular films.
Portrait painter Philip Sutton; Helmut Weissenborn, a German WWI soldier who illustrated with wood engravings the war diary of Edward Thomas, an English poet who died in WWI; and Gothic art in Cologne.
In a special edition from Rome, Gavin Millar interviews Bernardo Bertolucci, director of 'Last Tango in Paris' and '1900', and Gore Vidal on Hollywood and 'Cinecitta'.
Prospect Theatre Company reopens the Old Vic. Includes rehearsal footage from 'St Joan', 'Hamlet', 'Antony and Cleopatra', and 'War Music', a new musical adaptation of 'The Iliad' by Christopher Logue.
Gavin Millar talks to director Bernardo Berolucci in Rome about '1900', his new five and a half hour film, as well as his earlier work.
The artist Ian Breakwall gave up painting for the art of a daily diary; Jim Dine explains why he returned from pop art to drawing the human figure.
Arena looks at erotic films, including 'Je T'Aime Moi Non Plus', 'Hardcore', and 'Come Play With Me'.
An interview with Sophia Loren on the occasion of the opening of 'The Cassandra Crossing'.
Mr Universe, the Crazy Horse Girls de Paris, Yum Yum Shaw, superstars with police escorts, topless bathing beauties-the Cannes Film Festival still sometimes seems more like a circus than a trade fair. But for all that, film people find it an indispensable fortnight in their calendar. More buying, selling and setting up of movies takes place in the jostling corridors of the Carlton Hotel in the last two weeks of May than anywhere else the rest of the year. A report on the business and the ballyhoo.
In the last ten years an astonishing number of new writers have emerged. Plays by Barrie Keeffe, John McGrath, David Hare, Howard Barker, Howard Brenton, Trevor Griffiths and Stephen Poli akoff have been performed at the Royal Court, the Aldwych, in the West End and at the National Theatre. The plays they write are about violence, sex and politics. How accurate and useful is their portrayal of society? What is the reason for their success? What are their own roots, influences and attitudes? In an extended Arena, writer and critic Albert Hunt assesses this renaissance of British playwrights, which has given the theatre of the 70s a distinctive voice. Including interviews with, and extracts of plays by: Howard Bren ton, Trevor Griffiths, David Hare, Barrie Keeffe and John McGrath.
