I didn't believe the reviews that it's crap and had hopes that maybe there is a new interesting sci-fi franchise being born (finally, right?). But my oh my! It is a pile of crap indeed, unfortunately.
The story itself is very "second hand", fights are weak and not believable, ears of the Star Wars & Dune are sticking out from everywhere, and - oh my freaking god - so much pathos in slow-mo it's unbearable. I don't know how they didn't eat soup in slow-mo too.
Oh yeah, and don't worry he didn't forget woke agenda too. The main protagonist is a very strong female lead, the party is very inclusive and all the bad guys are white men. We're good on that side.
Can't wait for the second part! (nope)
Look, I'm very much in favor of giving directors the creative freedom to put their own spin on whatever they're adapting.
In fact, I think it's quite shallow and close-minded to judge an adaptation against its source material, pretending as if that's meant to be some holy grail of perfection.
That being said: the whole appeal of the Uncharted games in the first place is that they feel like a mix of Indiana Jones and Mission Impossible, with this sassy, horny, shit-talking protagonist at the center of it.
This movie captures neither of those aspects, and replaces them with basic movie tropes.
It doesn't feel like the aforementioned franchises. Instead, it looks and feels like your generic, throwaway action movie that usually stars The Rock (e.g.Rampage, Red Notice, Skyscraper).
Tom Holland plays Spider-man with attitude. He's not playing (a younger version of) Nathan Drake.
Mark Wahlberg plays Mark Wahlberg.
Like, why was this project treated like a tax write-off?
It has everything a Hollywood executive could want: the source material is cinematic, action packed, fun, and best of all: it has a built in audience.
This could've easily been the next big summer franchise if this was given a proper treatment. It should be much easier to get this right than other videogame based adaptations.
So why is Avi Arad producing this? Why is Ruben Fleischer directing this? Why is this script burning through four games of material? Why is the dialogue so clunky and unfunny? Why is the casting so lame? Why does it look like plastic, when the cinematographer of this thing shot Last Night in Soho and Oldboy?
Fuck.
3.5/10
The plot kept me interested throughout the whole movie, with a good twist, the fighting was decent and I was very charmed by Miku Martineau her performance. And it’s small things that make me love it: the way Japanese characters speak Japanese to each other (I hate when movies make non native English speaking characters talk English to each other) how you hear only Japanese music in this movie set in Japan or how people actually run out of ammo frequently while shooting their guns. I think it’s a very well done movie over all.
It also gave me a little bit of a Cyberpunk 2077 vibe but I’m not sure if that’s just cause of the neon lights, the protagonist with a time limit cause they’re dying thanks to a mission gone wrong, the powerful Japanese as the antagonist or because there’s someone named V. Also fun but unrelated: BAND-MAID are in this!! My favorite rock band!!!
legitimately such a visually stunning and fun entry into the action genre. the number of times bullets run out is one of my favorite aspects of the action sequences, but also there's a scene later on that, combined with mary elizabeth winstead's increasingly horrifying deterioration, puts this on my body horror list. it's not a horror, but it's pretty and there's bodies being horrific, so it works. i'm really digging the recent action films that use just enough stylistic choices borrowed from video games to bump up the immersion.
when i was checking on who the stunt coordinators were i saw some Highly Bitter articles calling this a john wick clone but honestly every action movie follows a formula because the formula works and being poisoned with radiation is a great reason for revenge even if it didn't involve a dog.
also, i don't even fucking care i loved that ridiculous car chase scene
On the surface this film is about a group of people who have been labelled “villains”, working together to save the world. But really, this film is about one man and one man alone, he isn’t strong, but yet he defies all odds and sacrifices his life to save his friends. His only power is his bravery, he is the driver of the van and the main character of this film, Milton.
To call this another Marvel winner would be an understatement.
Volume 2 is the best cinematic experience I've had in a long time. The action is great, the various cameos hilarious, the effects awe-inspiring and the laughs frequent and well-placed (one of the few gripes I had with Doctor Strange). And in the midst of all this, what really drives the story and keeps the audience interested is the character development. The heroes with which we fell in love in Volume 1 become deeper and multilayered, and the new additions add fantastic new dynamics.
While still falling victim to some minor storytelling tropes, GotG2 is the epitome of the spectacle movie.
Disney’s 2019 version of Aladdin provides us with pleasant surprises and a few hiccups along the ride on the magic carpet. Agrabah looks amazing, you totally feel the Arabian vibe and still is a city with more depth then in the original animated movie with more cultures mixed into one. Jasmine has a well written storyline which is not only fitting for the time we live in now, it’s also very in depth and gives her even more of an edge. She truly outshines the animated Jasmine. Mena’s performance is almost identical to the original. Great acting and good looks. Although I was more anticipated for the Genie’s performance, it was Jafar who surprised me, but not always in a good way. I liked this style and Jafar being younger and more appealing. Marwan showed us great acting by letting us feel Jafar truly is dangerous. What I missed though are iconic moments the animated movie showed us like turning into a snake, make genie lift up the castle and being the old poor man who tricks Aladdin into the cave of wonders, which wasn’t all that wonderous to me at all. The feeling of the cave popping up from the sand was something I really missed, the interior though is flawless and well put together. Aladdin started of stronger then it ended but overall, this new adaptation left me ‘Speechless’ thanks to its wonderful cast, set design and refreshing plots.
When you order a pepperoni pizza and they deliver a pepperoni pizza, do you complain they didn't serve you filet mignon? This film is the pepperoni pizza of action films. If you want an action film, this has got it. It's not especially new or revolutionary or poetic, but at least it's got action from beginning to end which is more than many other action films of late.
A great movie that I can watch over and over
The film is pretty enjoyable if you think of it as a police-themed action movie. If you expect some deep analysis of a society divided by races, social and economic status you will most likely be disappointed.
The movie made me feel compassion for the missionaries, the villagers and even made me understand why a government would go to such lengths to "murder" an idea. Even though I believe that both sides are wrong, the government being the worst of it, doing to the extreme to stop indoctrination and the church trying to pass their believes as the only truth that, for me, is totally taking advantage of people who are in a almost complete state of despair.
But you cannot stop the feels, even if you don't believe, you can fully enjoy this movie.
I saw it this evening in a special perview.
Great wiking movie, great story and lots of action.
Must see.
Saw most of it on cable the other night. A sad clone of Die Hard, with awful CGI graphics. Terrible movie, needlessly complicated plot.
