I have so much to say about this show and how bad it is. If you want a excellent supernatural drama, then watch this BUT only from season 1 to 5. The fifth season's finale offers a great ending to the show and after that, everything is just plain bad. The plots stop making sense, they bring back characters just to kill them off and introduce new ones nobody gives a shit about. Think about everything that makes the show amazing, all those characters you love. Well, you'll be lucky if they decide to kill them off, because they managed to ruin Castiel and Crowley's characters to a point where I can't even stand them. Season 10's Crowley is just terrible, all he does is sit on his chair in his castle or whatever the hell that is (look i made a pun) and kill random demons. Regarding Castiel, a lot happens to him after the fifth season, sure, but his character just doesn't evolve. This is so irritating because i was such a huge fan of this show but now i feel like i'm gonna have to drop it.
I can only recommend the 5 first seasons, after that everything is just bad.
Just look at the gap between season 1-5 ratings and season 6-10 (or 11 now, since it has been renewed), and really the only people still defending this show are tumblr hardcore fans and shippers.
i don't know what to say, other than i love this goddamn movie. i can truly say that my experience was enhanced by the fact that i'm not straight, as i definitely feel like this was a movie made for people who are struggling/have struggled with coming out. that's not to say it can't be enjoyed by a wide demographic of people (as it obviously can and has been), but i definitely feel like they got the "gay high school experience" down to a t in a way that it makes it all the more enjoyable if you've been through it. all of simon's mannerisms are incredibly relatable, and the dialogue is especially touching and well written (i cried buckets). their tagline, "everyone deserves a great love story" pretty much sums up my feelings, and not to be dramatic (too late), but it's a rom-com that i can really connect with on a deeper level and for that i'm grateful.
in addition to literally everybody, i encourage any lgbt+ people to see this if you're struggling with your identity or the fear of what others will think, or even the fear that you'll never find anybody to love or that loves you. this is truly a movie that you watch and think, "this guy gets it".
In Captain Marvel, I didn’t like the main character, but I thought the movie around her was quite solid.
Black Widow is the exact opposite: I quite liked the two leads, but the movie surrounding them doesn’t really work.
Pros:
- Scarlett Johansson and Florence Pugh are easily the most entertaining part of the film.
- I liked the first act. It feels like Cate Shortland is trying to do an impression of a Jason Bourne movie. It’s fairly humourless, the cinematography is bleak, and the score is intense. It has a tone that no other MCU film has.
- The action (minus the final battle) is fairly well done. As per usual, less editing would’ve made it better, but at least it feels weighty.
Cons:
- The story itself isn’t that interesting. The themes and main mcguffin are oddly similar to Captain Marvel, though it’s not executed as well. The villains also fail to make an impression.
- This movie really loses its identity as it goes along, to the point where it turns more into a generic Marvel movie as it goes on, and eventually a generic action blockbuster by the third act. Everything gets way too big and bloated for its own good.
- Not a fan of the Russian accents, they sound very tacky. Just let everyone speak with a normal American accent, I can look past the fact they’re Russians. Besides, they even had a story based reason to ditch the Russian accents entirely.
- I found David Harbour quite cringeworthy in this.
- The main characters are protected by strong plot armour. Most characters should’ve been killed 3-4 times based on the things that happen during the action scenes. This isn’t even a ‘suspend your disbelief, it’s an action movie’ situation, it gets really ridiculous, to the point where it’s almost Fast and Furious level.
- The pacing is a bit inconsistent, you really feel it slowing down during the second act.
Finally, I want to address that I already find the use of Nirvana songs in movies like these quite distasteful, but the cover that's used during the credits literally sucked all the life out of the song.
4.5/10
Walking out of Warcraft, the overriding feeling is one of a missed opportunity - this is by no means a disaster and there is plenty of potential here. The scope of the film is impressive and it's clear there is a lot of world-building going on here for future sequels. Part of the problem, however, is there is simply too much plot going on with not enough time devoted to a central thread - the director's admission that some 40 minutes have been cut is not surprising. This is a film that has ambition to be an epic, with many threads introduced to carry over to potential future films and glimpses of many different settings in this new world, but consequently there is a rushed feel to the central plot of this film with not enough time devoted to developing the relationships and motivations of the central characters, Thus plot developments and twists whilst potentially interesting do not have the emotional impact desired making it difficult to really care about what happens. It is a shame because what there is here works surprisingly well - Jones' ambition is to ensure the audience is invested in both sides of the conflict rather than the obvious human side. Perhaps there may well be a future director's cut that restores some much needed character work and slows down the pace a little.
How this has become a discussion about two very different shows, I can't possibly understand. (Seriously, TRUE BLOOD and THE VAMPIRE DIARIES? It's like comparing HOUSE, MD and GREY'S ANATOMY.)
I started watching this show when I was most definitely a part of the target audience, and despite my initial fear of this show being a TWILIGHT rip-off (despite the fact that the books had been written before, which yes, would make it a "Follow the leader"; mainly because Book!verse differs vastly from TV!verse), its flaws are entirely different.
THE VAMPIRE DIARIES has a protagonist-centered morality, that, when it comes down to it, isn't caused by Elena Gilbert's gentle or loveable personality (of which's existence, by now, only the Salvatores seem to be entirely certain), but the fact that she's got the special kind of boobs. Her magic hooha is infamous among fans of PNR and UF, the hypocrisy of the characters one of the most fandom-intern-critizised points of the entire show.
Despite that, we still watch it, and once you've come to the point where you hate a show with a passion, yet can't wait for the next episode, you do wonder why that is. (Or at least I do.) The heteronormativity, the lack of POCs, the annoying protagonist and love-triangle, the melodrama, the patheticly obvious loop-holes and inconsistencies. Even the beautiful and rather talented actors and actresses (and amazing music (and yes, to be fair, the few very well-written and often well-directed episodes) shouldn't be able to make up for it, right?
But in the end, the show is what the HOUSE OF NIGHT series is in the PNR bookworld. It might suck, it might be immature, sex-negative, and downright awful at times, but it's also compelling. I can't help but react to the insanities that ensue, and even though it probably isn't what the writers and creatores intended, my hatred for certain characters and the misery I feel everytime they mess an magnificent concept up beyond repair, are what keeps me coming back.
In other words, if you are looking for a well-written, sex-positive, 21st century TV-show whose writers you can trust, look somewhere else. If you want a guilty pleasure "Jesus, why do they all look so good, and wth, how is this his voice?"-experience, THE VAMPIRE DIARIES should definitely do. (Then again, shows like LOST GIRL, TEEN WOLF, and BUFFY THE VAMPIRE SLAYER are, at this point, easier to recommend with a clean conscience.)
(That isn't to say the show isn't enjoyable. Especially if you are less involved, are able to be entertained by shows despite their influence on particular people, or don't question the characters' and writers' decisions, it should be a show you might come to like.)
According to this film a Leo is destined to do great things. What they actually mean is you need saving all the time.
I had very high hopes for this movie, but had to adjust them after all the bad reviews and low rating it received. After all it was not as bad as they made it out to be, but definitely not the masterpiece I was hoping for.
To start of with the movie's biggest flaw; The story is as random as it can get. Not only did they fail to set up a good premise (Cinderella in space) but even the arcs have as little connection as possible.
We have a leading cast consisting of a 'renegade' soldier and a damsel in distress that doesn't seem to be able to love anyone until she literally gets swept of her feet by the prince in shining boots. Of course they need an enemy, so the villain is a selfish royalty with a batman-voice that uses the whole universe for its own gain and profit. Actually, he isn't the only one. Everyone else in the universe who can does. And those who cannot, accept it as a fact of life. So why is he a villain again? Oh right, he is the one who is currently threatening earth...
And then there are the sister and brother of the villain who get entangled in the story, although they have no influence on the outcome of the story at all and only prolong it.
Jupiter (Mila Kunis) needs to protect her family and the earth all the while barely making any decisions by herself (besides wanting to go back home scrubbing a toilet.) Even when she does make a decision, it gets her into trouble. It's as if she wants to create a situation where her prince is coming to save her (from the altar and the worst marriage in history of spacetime and movie clichés.)
Through most of the movie she has no idea what is going on, and character development is thin as ice. The same goes for most the other characters.
Some comedic relieve is put in with an (extensive) joke about bureaucrats with our 'heroes' just standing by while some robot goes from one department to another. As well as a spaceship leaving a crop circle in a not so subtle way while lifting off. Really, who wants to see those things?
Also: Why was Channing Tatum the only guy with a shield (or flying boots) in the whole universe? And why does he run through a cornfield, while he can much easier fly over it (and how did he survive the journey through space right after that when he was outside the ship?)
Well, at least they used a decent excuse for a massive destruction of an earth-bound city in a movie.
The cast was a variable success. This might be the first flick in which Sean Bean doesn't get killed off prematurely :P
Most of the actors did what they could with what they got and Eddie Redmayne (playing the villain) probably got the best out of it. He created a pretty convincing bad guy with the moods of royal spoiled kid.
Mila Kunis did a good job on making 'Cinderella' likable and convincing. it is nice to see her do a Science Fiction flick, and I would love to see her do more in the future (hopefully with a more profound role.)
The brother Titus and sister Kalique (Douglas Booth and Tuppence Middleton resp.) were already pretty irrelevant for the story, but managed to erase themself from memory even more easily by overacting their roles. So they ended up more as eye-candy than anything else.
I am saving Channing Tatum (Cain 'Prince flying boots' Wise) for last. As an action hero he did not disappoint. He also handled the more romantic scenes with the right subtlety even though he and Kunis did not seem to really feel each other.
The only point that was constantly in my mind was: "Why didn't they get Justin Timberlake for his part?" He has proven himself to be a good actor a long time a go (also in Sci-Fi with 'In Time') and even starred with Mila Kunis in 'Friends with benefits' where they showed to have a great chemistry together. It is not that Tatum did a bad job, but Timberlake might have done a better job at getting that connection with Kunis, which frankly was underwhelming.
This is where the movie gets its most points for. It is a space opera after all and the creators of 'The Matrixx' and 'Cloud Atlas' have a niche with trying to do unique things with the action and mood of a movie.
Some extra-slow bullet time is thrown in and (very) fast action with ships spinning around each other which was a real enjoyment.
Somehow the action scenes (like the one named before) are a bit too fast paced though. It goes so fast and gets so chaotic from time to time that it is really hard to follow what is going on and/or to enjoy it thoroughly.
As a space opera it did its job with throwing in a lot of extraterrestrial beings (including the famous area51 big heads) and nice designed spaceships. The make-up and CGI of some of the recurring creatures were extremely detailed and so great to look at it didn't feel fake at all. In comparison; LOTR's Gollem looks like a ship of the 70s game 'Space Invaders' next to them.
The visuals of Jupiter, Earth and other planets are astonishing (way better than 'Interstellar' for example) and so are the clouds on Jupiter itself and views of the different cities.
A lot of the long shots of cities and spaceships are a bit cut short and just too distant though, which was a shame since they could've used those moments more so the viewer could enjoy the view and take in the atmosphere. This made the movie feel less 'in your face' and majestic (remember the openings scene of 'Star Wars?)
With a bad plot, good visuals and an average cast 'Jupiter Ascending' makes for a nice looking movie that can be seriously fun to watch, but nothing as special as it promised to be. It has many flaws and downsides but in my opinion the critique and bad ratings are worse than the movie is set out to be. This is probably mostly because of the high expectations the movie had before release. It still is quite ridiculous though.
And I think I missed something, since when is Wally competent enough to be the Flash? Then again, I realize that Barry wasn't too much competent and it stays the same. So next year Barry has to come back. I guess he'll be out for a couple of episodes while Wally takes on the mantel and his red suit. Now the show's gonna be called "Kid Flash", right? That is, until someone frees Barry. But he going into the Speedforce could potentially create another Savitar. Like I said, messed up.
And when Barry is saying his farewell, I'm sorry but I found it hilarious that they take their time to say goodbye when there are people on the background yelling and dying while the city is being destroyed.
The same when Savitar was about to use the quantum splicer and literally said "We have to hurry" he walks slowly. And immediately before the philosopher's stone exploded and Barry told Wally to get everybody out and he leaves his sister behind. I just found it hilarious. And did Cisco literally call Savitar "Two-face"? No wonders he's angry, sad and needs a hug.
I liked the fact that Caitlin kept her powers. I don't want them gone. I like Killer Frost but I wanted good old Caitlin back so I'm settled for Chilling Frost. Btw, I'm waiting for memes of Caitlin saying "I'm something else".
