Disenchantment, this may not be the greatest masterpiece in history, but it is a series rich in adventures, tales, remarkable and fun characters. I loved following this series
The film starts out fun, funny and ambitious. It is that way through at least half the movie. After awhile it got a bit draggy and not as involving.
There’s a villain but we don’t see enough of him to feel like they are in danger by him. While it feels like the characters spend half the movie figuring out what their strengths and weaknesses are.
Despite my problems with it there was still no doubt I’d still give the film ***. It has plenty of humor, action, locations and very committed actors.
Enjoyable, some fun scenes, but far less epic than the first. It's also a very obvious setup for the next one, which seems hinted at to be much more epic in scale.
Don't know who is more annoying, Franklin or Jar Jar Binks.
As an uncultured gay, it pains me to admit that I have not read the novel and I have nothing to compare this adaptation to, but my own expectations and this movie totally meets them. The chemistry between the two leads, the back and forth banter, the well-portrayed and sensual sex scenes; it is a 10 out of 10 recommendation.
Being the first season after the movie, this season's felt like it's had something to prove, to bring on new viewers won from the movies and keep old viewers by showing the spark hasn't died so many seasons in. It's been a dang good run, but this episode in particular stands not just as the best of the season, or the best of the last few years, but one of its best period. It's funny, but more than anything it's overflowing with heart, it capitalizes on over a decade's worth of connection to this family and even minor characters like Gene's music teacher to show how much these characters have grown and how deep their love for each other runs.
Gene showing his music expertise and creativity to save his recital not just for himself but for his favorite teacher. Bob and Linda trying so hard to achieve the impossible. Louise exposing that beating heart and being that vulnerable kid who acts like she doesn't care because it makes things easier not just for her but everyone else too. And Tina seeing through it and having the maturity won over the series to know that some pageant doesn't matter half as much as being there for her sister. It all intertwines in a beautiful musical climax that honestly left me undone. I've been with this family for a decade, and episodes like these make sure I'll stay for decades more. This is an instant Christmas staple.
Raise your hand if you replayed the "I was wrong" dance.
ineffable husbands to ineffable dads. we love the growth
It saddens me to see them part ways, but it feels right, given how things have developed throughout this season.
Pete was so much fun in the first season, but a true party popper on this second one.
The show runners seem to have had a change of heart between seasons, and a hilarious S&M show was turned into a sappy drama. This lead to what truly feels like the series finale I did not want, but one that fitted the tone of the second season like a glove. Unfortunately.
It was enjoyable to revisit this world as well as these characters, and the ability to make choices determining the path of the story adds an extra layer of fun. I completed it twice in one sitting to explore as many options as possible; it was uproarious the first time but less so the second time revisiting many of the same jokes, and there were far more dead ends than I expected, many of which were very amusing. Jacqueline could have been used better to participate in the main storyline, but otherwise this serves as a unique sendoff for the show.
2/10 TERRIBLE
My god this is bad….
I like Catherine Tate but she has created the most loathsome character ever!!!!
The jokes fall flat and are very dated, the situation comedy part is skin crawling bad and there’s not one likeable person in the show…
I forced my way through episode 1 and then did the same again for episode 2, hoping I could see so glimmer of hope.
It never came!!!!!!
I like the whole vibe to the story so far and the direction they could take it. I like how anyone can possibly be a skrull but honestly they could have did more leading up to this in the past movies. Kind of how Peter Parker said he was with Nick fury during no way home but it wasn’t really him. They could have did more with making Nick fury coming back to earth a big deal too.
One of those movies that's almost too unique to really be good, but maybe that's ok. It's still plenty entertaining. There's some fun, gory, zombie kills and the musical numbers are generally pretty great. It's got a weird, good, off-kilter energy. I wasn't particularly satisfied by the time I finished it, but I didn't regret my time with it either. It's certainly unique - unlike anything else I've ever watched.
I never knew I needed to see a Christmas zombie musical but I'm glad I did. Such a unique movie that doesn't always work but I love the idea. Plus most of the songs are great.
So deliciously, hilariously meta, especially as it piles on the layers towards the end. I imagine Salma Hayek having a grand old time delivering some of these lines lol "I am a dyslexic, talented actress with questionable English! ...Doesn't my asshole have any rights?!"
Season 2 topped Season 1! I really really liked this season, the plot twist halfway through and especially all the new characters like Olivia and my favorite: Esmé (I just love her!).
More unfortunate events, more Count Olaf, more singing, more evil plans, just more of everything!
But seriously, big thumbs up to Lucy Punch because she brought Esmé to life in the most IN way ;)
A nicer ending than the books. The book ending left me with more questions than answers. This ending is more satisfying. Yet still too faithful to the books ending. While it’s a more happy ending there’s still questions in the end that were never answered.
Spoiler warning: For instance. Season 1 teased us season long that the Quagmire parents were the Baudelaire parents. Yet, now that we know they aren’t. The writers wrote them out basically and they are never reunited with their children.
I guess since it’s a coming of age story. About children learning to not need the help from grown-ups and growing up. So just like the books. The Baudelaires and Quagmires aren’t reunited with parents that are teased to be alive.
I felt personally attacked when Charlie said “she’s not normal, she’s at the prime of her life with no boyfriend and no friends”
Did you check the anus? Ha! Walter asking what we all were thinking!
And I’m curious, was it Olivia the one who turned off the lights or was it also Peter? Cause I feel like he’s an experiment baby too so maybe both have powers?
And of course Walter wrote the ZFV and doesn’t remember, that’s so walter
The guest stars in this one are awesome. Amy Poehler as GOB’s wife and Julia Louis-Dreyfus as the blind lawyer both are perfect.
A solid comedy, nothing groundbreaking. Some of the characters lean too hard into caricature, but the script is sharp and fun.
I wouldn't class this as a good or bad film, it's in a weird sorta in-between to me.
'The Chronicles of Narnia: The Voyage of the Dawn Treader' is, comparatively, bad. It loses the vibe and all the intrigue that the first film has, as it continues the downward trajectory set by the other sequel. However, it's still just about got a decent adventure feel to it.
Only two of the youngsters reprise their roles 'properly', those being Georgie Henley (Lucy) and Skandar Keynes (Edmund). I'd always prefer a cast to remain the same, but if I'm honest this doesn't miss William Moseley (Peter) and Anna Popplewell (Susan) all that much. That argument is helped by the arrival of a young Will Poulter as Eustace. He's great.
Plot-wise is where it gets meh. I didn't care for it, even if I did like its swashbuckling nature. I can see many finding enjoyment with it, but for me it doesn't quite come out positively unfortunately - it's sluggish. The ship set also feels rather cheap.
Not at all a bad film; one that was interestingly made without the involvement of Disney, Walden Media joined up with Fox instead. I just couldn't find enough entertainment in it.
It's well acted, technically a star studded cast in the UK. So I was expecting it to be good. It is really good, but it's missing depth of the characters... too much espionage flowing into the actual script. The brothers relationship isn't explored at all. The main two characters relationship isn't gone into fully. The side "romance" is just tiny glimpses. Nothing of the personal interactions reaches the depth of loving the characters. It's a historical docudrama and maybe that's why. They just didn't know enough about the people to develop the characters fully. A shame really. I gave it an 8, but it's a 7.5. Great overall but missing the punch to be fantastic.
Most meta episode ever?
I loved the shot the writers took at people that want more space adventures like in season 1. "What does that even mean?", lol
Didn't Janeway memorise all conduits and Jeffrey's tube of Voyager but doesn't know where a Junction Room is?
This tried a bit to hard to be a Voyager version of the TNG episode 'Lower Decks' (and that's all the more disappointing given that Voyager has ALREADY DONE this back in season 1's 'Learning Curve').
It followed a very standard and predictable plot. The inexperienced crew go on a trip with the Captain and a life-threatening situation occurs. They fight through their fears and doubts to prove to themselves that they are able to handle a crisis. Blah blah blah. We've seen it all before. Where the episode does stand up a bit is that the new crew members are all fairly unique people with intresting quirks. Unfortunately they're not really very easy to like, which derails things. Harren in particular continually speaks to Janeway in an incredibly disrespectful way and I'm surprised that he gets away with it all.
I'd be pretty happy to see more of Tal and Billy, but this is Voyager: I'm not expecting to see/hear of them ever again. Maybe I'll be surprised.
Fun little appearance by musician Tom Morello.
The whole episode seems to be written to convince Dwayne Johnson to make a (very) brief appearance. And it worked as, according to imdb, this episode had the highest ratings of the season.
Which I find rather sad because people were probably tuning in to see The Rock and not Star Trek. And since neither his role nor the story itself is memorable you can ignore this one. It's also quite easy to recognize when they used the stunt-double for Jeri and when it's her.
Quite entertaining, walking the line between funny and cringe worthy. The Doctor's daydreams feel like they become repetitive fairly quickly, but there's creativity in all of them (Paris waving from his lonely table was great). I'd imagine that the cast were able to have some fun with this one. The alien race also managed to feel both highly inventive and extremely familiar, and I think that sums up much of the episode.
In the end, it made me laugh and that counts for something. Robert Picardo shines on this show with whatever he's given, and here that's certainly a lot. I felt a bit put out at Janeway's initial reticence to give him any recognition for who he is because of what he is. By now the Doc has proven time and time again that he's more than just his programming, and Janeway has even dealt with this specific issue previously. Yeah, the Doc was probably asking for a bit too much in being granted emergency command of the ship, but it's true that the crew treats him without much respect.
Season 6 is doing pretty well so far (apart from the opener), it feels like all of these episodes are finally placing characters front and centre instead of plot. I wonder if it's going to keep this up...
Our first look inside Guillermo del Toro's Cabinet of Curiosities reveals a rather generic horror story. After the effective opening scene, we follow racist veteran Nick (Tim Blake Nelson) who, like in "Storage Wars", buys an abandoned storage unit at an auction. It was previously owned by a Nazi who was not averse to the occult. Nick needs money immediately because he is deeply in debt. The plot, which is set during the tenure of George Bush, doesn't pick up speed for a long time. Tim Blake Nelson is also too likeable for his role. The story only gets a bit scarier towards the end, only to end abruptly. The episode was adequate overall, but nothing more.
This film took me by surprise, I was expecting another sherlock spinoff that does nothing new.
Yet Enola Holmes is simply refreshing with an intriguing story that compels you to keep watching with wit and adventure all the way through.
7/10 - Good film, one that I'll happily watch again
