So we reach the end of Phase Three, and what an ending this is. Not as epic in scale as Endgame and not as good as it either. But, this to me, is better than Homecoming. Better arcs, a better realisation of character and overall an excellent way to represent story through visuals.
For some Mysterio has been poorly represented in recent media. But here, he is done so well and the abilities are Doctor Strange visuals of good. While still not copying anything we've seen yet. This allows for great tension and using trust against the characters that I don't think has been seen in the MCU since The Winter Soldier.
Tom Halland is Spider-Man. There's no denying it, he was born for this role as Robert Downey Jr was for Iron Man. Which makes this story sink so well into the narrative when it all comes down to loss and how to avoid falling into stress and anxiety's grip. Which makes this an important movie to follow Endgame. Wrapping everything up nicely and even starting some great elements for the future.
So yes, there are end credit scenes in this movie. Two of them. But instead of not caring about a bit of strapped on humour, stay. These scenes are vital for the future of this series of films. Plus, there is an added bonus for those who are fans of the original Sam Raimi trilogy.
So yes, it is a good movie. But there are flaws. For one, there is the whole convenient timing and placement of things. Which I thought they were going to explain but never did. The story does feel like a bit of rehash of Homecoming and how the motives of some are shown, and that was my biggest gripe.
This film is funny, has good action, pretty well-done CGI and amazing performances from all its cast. This movie deserves to follow Endgame and closes Phase Three fluently. Spider-Man: Far From Home is a great movie and has given me hope for the future of Marvel's plan.
8.6/10
EDIT: It has now been revealed the original film/script was radically different, longer, and explained many of my issues presented in this review. Studios, stop butchering your films to be more palatable to audiences.
This is what happens when the people who say, "Godzilla movies don't need to have good human stories," get their way. Easily one of the weakest Godzilla films ever made and the worst of this series. You're not a fan of this franchise if you say Godzilla movies don't need story. Every one so far has had an interesting enough script to justify it's monster bits, even the worst Showa or Heisei outings do more. It's not even really sure what it wants to be. Kong is propped up as the hero and clearly the protagonist of this story with Gojira making cameos as he hunts the organization Apex, but then Kong just loses anyways. What purpose is there for even setting up these monsters as sympathetic when all writing and soul is tossed out the minute they start brawling in Hong Kong. It actually forgets humans exist for a good four minutes as these two punching bags throttle around neon buildings. Craft is gone, it turns into The Avengers, with barely any collateral damage. "Oh but, you can follow the journey through the monsters! You don't need humans to have that nuance." Oh really? Godzilla doesn't like Kong being off his island, he puts him in his place, story done. Talk about deep. No moments to breath or for a character to properly react. This is hot off the heels of King of the Monsters, a film that continues the themes of Skull Island and Gareth Edward's Godzilla. Dougherty's outing before this deeply explored the themes of what it means to live with these monsters on Earth. How do you continue living when a relative of yours has been taken at the hands of one of them, do you shut yourself off or do you try to change the world? Emma became essentially so riddled with guilt she released the devil on Earth. How are these monsters really not so different from us, considering they were birthed out of our own arrogant, persistent lust for control over this world. It's too much to get in to, but that film dealt a great deal with overcoming grief, putting your faith in God, coexistence, and forgiveness. Mark's scene where he looks in to Godzilla's eyes and finally restores his faith is one of my favorite moments from this series. There is nothing in Godzilla vs. Kong that could be remotely construed as a plot. Charles Dance's role has been replaced for some reason, we have a wacky podcast conspiracy guy that serves as just a walking prop for the viewer to see world explanations, Kyle Chandler as Mark has been reduced to a cameo, and on that note: Why is he working at Monarch? He consistently hated Godzilla until he had a change of heart and faith by virtue of Serizawa and Mothra. Monarch didn't change to the good guy, they're still an organization on the cusp of lawsuit and government shutdown. Would GvK mind explaining that for us? How and when was Apex formed? How is it possible the creation of MechaGodzilla never leaked out? The world has been introduced to the titans. It's plainly established everyone is obsessed with these things, the internet and news won't shut up about them. The government doesn't know this is how Apex is using their power supply? In '14, it's at least explained their research on the MUTO was a government cover up for Monarch, that's why Joe in that film became a crackpot theorist who wouldn't let the nuclear incident go. But it's not 2013 anymore, the creatures are no longer a big secret. In King of the Monsters, the people unleashing Ghidorah to rival Godzilla are small band of eco-terrorists, they aren't a multi-billion dollar corporation. It makes no sense and done so much more poorly. It's rushed and done with quips. The most we ever get in terms of world building is a single shot of a map and newspapers, talking about the UN vetoing Godzilla or Apex facilities springing up across the map. We don't hear internal communication or even have a Senate scene like in this last film. The world has simultaneously been expanded greatly and shrunken to nothing, something Pacific Rim Uprising also horrifically accomplished. This series was built off the foundation of engaging with this science fiction, government monster universe through the lens of a sympathetic every-man that's been hurt by the monsters in some way, usually a familial death. Dr. Nathan Lind is given two words to establish he lost a brother in the Hollow Earth, but nothing ever comes of that information. Humans? There are storytelling devices used to get the audience from scene to scene. In the same span of runtime, from '14 to this, Bryan Cranston is grieving over his dying wife, to this has a fat guy making jokes about toasters. The most amount of interesting character development are thrown away in two very specific pieces of dialogue. The little native girl's family was killed by the storm surrounding skull island, which we saw in Kong's film, as was the whole island wiped out. I imagine there was a sequence that explored this and able to give a more tragic or perhaps resounding, uplifting message of sticking with family even when you've suffered so much loss. It would fit the overarching narrative that's stuck to this MonsterVerse so far, but it seems the cutting room floor did a number to this movie, as even stated by director Adam Wingard. It really does feel like the movie is playing damage control. Audiences didn't understand the previous films' stories, so they got fed up trying to understand them and just declared they don't want any characters in these movies. So we get walking action figures that say the words necessary to get us to our next fight. The best potential that existed in one of these dolls was Shun Oguri's character, Ren Serizawa, who is related to the Serizawa of previous films, the one who sacrificed himself to save Godzilla and prove humanity needed to accept him as their king. It was a very touching, holy piece in the last film, and Ren could work as an antagonistic son who resents his father for giving up his life to this monster he doesn't understand, and we could go through a similar arc Mark Russel did in the last film. None of this is realized, he is a dummy test pilot told to get in the goddamn chair, like it's an Evangelion reference. The most amount of enjoyment anyone could get out of this is the splodge of CGI dumped on to the screen with no visual grace or narrative substance. If that's all you want, then I pity what this means for blockbusters. Edwards crafted a fantastic character movie in 2013 and the series has been handed a blow here.
In Captain Marvel, I didn’t like the main character, but I thought the movie around her was quite solid.
Black Widow is the exact opposite: I quite liked the two leads, but the movie surrounding them doesn’t really work.
Pros:
- Scarlett Johansson and Florence Pugh are easily the most entertaining part of the film.
- I liked the first act. It feels like Cate Shortland is trying to do an impression of a Jason Bourne movie. It’s fairly humourless, the cinematography is bleak, and the score is intense. It has a tone that no other MCU film has.
- The action (minus the final battle) is fairly well done. As per usual, less editing would’ve made it better, but at least it feels weighty.
Cons:
- The story itself isn’t that interesting. The themes and main mcguffin are oddly similar to Captain Marvel, though it’s not executed as well. The villains also fail to make an impression.
- This movie really loses its identity as it goes along, to the point where it turns more into a generic Marvel movie as it goes on, and eventually a generic action blockbuster by the third act. Everything gets way too big and bloated for its own good.
- Not a fan of the Russian accents, they sound very tacky. Just let everyone speak with a normal American accent, I can look past the fact they’re Russians. Besides, they even had a story based reason to ditch the Russian accents entirely.
- I found David Harbour quite cringeworthy in this.
- The main characters are protected by strong plot armour. Most characters should’ve been killed 3-4 times based on the things that happen during the action scenes. This isn’t even a ‘suspend your disbelief, it’s an action movie’ situation, it gets really ridiculous, to the point where it’s almost Fast and Furious level.
- The pacing is a bit inconsistent, you really feel it slowing down during the second act.
Finally, I want to address that I already find the use of Nirvana songs in movies like these quite distasteful, but the cover that's used during the credits literally sucked all the life out of the song.
4.5/10
Unlike the other comment on this film, I don't think this film has weak directing as it is difficult to direct Jackie Chan and his Stunt team but Benny Chan does a very good job in my opinion. This is the fifth film in the Police Story franchise and I have to admit it might be my second favourite after Police Story 2. Jackie Chan (Inspector Chan) gives one of his best performances in my opinion as you believe this depiction of the super cop who has lost all confidence in himself as a person and as a police officer, that's why Nicholas Tse (Zheng Xiaofeng) playing opposite to Jackie is perfect as the character brings the Super Cop back during the film.
I would be amiss if I don't mention the villains in this film who are just a group of teens who are obsessed with video games and all have problems with their parents, but the stand out is Daniel Wu (Joe Kwan) who is just so perfect in this film as you see how everything in his world has made him the way he is and yeah I can for sure see why he is a star who like Jackie broke into American films as he is a really great actor.
Seriously I love this film and its so difficult to find a copy of, I bought a Blu Ray but it was a horrid dub and thankfully found a DVD copy in a charity shop with the original audio. Seek this movie out if you want to see the Super Cop in a modern world and see some absolutely amazing stunt work and fight scenes, but those are second to a super solid story and strong directing with the JC Stunt Team.
Just remember.......SUBS OVER DUBS!!!!!!!!!!!
so sherlock is over, and these are my thoughts on the finale in order of appearance:
since when the show is a horror movie and why was there a fucking clown.
the motion sensor was activated after the drone had landed and mycroft obviously knew enough about those explosives to realise that’s how they work, so why the hell did they wait for that to happen instead of immediately running away? oh wait. the drama.
they actually put that horrible cgi explosion from the trailer into the episode… why. later, in the very end, i will be reminded of it while watching sherlock and john run in slow mo.
why couldn’t mycroft, an important government figure and a relative of eurus, officially check up on her instead of the whole dress up game? and then he obviously shows us that he can fire or order around anyone in that prison which makes their shenanigans even less relevant. it’s really sad to see non-existent problems beings “solved” just to use screen time and mindlessly entertain the viewers. detective stories are supposed to be reasonable.
okay, i’m sorry but i’m not buying that “enslaving” bullshit. i want to know how she does it, because all we were given is some pieces of weird bullshit that wouldn’t faze anyone in their right mind. it reminds me of the cabbie from the pilot episode that supposedly talked his victims into killing themselves. but in the end we learned that he just threatened them with a fake gun. ah those good old times when the show had its wits and integrity still intact…
they sure like to deliberately make sherlock obtuse. i just don’t buy him missing that there’s no glass when he’s close to it and there’s still no reflexion. and shouldn’t the music sound muffled too or did the fiddle had its own voice modulator installed? interesting.
i know moriarty being alive would make no sense, but the show is guilty of occasionally doing that already, and he’s such a believably smart and psychotic character that’s interesting to watch that i would have gladly used my suspension of disbelief card.
i thought the girl on the plane was an idiot because she kept giving useless answers to important questions, but the reveal in the end explained it. 1-0, touche. then again, surely eurus would be imagining herself as the young version of herself and the sole reason they used another child actor is to keep the mystery up, which is a pretty cheap trick. 1-1.
now the real idiot (or more like a dumb plot device) here is undoubtedly molly. she fucking knows what sherlock does and in what kind of situations he sometime ends up being, and he obviously sounded nervous and agitated from the get go and eventually resorted to fucking begging, so why the hell couldn’t she trust him and just say what he asked her to? oh i know why. the drama. again. also her making sherlock “confess” his love for her she knows he doesn’t have literally came out of nowhere and had fanservice written all over it. and that conversation was so unrealistic and forced for the sake of plot progression it honestly made me cringe. god i wish they were more subtle with molly and her sad love for sherlock and all the irene adler mentions before it instead of jamming them into the storyline and reinforcing their awkward attempts to bring to life sherlock’s absent libido. they even made him destroy that coffin in a melodramatic fit, which was ridiculous because compared to the other experiments the molly incident surely warranted that kind of emotional outburst the least, no one had died after all. but wait, some fans are gonna love using that as proof for sherlock’s romantic feelings for molly, so that’s why it happened.
mycroft goading sherlock into killing him was painfully obvious, considering he’s the one who has been quite vocal about his brother not being a pragmatic automaton but a quite emotionally driven creature, and that he would never kill john, regardless of his intellectual capabilities.
so the lesson here is that you should pay more attention to your little sisters?..
you can’t just switch psychopathy on and off. but of course eurus was able to. in once instance she’s a cold blooded murderer that doesn’t understand the difference between killing someone innocent and someone guilty, in general she has a spontaneous child murder on her record, but oh no, the episode is almost over and we can’t possibly kill john watson (like we couldn't blow up molly or shoot mycroft, but had no problem axing mary, a character that no one gave two shits about, dead or alive, or moriarty, who had basically been the best character; good job on fucking up twice), the fans would rage, so let’s make our villain a crying scared little girl that longs for brotherly love and make her suddenly change her evil ways, so we could wrap this shit up and move on.
and why did they put her back in the place she can easily break out from? what even has changed? can’t she make the staff into her bitches again just by talking to them (eternal eyeroll) like she did before? yeah she’s not mad at sherlock anymore (because he gives her attention now! how cute), but she’s still a mentally disturbed person and the cage must get boring when you have a fiddle as your only source of entertainment.
so yeah, i basically wrote a fucking essay or more like a hateful ode to the show, but i don’t actually hate it, i still adore first two seasons, tolerate the third and i have been relatively entertained by the last one, this episode included, even if i undoubtedly think the show hasn't been clever for a long time and it's finale was less a detective and more a weird left-field saw tribute without everything that actually makes saw enjoyable. i'm writing this as a former fan that for the last few years has been mostly disappointed by the show they once loved, that’s all. i’m also bored and writing this kept my mind busy. that makes this otherwise useless “review” worth it, i guess.
The first 90 minutes of this movie are absolutely fantastic. They build up Marla as such a despicable, horrid creature that I was actively begging for the Mafia to get sick revenge on her.
The last 30 minutes are Season 8 Game of Thrones level of terrible and ruin what was about to be one of my favorite movies this year. The steps they want to strain credibility were insane. Firstly her surviving after being drugged and put in the water were questionable. The mafia failing to kill her girlfriend was just...how in the world did they fail killing that girl?
Marla just fell in the water (and I'm not going into the 3 minutes she was able to kick in a glass front window underwater and maintain holding her breath), but she still has her wallet to buy things at the convenience store. She gets to her girlfriend literally just before the place blows up, which she had no control over because she literally waited for a taxi.
They complain that they have nothing left but the diamonds, and but they also apparently have a handy wig, a taser, some morphine knockout drugs to pull off some James Bond type of killing of Peter Dinklage. And then when Dinklage survives, he agrees to be her partner. Look, I get she's smart and was gonna kill it with the mafia. But the shit she did was unforgivable, and it strains my belief that Dinklage wouldn't just go out and torture her the first chance he gets. They did not present him as being a "money first" guy, so him overlooking the mother being thrown IN A PSYCHIATRIC WARD is nuts.
Look, I enjoyed 70% of this movie. It was an excellent horror thriller to that point. I would've loved if this movie went the route of Dinklage and the mob being mostly outsmarted by the crazy, maniacally, absolutely dastardly woman. But that movie NEEDED to end with Dinklage personally killing Marla. No if, ands or buts, anything but that ending ruins the point they spent the rest of the movie going for.
It really hurts me to trash this movie, because Pike was fantastic again in her role as a villain and Dinklage really made me want his character to succeed. But that ending was the worst type of cop out possible.
This was actually awful. It's the drama and stress of a romantic comedy set during Christmas with the most irrational characters. It's like any other movie with a central couple but the twist is they're gay.
Pros:
- John
- Abby's hair
- The inclusion of LGBT characters.
- Not everyone is hot.
- The bonding scene between Riley and Abby at the drag bar and Riley's story about Harper.
- John's coming out story.
- Some of the jokes are actually funny.
Cons:
- Every interaction with Harper and Abby once they're in the car.
- Not a single problem is addressed until it blows up in one big fight and everyone is happy now that they've aired their dirty laundry. Jane doesn't need therapy from her parents shitting on her. Abby is okay with being called an orphan every time. Harper has self-awareness. Sloan realises that she's just a fucking bitch.
- No one apologises for the things they said in the movie. No one apologises to Abby for accusing her of theft. No one apologises to Jane for how they treated her. Harper can't be clear with Abby even when they're alone.
- Jane's one big scene where she gets upset at her painting being destroyed is ruined by it instantly turning into a joke.
- Every romantic comedy has issues stemming from a breakdown in communication. Harper and her parents. Harper and Abby. Sloan and Eric.
- Not a single person in this movie is realistic so I can't root for any of them.
Comments:
- We only see 1 happy bonding scene with the couple during the opening, then days and days go by of Harper shafting Abby and then the single moment where Abby expresses how unhappy she is, Harper calls her clingy.
- Harper's parents are horrible caricatures of rich people constantly shitting on Jane and making it obvious how Harper is the golden child.
- No one has any boundaries and it isn't funny.
Had such a great opportunity to be a unique Christmas film but then just fucked it up by being cliche and basic.
If the first one wasn't that bad, this one is. It's basically a parody of itself with a little meta added. It just goes for shock. You thought the first one needed more blood, torture and shit ? Well here it's all shown.
In the first one, it was done by a mad genius, here it's a sicko retard. So the carefully prepared operation with scalpel and anesthesia is there done with hits on the head, scissors and staples, so we're full on Z movie torture porn. Also it's really well portrayed, (well, if you accept the whole thing as a parody), and without saying a single word of the whole movie. He's a total psycho, perfectly disgusting, barely qualifying as human (though yeah, difficult childhood, tough family).
I liked the meta part. Martin being obsessed by the movie, his little book, one of the original actresses playing her own role.
It's not more thought than the first one. Like, nobody even wonders what happens in this parking lot ? So many people disappear or die, a kid left for days in a car, nobody notices anything ? The first people are probably left there for days, after getting repeatedly hit on the head, or shot or something else. How are they not dead ? And don't tell me they could not have escaped during this whole time.
There were not that many gore scenes in the first one, so here they go full on that, mostly just on the "what shocking thing could we put in ?" line of thought than real integration in the story though:
- There's blood all the time, everywhere
- Cutting knee tendons with scissors
- Long shitting scene, leaking at all seams
- Rape using barbed wire
- Woman squishing her barely born baby (why the hell would she do that ? If she waited long enough to give birth, she could have waited 20 seconds more to put the baby on the seat before stepping on the pedal)
- And killing everybody at the end
So, some good ideas, but in the end, it just went for shock, without much originality or talent.
Breaking and entering turns bad for a few robbers. Do you think you'll have some difficulty feeling any sympathy for these people? There is a reasonable chance you will. But maybe you're not dead inside like I am.
I do appreciate this movie for a few aspects. The main thing, and its most important aspect to be good at, is the fact that it doesn't feel repetitive. The story does indeed progress, with new plot elements unfolding the whole way. I was afraid we'd just be stuck in the same horror film style for an hour and a half. Without this, I'd have hated it and wanted to leave after 20 minutes.
The other big positive is that jump scares did actually originate from the story. They (mostly) make sense for what is happening. Of course this is still the cheap way to make a horror movie scary, but when done in a good way I don't mind it.
But unfortunately the film does have a decent handful of problems. The primary one for me is that I don't care about these characters' lives. They are terrible people, and the connection the film tries to create for them is weak. The layout of the location is also not doing it for me. They make this average sized house feel like a goddamn mansion. Someone walks into the next room and it is like they disappear.
Finally, the climax of this movie let me down soooo much. Seriously, it was about to end and I thought it was a really solid one. Then it keeps going and I thought this end was decent. Then it keeps going and I think this end is meh. Then it keeps going and the end is stupid, standard formula horror. This really knocked it down for me.
If you're looking for a horror and you're sort of into the genre, you might like it a bit more. I'll never pick to watch it again, but won't mind if someone else picks it out.
