Nothing comforts anxiety like a little nostalgia.
If anything, Hollywood has boiled that concept down to a science over the past few years, as this film is basically a summary of everything that’s wrong with the industry in a neat, 148 minute package.
It thinks it’s meta and self-aware by pointing out how cynical and cheap franchise filmmaking is.
That might sound similar set-up as 22 Jump Street, but this film proceeds to be cheap and cynical itself without saying anything substantial beyond its own set up, so it embraces what it’s trying to criticize.
Everything in this movie is structured as an excuse to show stuff you’ve seen before, there are little to no original concepts or ideas that push the franchise in an interesting direction.
It’s mostly a rehash of the first film (mixed with some stuff from Reloaded and Revolutions in the second half), except the action isn’t nearly as good, it’s more predictable and convenient, the performances are nowhere near as memorable (that’s what you get from replacing your 2 best actors), it looks uglier and more synthetic, the pacing isn’t as tight, and it’s a lot more dull because of how much it overexplains itself.
It also ditches the cyberpunk aesthetic, and replaces it with something a lot more bland and boring, stripping the franchise from a lot of its personality.
It’s honestly quite an accomplishment when you think about it: the original is one of the best, most successful, big budget films ever made that still maintained a strong artistic and alternative impulse.
This, on the other hand, couldn’t be any more lowest common denominator if it tried to.
It’s a parody of itself and modern blockbuster filmmaking.
I suppose that was Lana Wachowski’s goal to some extent, but it isn’t very compelling to watch.
3/10
For someone who was born in 2001 and not being able to watch Matrix in theaters this movie has a special meaning to me.
Edit: Never mind this was film was a piece of crap
His name was Robert Paulson
Everyone keeps suggesting there is a paradox concerning the 5D future humans and their ability to save humanity in the past. It's really not a paradox at all. Everyone assumes humanity survived to ascend to the 5th dimension but how could humanity exist in the future if not for the actions of Cooper.. who was guided by future humans (begin endless loop).
Did anyone ever consider the other important character in the movie? Amelia Brand carried on with the rest of her mission (thanks to Cooper). I postulate that Brand used the human seeds as intended and set up a colony. A colony that would thrive and eventually evolve beyond human. Thus Earth is of little importance, and may have indeed died. These colonists, and the generations that followed, would have been told the story of a great man (Cooper) who saved them from extinction. With the ability to manipulate space-time, they would pay homage to their hero "God" by helping him in the past so he may fulfill the mission most important to him, to once again see his daughter. Plan B worked beautifully. But the 5d humans, having the power to bend space-time, decided there's no reason why Plan A had to fail.
The friend zone has been taken to a whole new mechanical level.
Seeing reviews of this from places such as "The Guardian", then actually watching the show, made me realize there are a lot of people out there that just want to sh*t on other peoples work for no reason. This isn't Jeremy goofing around for 8 episodes, this is him actually working hard and trying his best. Yes, while he does goof around a bit, I feel like that's just part of who he is and his presenting style. This is definitely worth the watch, and maybe even a re-watch in the future.
One of the best compliments you can give to a movie is that it takes you and wouldn't let you go before the end credits. That's what Max Mad did to me. The whole movie is so intense that my eyes were glued to the screen. The cinematography is gorgeous and make a world come to life. The main characters feel real and you can rely to them. I like it when a main characters isn't the 'invulnerable' hero, so you feel more tenses in the scenes because 'it could go wrong for him'. All this is directed in a perfect way. All of the action is filmed with a steady cam, thank god! No shaky cam but steady and wide shots which make the action scenes a real experience. I have no real faults with this film, I loved it from begin to the end. So I would recommend it for everyone who wants an awesome 2 hours.
I really had to stop and write a comment about my favourite 3 lettered word, WTF , does it really mean Wireless Telecommunications Facility? :P That cracked the hell out of me laughing XDD
On the other hand, I really feel bad about Gordan, he is so lonely.
Who Reiner was talking about during his family dinner:
“this one person just... started eating a potato. When the instructor reamed her out, she admitted without even a hint of guilt, ‘I stole it because it looked so tasty.’ Still, she could tell she was going to be in trouble, so she offered to give him half. But the part she held out to him wasn’t even close to half the potato. They don’t have concepts like fairness or compromise.” = Sasha Braus
“There was one moron dumb enough to forget why he came to the bathroom,” = Connie Springer
“an irresponsible guy who only thought about himself,” = Jean Kirstein
“a straight-laced dumbass who’d think of everyone but himself,” = Marco Bodt
“a guy who’d charge into any situation without thinking,” = Eren Jaeger
“and the two who would follow him through anything...” = Mikasa Ackerman and Armin Arlert
It is clear that Reiner couldn’t think of reasons why the Eldians on Paradis are evil (Karina was afraid Gabi would start thinking of them as humans, as that’s how Reiner portrayed them). Too bad he has to put on two faces back in Marley as well, even with who the successor of the armoured titan will be.
This is one of my all time favorite movies and I recently watched it again.
While reading through some of the comments here and on IMDb I can only assume some people are on a personal vendetta or something. The negative comment I read most is: "This movie is scientifically inaccurate".
My answer to those: Go watch a documentary then!
This is clearly a Science-Fiction movie so I don't get why you even would concider comparing it to real science. No one did something like that with Star Wars. So why all this stupid nonsense criticism. If you don't like the movie - fine! You don't have to like it just because the majority does. But not likeing it because it's scientifically inacurate or a C. Nolan movie is just dumb. You are just robbing yourself of 3 hours of staggering CGI worlds, a good plot, one of the best OSTs there is and sublime acting.
This movie is just giving you the illusion that it wants to be accurate, obviously it isn't. That's the beauty of this art. Just take it for what it is!
• Attack on Titan season 1 (episodes 1-25)
• Attack on Titan Ilse's Notebook (OAD)
• Attack on Titan: The Sudden Visitor (OAD)
• Attack on Titan: Distress (OAD)
• Attack on Titan: No Regrets Parts 1-2 (OAD)
• Attack on Titan season 2 (episode 26-37)
• Attack on Titan: Lost Girls: Wall Sina, Goodbye Parts 1-2 (OAD)
• Attack on Titan season 3, part 1 (episode 38-49)
• Attack on Titan: Lost Girls: Lost in the Cruel World
(OAD)
• Attack on Titan season 3, part 2: (episode 50-59)
• Attack on Titan season 4 (Final Season), part 1: (episode 60-75)
• Attack on Titan season 4 (Final Season), part 2: (episode 76-87)
• Attack on Titan Final Chapter Special 1: (episode 88)
• Attack on Titan Final Chapter Special 2 (episode 89)
Easily the greatest musical ever made, not that it has particularly stiff competition.
Denis Villeneuve is the man!
There’s only one word that came into my mind after watching it: finally.
Finally, a blockbuster that isn’t afraid to be primarily driven by drama and tension, and doesn’t undercut its own tone by throwing in a joke every 30 seconds.
Finally, a blockbuster that puts actual effort in its cinematography, and doesn’t have a bland or calculated colour palette.
Finally, a blockbuster with a story that has actual substance and themes, and doesn’t rely on intertextual references or nostalgia to create a fake sheen of depth.
Finally, a blockbuster that doesn’t pander to China by having big, loud and overblown action sequences, but relies on practical and grounded spectacle instead (it has big sand worms, you really don’t need to throw anything at the screen besides that).
Finally, a blockbuster that actually feels big, because it isn’t primarily shot in close ups, or on a sound stage.
And of course: finally, a blockbuster that isn’t a fucking prequel, sequel, or connected to an already established IP somehow.
(Yeah, I know Tenet did those things as well, but I couldn’t get into that because the characters were so flat and uninteresting).
This just checks all the boxes. An engaging story with subtext, very well set up characters, great acting (like James Gunn, Villeneuve's great at accentuating the strengths of limited actors like Dave Bautista and Jason Momoa), spectecular visuals and art design (desaturated but not in an ugly washed out way), pacing (slow but it never drags), directing, one of Hans Zimmer’s best scores: it’s all here.
I only have one real criticism: there’s too much exposition, especially in the first half.
It can occasionally hold your hand by referencing things that have already been established previously, and some scenes of characters explaining stuff to each other could’ve been conveyed more visually.
Other than that, it’s easily one of the best films of the year.
I’ve seen some people critiquing it for being incomplete, which is true, but this isn’t just a set up for a future film.
It feels like a whole meal, there are pay offs in this, and the characters progress (even if, yes, their arcs are still incomplete).
8.5/10
Please don't suck, please don't suck, please don't suck...
Another one of those shows that starts off pretty meh then finds it's footing and takes a significant turn for the better.
Gave up half way through season 1, gave it another chance, and now I can't wait for each new episode!
Let me start this off by saying that this sequel did not feel outside of what we remember.
Blade Runner 2049 maintains the mood and feel of its predecessor. The visuals, the sound... the dystopian future, it's all there.
| FIRST THOUGHT |
I love writing reviews, it comes somewhat naturally to me after watching something that I learn to feel passionate about.
This movie taught me to be passionate.
But... it's really hard for me to express judgment. And I'm going to explain why:
Actually, it's very simple. This was a 3 hours movie. Of these 3 hours, 2 were simply... air. Now, don't get me wrong, that isn't always negative, like in this case. It was refreshing air, but still... it doesn't (at first glance) hold anything on the plot.
Because of this, the viewer (me at least), is left with a lot of questions, the picture doesn't explain itself. Also; as a side note - you most definitely need to watch the first one. The great majority of the runtime is inexplicably useless.
The longer it goes, the longer it begins to add new stuff, and then some, then it seems somehow related to what's actually going on, but right after it deviates the actual story on an ideal from the characters involved, that at a certain point, evaporates. I'm really conflicted about this because it looks to me like the screenwriters and director wanted to leave all of this to theory and the fans.
Why is this confusing? Because it's a very strange mixture of linear narrative and non-linear narrative. One is focussed on one objective, the other starts a bunch of other objectives and then it simply dies. No explanation was given, no closure was given.
And this is aggravated by the fact that it's a 3 hours movie, of which 1 hour of the actual story is spread and mixed amongst 2 hours of absolutely nothing. VISUALLY IMPRESSIVE NOTHING. A VERY INTERESTING BUNCH OF LITERAL VOID.
This is actually the only thing I did not like about the movie. Which, again, if you are like me and enjoy movies that aren't patently explaining themselves, it's not a bad thing. I just feel like it could've been much more interesting if they explained somehow what happened to all the side characters, or just cut them out.
|STORY & ACTORS |
Aside from what I've mentioned before, the more "linear" part of the story is actually not that bad. It's nothing impressive. A part of what I said earlier connects to the fact that this movie constantly keeps juggling between what is real and what is not. Be it by robots, or actual reality that the characters are living. So it came out pretty obvious that the movie would have a twist at some point, somewhere. I will admit that I did not get it until the very end, so, don't be discouraged.
Ryan Gosling was great, also because he as an actor was perfect for his role. Being so that he has this way of being and looking conflicted, and so it portrayed really well on the protagonist.
Harrison Ford had less value to this movie than he did in the last Star Wars.
Jared Leto's character is a mystery to me, but he did a phenomenal job talking random shit.
All of the other actors, Jared Leto included, were there to push the story forward (or to add random bullshit) and that's it. They did a fantastic job, but unfortunately, as mentioned above, at first glance it looks like they don't mean shit.
| CINEMATOGRAPHY |
The movie is visually pleasing, it's bliss for people with OCD. It's perfectly round and at the same time perfectly square. It keeps smooth lines combining great color combinations in the palette, and utilizing great solid colors at the same time.
As I said before it holds perfectly a spot near its predecessor, the mood and feel are almost identical. (Having watched the first one only an hour before going to the theater to watch this one)
I have to say, this one looks A LOT, like A FUCKING GIGAZILLION LOT more gruesome and splatter than the first one. The fighting scenes are brutal, they do not go into dramatic effects, they just are what they should be. A punch in the face, exploding heads and blood.
There is no doubt that this movie looks fucking amazing.
It sounds amazing as well. It has a collection of deep, pure sounds. There is not a lot of music, but when there is it's powerful and present and it makes you wake up and amaze. Same goes for the special audio effects: I have watched it in ATMOS and I have to admit, they did not utilize it at all, except for one scene later in the movie, but the way it goes from absolute silence to seat trembling sensations it's really amazing. The sounds were so powerful I could literally see the movie screen shake and the subwoofer hit made the whole room shake.
I would also like to add that in the Italian version, you can clearly see that they used "incorrect" words grammatically, they used a lot of anglicisms, I guess they've done that to express how language is evolving? It's actually current of our generation, I see a lot of people adapting English words in Italian, so I was very impressed by that.
| FINAL THOUGHT |
I feel like everyone needs to understand, before watching this movie, that you need a time, a mood and a place perfectly fit to sit for a 3 hours movie that it's going to feel like a 6-hour long journey into colors, shapes, and absolute "living" silence.
This is NOT a Marvel movie, there is action, well-done action, but it's not about action. You need to sit, relax and don't think about time, because, trust me, it's going to fuck you.
Please like my comment if you enjoyed my review, it makes me really happy.
Note that all of this is driven by my personal opinion. If you think I wasn't objective in some of the parts of what I've written, you're welcome to make me notice where.
On Twitter, I review the entire world -> @WiseMMO
As a big Tolkien and Lotr fan i absolutely hate how im not even excited about this.....
Dunkirk by Christopher Nolan was just a fabulous experience. I definitely enjoyed the movie quite a bit from start to finish, and usually war movies aren't really my cup of tea (at least not anymore). However, cinematically, the entire movie is just a masterpiece. As a big movie buff, I could appreciate how meticulously crafted the whole movie was. It's so hard to create a movie like this within this genre while trying to remain "minimal", but Christopher Nolan accomplishes it in every sense of the word.
He seamlessly interweaves 3-4 different plot narratives/timelines, while using minimal amounts of exposition. He gives the viewer such a sense of a looming and foreboding threat, while never even having a Nazi soldier on screen at any time. He tells us "so much with so little" and allows the viewer to take in the conflict of each situation (and there are a lot of them) rather than point it all out to us. In that sense, you really feel like you're getting into the mind of each one of the soldiers/main characters when they are contemplating some very crucial decisions that literally determine life and death, for not just them, but many other men as well.
Nolan gives us continued development, closure and solid endings in each one of the tiny subplots that he sets off from the beginning. It's definitely a joy seeing how all the different plotlines intermingle with each other at the end especially with the civilian aspect added in. And, most importantly, he accomplishes all this in less than 2 hours (and by a damn good margin as well).
If you appreciate amazing direction, cinematography, and vision within a movie, this will be an absolute joy. It could definitely get Christopher Nolan that elusive Best Director Oscar come Academy Award season. I watched Dunkirk in 70mm, but, honestly, I couldn't really tell the difference, especially without being able to do a side-by-side comparison to a regular version. Overall, it didn't seem too different from the usual XD or IMAX type presentation at my local big theater. Still, the movie is a visual treat lending heavily to more practical effects that gives a nice sense of realism to it all.
Anyways, this gets a solid 9/10 from me, coming from a war movie curmudgeon. Watch it, and you won't regret it.
John Wick was so badass. It was directed by a choreographer and stunt double (for Keanu Reeves) for the Matrix trilogy and it really shows. A brief introduction to the titular character, as is typical of revenge thrillers, quickly gives way to the action and damn is it good. Fantastic and stylish action sequences make up 90% of the movie and when it looks this incredible, I'm definitely okay with that.
This is how you do an action movie. Just the right amount of everything without being over the top. Spot on !
Amazing show. I was wondering what the fuss is all about until I started watching it, then I just couldn't stop.
I Love this show, it's about the Agents of SHIELD not superheros.. I don't know how the average person judges acting. But I totally got into the story line and how it tied into the movies. I suppose thats why season two is starting earlier..
this is one of the most overrated movies I have ever seen. It's boring as h*ll. Even the sex is boring... tedious, too much talking about nothing (and the dialogues aren't all that super either), predictable, drugs and sex to be an end isntead of a means for the story to be told (and as I said, even the sex is boring). Even DiCaprio could not save this incredibly crap movie.
I can see it over and over again! One of the best movies I ever seen.
A Cop Drama With Nathan Fillion, I started it watching it because of him and honestly its a pretty enjoyable show with an array of characters. Not your usual cop drama, there is the right amount of humor and I'm liking it and I want to see where this goes. Lethal Weapon is based on the comedy and has some dramatic elements. Chicago P.D. is a serious drama and you get invested in every moment, this one comes right inbetween.
I just love how Nathan Fillion plays his character, just brings me back to the Firefly days.
When I saw the first teaser to this movie, I was like "What the hell is this? Something Peter Jackson created, that looks this fantastic? I need to watch this, even though the CGI did not look that good (yet?)". The first trailer wasn't that interesting anymore as it spoiled a lot. Still, Peter Jackson, Hugo Weaving, Stephen Lang... that could still be a good movie?
But first of all: The marketing - at least in Germany - was irritating. Peter Jackson wanted to do this movie, he held the rights to making this movie for over 8 years but couldn't get around and therefore decided to pass it on to one of his protegees: Christian Rivers, who has worked as storyboard artist and visual effects supervisor in 11 of Jackson's movies, has his directorial debut - Peter Jackson only contributed his first draft, and of course the rights and budget - which by the way is 150 million dollars - not bad for a debut. But does money equal quality?
Let's take a short look at the plot:
In a dystopian future the few survivors of a global catastrophe gathered together to form mobile predator cities and live in an world order called "Municipal Darwinism", i.e. in the great hunting ground larger cities hunt smaller cities for their resources, to enslave the people, etc. In this steampunk setting London is known as one of the most predatory cities - but the free young woman Hester Shaw wants to travel to exactly this city, because she is hoping to settle a score with one of the leaders of the city.
Peter Jackson has already proven that he has the ability to create new, unseen and absolutely fantastic worlds, and at first glance it seems like with Mortal Engines this applies as well, even though this is not really Peter Jackson. But: It's just the first glance. Yes, the world is cool, it has a lot of beautiful and interesting original ideas that we get to see. The CGI at first glance looks good - but unfortunately only at first glance. Different to Lord of the Rings, where you see a number of details, that are filmed in long slow moving camera to make sure the viewer has the ability to actually see, discover and experience all the details, in Mortal Engine you always have very fast tracking shots, so in the end, everything is blurry giving the movie makers the ability to mask the missing level of detail, as well as often also the physical plausibility of things. And that was something that really bothered me. How do the cities actually transform, or rake up to bigger cities? This happens so fast that you don't actually know - because there is no clever way they do fit together. And what are all the details in London? You don't get to see anything - there are 2-3 spots that are shown in detail - the rest is principally just a hill with a number of glowing spots, that blur due to the fast camera pace. Same with the wall. Why don't show how the people behind the wall actually live? They live a totally different life, why not celebrate it, like e.g. Lord of the Rings celebrated the introduction of Rohan? Because these details actually don't exist.
And at least to me, a movie of this caliber, with this budget and playing in such a world needs to be presented, needs to stun me. And we don't get anything.
But it's not only the graphics and setting - this is probably still the best part of the movie. Talking about the story, this movie is even worse. First, this movie is so packed, that you start to ask: Why did they not make a 2-part movie? Peter Jackson made 3 movies out of the hobbit which is a small to medium sized single children's book. But here, due to packing so much into one movie and not getting rid of certain aspects you feel like a lot of things are touched but not really explained. And this is really sad, as the story has a number of interesting parts. I would have loved to learn something about Anna Fang. Why is she hunted? What is her motivation as leader of an resistance movement? What is that resistance movements motivation? We get nothing - Anna is seen in the wanted poster in the beginning and all of a sudden she is there. The whole backstory with Shrike could have also been interesting, but is also just touched. Same with our antagonist. What is his motivation? No idea. Why does he - all of a sudden - decide to destroy something? No one will know. There are also hardly any quite moments to establish the characters, and this leads not only to the characters being really shallow, but also not rally having time to interact with each other and in the end there is absolutely no chemistry between the characters. All could die, and no one would care. And also the story telling is absolutely minimal. Most of the time is spend in an concatenation of action sequences: I feel that more than 80% was just action, and these action orgies where extremely CGI dominated, so they don't even get that exciting - and to me, after the first 2-3 action sequences I got fatigued.
In the end the actors are not challenged at all and fall far beyond what they are probably capable of, and there is not much else that the movie has to offer - I was bored after the first third of the movie, and it did not get any better till the end. A really great disappointment, I had high hopes :(
Downloading a power source...................... WTF
Every time it's over I feel like I got punched in the fucking heart. And I basically start counting days till I'll be ready to watch it again. There will never be movies more soulful, profound, engaging and gripping with everything from fights and visuals to the deep meaningful connections between the characters and the explorations of grant purposes and philosophical differences. Never. I will love this eternally. I wish I could rate it more than ten. There are movies and then there's Lotr. To be honest I have no fitting words to describe this, no funny remarks or beautiful epithets and definitely no slights. I'm just thankful this exists and I got to experience watching it. I'm out.
