Altough I'm german I rarely check out german TV shows. The last one was Deutschland 83 and that was like two years ago. Germany just hasn't figured TV out yet but that's another discussion.
When I heard Netflix was producing a german show I just had to check it out because Netflix has a great track record so far and Germany does have talent infront and behind the camera. But overall I think this show just fell flat. Good, but nothing great.
Fantastic visuals that are shot very beatifull, the actors IMO are mostly great and the music/score can be beautiful but often gets obnoxious. But unfortunetly there are too many characters that are hard to keep track off which distracts from the story.
The story is already confusing enough even without trying to keep up with the many characters over different decades and it heavily sets up future seasons without answering a lot of questions about this one and just left me unsatisfied at the end.
Still worth watching tough IMO and very bingeable similarly to Stranger Things.
But if you do watch it then choose the subbed version. I checked out the dub really quick and it sounded horrible. And also don't browse your phone as you might do on other shows. You're going to miss so much important shit.
EDIT after Season 2:
I'm not actually sure what just happened and what I think about it. But the one thing I'm sure of is that the casting in this show is absolutely phenomenal. The actors look so much like their younger counterparts that I'm not fully convinced they aren't actually related.
Plus the cinematography is still fantastic and the music monatages are really beautiful (and they got rid of those obnoxious sound effects).
And altough the story is still very confusing I found it more easier to follow and more engaging than Season 1 because I now know all the charcters and their background. And it seems that the writers had this all planned out and aren't just making shit up as they go.
Changed my rating from 8 to 9.
EDIT after my first rewatch just before S3 is released.
Changing my rating again. This time to a 10. After S1 I thought it was good but confusing show (8), after S2 I thought it was great and really well thought out one (9). Now after rewatching both seasons for the first time I think the show is fucking masterpiece. (10). Once you can watch it without being confused and actually knowing what is happening your just in awe throughout all of it.
If they stick the landing with season 3 it could be up there with the best ever.
EDIT after Season 3
Masterpiece. Simple as that.
Writing. Directing. Cinematography. Casting. Acting. Soundtrack. Everything is perfect.
I'm going to miss the beautiful music montages at the end.
I watched Annihilation on Saturday after being pretty excited to watch the movie for the past couple weeks as it was coming from Alex Garland, the director of the fabulous Ex Machina. I'm not going to lie though, I was a little bit disappointed in the end. Not because the movie was not good by any means. It was actually a very well done film with stunning visuals and art direction. It's just that I felt like it had the potential to be a "great" movie, and just fell a bit short in the last quarter/third of the movie or so.
I think that opinions on the ending sequence has varied quite a bit. Some people love it and have raved about it. I, on the other hand, felt that it was a just a tiny bit lacking and while visually stunning, not super original or "groundbreaking". I can't quite put my finger on why I didn't connect as well with the final quarter of the movie though (if that makes sense) without spoiling some major parts of the film.
While the movie is based on a trilogy of books (I've heard that it diverges quite far from the books though), the film borrows heavily from Tarkovsky's Stalker (which isn't necessarily a bad thing). The influence is noticeable throughout, not just from both movies having a Shimmer/Zone. If you're a fan of Stalker (1979), I'd definitely recommend checking Annihilation out.
As I mentioned before, the visuals were stunning, and I thought that the set pieces and scenarios that evolved over the first 2/3 of the film were very well done. I liked the balance of the film being a thriller (both physically and psychologically), while adding lots of thinking points and contemplative questions of "who we really are", "what is actual destruction", just to name a few. The cast was well done for the most part, albeit I wish that the characters other than Natalie Portman's protagonist could have been developed a bit more.
Overall, I enjoyed the movie and thought it was a grand visual experience. I was just disappointed a bit perhaps because I was expecting a bit too much coming in, and from what the first 2/3's of the movie set up. Also of note, the trailer definitely markets this film as something like a female Rambo/Predator action flick, which it really isn't. In the end, I think that I would give the movie a solid 7.5/10.
This is THE anime that we've all been waiting and yearning for. Many of us hardcore Mushoku Tensei fans have been waiting years upon years for an anime adaptation to finally hit, and HIT it has. I was a little skeptical with a brand new studio undertaking this, but all the previews had looked great so I was cautiously optimistic. The source material is my absolute favorite isekai series (which says a lot) and the light/web novel will always hold a special place in my fandom. So how were the first two episodes so far (first has aired officially and the first two were previewed beforehand)?
AMAZING. I really don't know if it's just because the source material is that good, but this has been a SPOT ON adaptation so far. Right when I heard "Gintoki" as the NEET narrator, I knew shit was gonna be good. The sense of humor and pervertedness of Rudy is really well incorporated throughout the first two episodes, and makes this more than just a "another OP isekai". But even with that sense of humor, the anime has taken great depths to give solid (but not overwhelming) background info on the characters and highlighting particularly serious moments. This was especially evident in the second episode where the handling of Rudy's "fall into NEETness" and past trauma was interweaved perfectly into his current situation and setting.
I can't wait for the rest of the anime to air. It seems that a second cour has already been green-lighted so let's hope this can turn into one of those long-running anime series. If they can make it to the school arcs, I'll have lived a complete life...
“I swear on my late scorpions soul, MY hands are clean.”. :laughing:
This instrumental version of Nothing Else Matters coupled with this montage at the end of episode 3 is chef’s kiss.
I know the show is called Wednesday not The Addams Family or something like that but the adults needed more lines. I wasn't sure about the Morticia and Gomez casting and still am because they're barely in it so far. I want to see more of them.
Jenna Ortega is absolutely knocking it out the park as Wednesday.
Dialogue is kind of weird. Some of it is giving me strong boomer writing teenagers vibes.
Show definitely has its flaws and is outside my demographic but the gothic design is fun to watch, so I will be continuing. An easy yet forgettable watch.
Finished another episode and oh god, how am I supposed to wait A WEEK for another episode.
We got some backstory as who the Founder Ymir is. I have to say that this few minutes were pretty painful, as she was a slave her whole life, which made her think that she has to serve under anyone that has the royal blood.
Eren pretty much freed her from the endless work she was doing or at least that's how I think it is. For the first time, she could decide for herself what to do and not what others would tell her.
It's pretty creepy that Eren could talk to everyone through the Founder. Shows how much power does the Founding titan really have.
So if Eren now wants to trample all the lands except for the Paradis island, I wonder if he is able to complete his quest he has given himself. Haven't read the manga, so I'm pretty much without a clue what happens next.
Absolutely loved the effects, when the walls were crumbling down. Shows how much detail they are putting into this anime.
Although the beginning, where they pretty much revised one of the scenes was unnecesary but I think it was made so it looked like you are watching both episodes at once. I really don't mind it personally.
It's a testament to the quality of this film that you soon forget what a technical marvel these ape characters are and become much more focussed on the story. Caesar, once again, is at the forefront of this film, and the exploration of the ape community is fascinating to watch. Yet rather than simply focus on Caesar, Reeves is more interested in showing the fragility of peace between the human and ape communities, the distrust and hatred that can develop between two opposing factions and how easy such emotions can tear down any attempts to bring an end to hostilities. It's as relevant an issue that you could find to explore in modern society and it works wonderfully well here. Although the human characters are not as well developed, Reeves doesn't rush the story and the tentative steps to building trust between the two "families" in the opening half are beautifully played and help to ensure that the audience has some investment in both sides when all hell breaks loose. And whilst there are no real surprises in where the story is going, it is this focus on the characters like the previous film that help to make the action sequences tense and exciting to watch, even if the finale strays a little into CGI overload.
First, we have multiple timelines. Then, we have multiple worlds. Now, we have different versions of characters existing from separate choices that are made (i.e. Jonas). These complexities will either be absolute genius or sheer ridiculousness. And we’ll know in two episodes. Maybe.
Why does it feel like there are wayyy too many versions of Martha out there? And why does it seem like both sides (Adam and Eva) want to keep the loop going? Neither want characters to divert from their paths, and these characters repeat everything regardless — which is kind of annoying. And is anyone else disappointed that Noah isn’t playing a bigger role? He was being set up as this major antagonist.
Again, everything could come together in a remarkable way and make an impressive amount of sense. OR what seemed like a well-thought-out story over the course of three seasons could ultimately result in a whole lot of randomness, that was simply made to appear clever.
Obviously, I want things to wrap up nicely, but there’s something frustrating about a show that delivers more questions than answers. That’s been the journey of this series. So will it even matter what the destination reveals itself to be?
Probably the most accurate representation ever of that time period. A genius film made by brilliant people. (all highly educated people) John Marwood Cleese I salute you!
Some quotes / scene referrals to elaborate this statement.
- O.K. but besides... ...What did the romans ever do for us?
- Oh, I thought we were the popular front?
- ROMANES EUT DOMUS ?!?... ...Ah, huh, third person plural, uh, present indicative.
- ...Which they're fathers fathers left there just the night before...
- Suicide squad attack Uuurrgghhh... So that will teach them !!!
- No One is to stone anyone, until I blow this whistle... Even if they do say Jehovah
- How about those Jennifer bushes over there?
- Yes, we're all individuals... ...Exactly ! Tell us more. No that's precisely the point.
- Crucifiction? Yes. Good... Out of the door line on the left one cross each.
- Release Brian !!! Oh yeah that's a good one. Release Brian !!!
This film should be scolar education material around the world and maybe people might learn something. Highly unlikely that would work, but that's precisely the problem.
The only thing that I disliked in the movie was the spaceship scene. But since I have seen it a 100+ times in my life it might be considered a minor detail.
I can forgive people for believing this film if they just watch it and do no further research into the subject. But this is clearly just another money-grab and the many mistakes and inconsistencies have proven that.
Michael Jackson was autistic and couldn't always see when devious people were just using him for their own financial gain. He was too trusting of everyone. Anybody and everyone could walk into Neverland whether Michael was there or not and demand food from his cooks, play on the fairground rides, run riot round the mansions, or even sleep in his bed.
Being autistic, one of his obsessions was all things Disney. Even before he bought Neverland, for his 24th Birthday, he hired the original voice actress for Snow White, Adriana Caselotti, along with the seven actors who dressed as the Seven Dwarfs at Disneyland to come to his house and serenade him to sleep.
Another time, Michael was invited to the White House. When he arrived, he walked into a conference room and he saw many people dressed in suits ready to greet him. This scared him and he run into the library in the White House and locked himself in the toilets and wouldn't come out until they had all gone. This way of dealing with uncomfortable situations is common among people who are autistic. Some argue he wasn't autistic because in early interviews he has good eye contact. But another pop star, Mika, has also been diagnosed with autism, and he shows excellent eye contact and appears to be very comfortable in interviews.
Macaulay Culkin once stated that Michael "has never been great at explaining himself," which is why he could never understand the reaction he got when he stated on camera that kids have slept in his room. He did clarify that the kids slept on the bed and he often slept on the floor. And as Culkin pointed out: "I don't think you understand, Michael's bedroom is like two stories, and has three bathrooms." It was more like sharing a house than a bedroom.
Contradicting this mockumentary, many people who were there have verified that on these famous "sleepovers", there were always multiple people there including, Macaulay Culkin, Keiran Culkin, Brett Barnes, Natalie Barrett, Corey Feldman, Shanice Wilson, Aaron Carter, Omer Bhatti, Keira Chaplin, Michael Jackson's family members such as Taj and Brandi Jackson, as well as Michael Jackson's kids Prince, Paris and Bigi. As well as many, many more.
So where did it all go wrong?
In 1993, a guy named Evan Chandler told Michael that if he doesn't pay him $20 million, then he will go to newspapers claiming that Michael had molested his son, Jordie Chandler. Evan kept on pestering him for 6 months about this but Michael kept refusing until his attorney at the time stated that if Michael didn't pay, then he'd have to go to court and cancel his worldwide tour, losing him at least $100 million. Therefore his attorney arranged for Michael's insurance company to pay the $20 million.
(All artists have insurance companies because they are sued all the time. If they didn't pay people off then they'd end up in court every day of their life. The song "Billie Jean" is about a woman trying to sue him, claiming that he’s the father of her son.)
Michael then counter-sued the Chandler family for extortion/blackmail.
Despite many police raids round Neverland and the FBI getting involved, they couldn't find any evidence for a criminal trial. But when it came out in the newspapers that Michael had "payed off" an accuser for child sexual abuse, this sent out a message to the world: "Why work, when you can sue Michael Jackson?"
In 2003, a guy called Martin Bashir released a controversial documentary called "Living With Michael Jackson". He tricked Michael by saying that it was going to revive his reputation after the 1993 allegations. The reality was that Martin Bashir was just as harsh as the tabloid media and mocked Michael's autism and eccentric behaviour by calling him "disturbing". Believing Martin Bashir to be a decent journalist, Michael really opens up to him, showing him the tree that he often climbed to write his songs. Behind the scenes footage shows that Bashir encouraged Michael and couldn't praise him enough. Michael happily went along with him. But then Martin Bashir later recorded seriously judgemental commentary for the documentary. He basically used Michael like a monkey in a zoo.
To Michael, Martin Bashir told him that he wanted to show the audience all the charity work he does for kids and so Martin himself arranged the most controversial scene in the whole documentary, in which Michael is sat next to a surviving cancer patient, Gavin Arvizo, and Martin is asking Michael about the allegations and about the sleepovers. Michael does admit to having many people (both kids and adults) sleep at Neverland and in his bedroom, but does specify that it's not just him and another kid. It's "many, many children" and that it's "not sexual." He also does specify that the kids sleep in the bed, while he sleeps on the floor. (Verified by Michael's adult friend, Frank Cascio who was at all the sleepovers along with the many kids and parents who joined them.)
However it was those scenes in the film that made District Attorney Tom Sneddon believe he could finally prosecute Michael Jackson. When the documentary was released, the world's media went into uproar and to make matters worse, Gavin Arvizo who defended Michael in the documentary received a visit from Evan Chandler's lawyer, specifying how much money they could make if they claimed Michael had molested him.
The police arrested Michael and he went through a 5 month trial in 2005. This is when Wade Robson (from "Leaving Neverland") defended Michael. If Michael really had been molesting Wade Robson all those years, then he took a HUGE risk putting him first on the stand to defend him in the trial! Doesn't make much sense to me.
But this trial wasn't the Wade Robson Show, as he made out in "Leaving Neverland"... There were many others who defended Michael too, including Macaulay Culkin, Brett Barnes and Chris Tucker all of whom still defend him today.
But as Michael's new attorney, Tom Mesereau pointed out, he didn't really need a defence team anyway because the prosecution side made themselves look ridiculous! The 8 thousand page court transcript of the trial is online for you to read. It may take some time but it's worth it for comedy purposes. I laughed out loud several times at what they were trying to claim and how they contradicted themselves. (There is also a book about the court case by Aphrodite Jones that's worth a read too.)
Gavin Arvizo first claimed to a child protection officer that he had been molested before the Martin Bashir documentary... and when the outtake footage was shown in court, he then claimed he was molested just AFTER the documentary was released.... and then when further footage was shown of the Arvizo family defending Michael after the documentary was released, Gavin changed the molestation date again to months after the documentary.
It was also proved in court that Gavin Arvizo had already lied in court for financial gain even before he met Michael Jackson. He tried to claim that his mother was raped by a security guard at a department store. The CCTV cameras proved that he was lying. The Arvizo family had quite a history of lying for financial gain. They had even told many celebrities that he couldn't afford the treatment for his cancer, when in fact, his father's insurance covered all costs. But they fooled many celebrities and attained thousands of dollars from them.
The Arvizo family also tried to claim in court that Michael had kidnapped the whole family and took them to Miami and held them hostage. The dates of plane payments and witnesses proved that this was also untrue.
Plus many people who were on the prosecution's side, including June Chandler, the mother of Jordie, actually said more to defend Michael than anyone. June even claimed that she always thought that Evan Chandler was in it for the money.
So Michael was already proved innocent of all these false claims even before Wade Robson took the stand.
After 5 months, the jury found Michael: Not Guilty on all charges.
When Michael passed away in 2009, Wade Robson wrote this tribute to a friend via email:
"Michael Jackson changed the world and, more personally, my life forever. He is the reason I dance, the reason I make music, and one of the main reasons I believe in the pure goodness of humankind. He has been a close friend of mine for 20 years. His music, his movement, his personal words of inspiration and encouragement and his unconditional love will live inside of me forever. I will miss him immeasurably, but I know that he is now at peace and enchanting the heavens with a melody and a moonwalk."
In 2011, Wade attempted to gain employment as the lead choreographer for a Michael Jackson themed Cirque du Soleil production. He was rejected.
His career in his words began to "crumble."
In 2012, heavily in debt, he tried to sell a book to publishers claiming he had been abused by Michael Jackson. No publisher agreed to publish it.
In 2013, he filed a civil lawsuit against the Jackson estate for up to $1.6 billion dollars. A court dismissed his claims in 2017 on the grounds that there were too many inconsistencies and a judge actually stated that “no rational trier of fact could possibly believe Robson’s sworn statements.”
In 2019, "Leaving Neverland" is released but they claim "It's not about the money".
One thing Wade Robson conveniently forgets to mention in the film is the fact that he was dating Michael Jackson's niece Brandi Jackson for seven years and it was Michael who suggested they date. But that doesn't fit in with the story that Michael wanted him to stay away from girls because they were "in a relationship”.
In “Leaving Neverland”, Wade Robson claims that Michael Jackson was molesting him ’til he was 14 and then lost interest because he became too old for him and so he replaced him with Macauley Culkin… Culkin is two years older than Wade Robson so that doesn’t make much sense!
Arguably the most laughable moment in the mockumentary is when James Safechuck pulls out a ring and tries to claim that Michael had done a mock wedding ceremony where they exchanged vows to each other. He then placed the ring on his finger. Why would a child’s ring fit so well on an adult’s finger?
Safechuck was very clear in the documentary that the abuse stopped when he was 14. He was very specific about that - Watch the documentary again to see how specific he was. However he also claimed that he had been abused several times in a train station built on the Neverland premises.
After doing some research, Mike Smallcombe proved that the train station wasn’t built until 1994, when James Safechuck was 16. Even the director of “Leaving Neverland” had to admit that Safechuck had made an error and when “Leaving Neverland” was made available for streaming, the train station error had been mysteriously edited out!
Time travelling errors seem to be a Safechuck family trait. Jame’s mother claims in the mockumentary that when Michael Jackson died in 2009 she celebrated by dancing saying “he can’t hurt any more children.” In 2012 however she was following Michael Jackson fan pages on Twitter and sharing his music. In 2013, she claimed she had only just found out about the abuse.
Many argue “we’ll never know what really went on” and that can be said for both in favour or against Michael. But in response, I’d say you can tell when someone is lying. Dan Reed, the director, had admitted that it’s a one-sided film and that he never attempted to interview anyone who was willing to defend Michael (including Macauley Culkin, Brett Barnes and Chris Tucker.)
Four people have accused Michael Jackson of sexual molestation. 2 in his lifetime and now 2 after his death. 3 out of those 4 people (Evan Chandler, Robson and Safechuck) have been fully grown adults attempting to sue Michael or his estate for millions. The one child that accused him, Gavin Arvizo had already lied in court for financial gain.
"Beautiful". That is how one would describe both a seven-colored rainbow and the anime Rainbow: Nisha Rokubou no Shichinin. How corny was that opening? But, honestly, it is the only word that I can think of to describe this breathtaking show about the beauty of true and everlasting bonds of friendship even during the darkest of times. This show is about the way seven teenagers (the "seven-colored Rainbow") condemned to the living hell of Shio Reformatory can withstand and survive horrors and pain that were beyond my wildest imaginations. Madhouse (god do I love them) created a masterpiece with this one and it got me addicted right from the start.
Both the story and characters are the main crux of the show, and they drive this emotional piece right through to the end and never let go of the viewer (no matter how hard we want to look away at times). And this is one dark and grim show. This is 10 years post-WWII Japan where the country is in shambles with starvation, crime and corruption rampant everywhere. The seven main boys are literally the lowest on the totem poll of society and are thrown into Shio to be used and almost disposed of, and the situations and events that are presented in this show represent those very thoughts. Rape, murder, betrayal, torture. You name it.
There were so many times that I wanted to just rage or was cringing during this show because of how unfair, despicable and disturbing things were at times. However, good things do eventually happen!! Rainbow gives us the light at the end of the tunnel at just the right times and the strength of the friendship and bond between the seven boys powers the viewer through all the despair. It connects us to the characters even more and you truly end up sympathizing and rooting for these guys throughout the show. It truly is awe-inspiring how the guys kept a positive outlook even in the worst of circumstances.
Rainbow: Nisha Rokubou no Shichinin is brutal to watch at times due to its highly graphic nature and mature themes, but the payoff in story and character development is unlike any other that I've seen in anime. More people need to see this show!! Madhouse created a masterpiece and if you have the stomach for it, I highly suggest that you watch this ASAP. It will not disappoint. Do it for An-chan.
