Even knowing the moment was coming didn’t make it any less sad and shocking.
"Taking it all in one last time, so I remember it when I am older."
When I started watching this show in 2017, my life was pretty good like the show. Now, in 2024, my life is completely different and upside-down just like the characters of the show. I myself have grown up along with the characters of this show. I will always hold this show dear to me.
I won't miss this show at all..but I will remember the moments of the show and the moments of my life watching it.
I wish everyone to "Live long and prosper" :vulcan:
Some people here seem to have the attention span of a TikTok video
Zach and Donald have a podcast together, its a really good listen and it has inspired me to go and watch it all again <3
Wow, we literally watched this in real time, so there was no chance the show could go on further. 12 seasons of BBT and 7 seasons of Young Sheldon. I will miss this.
The funniest part of that episode is Apple thinking Siri would ever get that playlist right.
What a wonderful ending to an 8 year journey. I am very pleased with it :D
This hit hard. Maybe he wasn't the world's greatest dad, but maybe we also weren't the world's greatest kids....
A brilliant episode in every way, with a heroic but tragic ending. The producers could not have given Kanan a more poignant exit than that; doing what a Jedi Knight does best - protecting others at all costs. It was also a clever nod of respect to a couple of old SW computer games to have named this and the previous episode after them, i.e. Rebel Assault and Jedi (K)Night.
I'm clearly in the minority, judging by the comments, but I really enjoyed this episode.
"Told you, I'm very attached to this knife." Made me crack up, great episode.
One of the best episodes of the series. The ending is breathtaking.
Best show this year, fanboys need to stop crying
Oh God no, not Wade! Not the character we don't even know, and couldn't give less of a care about. Why did you have to take such a nobody from us!?
Yawn, this show is just plain boring.
That scene with Luthen and the ship was awesome.
May the force be with you.
This is the end of an era and what a way for it to go. A truly impactful and breathtaking finale that will go down in TV history as a landmark in how to conclude a series in such an emotional way. Goodbye Breaking Bad/Better Call Saul universe, you’ll be missed but never forgotten.
I'm not seeing what everyone's complaining about. So far it's exactly what I would expect a LOTR prequel series to be.
Funniest opening scene ever. Dwight is the best!
I'm not crying, you are crying!
What a great ending for the entire show! Love the ending which Danni got. It had to be done, couldn't have been done otherwise. Poetic!
I'm dying with the introduction! Dwight is the best! [2]
The Day the Stanley laughed about something
[7.5/10] You’d like to think that Kim knows right from wrong. She tries, or at least tried, to hold Jimmy back from his worst impulses. She has regrets over the lengths he goes to on her behalf and the people he hurts in the process. She genuinely fights for the little guy, giving up a lucrative practice to provide top notch legal services to those who can’t typically afford it. She turns over unhelpful evidence to prosecutors because it’s the right thing to do. She is, in a world of hucksters and crime lords, a good person.
But she didn’t have the best role model growing up. In some ways she’s the opposite of Saul. The young Jimmy McGill watched his scrupulous-to-a-fault father and saw the sucker he never wanted to become. The young Kim Wexler watched her unreliable screw-up of a mother and saw a cautionary tale that set her on the straight and narrow. And yet, whether we want it or not, whether we rebel or not, parts of the people who raise us seep into our future selves and can’t help but influence who we become.
So when “Axe and Grind” opens with a flashback, we see a miniature ruse pulled off by Kim’s mom. Beth Hoyt cuts an incredible vocal and physical likeness of Rhea Seehorn, which adds force to the way the elder Ms. Wexler’s false protestations to get her daughter off the hook pave the way for Kim’s later skullduggery. The chance to instill some morals is lost, the dressing down a facade. It ends with a mother who seems proud of her daughter’s coloring outside of the line, who shoplifts the earrings Kim was caught for swiping as a reward, and who tells her only child that it’s all okay, so long as she gets away with it.
There’s not much in the way of a grand unifying theme to “Axe and Grind.” As a prelude to the mid-season finale, it is more of a tapestry, a chance to check-in with all the major players and move the pieces into place for next week’s “D-Day.” But it represents one more choice for Kim, one opportunity to vindicate the moral best that she’s capable of, or to decide that vengeance masquerading as justice is more important. Given the tragic nature of the show, it’s hard to guess which one she’ll pick.
But along the way, we get a chance to see glimpses of other major characters and storylines moving apace. My favorite is Mike watching his granddaughter and daughter-in-law from afar, refusing Tyus’ insinuation that he should remove the hired protection he has watching their house. It’s a reminder of what Mike is doing this for, the reason he got into business with someone as cold-hearted as Gus Fring, and what he’s unwilling to sacrifice in the name of getting the job done.
There’s a grim efficiency to Mike, a cool competency in scenarios that would rattle the best of us. But it’s counterbalanced by the heart of the man, his connection to his loved ones and loved ones past who were hurt by their association with him, the type of loss he never wants to see happen again.
Speaking of Gus, the head of the Fring organization doesn’t appear in this episode, but Giancarlo Esposito is in the directing chair. It’s a great outing for him and the team, with sharply-composed shots that are not showy, but come with a visual panache that makes less-than-explosive scenes still hold the viewer’s focus. The performers all do strong work, and it speaks to how naturally the show’s castmembers have shifted into directing when the opportunity arises.
Of course, none can top Saul Goodman when it comes to directing, and in this final season, we get one more return for his makeshift film crew! It’s nice to see the trio in action as part of Kim and Jimmy’s scheme with the mediator, and it’s nearly as nice to see another Mr. Show alum, John Ennis, make a cameo. For all the grand moral questions and lethal encounters among drug runners features in Better Call Saul, there’s a supreme joy and comedy to seeing Saul orchestrating his audio-visual masterpieces. There’s an alternate universe where he’s an under-the-radar but industry-lauded force behind the camera, and not the conman-turned-jurist-turned conman we know and love.
But if that were the case, who knows what would become of Francesca, Saul’s assistant, interior decorator, and reluctant accomplice. It’s nice to see her get a little bit of shading, showing genuine excitement to see Kim again and genuine enthusiasm for her chance to redecorate Saul’s office. Only the depths of what she’s committed to soon become apparent, as the her boss’s clientele wreaks havoc on her upholstery and “water features”, while the man himself makes her complicit in his dirty deeds re Sandpiper. We know from Breaking Bad that she continues to hitch her wagon to Saul’s train, but it’s easy to see how her enthusiasm wanes amid such...difficult circumstances.
Still, her unfortunate circumstances are nothing compared to the ones now facing one of Werner Ziegler’s “boys.” Lalo uses the gift from last week to track him down in the middle of the German wilderness, and seems poised to interrogate him in a half-Audition, half-Misery situation.
I’ll confess, the Lalo sections of Better Call Saul often feel like they come from another show. I really enjoy Tony Dalton’s performance, and there’s a shark-like menace to Lalo that makes him a formidable opponent for sharp players like Gus, Mike, and Nacho. But sometimes he seems larger-than-life in a way that's out of step with the show: Spider-Manning his way through a ceiling, sneaking out a suburban window without detection, and besting a hired good holding an ax with little more than a hidden razor blade. I prefer seeing characters in this universe succeed thanks to their wits or their determination, not via incredible physical feats, and Lalo’s had more of the latter of late.
Still, there is some down to earth trouble to deal with in “Axe and Grind”. The episode goes out of its way to make Howard seem sympathetic before Kim and Jimmy unleash their plan to ruin him. We watch the lengths he goes to in order to prepare the perfect, nigh-literal peace offering of a cappuccino for his wife, who callously dumps his artistic coffee creation into a travel mug. Her casual aloofness for how much Howard is trying to accommodate her, to have her care about him, to see that he’s trying, only to be politely but coldly rebuffed at every turn is quietly heartbreaking. It is a reminder that there are layers to each of these characters, struggles each is going through beyond what Saul and Kim are privy to, that make us wonder if Hamlin deserves the full-fledged ruination that waits for him, no matter what mistakes he may have made in the past.
Kim is the author of that ruination (with Jimmy’s buy-in and assistance of course), but she may not be there to see it happen. Clifford Main shows up to watch her argument and offers her possible entry into a significant equal access to justice program that only sterling “up-and-comers” gain admission to. He probes whether she might have something to do with Howard’s protestations of interference from Jimmy and his allies, but she says the right things, speaking highly of Howard and HHM in a way that reassures Clifford nothing’s afoot.
The most wholesome moment in a less-than-wholesome episode comes with Jimmy’s genuine excitement for his wife at hearing the news, and encouragement that Kim be excited to. They kiss. They celebrate. They tell one another that Kim need not be there for the events that will destroy Howard Hamlin. She can have both. Kim can be the crusader for justice who travels to Santa Fe to rub elbows with the biggest names in legal aid, and she can mastermind a scheme to take down a professional rival and white shoe jerk in Albuquerque.
Except she can’t. In one of those coincidences that shouldn’t work, but clicks because it works against our heroes rather than for them, Jimmy goes to buy a celebratory bottle of tequila, the same kind he and Kim scammed Ken Wins out of in season 2. Only he spots the actual mediator for Sandpiper, who’s sporting a full cast, an unforeseen wrinkle that will destroy the plausibility of the staged photos necessary for their plan.
Saul winces in defeat. He calls Kim en route to her big pro bono meeting and tells her it’s time to pull the plug and live to fight another day. Kim has a choice. She can keep driving and decide that this opportunity to do right by the underserved who’d be helped by the resources she could marshal in Cliff’s organization, or she can turn around and try to put out this fire. She can take extreme measures to bring down one man or do some professional pitching to help countless.
In an earlier scene, Kim and Jimmy run into the veterinarian who’s helped Jimmy and Mike find jobs in the past. They need to secure some chemical assistance to help pull off their latest ploy. But in the process, they find out that he’s giving up his life as a black market gatekeeper, devoting himself to his real work full time. Jimmy’s aghast that he would sell his “little black book” (which features a business card for a certain vacuum company), a source of low-risk, high-yield passive income. Kim retorts that it doesn’t matter when you know what you want.
Kim’s given up quite a bit to choose the life that she has. She gave up the associate grind at HHM to find some place she could fly higher. She gave up great progress and recognition at Schweikart & Cokely to pursue her pro bono work full time. She has repeatedly given up the life of traditional traditional success in order to pursue a higher calling, a greater type of justice, than she could achieve greasing the wheels for Mesa Verde or climbing the corporate ladder. She wanted those things, and she sacrificed quite a bit in service of that calling.
But she also knows the kind of skills she can deploy elsewhere when she needs or want to. She saw in her mother how to sell moral indignation as a cover for getting what you desired in the first place scot free. She saw how to break the rules and earn a measure of approbation for not getting caught.
Kim Wexler knows right from wrong. She genuinely wants justice and equity for the people she represents and thousands more who deserve a fighting chance. But at the end of the day, she knows what she wants, and she wants Howard Hamlin’s head more.
Daa daa daaaa da da this is the way! Yay it's finally back for another season!
One of the best war movies ever. The first 30 minutes are so intense. Spielberg is a master director and that may be his best scene ever. There are so many actors in this that I forgot about, Bryan Cranston, Paul Giamatti, and Nathan Fillion.
"HOLD THE DOOR?!?!?!"
https://i.imgur.com/PCEKxwF.jpg
You're god damn right, brothah. You're god damn right... ಥ_ಥ
This is the best episode of this show so far!
