There aren't many reviews out there for this movie/series and especially not one that aren't biased to one way or the other on the political spectrum. It's difficult to make one without appearing to be either one side but still I think it must be done.
Granted, even though this doc does seem to lean a bit more to the right side of things I think this is a must-see for everyone. There are plenty of episodes and topics that raised my eyebrows and gave a bit more insight into things I learned, or didn't learn, in school. Ignoring the propaganda-like music and certain concepts that are being offered it shows the other side of the medal and makes you realize that history is indeed written by the victors and that there are most likely many things that cannot see the light of day. And never will. A lot touches on conspiracy theories but things generally do when dealing with "alternative" information... I remember a time when there "weren't abombs in Kleine Brogel" or "Echelon doesn't exist"... By now we know better.
Mankind and it's history is messy and of all wars ever waged World War II seems the cleanest... Clear-cut. Good guys vs the bad guys. All sides in this war have done (and still do) vile things in the name of justice or whatever twisted moral reasoning.
If I have learned anything from life is that it's never this black and white. And it clearly isn't black and white in regards to everything surrounding World War 2.
Watch this with any other documentary, research all possible sides and try to make sense of the destroyed and distorted puzzle that is "the truth".
These new Disney+ series are developing into the the modern, overbudgeted equivalent of direct-to-video films from the ‘90s.
In an age where popular and accessible television is continuously pushed to new and exciting heights (Daredevil, Money Heist, Ted Lasso, Stranger Things, Arcane to name a few), these recent shows banking on the Star Wars and Marvel brands feel amateurish, schlocky, and often read like bad fan fiction.
Look, Boba Fett in the original trilogy is nothing more than a visual.
He’s not really a character, I think he has about 4 or 5 lines, but he became popular because of his look.
You can’t just throw me in a story where he’s the main character and expect me to care without putting in the work.
It’s a show that operates in Disney’s new business model of throwing references, ‘member berries and empty spectacle on the screen, while the important and engaging stuff (character, story, drama, emotion, filmmaking) are reduced to an afterthought.
Granted, that’s pretty much the same problem that I have with a lot of IP related content from the past couple of years, but this show in particular feels so calculated, focus tested and cynical, it’s gross.
Even the production kinda sucks this time around (compared to The Mandalorian), it looks really ugly and washed out, more like Marvel than Star Wars.
Where is the voice of Jon Favreau?
Where is the voice of the director of Iron Man, one of the most character driven and vibrant blockbusters of the past 20 years?
This show is not even close to being up to par in just about every sense.
Lupin and Squid Game are both good examples of social media hype being inversely proportional to the actual substance and quality of a show. I was driven to watch both shows due to them being consistently hyped on social media. Both are mediocre compared to other shows available to stream. Congratulations to the Netflix social media team for two viral marketing campaigns.
So what's wrong with Lupin? Glaring plot holes. Ridiculous story lines. Copious amounts of unnecessary virtue-signalling. I mean, there's an episode where the main character makes a switch with an inmate inside a prison during a visit. Are we to believe that this was possible because all black people look the same to white prison wardens? You have to be a brainwashed leftist lunatic to write up a story arc like that.
Then there are all these detectives who keep running into the main character again and again without an arrest. I mean the guys face is plastered all over the wall inside their situation room. Come on! That's just lazy story telling. Now what? the police force is so "woke" that they look the other way when they see a black criminal? :rolling_eyes:
This show is a parody of itself as well, because all the criminals and villains portrayed in it are either black or ethnic minorities. Minorities from a French perspective. If I migrate to France, I'll be an ethnic minority too, in case you're wondering (as in not-white). Then there's the scene where a younger version of the main character steals a violin for his white girlfriend, because the white violin shop owner refused to rent it to them. Yeah! he taught a lesson to that old white dude.... By living up to the stereotype?! Who wrote this garbage? :rofl:
I enjoyed the pilot episode the most, it's all downhill from there. This show uses a similar soundtrack and cues as Sherlock Holmes to manipulate the viewer into believing that we are viewing something of the same calibre. We certainly are not. I assure you.
