I am incredibly grateful to Game of Thrones for this adventure I have found myself sucked into for some years now. I am grateful for all the emotions it brought me since day one, bitter and sweet alike. I am grateful for all the laughs, all the tears, all the jokes and gags, every single bit of it, I really am grateful and appreciative of it all. It's been just... wonderful.
That said, I am feeling robbed and betrayed right about now. This ending is arguably one of the worst series finales in the history of television and trust me I realize how bold of a statement that is. The terrible violations the characters have suffered this season, the lack of proper resolution to many of the plots and narratives developed over seasons worth of buildup, the seeking of shock value at the expense of quality writing... that and much much more solidified this as an absolute disappointment of a finale, as opposed to the marvel wrap it could've given this cultural phenomenon.
This episode does have its positives, as always the score, acting and cinematography are perfectly performed but I just do not think it's nearly enough to compensate for how lackluster the writing has been, as much as I wish they did. Oh well, sad as it may be, I'll just hold on to the good stuff and hope that GRRM's book, once finished, will tackle the ending in a more coherent, more respectful and more meaningful way. It's been real y'all...
P.S: I'll leave this here lest some people jump me again. This comment is a representation of my own personal opinion, I am entitled to one just as all of you are. If you enjoyed this season and felt this finale delivered what you were looking for then more power to you mate, but that doesn't nullify my opinion nor does it make yours any valid. If you want to discuss or challenge my views, I'd be more than happy to engage you on that basis but if all you have to offer are petty remarks then please keep them to yourself.
Currently halfway through and I just want to tell everybody already: Go check this out!!!
Edit: Just finished it. It's truly a remarkable series!
Beautiful CGI images, although the keen eye might occasionally spot some glitches and errors, it was truly eye candy most of the time. The story ending feels like the show might be going for some kind of super/genius heroes team, but in a way that really makes you enthusiastic to see what more they are gonna do, after this epic first season story. Looking at the detective arc of the story, I incidentally saw Sherlock-genius schemes forming and was delighted to see this - although I missed much more than I could have thought - all came together in a marvelous way!
Also for the lovers of a good love story there is more than enough to enjoy. Containing numerous twists, brought in throughout the whole storyline. Giving you plenty enough of satisfaction, excitement and anticipation on this area...
There is plenty of more to find out than the above teasers, but then I would be actually spoiling a lot. Those are just some of the many reasons why you should watch it! ;-)
All concluded: A great new sci-fi hero story, with much more up its sleeve than you would expect!
At least this one is entertaining. Despite the fact that it mainly warns us about the dangers of adolescent popstar live.
It's also very long to start. Its 1h10 could easily be packed into 45 minutes. The whole Rachel awkard teen's story and how she can so easily be influenced by a toy telling her to believe in herself is way too long. First as usual with this type of character, I have a very hard type believing that a girl that looks like her would be in this situation at school. And it's not like she's even useful in anything as a character. She's just a plot device. She wants the Ashley Too, and she wants to do what she says. That's it. She's such a huge fan and that's her whole character. OK, the fact that she says that when face to face with Ashley that is tied to her bed and just woke up from a coma a few seconds ago, that's funny. But she doesn't do a single thing. She's in a back fangirling while Jack drives. She does nothing while Ashley Too unplugs the real one and Jack is handling the bodyguard. She does nothing at the end while Jack is actually playing with her idol. Such a loooong exposition for a character that has nothing to do after. I mean it goes through all the cliches and then deliver nothing...
I'm not really in the Miley Cyrus demographic, never seen her, maybe heard one song, I mostly have seen her in tabloids stories. But wow, I found her very good. As the cheery popstar, as the depressed ex child star (but maybe they're not such composition roles) and very much as the robot voice. Through the whole beginning the only interesting parts were hers, and the real story starts at Ashley Too's awakening.
This second part was fun, though it looked more part of a teen show than a BM episode.
As for the tech part, it's a lot less dark than usual. There's basically no downside. Previous season had a way harsher treatment on the duplicating consciousness thing. That was a constant theme in last season, with very dramatic to horrific consequences, but here it's like they wanted to show, look, it can be fun too. Very not Black Mirrory.
However it's not like we're talking about every day technology as it is usually the case. Even in this world, the tech used seems to be revolutionary. And that makes no sense in the story. So the aunt, or her company, or people who work for her anyway, manages to map an entire mind, industrial scale, and they use it for... a pop star doll ? Also it was cheaper to have a miniature doll with the capacity of containing and running the whole thing and put a limiter on it, than to just map and put the tiny part you want to use ?
Then their holographic tech, that seems pretty good too. Though weird moment when Catherine is in front of the (probably mostly teenage fangirls) audience and does her Apple keynote, being happy to be back into the most lucrative part of the business. She actually says that. Not at a tech investor meeting, in front of the live audience. Also fully customizable (even her clothes!) and scalable, like that's not the easiest part of an hologram.
And then there's this machine that allows to decipher songs from the brain of a coma patient ! That's fucking amazing. The applications just for medecine, are unimaginable. And the other ways it could be exploited...
I can think of a thousand ways to make a shitload of money with that without needing to drug your niece into a coma ! They litterally invent technology worth hundreds of billions of dollars just to make a few millions out of a teenage pop star ! Pretty weird when the aunt's character is just presented as being driven by money.
And what's with the dad's machine ? It shows a brain, so I thought he was working on rat's brains, but he just has a small rat chasing robot ? And, without knowing anything (it's repeated enough), you can plug a toy, see it's brain and edit the limiter on it ? That was worse than any hacking scene in movie history, but maybe it was a joke on that ? Didn't feel like it.
Anyway, by far the best episode of the season, but that's not saying much. And still not a Black Mirror episode. I rate it 7 because it was entertaning, but if I was to rate it as if it was a BM episode, that would be lower.
A real BM episode would have gone over the spying part of the Ashley Too technology. A lot to do with that alone. And like I already said, all the brain mapping thing, there was a lot of ways to exploit that, though it was kinda alredy done in last season, there were still lots of possibilities.
Kinda liked the suggestion that if you're not kept under hallucinogenics drugs you would real music instead of pop :)
Season 2, in my opinion, was just a little bit too much of everything. Too many twists, too many side storied, too much violence. On the other hand it lacked in mystigue. The implied story of the evolution of an AI into independence degenerates into the old story of the search for immortality. With the upper echelon having the upper hand because of their money. As for the violence in this season: I don't think it was nessessary. In S1 the violence shown by the guests towards the hosts made sense to underline that human thought of them as toys, as a lower form of existence. After all, a host can't die so what do we care. Now it seems violence is just there to be there, everything has to be bloody. And we have a load of muscle packed, stupid security that gets shot down at every instance.
While watching further and further I wondered how this could ever generate into a third season. To be honest I am totally fine if the ending of this season beeing the end of the show. A kind of open ending where you can let your imagination fill in the rest. We know that a third season is already confirmed and the post credit scene of the final episode layed the foundation. But I am not sure it would be a direction that interests me.
I've quickly become a fan of the burgeoning "True Corporate" genre (as opposed to True Crime). Between this film, Tetris, and Air, I consider the genre three for three this year. I'm sure the films aren't for everyone, but having worked most of my career at the intersection of legal and finance/accounting, I find the stories fascinating. The case of BlackBerry is even more so given that it took place within my lifetime. Being able to map the events in the film against my own recollection of BlackBerry's prevalence definitely adds something. Combine that with solid writing and fantastic performances from both Jay Baruchel and Glenn Howerton and the end result is an easy recommend.
As a tiny little nitpick, I think "save the cat" moment of Mike fixing the buzzing intercom in the opening scene was a bit cliché and ultimately unnecessary. I think the theme/message would have been equally (if not more) effective had he just identified the buzz, given the same commentary about it, maybe even opened it up and tried to fix it, but not actually fixed it. It's just a bit of an eye roll, because I don't buy that thirty seconds and a paper clip is enough to fix much of anything. But I'm not an electrical engineer, so maybe I'm totally off base. In any case, not a big deal, and ultimately the scene works just fine as is, but I would have tweaked it.
first, since the show never gives any kind of message in this way: for anyone who's ambivalent to or already has negative opinions or therapy, please know that finding a safe, ethical therapist who knows just how important the doctor-patient relationship truly is can be difficult but is also highly rewarding. i've been in therapy a number of years and during stressful times i may go once a week, while most of the time i'm happy to go every month or two months. i take medication for anxiety and obsessive-compulsive disorder but therapy is what gave me the ability to actually live and thrive—medication was also necessary, but simply allows me to function. the shrink next door and the real events behind it are horrifying, but trust me when i say that they are not representative of all therapy, and that if you ever think you might need to talk to a professional, to please look into your options. it's not just for people who have mental illnesses and it's not just for people with trauma. everyone, truly, can benefit from it.
onto the review:
not a terrible watch, but i do think the investigative podcast into the story was the right format for this kind of thing. it wasn't enjoyable to watch as a piece of entertainment. it's very sad and disappointing, much like the real story is.
i will say that the end, with the epilogue text, was my least favorite aspect of the series. ending on the note "marty has never returned to therapy" is troubling—i don't expect the man to ever feel safe doing so. but the message isn't a clear one. you can't tell whether they're saying this because they want you to be mistrustful of therapeutic processes or because they want to illustrate the damage that can be done by an unethical therapist. that lack of clarity is irresponsible, as people can be put off of the idea of therapy very easily, despite it being an incredibly valuable and important tool. it seems a little silly to say, but i think that this show would have benefited from the pre or post credit call to action that a lot of netflix shows have implemented regarding traumatic subject matter. even as someone who has a very positive relationship with therapy, watching this (and listening to the podcast) was difficult.
Some say the show is a little bit like "Grey's Anatomy" in space, others its like "Lost" in space. Well I personally think it isn't anything of this.
If you watch this tv show you get a tv show which is very realistic. No real fancy technical stuff what we all might like about Star Trek, no fighting scenes like in Star Wars. I don't want to spoil anything, but the plot is simple: make a journey through our solar system which really takes a long time and a mystery factor which everything makes more interesting and a starship which isn't that big.
You also get some realationships between the actors.
But there is action in this TV Show. I never get bored watching this and I am a little bit sad that the show got canceled after the first season. There is no big ending, but at least the show got a good last episode with not that big cliffhanger (like in Alcatraz).
I suggest give it a try, watch the pilot and the 2nd episode. If you do not like it after that, don't watch the show. If you do, watch it. It is not a waste of time.
Good. 7/10
