Let me start this off by saying that this sequel did not feel outside of what we remember.
Blade Runner 2049 maintains the mood and feel of its predecessor. The visuals, the sound... the dystopian future, it's all there.
| FIRST THOUGHT |
I love writing reviews, it comes somewhat naturally to me after watching something that I learn to feel passionate about.
This movie taught me to be passionate.
But... it's really hard for me to express judgment. And I'm going to explain why:
Actually, it's very simple. This was a 3 hours movie. Of these 3 hours, 2 were simply... air. Now, don't get me wrong, that isn't always negative, like in this case. It was refreshing air, but still... it doesn't (at first glance) hold anything on the plot.
Because of this, the viewer (me at least), is left with a lot of questions, the picture doesn't explain itself. Also; as a side note - you most definitely need to watch the first one. The great majority of the runtime is inexplicably useless.
The longer it goes, the longer it begins to add new stuff, and then some, then it seems somehow related to what's actually going on, but right after it deviates the actual story on an ideal from the characters involved, that at a certain point, evaporates. I'm really conflicted about this because it looks to me like the screenwriters and director wanted to leave all of this to theory and the fans.
Why is this confusing? Because it's a very strange mixture of linear narrative and non-linear narrative. One is focussed on one objective, the other starts a bunch of other objectives and then it simply dies. No explanation was given, no closure was given.
And this is aggravated by the fact that it's a 3 hours movie, of which 1 hour of the actual story is spread and mixed amongst 2 hours of absolutely nothing. VISUALLY IMPRESSIVE NOTHING. A VERY INTERESTING BUNCH OF LITERAL VOID.
This is actually the only thing I did not like about the movie. Which, again, if you are like me and enjoy movies that aren't patently explaining themselves, it's not a bad thing. I just feel like it could've been much more interesting if they explained somehow what happened to all the side characters, or just cut them out.
|STORY & ACTORS |
Aside from what I've mentioned before, the more "linear" part of the story is actually not that bad. It's nothing impressive. A part of what I said earlier connects to the fact that this movie constantly keeps juggling between what is real and what is not. Be it by robots, or actual reality that the characters are living. So it came out pretty obvious that the movie would have a twist at some point, somewhere. I will admit that I did not get it until the very end, so, don't be discouraged.
Ryan Gosling was great, also because he as an actor was perfect for his role. Being so that he has this way of being and looking conflicted, and so it portrayed really well on the protagonist.
Harrison Ford had less value to this movie than he did in the last Star Wars.
Jared Leto's character is a mystery to me, but he did a phenomenal job talking random shit.
All of the other actors, Jared Leto included, were there to push the story forward (or to add random bullshit) and that's it. They did a fantastic job, but unfortunately, as mentioned above, at first glance it looks like they don't mean shit.
| CINEMATOGRAPHY |
The movie is visually pleasing, it's bliss for people with OCD. It's perfectly round and at the same time perfectly square. It keeps smooth lines combining great color combinations in the palette, and utilizing great solid colors at the same time.
As I said before it holds perfectly a spot near its predecessor, the mood and feel are almost identical. (Having watched the first one only an hour before going to the theater to watch this one)
I have to say, this one looks A LOT, like A FUCKING GIGAZILLION LOT more gruesome and splatter than the first one. The fighting scenes are brutal, they do not go into dramatic effects, they just are what they should be. A punch in the face, exploding heads and blood.
There is no doubt that this movie looks fucking amazing.
It sounds amazing as well. It has a collection of deep, pure sounds. There is not a lot of music, but when there is it's powerful and present and it makes you wake up and amaze. Same goes for the special audio effects: I have watched it in ATMOS and I have to admit, they did not utilize it at all, except for one scene later in the movie, but the way it goes from absolute silence to seat trembling sensations it's really amazing. The sounds were so powerful I could literally see the movie screen shake and the subwoofer hit made the whole room shake.
I would also like to add that in the Italian version, you can clearly see that they used "incorrect" words grammatically, they used a lot of anglicisms, I guess they've done that to express how language is evolving? It's actually current of our generation, I see a lot of people adapting English words in Italian, so I was very impressed by that.
| FINAL THOUGHT |
I feel like everyone needs to understand, before watching this movie, that you need a time, a mood and a place perfectly fit to sit for a 3 hours movie that it's going to feel like a 6-hour long journey into colors, shapes, and absolute "living" silence.
This is NOT a Marvel movie, there is action, well-done action, but it's not about action. You need to sit, relax and don't think about time, because, trust me, it's going to fuck you.
Please like my comment if you enjoyed my review, it makes me really happy.
Note that all of this is driven by my personal opinion. If you think I wasn't objective in some of the parts of what I've written, you're welcome to make me notice where.
On Twitter, I review the entire world -> @WiseMMO
There are plenty of reviews of this film, so here are a few spoiler free heartfelt words of my own, which I hope will help those decide to watch this movie, without worry...
It has been 24 hours since watching the 'Blade Runner' sequel and I still have the same feeling of utter joy as I did walking out of the cinema yesterday. I was so happy that I actually cried, because after 35 years I had finally found my perfect score 10/10 movie. When you see a film that affects you so emotionally that you have tears rolling down your cheeks, then I believe you are witnessing something very special indeed.
True, I am probably biased. The original 1982 'Blade Runner' is my second favourite film of all time - a cult classic that made Ridley Scott in to one of the most respected film makers alive today. The sheer wealth of ideas, the photography, the visual special effects, the sets, the tension, the story, the music and the acting all come together with a passion that, for me, was film making at its' finest.
Hence, when I heard that a sequel was planned, my heart sank. Please, leave it alone, I thought. However, my reservations were slowly pushed away when I heard that most of the team that made the original were on-board to make the sequel. Then, after it was announced that Denis Villeneuve was directing, my confidence grew even more. Alright, let me keep my fingers crossed and believe... which was literally how I was in the cinema yesterday. The lights went down, the music started and...
...within 2 minutes I had goose bumps on my arms and I knew it was going to be fine.
I am here to tell you now that this movie delivers on every level. The pedestal was very high indeed and everyone involved with this sequel should be extremely proud with what they have achieved.
'Blade Runner 2049' is respectful, powerful and smart. The director knew he had a tall order and he manages to bring his style to the next level, creating a science fiction masterpiece.
There were moments when I did not blink for fear of missing something, moments when I was gripping my hand with tension, moments of utter wonder at the visuals, moments of shock and moments of surprise. I was pulled in to this movie like no other I have seen and the 3 hours it lasted was no hardship at all for me... in fact, I didn't want it to end.
Granted, I was sitting in the best seat in the one of the best cinema's in the UK with IMAX and it really helped to literally immerse you in the film. The quality of the picture was simply stunning and the sound was ground shaking without any distortion... and 'Blade Runner 2049' deserves the best possible screen and audio you can buy.
This movie has been crafted with love and skill.
This movie was worth the 35 years wait.
This movie is the sequel we all wanted and hoped for.
This movie is a perfect 10/10 for me and I hope that you all enjoy it as much as I did and will do, again and again.
"I always told you. You're special. Your history isn't over yet. There's still a page left."
If you take this movie for what it is, an action / science fiction movie with emphasis on fiction, then it is, in my opinion, actually not too bad.
The movie starts of with the usual suspects, a bunch of political asswipes setting off to create their, equally usual, clusterfuck firing the one competent person they actually needed to run the climate control project successfully. To make matters worse the entire project are about to be turned over to “the international community” which of course is a well known recipe for disaster.
Hollywood lives in their usual dream world of course so they throw in suitable, old-fashioned, bad guy with the “correct” political views for a bad guy and with an outrageous and apocalyptic plan and we are all set.
Let’s ignore all that crap and focus on the movie. Once that nonsense is out of the way what is left is a fairly entertaining science fiction disaster thriller movie. The special effects are not bad and the movie moves along at a decent pace. The “raison de etre” for this movie is the action and the special effects so the story and the acting is adequate and nothing more.
Unfortunately, as is all too often the case, the story writer is a bit of a low watt bulb. This satellite network that is the foundation of the movie is fairly unrealistic even for a science fiction movie. Let’s forget about the total insanity in even trying to cover the planet in a network of satellites that are actually physically connected, the feats that these satellites achieve is just so far off the realism scale that is is annoying. What the heck are powering them? Anti-matter, black holes? This could have been done much better.
Then we have the self destruct sequence that is playing a large part towards the end of the movie. What kind of fucking self destruct blows up a few bits and pieces for show and then pauses so the characters can run around for half an hour or so? Either the story writer is dumb as a door nail or he thinks the audience is that dumb.
Anyway, the annoying parts aside, as a science fiction and fantasy geek this was a fairly entertaining movie for me.
The man who rode that train was built weak and born to fail. You fixed him. Now forget about it. Teddy 2.0
Dolores wanting to change everything but herself, Maeve wanting to change herself to influence the world.
What we learned in Phase Space
Dolores is programming and testing and Arnold bot
Or maybe, that's not her (or her cr4-dl consciousness). That's Ford. He needs to have her appearance b/c that's what the real Arnold knew about that conversation.
William thinking his daughter was a host sent by Ford. ROFL!!!
Of course, he was testing her to see if she was a real or host version of Emily sent by Ford as part of the game
Climate control is working
More about the Cradle
Cradle—spelled CR4-DL is "the simulation technology that stores and tests all of our storylines" and ensures customers "get the immersive and dynamic experience [they] deserve." So it's the way Delos test-drives its experiences. Bernard describes it as a "backup," and Elsie calls it a "hive mind" where all the host's consciousnesses are "alive.
Japanese Armistice is sticking with Maeve and the gang
William and Emily's relationship has been...difficult
William confused his wife with his daughter when recounting the story about the elephants in Raj World. Does that say something about his family life, a simple slip of the tongue, or is it something else like MIB is a Host?
Maeve's daughter has new parents
Who didn't see Maeve meeting her replacement? Did she think her daughter was all alone? That was typical of Lee to omit that little piece of information. And what is the Ghost Nation's game?
Ghost Nation wanted Maeve to come with them. Since they protect the guests, there was also more to Maeve than simply being a host.
Akecheta is awake & probably sees that Maeve is too!
Teddy 2.0 is Stone Cold
Dolores is going to regret reprogramming Teddy in the coming episodes.
Her reactions were so funny "oh shit what have I done!"
Teddy is aware that Dolores reprogrammed him. I feel that will be important later.
Ford is inside the Cradle
Ford's back, or at least an approximation of his consciousness in the Cradle. We all suspected Ford would return as a Host despite the flat-out denials from Anthony Hopkins and Jonathan Nolan & co.. They pretty much telegraphed his return over the season (he's in the system, briefly surfacing in Hosts e.g. young Ford), but Episode 4 all but confirmed it.
Dolores and Maeve storylines ** is not interesting at all. They're currently paper thin and taking their sweet time to go anywhere.**
The Man In Black's daughter who we know nothing about is a far more compelling character.
The Cradle Is Capable Of So Much More Than We Expected
The Cradle, in essence, is a server that stores memories and consciousness for retrieval. Like a file cabinet, the hosts’ “data” is copied and contained within the server, and can be accessed to run theoretical or training simulations on the robots. The main function of the Cradle, though, is to act as a backup for each of the intricately-crafted hosts; a way for Delos to preserve the work that went into detailing their appearances, their preferences, their mannerisms, the very things that make them so human. Think of it as the Cloud that stores your phone pics.
Those pearls, it turns out, are the container for the hosts’ consciousnesses. But the Cradle itself send commands to the parks, not unlike the way the Matrix papers over glitches with deja vu. And the implications of this functionality go way beyond just data storage. It means that the Cradle itself can run simulations or disrupt the flow of time —if it has a programmer (the host) to program a server farm (the Cradle), illustrated by Bernard getting off the train at exactly the spot he needed to be. The Cradle doesn’t appear to create simulations without a host’s consciousness to guide it.
Do we have a host in the Cradle? We sure do, and because Bernard just uploaded his brain pearl into the Cradle, it could mean that everything we’ve seen in season 2 thus far — the multiple timelines, the weird ways that the characters are interacting with him — are just a simulation. This totally mind-bending but plausible theory was put forth by YouTuber HaxDogma, and in a 10-minute video he makes the case that Bernard has hacked his way into the Cradle, and everything is running from his point of view. In other words, it’s as though we’re viewing everything like Neo did at the end of the first Matrix: as a source code that can be manipulated.
Or (and this is even more sinister), perhaps Robert Ford has been in the Cradle all along, pulling the strings, and driving wedges between Dolores and Maeve with her new powers.
One of the best parts about Highlander is how despite itself, it somehow manages to work. The plot has inconsistencies all over the place, the accents are terrible and the cast seem split on whether to take it all seriously or ham it up. But that is part of its charm in many ways. The filmmakers wisely keep much of core mythology vague, doling out key elements that develop the central character, whilst ensuring the larger backstory remains mysterious. Its a lesson the sequels failed to heed. It’s also clear the filmmakers expected no future franchise with the film providing a satisfying closure for the characters and the themes explored. Indeed this focus on the central character is what makes the film work so well, with the location and historical setting lending the film an epic quality that would otherwise be absent and the core idea that immortality is as much a curse as a gift brought to the fore. For all his difficulties with the accent, Lambert takes the character seriously and whilst he endlessly broods in the present, its the exploration of his past that works to make the audience care and relate to his isolation. Both Sean Connery and Clancy Brown ensure the audience doesn’t take it all too seriously and provide some much needed humour and fun. It helps that the film also has a killer soundtrack from Queen.
And here I thought the last episode was terrific. This was a near-flawless ribbon on the top of so many different arcs. And it's only the season's midway point.
Cotyar goes down a hero by destroying an infected Agatha King (taking "that asshole" Nguyen with him), Errinwright gets double-teamed by Sorrento and Anna and finally locked away, Mao is captured by Jim and forcibly knelt before Avasarala, Prax finally finds his daughter Mei, safe and sound, and Bobbie confronts a hybrid and finally gets over her PTSD of being defeated by one on Ganymede. Even Jim and Naomi made up and got back together after a risky tip of their hand to Fred Johnson paid off. And then a fucking jellyfish swam out of Venus' atmosphere... It's almost too much to process right away.
So much got packed into this hour yet it all flowed perfectly from one plot line to the other, interweaving where it made sense, and pushing the whole narrative forward in a believable way. This is how you make hard scifi.
The SyFy Channel is positively stupid for giving up on this exceptional piece of television. They really should be forced to change their network's name on account of it deliberately creating confusion for viewers.
After listening from TAPE 01 SIDE A to TAPE 13 SIDE A in just two nights this is what I think about "13 REASONS WHY":
First of all I have to recognize I didn't know about the book until I started watching "13 REASONS WHY", I haven't read it yet and maybe never will, probably because TV Series' production, photography, postproduction, cast, acting, story, rhythm and overall quality it is excellent and easily deserves a rating between a 9.7 and 10, I would have given it a 10, but I reserve that specific number for those rare gems that can't be measured by any standard because they simply don't fit in any scale, the rare masterpieces. Yes, those exactly, the ones you can only wonder how come they became and not why or how they did it because it's beyond your comprehension and you somehow now will transcend its time to become a classic. So unless they enable the 10 MasterPiece rating, it will have to suffice a 9 for the time being. Maybe I'll change my mind later or not, I don't know yet.
I think the TV adaptation (or the original novel) isn't really critique to the values of the [post]milenial average American teenager, the High School System or even bullying itself. But it's rather a quite more profound harsh critique to "The Post Milenial Egotistic and Hypocritical Society" where we all live, at least, in the western world. A Society whose values are taught to most kids by example, carrying them unconsciously to their teenage years and, many, to their adulthood where they're passed to the next generation.
It uses a group of High School Students, "13 REASONS WHY" as an analogy. All to make us, the adults, look in the mirror, rethink about our Individual Accountability and Responsibility for our acts or lack of thereof, how we intentionally misuse the concept "Society" (the Group) as an easy excuse, or way out from Individual Accountability and Responsibility out of pure egotism –selfishness (a Group with "N REASONS WHY").
As I said is more to this story that what meets the eye, the author is critiquing Society as a Whole from a moral standpoint to whoever was willing or able to see beyond the analogy he chose to depict it:
That is why after TAPE 13 SIDE A, there isn't anything meaningful left to tell. It's meaningless what they did or didn't do to anyone. You can imagine whatever you prefer, because no matter you come up the conclusion is always the same. These "13 REASONS WHY" where hers, what they did or didn't is history that can't be changed, so Hannah isn't coming back.
To all those thinking there will be a second season (or mini season), if Netflix continues respecting the original artist work and is wise enough to pull at the top, it won't ever be another.
Remember what Hannah explained on the TAPES about "The Butterfly Effect", our actions, given the adequate circumstances, could put in motion a chain of events whose consequences we would not be able to foresee, and later on she talks about that those tapes could create its own butterfly effect. What you see as the series avances and clearly in Episode 13 - TAPE 13 SIDE A is how that butterfly effect is working exacerbating what Hannah, not the victim, but the person corresponsable for the pain of others, had done actions when she was alive that have consequences and after she was gone with her detailed plan for the 13 TAPES.
Near the end in TAPE 13 SIDE A, even though he had been subtlety suggesting it throughout most of the 13 TAPES, the writer by focusing Hannah actions and probable consequences tries to clearly shows how nobody is perfect, not even Hannah. Perfection is at what we should aim but it's almost impossible, we are simply imperfect human not Gods, the only think that we are asked is to really try as hard as we can. The author puts on the table once again the need to understand and assimilate that we are responsible for our actions and be courageous enough to accept that with responsibility comes accountability and not just to ourselves but to others too.
P.S.
I agree with the message of the author, but I'm afraid I have an even darker view of humanity. I have been wondering what could probably be the worst course of action that anyone can take, but specifically humanity as a whole, I have reached the conclusion that it would be "to simply start doing nothing about almost everything if it's not involves fun".
I believe that it can not be considered an out of this world thought, specially in the light on whose hands it's the atomic football nowadays and the fact that no one did anything to prevent it when it was still possible.
I would bet hedonism together with egotism have already made to the top spots in the current list of The Seven Capital Sins. It all probably started with the fall of Berlin Wall, in the last decade of the XX century and have continued to gain momentum during the first the seventeen years of XXI century, a trend which doesn't seems its going to reverse or stop anytime soon.
But if the time comes, to which I'm look forward, to bury this "malade" which affects everyone: the old, the middle age, the young, etc…
I think its epitaph should read like this: "Here lies: I don't give a fuck about you or anything for that matter, and unless it involves alcohol, drugs, chicks, guys and/or loud music, I ain't going so don't bother me with any of your shit. We kindly ask you to respect his wishes and not bother him with any shit whatsoever unless his strict requirements are meet."
Ok, that's going to be a hard one to review.
Not because it's bad or just ok, not at all. As the little "10" in the top-left shows, I've give this show the best possible score.
No, the difficulty is in finding the right words that will explain WHY this tv show deserve such a number.
Before getting into it, I must say that I've watched every episodes, including the special where the actors and crew explain how and why they did this show (you should watch it). And I have not read the book.
As I want this review to be read by as much people as possible, I will not give any spoiler. So feel free to continue reading !
First, the actors, and mainly the three main characters for me, meaning Dylan Minnette (Clay), Katherine Langford (Hannah) and Kate Walsh (Olivia, Hannah's mom). Their work is just astonishing.
Second, the pacing. The show find the right balance between content and emptiness. Seems weird writing this. But we're dealing with a suicide, with depression, and the void it creates is one of the hardest thing to translate and the producers found a way to make you feel it at your core.
Which explains my third point : this show can be overwhelming. 13 episodes that you want to watch, but you also dread watching. There is, in each of those episodes and even more in some of them, a psychological pressure that can almost be too much to bear.
Fourth, thriller. 13 reasons why. 13 reasons you want to know. 13 reasons that you discover slowly, methodically, but 13 reasons that are sometimes implied a bit before they're revealed. It creates a thrill, that you're on the verge of understanding or at least zeroing on what really when on.
Fifth, the candor of this show. I have never watched a a show that committed to being true, to ring true to how teenagers think and feel and live. Some people will think that things aren't really like that, that they can't be and it's just so that there is a story. I was a teenager not so long ago, and I found so many truths in this show that it even felt a bit awkward. That this character could have been me. Or this one.
When TV produces so many "teenage" shows that just transform teens into adults, or teens into dumb versions of humans, watching this felt surreal. Like someone finally understood what it meant. What the struggles were and how to show them in their purest form.
Sixth and last one, Suicide. No one wants to talk about it. Most TV shows that depicts one, uses it as a plot excuse. A way to spice things up.
This one does not. This is the first thing you learn when watching. You start with the suicide and then you try to explain what when on in Hannah's life, in her head, that made her do this. And the show is clear, you can't explain suicide. You can't rationalize it. But you can try to understand the actions and thoughts that lead to it. To try and prevent that for ever happening again.
And the show is exceptional at that. Yes it depicts all the elements that lead to a suicide, but by showing them, you also teach people how to recognize signs that could point you to a person in distress. And it also shows that our actions have consequences, may those actions seems trivial at first. And to those that are in distress it also shows that there always are people caring for you. You may not see it, they may not show it, but there are there and you need to have the strength to at least reach out to them. The will help you. And if this seems too much for you, there are free hotlines that you can call at any time to at least talk. Because talking is healing.
I could continue and expand this list much more, but I'll stop there.
Just go watch it. Take a month of Netflix, you won't regret it.
This was, for me, the best show of the year so far. It is for Netflix this year what Stranger Things was for last year. A real surprise, far better than it looks. I watched the special, and I don't usually do that. I picked up the book and started reading it, and young adult fiction isn't a genre I usually look at. Hollywood hasn't cast it in a very nice light with things like Twilight; even less cringey films like Divergent and The Maze Runner give the YA genre a two-dimensional feel, a feel of shallowness that is easy to take in but doesn't really get inside your head much. Just a one-and-done kind of thing. And this isn't that. It's so much better. I went in thinking this was a show for middle and high school kids, and it really isn't. Especially after the 9th and 12th episodes. Not to mention the finale. Spoilers follow.
After watching — I finished it just 24 hours ago — I went back and forth on whether the suicide was justified or not. Actually for a while I thought they might pull a twist ending and reveal that she didn't actually go through with it, but made it look like she did to raise awareness. There was a program that ran in high schools in Northern California (where this takes place) where they had a guy dressed up like the Grim Reaper take the popular jocks out of school. They were put up in a resort while the rest of the school was told they died. And then they put on this play where they were killed by drunk driving. It sounds silly now, but it was serious then. And it happened at my school (Santa Rosa, Montgomery High, Class of 1998) and I was smart enough to see that it was fiction, but it still young enough for it to affect me. (Sure enough, never drank and drove. Actually don't drink anymore, so I can drive those who can't.) So I thought this series might be doing that, and that they could, and still be impactful. Spoiler: [spoiler]It's not, and the suicide is shown in the finale.[/spoiler]
As for justifications, that's harder. It's important to note here that nobody is perfect, including the adults. It's also important to note that nobody is purely good or evil. Even the one character everyone hates by the end ([spoiler]Bryce{/spoiler]), probably has some good in him. It's just outside the scope of this show to humanize him. We can guess. [spoiler]He was rich, and lived a life free of consequences. His parents were never around, and he was able to buy beer underage because he was a successful athlete and town hero. He literally stated that there was nothing wrong with raping girls. And he believed it because he had never been denied anything.[/spoiler] The big problem I have with the suicide is not that the events leading up to it did or didn't justify suicide. It's that she spent hours calmly laying out everything that was wrong, in a cool and methodical way, on those tapes, after making the decision, and yet she still did it. The planning of the tapes, the recording, setting up distribution, [spoiler]getting Tony to manage the backups and watching people,[/spoiler], I think she could have backed down. I think she was smart enough to by that point and could have gotten help. No tapes, no planning? Sure. Impulse decision. After all that, though? I don't really see it.
I'd also like to get into the school counselor, Mr Porter. School counselors are psychologists only in the same sense that security guards are police officers, i.e. they're not. You could say they're failed psychologists, and maybe some are, but they may not all be. He wasn't an exceptionally bad one. He might have even been above average. I think a big difference between school counselors and psychologists are that school counselors work for the school. They aren't truly advocates for the individuals they try to help. I think he needed to go the extra mile and coach her, and tell her that she needs to declare [spoiler]that she was raped, and that she said no, and that she tried to make him stop, even if she really didn't exactly. There was no deception on her part, or seduction, the guy had raped before, and in her presence no less, and she clearly did not want to have sex, and he knew it[/spoiler]. Yes, I think he should have coached her to embellish the truth a little for the greater good, for the sake of the next victim. Would it have been dishonest? I don't think so. No more spoilers.
But I'm getting off-track. Was it a good series? In no uncertain terms, yes it was. You should absolutely watch it, and then you absolutely should reach out to a niece or a nephew or the child of a family friend and let them know that you are there for them. It doesn't really help as much coming from parents, because parents are always judging. They kind of have to. Kids need an external resource they can count on. Someone they trust won't look down on them because they tried drugs or experimented with sex. Someone who won't add to their problems. Someone who generally makes them feel better when they're down. Even popular kids need it, but the nerds, the emo kids, the losers, those kids need it especially because they have such little support from their peers. And yes it's a bit rude to use those labels, but they exist, those kids exist, and we can't let them slip through the cracks. And one photo, one tweet, one rumor can make the most popular kid in school join those unfortunate groups. And then that kid can go on fooling their parents into thinking they're still on top of the social ladder, when inside they're dying, and we see that in the show with one of the characters.
Everyone keeps suggesting there is a paradox concerning the 5D future humans and their ability to save humanity in the past. It's really not a paradox at all. Everyone assumes humanity survived to ascend to the 5th dimension but how could humanity exist in the future if not for the actions of Cooper.. who was guided by future humans (begin endless loop).
Did anyone ever consider the other important character in the movie? Amelia Brand carried on with the rest of her mission (thanks to Cooper). I postulate that Brand used the human seeds as intended and set up a colony. A colony that would thrive and eventually evolve beyond human. Thus Earth is of little importance, and may have indeed died. These colonists, and the generations that followed, would have been told the story of a great man (Cooper) who saved them from extinction. With the ability to manipulate space-time, they would pay homage to their hero "God" by helping him in the past so he may fulfill the mission most important to him, to once again see his daughter. Plan B worked beautifully. But the 5d humans, having the power to bend space-time, decided there's no reason why Plan A had to fail.
