Is this the right order? The DVD has it all different:
1 - Serenity
2 - The Train Job
3 - Bushwhacked
4 - Shindig
5 - Safe
6 - Our Mrs. Reynolds
7 - Jaynestown
8 - Out Of Gas
9 - Ariel
10 - War Stories
11 - Trash
12 - The Message
13 - Heart Of Gold
14 - Objects In Space
Let me start this off by saying that this sequel did not feel outside of what we remember.
Blade Runner 2049 maintains the mood and feel of its predecessor. The visuals, the sound... the dystopian future, it's all there.
| FIRST THOUGHT |
I love writing reviews, it comes somewhat naturally to me after watching something that I learn to feel passionate about.
This movie taught me to be passionate.
But... it's really hard for me to express judgment. And I'm going to explain why:
Actually, it's very simple. This was a 3 hours movie. Of these 3 hours, 2 were simply... air. Now, don't get me wrong, that isn't always negative, like in this case. It was refreshing air, but still... it doesn't (at first glance) hold anything on the plot.
Because of this, the viewer (me at least), is left with a lot of questions, the picture doesn't explain itself. Also; as a side note - you most definitely need to watch the first one. The great majority of the runtime is inexplicably useless.
The longer it goes, the longer it begins to add new stuff, and then some, then it seems somehow related to what's actually going on, but right after it deviates the actual story on an ideal from the characters involved, that at a certain point, evaporates. I'm really conflicted about this because it looks to me like the screenwriters and director wanted to leave all of this to theory and the fans.
Why is this confusing? Because it's a very strange mixture of linear narrative and non-linear narrative. One is focussed on one objective, the other starts a bunch of other objectives and then it simply dies. No explanation was given, no closure was given.
And this is aggravated by the fact that it's a 3 hours movie, of which 1 hour of the actual story is spread and mixed amongst 2 hours of absolutely nothing. VISUALLY IMPRESSIVE NOTHING. A VERY INTERESTING BUNCH OF LITERAL VOID.
This is actually the only thing I did not like about the movie. Which, again, if you are like me and enjoy movies that aren't patently explaining themselves, it's not a bad thing. I just feel like it could've been much more interesting if they explained somehow what happened to all the side characters, or just cut them out.
|STORY & ACTORS |
Aside from what I've mentioned before, the more "linear" part of the story is actually not that bad. It's nothing impressive. A part of what I said earlier connects to the fact that this movie constantly keeps juggling between what is real and what is not. Be it by robots, or actual reality that the characters are living. So it came out pretty obvious that the movie would have a twist at some point, somewhere. I will admit that I did not get it until the very end, so, don't be discouraged.
Ryan Gosling was great, also because he as an actor was perfect for his role. Being so that he has this way of being and looking conflicted, and so it portrayed really well on the protagonist.
Harrison Ford had less value to this movie than he did in the last Star Wars.
Jared Leto's character is a mystery to me, but he did a phenomenal job talking random shit.
All of the other actors, Jared Leto included, were there to push the story forward (or to add random bullshit) and that's it. They did a fantastic job, but unfortunately, as mentioned above, at first glance it looks like they don't mean shit.
| CINEMATOGRAPHY |
The movie is visually pleasing, it's bliss for people with OCD. It's perfectly round and at the same time perfectly square. It keeps smooth lines combining great color combinations in the palette, and utilizing great solid colors at the same time.
As I said before it holds perfectly a spot near its predecessor, the mood and feel are almost identical. (Having watched the first one only an hour before going to the theater to watch this one)
I have to say, this one looks A LOT, like A FUCKING GIGAZILLION LOT more gruesome and splatter than the first one. The fighting scenes are brutal, they do not go into dramatic effects, they just are what they should be. A punch in the face, exploding heads and blood.
There is no doubt that this movie looks fucking amazing.
It sounds amazing as well. It has a collection of deep, pure sounds. There is not a lot of music, but when there is it's powerful and present and it makes you wake up and amaze. Same goes for the special audio effects: I have watched it in ATMOS and I have to admit, they did not utilize it at all, except for one scene later in the movie, but the way it goes from absolute silence to seat trembling sensations it's really amazing. The sounds were so powerful I could literally see the movie screen shake and the subwoofer hit made the whole room shake.
I would also like to add that in the Italian version, you can clearly see that they used "incorrect" words grammatically, they used a lot of anglicisms, I guess they've done that to express how language is evolving? It's actually current of our generation, I see a lot of people adapting English words in Italian, so I was very impressed by that.
| FINAL THOUGHT |
I feel like everyone needs to understand, before watching this movie, that you need a time, a mood and a place perfectly fit to sit for a 3 hours movie that it's going to feel like a 6-hour long journey into colors, shapes, and absolute "living" silence.
This is NOT a Marvel movie, there is action, well-done action, but it's not about action. You need to sit, relax and don't think about time, because, trust me, it's going to fuck you.
Please like my comment if you enjoyed my review, it makes me really happy.
Note that all of this is driven by my personal opinion. If you think I wasn't objective in some of the parts of what I've written, you're welcome to make me notice where.
On Twitter, I review the entire world -> @WiseMMO
I so love a happy ending. That was a happy ending, right?
Sorry folks but this one didn't go well for Marvel. I don't even know where to start. Acting was average, more like below average. Screenplay was as much ordinary as it could be. No surprise here. CGI was OK but it's somehow expected from Marvel. But I totally didn't like the idea of Wakanda. Hidden city in the center of Africa with tons of technology and advanced weapons and systems and so on. But how the hell did they build all of that? No explanation. It just happened. Yes, they have Vibranium, but they don't sell it. In fact they never did and for whole world they are just a bunch of shepherds and farmers. So where did they take all that money to build empire like this? I don't like movies without explanations and this is one of them. Almost nothing has been told about Vibranium whatsoever. Oh yeah, it's some super thing from the universe capable of anything. That's all the explanation you get. There are too many clichés we have already seen too many times. And we have to see them again. One example: I challenge someone for a fight because I want to kill him. And when I have the chance to kill him, what would I do? Kill him or throw him down from the cliff to the water where he can survive? But enough. If you hesitate if to watch this, I can recommend not to waste your time. Wait for the Avangers where you can also see the Black Panther. You won't miss anything if you miss out this movie.
Imagine being a writer for a moment, one people love and praise, but being trapped in a box that the people who love your work create. Imagine in the beginning you thriving in that box, people loving you more and more, but eventually you've explored everything in the box. Now suddenly people drag you down, "why is he telling stories outside the box?" This is why season 6 took 4 years, because none of these episodes were bad, but because 3 of the 5 weren't inside the box all this hate gets written. Time to move on people, something is indeed better than nothing, and the more you complain about the theme, the closer you get to black mirror straight out ending and red mirror taking it's place, because all good writers eventually learn how to silence the haters and write with their heart, not with a gun to their head.
Denis Villeneuve is the man!
There’s only one word that came into my mind after watching it: finally.
Finally, a blockbuster that isn’t afraid to be primarily driven by drama and tension, and doesn’t undercut its own tone by throwing in a joke every 30 seconds.
Finally, a blockbuster that puts actual effort in its cinematography, and doesn’t have a bland or calculated colour palette.
Finally, a blockbuster with a story that has actual substance and themes, and doesn’t rely on intertextual references or nostalgia to create a fake sheen of depth.
Finally, a blockbuster that doesn’t pander to China by having big, loud and overblown action sequences, but relies on practical and grounded spectacle instead (it has big sand worms, you really don’t need to throw anything at the screen besides that).
Finally, a blockbuster that actually feels big, because it isn’t primarily shot in close ups, or on a sound stage.
And of course: finally, a blockbuster that isn’t a fucking prequel, sequel, or connected to an already established IP somehow.
(Yeah, I know Tenet did those things as well, but I couldn’t get into that because the characters were so flat and uninteresting).
This just checks all the boxes. An engaging story with subtext, very well set up characters, great acting (like James Gunn, Villeneuve's great at accentuating the strengths of limited actors like Dave Bautista and Jason Momoa), spectecular visuals and art design (desaturated but not in an ugly washed out way), pacing (slow but it never drags), directing, one of Hans Zimmer’s best scores: it’s all here.
I only have one real criticism: there’s too much exposition, especially in the first half.
It can occasionally hold your hand by referencing things that have already been established previously, and some scenes of characters explaining stuff to each other could’ve been conveyed more visually.
Other than that, it’s easily one of the best films of the year.
I’ve seen some people critiquing it for being incomplete, which is true, but this isn’t just a set up for a future film.
It feels like a whole meal, there are pay offs in this, and the characters progress (even if, yes, their arcs are still incomplete).
8.5/10
This is a fascinating watch, it’s such a great insight into filmmaking.
I’d advise anyone to watch this and the theatrical cut back to back, you’ll learn so much about the process, rearranging scenes, editing, etc.
Pros:
- Compared to BvS: the script is much more structured, coherent, and simple. Also, this film doesn’t try to have any political depth or social commentary, which is a plus because that requires a filmmaker with subtlety, and Snyder is no such filmmaker. Finally, it doesn’t make any major mistakes like the Martha scene or Jesse Eisenberg as Lex Luthor.
- Compared to the theatrical cut: it does a much better job at fleshing out the characters. This particularly helps for Cyborg and Steppenwolf. It kinda turns Cyborg into the coolest character of the DCEU. Also, the editing of the action scenes is much better.
- I love that it has a big, epic tone. The storytelling feels like it takes a lot of inspiration from Lord of the Rings.
- Some great character moments, particularly with Alfred (I also liked Flash running back in time, the killing of Steppenwolf and Aquaman’s scene with Vulko ). There are actually quite a few laughs in this, more so than you’d expect from a Snyder film.
- The score is good (ignoring the overplayed WW theme).
Cons:
- It looks kinda hideous. There is an artificial and fake feeling to most of the scenes. The way it’s directed and shot can only be described as cheap and a visual overkill.
- Casting. Some of the main actors aren’t competent enough to star in a film like this. As long as they keep Momoa, Gadot and Miller, these films will always feel like discount Avengers films.
- It kinda drags, there are some scenes that could’ve been cut or shortened in order to improve the pacing. This is one of the things the theatrical cut does way better, even if it’s much more bland as a cut.
- The Flash still runs and acts like a moron. It particularly stands out in this cut because his Looney Tunes-esque antics are cringeworthy and don’t fit here, and his character still feels very barebones.
- Like BvS, the setting up of future films feels very clunky and forced.
- Though nowhere near as bad as in BvS, I once again noticed some painfully overwritten and forced dialogue.
In short:
Is it better than the theatrical cut, or BvS? Yes.
Is it a good movie? Not by any metric.
3.5/10
I can't even put into words my distaste for this movie. Only Americans will ask you to feel bad for their war criminals. The quote by Frankie Boyle describes this film perfectly, “Not only will America go to your country and kill all your people, they’ll come back twenty years later and make a movie about how killing your people made their soldiers feel sad.” The whole point of The Card Counter is to try to get you to sympathize with a war criminal who tortured, killed, terrorized people. Not only that but it's extremely unrealistic to ask the viewer to believe that anyone responsible for Abu Ghraib faced meaningful consequences. Like, come on, now!
This movie followed the most boring protagonists, who are as dull as they can get. Zero chemistry between any member of the cast. Oscar Isaac, Tiffany Haddish, and Tye Sheridan are basically in 3 different movies and each one of them is total garbage:
"Abu Ghraib torturer, but make him seeeexy" How? Oh, cast hot actor with beautiful eyes. Plus, he did his time, 8 years for the most vile crimes you can possibly imagine. But he is a good guy now. He fucks girls and support college kids. For someone I guess we're supposed to dislike (?), the movie spends a lot of time showing how cool he is.
Tiffany Haddish must’ve been the only actress to audition for the role of La Linda because she was radically miscast. She is not ready for dramatic acting. As for her character – she is independent and has connections with rich folks … that’s it. Wow, so interesting, right?! The 'chemistry' between her and Isaac was weird. It wasn’t seductive, it just felt like watching high schoolers flirt, but even more painful.
Cirk seemed like he is dumb as rocks. To expect us to care so much about a kid who we don't even know is irresponsible. I couldn't care less about his death or revenge killing.
Oh, and there is another character introduced like "USA!" guy with no point. But he was born in Ukraine, so he is not American. Oscar Isaac was born in Guatemala, grew up in USA and plays an American dude, while people born in Ukraine who grew up in USA are only Ukrainian. Even if you want to follow American rules, you just can’t because the Yanks are very inconsistent and hypocritical.
Most bad movies have some redeeming qualities. I can’t think of anything with this, everything just felt so bland to me:
Nothing is happening, and the movie is sooo repetitive . Oscar Isaac looking serious and walking in a casino,with suspenseful music - this is like 80% of the movie.
Almost every scene is an end in itself, nothing is explored, and doesn’t progress the story at all scene to scene.
The music. Oh, the music, which mainly featured vapid, brooding indie/electronic songs, is just all over the place here. I hated it!
There is basically no concept of tension or mystery, which is pretty important when you’re watching a fake game of poker.
The philosophy was so juvenile, and the movie lacks anything interesting to say. We are supposed to believe the main character is very mysterious and smart but he is one of the most boring, dull and flat characters I have ever seen.
The dialogue is godawful, no exaggeration here! "I have no goals", "Have you ever read a book", "What is your story" etc. It felt so awkward and as if the characters aren’t even talking to each other.
Why is it called The Card Counter when the main character counted cards once onscreen and then spends the entire movie playing poker?
Did I see a different movie than all of these people rating it high?
[6.0/10] Oh man, what a crock this is. It is so full of cheats and shortcuts and self contradictions that it's hard to take any of it seriously. Suddenly, we've pivoted to the prospect of mortality and self-sacrifice as the most important theme of the season, despite the fact that those have been, at best, tangential to the ideas the show was exploring up until...last week.
And it's totally contradicted by what the episode actually does! Picard trying to "give his life" to prove to Soji that organics is good would have more weight if we hadn't seen him jump into death-defying situations throughout the season. What makes this one any different? And when he "dies", it's not because the Romulans blast him or really anything to do with his grand stand. His brain abnormality just acts up when it's dramatically convenient, with no apparent connection to his attempt at self sacrifice.
Then the episode just wipes away that sacrifice anyway! I can't tell you what a cheat it feels like to have Picard die, learn a very important lesson about the beauty of life coming from the fact that it's finite, only for him to then immediately cheat death! Then the whole bending over backwards to try to explain that even though he has an android body now, he'll age normally feels contrived and bullshit as hell. It's a dumb plot choice that immediately contradicts the episodes laudable themes about accepting mortality as something inherently human.
It's not all bad. As deus ex machina as Riker's arrival, it's still a cool moment. As weird as Data looks in the "quantum simulation" (oh brother), his death and appreciation for Picard's love is moving. And even if Jurati feels like she's from a different show, her quips and jibes got a chuckle out of me.
Everything in this finale is just so rushed and glancing and ultimately unsatisfying. There's some good ideas here, but they're all shortchanged for a meditation on death that feels out of step with the show's ideas to this point, and a bunch of easy plot fixes and character relationships that haven't actually been developed.
On the whole, this season was a real missed opportunity. Assembling this kind of talent and deploying it only for this wobbly mess of a season is a big shame. I'm a sucker, so I'll be back for season 2, and I hope they'll work out the kinks But after this, I'm not terribly optimistic.
Alex Garland, the man behind Ex Machina and Annihilation has done it again. Floored by the first two episodes. The man creates art.
JACK FUCKING HARKNESS!!! OH MY GOD, I MISSED HIM SO MUCH! Jack and Thirteen are the iconic chaotic duo we deserve! The cowards in the writers' room didn't let them meet cause they knew those two would be too powerful together. (Also, if they don't let them kiss, I'm suing).
Loved the callbacks to David Tennant's iconic "a Judoon platoon upon the moon" line.
I'll be honest, I'm not a fan of the new incarnation of the Doctor. Nothing against the actress, but she doesn't feel like the Doctor to me. Like, she's too put together? My Doctor is a clown with a single brain cell, so I don't vibe with this sophisticated version. The storyline looks interesting though. Has the Doctor lost her memory or is Ruth!Doctor from an alternate timeline/universe? How does the Timeless Child fit into this? And what was Jack talking about? So many questions. I hope the pay off is worth it.
Man that waitress deserved it
This is the "Prometeus school of little space explorer" all over again.
They have the technology, they have the know-how, but for some reason they put the worst possible people in charge of the most important mission of human history.
It's like NASA put highschoolers inside Apollo 11.
Why writers can't write a good sci-fi show without making people complete incompetents?
I miss SG1
07/10.
This is a cliche-filed solid action movie with crazy gunfight sequences. It lacks a good narrative but the thrilling action makes up for it.
If you are looking for nuance there are tons of Dramas out there. It is not trying to be one of those films. This is an action movie as advertised.
Not a movie for everyone.
If you want lasers, explosions and monsters in your sci-fi this is not for you.
If you want creepy atmosphere, dialogs and good acting it's a perfect fit.
The movie is not perfect still.
The premise of a local radio getting strange reports from callers around the town is reduced very quickly to only two main calls.
I would have preferred to listen to more callers and have the tension and realization of what was happening building up a little slower than it was.
Also the black and white TV show thing didn't resonate well with me. If they limited that to the introduction it would have been better.
Still a solid 7 for me.
Bloodsport: “Nobody likes a showoff.”
Peacemaker: “Unless what they showing off is dope as fuck.”
James Gunn recently said in an interview that he finds superhero movies “mostly boring” right now. Anything ranging from safe and boring or technically well-made but disposable, at best. Gunn received at bit of heat from fans for those remarks, but in some sense, he’s not wrong. Because sometimes following the same formula will eventually wear fin and more risk taking needs to happen.
And here we have ‘The Suicide Squad’, the soft reboot to the 2016 film, but this time directed by Gunn himself, where he delivers a highly entertaining movie that is bursting with creativity and ultra-violence. James Gunn once again shakes up the superhero formula with a slick style. I’m just glad DC is finally letting directors have a voice and a vision, and I hope it stays like that.
The first 10-15 minutes tells you exactly what the movie is going to be.
I just can't believe we got something like this. It's 2 hours and 12 minutes long, but it's always on the move. It’s bonkers from start till finish, and I enjoyed every minute of it. This is probably one of the best shot movies in the DCU. The soundtrack is great as well and used effectively. The action scenes were insane and made the overall experience one of the most fun I had at the cinema in a long time.
A massive improvement over the 2016 film, AKA ‘the studio cut’, is that the movie doesn’t look ugly and isn’t chopped together by trailer editors. The movie is vibrant in colours that made it look pleasing to the eye. The structure at times is messy, and yet strangely well-paced, as there’s a lot going on.
Did I mention the movie is very gory? It’s cartoonish violence, or what people call "adult superhero movie", so it's not for kiddies or for the faint of heart. You would probably guess that not everybody on the team is going to make it to the end credits, so deaths are to be expected, but how certain characters “bite the dust” are so unexpectedly gruesome and brutal, it took me by surprise each time. The marketing for the movie was right, don’t get too attached. As I said before, James Gunn had complete creative control over the movie, and he doesn’t hold back on what he wrote and show on screen. But then again, it's a movie, it's not real, the actors who die on screen are fine in real life...I think.
All the cast members have equal amount of time to shine, and you like these super villains this time around, as each character had wonderful chemistry with each other. John Cena plays Peacemaker, who can be best described as a “douchebag version of Captain America”. An extreme patriot who will do the most horrific things for liberty. John Cena excels in the deadpan line delivery for comedic effect, but surprisingly enough, worked well in the serious moments. Looking forward to the spin-off show ‘Peacemaker’.
Margot Robbie once again nails the role of the chaotic but gleeful Harley Quinn. While the character isn’t front and centre this time around, more of a side character, but whenever the character is on screen, it’s instantly memorable.
Idris Elba plays Bloodsport, a contract killer who’s doing time in prison after failing to kill Superman with a kryptonite bullet, while also dealing with family issues, especially with his daughter. While the character may sound like Will Smith’s Deadshot from the 2016 film, but trust me, the execution here is much stronger. This is by far Elba’s best work in a while. Charismatic and a strong leading presence.
Polka Dot Man, played by character actor David Dastmalchian, a socially awkward, weird, and lame sounding character that has some serious mummy issues, which has a funny running visual gag throughout. However, because of Gunn’s writing and Dastmalchian's performance, the character is more than a joke, but a unique character to watch.
Ratcatcher 2, played wonderfully by Daniela Melchior, who brought so much warmth and heart to the film. I loved how they tied in her tragic backstory into the finale, as it honestly made me cry. And let’s not forget the king himself, King Shark, voiced by Sylvester Stallone. He stole every scene he’s in, because he’s so adorable and has such kind eyes, but when he’s hungry, he can be a killing machine.
The rest of the supporting cast, even in the smaller roles, still manage to stand out amidst all the chaos. I liked Joel Kinnaman as Rick Flag a lot more this time around, because the actor was given more to work with in terms of good material. Viola Davis is brilliant as the cold and ruthless Amanda Waller. And Peter Capaldi is always a pleasure to see. Also, I like the character of Weasel, who I can describe as a unholy offspring of Shin Godzilla and Rocket Racoon. He may not be beautiful to look at, but he's beautiful to me.
Like ‘Guardians of the Galaxy’, the movie has a lot of heart and I like how they took certain characters, who on page sound stupid and ridiculous but are handled with such love and depth, while also being self-aware of its own characterization.
You can literally watch this as a standalone movie and you won’t be lost or confused, as you don’t need to watch 22 other movies to understand it. This is by far the strongest entry in this jumbled mess of a cinematic universe.
Overall rating: Nom-nom!
To be blunt its just a bit of a waste of Emily's talent
I must say, the movie has a really good idea that's worth exploring. Sadly it never comes close to exploring said idea. It ends up being a generic Hollywood action movie and nothing more.
It's interesting to see how a society would function if part of the population's(The men's) thoughts were visible to everyone. There are interesting aspects to explore here about privacy. But the movie throws this concept under the bus and uses it just as a cheap gimmick.
Before the events in the movie, it's said that men and women lived together in Tom Holland's settlement. And then men became more and more suspicious of the women because they could not see their thoughts. This gradually drove the men to kill all the women. This is the movie I wanted to see. How did this happen? What were the internal struggles in the settlement? How did reading each other's thoughts affect the people? Instead, we are put after all of this and we follow the standard bad guy wants to kill girl, hero who has confidence issues saves girl from the bad guy and becomes self-realized in the process.
The thought-reading phenomenon was mostly used as a comic relief instead of being the center of a thought-provoking story. I'm kind of bummed out that this was the case. It would have been interesting to see how a society functions when everyone's thoughts are in the open. For instance, how courts work, how is trade done, etc.
Excellent movie.
People saying the ending is bad don’t get it.
They had the hunch, they saw him get aroused by the pictures, they know it’s him. When deke gets to the killers house he see his trophy case with the victim’s possessions, the proof they needed, they just can’t get the warrant yet because they need more evidence to get it. Unfortunately baxter ends up screwing up by shoveling the killer, just like deacon did when he shot the girl. Deke could have caught the killer but instead killed a witness. The same with baxter, could have gotten Sparma but...killed him instead.
When deacon gives the hair thingy to baxter he is doing him a favor, releasing him from his own daemons. That doesn’t mean he is not the guy, just that baxter fixated on a little thing that doesn’t matter anymore, because the actual killer is dead and there won’t be anymore victims.
There is no way you feel emphathy for those astronauts because they are dumb as fuuuuuuuuuuuck
I can't make to episode 2. It's so boring, full of cliches and shallow characters. Never read the books. Never played the game. Didn't like what i saw. It's kind of pathetic and tacky.
This is a Netflix series that drew my curiousity for it's interesting premise. It was filmed in Portuguese and I'm assuming those viewers who gave it rave reviews saw it in Portuguese, And those who felt the acting and dialogue were horrible saw it on Netflix, dubbed into English, which is how I first encountered it. And a horrible job of dubbing it was, causing many to abandon the series disappointed. However, I discovered you have the option, in Netflix settings, to choose Portuguese with English subtitles, and, voila, the acting and dialogue issues disappear (except for a few places when Brazilian passion for political speeches overtakes the moment). The pilot is available on YouTube, in Portuguese (no subtitles), so I couldn't start at the beginning of this tale (my Portuguese is non-existent). Netflix doesn't carry the pilot, only seasons 1-3. With the setting corrected, I found the series to be very enjoyable. I give this a 7.5 (really good) out of 10.
Update after Season Three - I have always believed that the weakness of this show was its tendency to melodrama. The last three episodes of this 3rd season fell victim to this, which is why I rated them so low. But it seems it is all set up for a 4th season, so I'm settling into a wait and see position, but I've reduced my rating to a 7 (potential) out of 10. [Dystopian Drama]
<Update after Season 4 - After much loss and sadness they opted for a very optimistic ending, but the contrast made it hard to swallow.
<Altogether, I would recommend this series for it’s unique approach to apocalypse, a talented core cast, and some great writing. I give this series an 8 (well rounded) out of 10.
Psych: The Move Sequel is a GO, and has been greenlit at USA Networks as of 02/14/2019. What better Valentines Day gift could Psych fans hope for, other than some San Francisco Sourdough from the exceptional bakeries around the Bay Area?
https://variety.com/2019/tv/news/psych-movie-sequel-usa-network-1203139984/
And Tim Omundson will indeed be back as Lassie, and in fact is at the center of the sequels plot!
Another one of those shows that starts off pretty meh then finds it's footing and takes a significant turn for the better.
Gave up half way through season 1, gave it another chance, and now I can't wait for each new episode!
Continues to be weak writing and screenplay for me, the hinting at the bigger picture of other beacons shutting off, stopping resupply is interesting enough potential that I might give it 1-2 more episodes but it hasn't been a great start.
Feels much more like a traditional sci-fi channel original show from 10 years ago instead of the Expanse/Foundation level of shows that have been more recently. Hoping it does improve, because I love a good sci-fi show.
You can skip this! Trust me, you are not missing out on much.
So.... this show fell apart by the end, around the same time Thor: Love and Thunder reared its ugly head. And those two things have basically pushed me off the MCU.....
....UNTIL they uttered that single word "mutation", complete with the signature X-Men theme, in a style relevant to the instrumentation of Pakistan. I couldn't believe it, I had to reply it twice to make sure I hadn't misheard the musical cue. Damn you Marvel, I was out!
Also the post-credit is interesting.
I felt like this was missing something and didn't live up to the full potential it could've. Maybe it was the title, "Multiverse of Madness", maybe it was all the trailers that did a great job misleading us while also spoiling all the best parts of the movie, or maybe I just didn't like how two dimensional they made Wanda after she spent an entire show already learning how her power can hurt people and exposing everyone to her grief. How many times did Wanda need to indirectly quote Thanos before we got the point? "I call that mercy", "They'll never know..." etc.
Overall this has kind of cut down my excitement for phase 4 a bit, and coming from someone who LOVED the infinity saga that hurts and worries me to say. I feel like the movie tries to over simplify things and these were characters that aren't simple. This needed to be deeper. I feel like we needed to see Kang here, even if just for a moment or two. I feel like we needed Loki too. The only trouble with opening the multiverse can of worms is now it REALLY doesn't matter when some of these heroes are getting killed, "Oh that's just Mr Fantastic from 818, this is 6 1 whatever".
It wasn't bad, it just wasn't really good either, and with how much hype they put on it I'm let down. This needed a real villain. It's not that Scarlet Witch didn't make a good villain, it's that I didn't want to see her be one after the journey we've gone on with her, and her doing the right thing in the end doesn't excuse her murdering like a hundred people no matter what universes they were in and her logic was flawed from the start.
And where the F is "real" Mordo?
