Juno is not only one of those movies about mistakes in adolescence or about an unwanted pregnancy, is above all a film about maturity that escapes to all the usual clichès of all films of the genre.
Juno is a 16 year old and she is a very confident and good with herself teenager. She always tries to accept everything in life with easiness and did not run away to her responsibilities when she discovered that was pregnant. Quickly managed a solution and being perfectly aware that she is not ready to be a mother she is looking for a couple to adopt her unborn child. But Juno soon discovers that everything that involves the pregnancy, both physically and psychologically, are not so easy to deal with.
The best thing this film has is perhaps the fact that we think he is taking us to a certain way and after all that happens is not quite what we were expecting. Escaping the usual clichès, ultimately becoming an honest movie and accepting the decisions of the characters without requiring them to be judged by the choices they make.
Ellen Page's performance is absolutely fantastic! Very natural and real, but did not only felt that about her but also from the rest of the cast.
Overall, Juno is a movie with a serious tone that manages to be entertaining addressing at the same time important key issues of life.
I really enjoyed this.
Lyn-Manuel Miranda is widely and deservedly regarded as a genius and this musical/film adds more evidence to support that.
Clever, funny, rapid-fire lyrics blend with an (until this musical was created) under regarded figure of US history. But his genius is even more evident in his decision to pitch a musical where most of the white historical cast are portrayed by Black American performers... with hip hop music at its spine. Originality is king if you want to make memorable art.
The cast in this production are luminescent. They may not all be names theatre goers will readily recognise but you've seen many of them on TV and film. There's even a key figure played by a semi-regular from Glee (singing a song that sounded very Tim Minchin to me).
As a huge fan of musicals I was always going to like this. The flip-side of this is that I judged it against the others I've seen and loved.
So yes, its hands don at least 8 stars (and most people say more than that, and that's fine) but some of the things I regarded as flaws held me back.
Relationships - no real kick-arse relationships of emotional depth except for the one who dies midway through the second act. And while it was portrayed and told well, I felt it failed to resonate as much as it could have by the lack of foreshadowing the bond. The relationship with his wife seemed tacked on and the hinted relationship with another woman (won't add a spoiler here) never delivered. The fact it was never established as fact in the real life story of Hamilton was no doubt part of the reason, but including the hint that goes nowhere served little purpose.
The story - Some stories are light by nature (Grease, Little Shop of Horrors) but they at least have a powerful relationship at their base. Some are significant because of the story they cover (Les Mis, Rent)... and they also mostly have a powerful relationship or two in the midst. I know the purpose of telling Hamilton's story was to share details of an almost forgotten figure, but I kinda feel like he deserved to be forgotten. Definitely an intellect, but his role in the War of Independence was bureaucratic, his additions to legislature were significant, but again bureaucratic. If they had hung some of the story on a significant moment rather than to provide a greatest hits package of his life, maybe there was more power to be had? Having seen it and enjoyed it, I still wonder "why Hamilton?"
Anyway, those are just some of my personal misgivings and I DID love the film/musical. Miranda is the genius in this case and while it's very easy for people on the sideline, like me, to critique or fiddle with the idea, there's no idea at all without his amazing mind.
You really should see this.
I don't think I have ever been in love with a movie, like I'm in love with La La Land. From the first few seconds, till the very end. This movie had me and didn't let go. My english vocabulary is not good enough to express my love, heck, my dutch vocabulary is not good enough to express it. This movie is everything.
It is beautiful, happy, magical, romantic and I could go on for a little while longer but I won't. I wasn't expecting it to be this musical-y, but I mean, I love musicals so I'm not complaining. I think this is a great "musical" because there isn't non stop singing, so people who don't like musicals might like this one because it's more "subtle". I can only imagine how much practice went into all those dance routines and don't get me started on the impressive piano skills Ryan Gosling showed us.
Something that really impressed me as well was the way they filmed everything. It's a very creative and different way, which I really enjoyed and think makes this movie a great inspiration for those who love film and camerawork themselves. The build up and flashbacks and stuff were really cool as well. Yea I really enjoyed that. Also, the storyline, which does so much for a movie, was so great.
This is normally the part were I talk about the actors, but seeing that there were mainly only two actors and they were both amazing (I do think tho, that Ryan Gosling his character wasn't a very challenging one for him because we have seen him in roles like these before. Mixing it up with all the dancing, singing en piano playing though, you got something quite different and I loved it), I'm going to skip this part and say that you should watch this movie, do nothing more, just watch it, enjoyed it and love it.
Just to preface this, I thought A Force Awakens was emotionless trash that undermined the entire purpose of the original three films.
Rogue One was the opposite.
The best thing about this movie was the emotional impact. It underlined the sacrifices made to make the original trilogy possible. Some people have called it long, but that helped build up characters that you actually felt for, and who weren't carbon copy ripoffs (cough cough A Force Awakens). The final scenes as the two main characters face their fate, recognizing that it was worth it, gave such a high emotional payoff. Each major death scene actually made you feel something.
The second best thing was K-2SO. Very funny, and much needed comedic (but not goofy) relief.
The CGI for landscapes and the world creation was outstanding. When I see a movie like Star Wars I want to be amazed and see things that I haven't seen done before. I want to be impressed and drawn into new, beautifully crafted worlds. In this respect, the movie just kept delivering over and over.
The cinematography was great during the action sequences. The sequences looked epic, and the violence and sacrifice felt meaningful. The Vader fight sequence was intense.
It also had interesting ties to current events with its commentary on terrorism/rebellion/weapons of mass destruction. By the way, the science genius character realizing that he isn't priceless in developing some major device is fantastic. All of the movies with "only so-and-so can figure this out" are very disappointing.
The moral message of the movie was also very clear and well delivered.
I really enjoyed the movie overall and thought that it was a big step in the right direction. It was adventurous again, it was sometimes shocking, original, and most of all meaningful. A Force Awakens failed on all of those points. It's good to see a franchise movie that's taking a bit more risk than average. AFA was just like the new Star Trek films, shiny bling low-impact action movies that just happen to be set in space. Rogue One pushes far beyond to show the what drives the Rebellion in a world we know and love.
Despite the fact that I really liked the movie, it had some flaws:
- Tarkin face CGI
- Some of the acting in the first half.
- Tarkin face CGI
- Some of the cuts were really weird and the pacing felt off for portions of the first half.
- Tarkin face CGI
- Forest Whittaker just deciding to die instead of trying to escape.
- Tarkin face CGI
- A few unbelievable plot lines (thankfully most were minor). Like Cassian being sent to kill Galen for almost no reason, and then deciding not to for no reason, and then Jyn forgiving him surprisingly easily. How did she even know that he was trying to kill her father?
- Tarkin face CGI
- Does every Star Wars movie need to have a father character die? Why didn't Cass follow orders when he heartlessly killed someone else in his first scene?
- Tarkin face CGI
- Heavy handed political messaging.
- Tarkin face CGI
- Said "hope" too many times.
- Tarkin face CGI
- You can just push Star Destroyers that easily?
- Tarkin face CGI
- The word "Stardust"
- Tarkin face CGI
- Too many random worlds introduced that you don't have the time to get invested in.
- Tarkin face CGI
- Too much awkward fan service.
- Tarkin face CGI
- Darth Vader's voice sounded off.
- Tarkin face CGI
- Some of the dialogue was really terrible.
- Tarkin face CGI
