i just watched this show for the second time and i truly don't believe i'm going to experience true happiness ever again
i can't believe i just finish the best show ever???? i'm crying?? what do i do :(( i love them so much
farewell, pawnee. it was quite a ride.
By the rules established in this episode, couldn't the sane Lazarus just commit suicide or destroy his ship? Wouldn't that be preferable to the plan he came up with?
Khan's all like "I would like to catch up on things, study the technical specifications of this ship, this specific ship... purely for academic curiosity, you understand, Captain?"
And Kirk is all like, "Sounds legit!"
this is episode is such good television. the character driven season 4 is paying off in a big fucking way, and finally beyond a shadow of doubt, Paige knows exactly what her parents are.
Those dinner scenes were amazing.
Darkest episode yet. O_O I can't even....
Elizabeth's "Yes" there at the end was absolutely pivotal to her character development from here on out. I didn't think that she had it in her.
The acting in this show is just so fucking good. That scene between Elizabeth and Paige where she's reprimanding her daughter literally gave me the chills.
Directed by Amanda Tapping, nice!
I'd like to note at the outset that I'm watching the episodes in the order outlined on Memory Alpha. As such, it will be out of sync with the order outlined here and on Netflix.
It's difficult, I think, to approach Star Trek with anything like a critical blankness as I'm trying to do throughout this project. Its cultural influence is so pervasive that watching this episode for the first time I'm already familiar with Kirk the cad, Spock the logical but trusted deputy and all the tropes that will undoubtedly play out over the course of the series. I doubt that this will dampen my enjoyment at all, but it's worth taking into consideration. The episode opens well as both Kirk and Spock's characters are established, in broad strokes, in the first two minutes or so. From there the viewer is taken through the scenario: through an encounter with a magnetic storm, crew member Gary Mitchell is changed somehow and begins to develop latent psychic powers at an accelerated rate. His concerns become less human, leading him to become a danger to the rest of the crew as he seeks to transcend humanity.
The effects are dated and the writing isn't phenomenal, but the episode does a solid job of portraying Mitchell's change while revealing more about Kirk. What was less convincing was Dehner's sudden willingness to follow him but she acts as a convenient stooge. The confrontation allows all-action Kirk to reveal himself and Mitchell is defeated accordingly. What is most important is that the Enterprise's mission has been established, Kirk and Spock and their individual traits have been introduced and emphasised and the format that I gather the show will follow is demonstrated - the ship encounters an external force and Kirk, along with Spock, uses his ingenuity and brawn to overcome it. Once I know all this I'm able to sit back and enjoy it all - the effects, the bad one-liners, the occasional lack of forward momentum. One of the things I find compelling about the Star Trek universe is the expansiveness of it, and I'm looking forward to delving into it.
Oh gosh, Nina, so sad to see her go like that. That was so so depressing.
Oh my fucking god . . I did not see that coming. I probably should have, but FUCK. That was crazy. Sweet, sweet Nina, just brutally killed in the span of a few seconds. One second you think everything might just turn around for her, and the next - BAM. And at the end of the episode!
conflicted twist towards a dire outcome. the kill gets done whle they're still around. all the more paige will hate 'em and then the real damage goes beyond repair
Well, Paige wants to know what their parents really do, now when Pastor Tim ends up dead she'll know what kind of things they do.
6.8/10
Lincoln is one of the most boring characters on a show that has had to fight accusations that it's dull. Focusing the main story of the episode on him was a recipe for doldrums that the show lived up to. Even seeing him go all Static Shock on the power lines or bus or guards didn't do much for me. Accidentally killing a friend who's mistrustful of you should be a meaningful event, but it was constructed so haphazardly, and with such an uninteresting character, that I barely cared. The lack of chemistry between him and Skye/Daisy meant that I only groaned when they kissed. Daisy herself has had to overcome bland mary sue characterization, and pairing her with a piece of stubbly milquetoast doesn't do anything to help that.
I did appreciate Coulson's part of it. I go back and forth on his interactions with Rosalind. On the one hand, at times it feels like a dinner theater version of Hepburn and Tracy. On the other hand, when things are clicking, it makes Coulson feel like a human being and not just a delivery mechanism for exposition, high-minded ideals, and ill-fitting quips. I'm cautiously optimistic about the storyline, and especially pleased that they tied it to Coulson learning lessons from the "Real Shield" debacle.
Hunter and May's storyline worked well enough, as they're two of the better characters on the show, even if the "fight club to get into Hydra" plot felt a bit tacked on. May struggling to not just get right down to business in the pub while Hunter and his mate were Brit-ing it up was amusing, and her and Hunter feinting toward what happened during May's vacation was nice. I was surprised at how bloody they let the Hunter fight get, and it's always nice to see May kicking some ass, even if it felt shoehorned in. Again, we'll see where it goes.
And as usual, Fitz and Simmons are the best thing about the show, with Fitz doing everything he can to get things back to normal even if it's not what Simmons needs, and Simmons convincingly showing the psychological scars from her experiences. Are Fitz and Simmons's storylines any better than anyone else's? Probably not, but they're better actors than most on the show, and they sell the emotional undercurrent of all of their stories, which gives them greater weight than anyone but May can muster.
(Oh, and what was with all of the dutch angles in this episode? Seemed like a weird quirk in the way the episode was shot.)
6.8/10
Lincoln is one of the most boring characters on a show that has had to fight accusations that it's dull. Focusing the main story of the episode on him was a recipe for doldrums that the show lived up to. Even seeing him go all Static Shock on the power lines or bus or guards didn't do much for me. Accidentally killing a friend who's mistrustful of you should be a meaningful event, but it was constructed so haphazardly, and with such an uninteresting character, that I barely cared. The lack of chemistry between him and Skye/Daisy meant that I only groaned when they kissed. Daisy herself has had to overcome bland mary sue characterization, and pairing her with a piece of stubbly milquetoast doesn't do anything to help that.
I did appreciate Coulson's part of it. I go back and forth on his interactions with Rosalind. On the one hand, at times it feels like a dinner theater version of Hepburn and Tracy. On the other hand, when things are clicking, it makes Coulson feel like a human being and not just a delivery mechanism for exposition, high-minded ideals, and ill-fitting quips. I'm cautiously optimistic about the storyline, and especially pleased that they tied it to Coulson learning lessons from the "Real Shield" debacle.
Hunter and May's storyline worked well enough, as they're two of the better characters on the show, even if the "fight club to get into Hydra" plot felt a bit tacked on. May struggling to not just get right down to business in the pub while Hunter and his mate were Brit-ing it up was amusing, and her and Hunter feinting toward what happened during May's vacation was nice. I was surprised at how bloody they let the Hunter fight get, and it's always nice to see May kicking some ass, even if it felt shoehorned in. Again, we'll see where it goes.
And as usual, Fitz and Simmons are the best thing about the show, with Fitz doing everything he can to get things back to normal even if it's not what Simmons needs, and Simmons convincingly showing the psychological scars from her experiences. Are Fitz and Simmons's storylines any better than anyone else's? Probably not, but they're better actors than most on the show, and they sell the emotional undercurrent of all of their stories, which gives them greater weight than anyone but May can muster.
(Oh, and what was with all of the dutch angles in this episode? Seemed like a weird quirk in the way the episode was shot.)
6.8/10
Lincoln is one of the most boring characters on a show that has had to fight accusations that it's dull. Focusing the main story of the episode on him was a recipe for doldrums that the show lived up to. Even seeing him go all Static Shock on the power lines or bus or guards didn't do much for me. Accidentally killing a friend who's mistrustful of you should be a meaningful event, but it was constructed so haphazardly, and with such an uninteresting character, that I barely cared. The lack of chemistry between him and Skye/Daisy meant that I only groaned when they kissed. Daisy herself has had to overcome bland mary sue characterization, and pairing her with a piece of stubbly milquetoast doesn't do anything to help that.
I did appreciate Coulson's part of it. I go back and forth on his interactions with Rosalind. On the one hand, at times it feels like a dinner theater version of Hepburn and Tracy. On the other hand, when things are clicking, it makes Coulson feel like a human being and not just a delivery mechanism for exposition, high-minded ideals, and ill-fitting quips. I'm cautiously optimistic about the storyline, and especially pleased that they tied it to Coulson learning lessons from the "Real Shield" debacle.
Hunter and May's storyline worked well enough, as they're two of the better characters on the show, even if the "fight club to get into Hydra" plot felt a bit tacked on. May struggling to not just get right down to business in the pub while Hunter and his mate were Brit-ing it up was amusing, and her and Hunter feinting toward what happened during May's vacation was nice. I was surprised at how bloody they let the Hunter fight get, and it's always nice to see May kicking some ass, even if it felt shoehorned in. Again, we'll see where it goes.
And as usual, Fitz and Simmons are the best thing about the show, with Fitz doing everything he can to get things back to normal even if it's not what Simmons needs, and Simmons convincingly showing the psychological scars from her experiences. Are Fitz and Simmons's storylines any better than anyone else's? Probably not, but they're better actors than most on the show, and they sell the emotional undercurrent of all of their stories, which gives them greater weight than anyone but May can muster.
(Oh, and what was with all of the dutch angles in this episode? Seemed like a weird quirk in the way the episode was shot.)
