Great episode. I might need to do an Aliens marathon.
I like how they're trying to make the Sand Snakes more interesting (Rosabell Laurenti Sellers cof* cof*). Cersei, you´re almost there, walk the walk Queen Mother!
Every time I see Kane, I can't help but think of Desmond and how I miss his accent in Lost.
human body can literally withstand so much shit.
as seen in this episode, it's terrific, horrific and shocking to see them willingly accept a fucking radioactive duty which can fuck their life up pretty good but the KFuckingGB won't take international help. what a fucked up world. we need better international relationship across the globe to survive in such catastrophic events.
Humanity must strive for a better world from every small aspect to survive as a species
fucking make the whole world pop a tab of LSD and melt into oneness
Whoever talks shit about Monty deserves to be hit lbh.
One of the best episodes ever made! Amazing!
So, is Westworld the official Prequel to Altered Carbon now?
How come there's 7 votes to something that wasn't even released yet?! The rating system should only be available after release.
Well, Canon was definitely delivered. Damn.
F...., never been so angry for an episode ending before now..... (Read the book)
Thea has the best line. "A bunch of superheroes hiding out at a farm house, I feel like I have seen that before in a movie."
[9.0/10] Not since The Sopranos has there been a show on television so devoted to examining the psyches of its characters. I feel like I need to rewatch this episode five times to truly unpack everything there is to glean from such a dense, psychologically complex episode. If there’s been a consistent theme to Season 3, it’s been digging deep into what makes the show’s main characters tick, what makes them who they are, and “Rest and Ricklaxation” both literalizes that (by separating its title characters into their constituent parts) and plays it out in fascinating, emotionally-wrenching detail.
The impetus for that is Rick and Morty going into a psychological toxin-clearing chamber at an intergalactic spa. The catch is that the chamber doesn’t just free you from harmful it elements, it removes those elements, personified as “booger” versions of you, and keeps them trapped in a chamber. So while the real Rick and Morty are feeling happier and more relaxed in the real world, the concentrated toxic parts of them are caught in the chamber working frantically to get out.
The initial results seem predictable, if a little twisted. Toxic Rick is even more hateful and self-aggrandizing than Real Rick. He’s constantly touting his own genius, constantly belittling Morty, and constantly lashing out at the world. Toxic Morty is entirely self-hating and debased, little more than a subservient wart of a person accepting any and all abuse.
What’s interesting is that it seems to flip the good/evil dynamic in Healthy Rick and Healthy Morty. While Healthy Rick feels compelled to rescue their toxic counterparts once he knows of their existence, Healthy Morty likes his own happiness and is constantly resisting any attempt to set things back the way they were under a the guise of not questioning it.
Now splitting protagonists into their good and evil sides is nothing new. (Lord knows the Star Trek franchise returned to that well time and time again.) But the twist, and the thing that makes the episode really stand out from the pack, is that the divergence point for “healthy” Rick and Morty isn’t some arbitrary definition of toxicity, it’s what they themselves view as the toxic parts of their being.
Which leads to all kinds of interesting complications, not the least of which is that Toxic Rick isn’t just some personification of bad, and Healthy Morty isn’t some noble personification of good. It’s a brilliant, fascinating choice to depict Healthy Morty as this honest but heartless, manipulative douchebag. The things that Morty sees as toxic in himself -- his self-doubt and self-loathing -- weigh down an overconfidence and disregard for others’ that, left unchecked, turn him into an uberpopular, successful stock broker, but one who doesn’t really care about anything else or anyone.
It’s a deranged echo of Inside Out’s thesis that negative emotions are vital and valid and help make us stronger individuals. There is something so frighteningly recognizable about Healthy Morty, between his offhand quips about his food being organic to maxims about saying important things face-to-face that reveal a deeper soulless beneath despite all the crowd-pleasing pablum. Toxic Morty isn’t a pretty sight or an encouraging reflection of the real Morty -- he’s deeply unhappy, horribly self-defeating, and outright declares that he wants to die. But the idea that these are the things keeping Morty from becoming a wide-eyed, smiling little monster is one of the boldest and darkest takes this show has offered on one of its main characters.
But that’s only half the impact of the twist. The other, and arguably more foundational reveal in the episode is that Rick really does care about the people in his life, at least Morty, but he views that as toxic, as “irrational attachments” he’d rather overcome. It’s striking in that it answers one of the basic questions the show has been teasing out forever now -- whether despite his protestations to the contrary, Rick loves his family. “Rest Ricklaxation” suggests that he does, but it’s something he hates in himself, which explains how and why he’s always trying to disclaim any such affections.
Rick may acknowledge the other parts of his personality as “toxic.” He admits narcissism, of disregard for the rest of the universe in favor of his own brilliance. But without that, without the parts of him he views as holding him back psychologically, he only has a general care for the world, about the impartial welfare of all, without any personal attachments to his grandson or anything else. The episode digs into who Rick and Morty are, what they hate about themselves, and the people they become without that, which tells you so very much about the show’s title characters.
Meanwhile, amidst all this deep psychological examination is an episode that just works on a nuts and bolts level. The conflict of reconciling toxic and healthy versions of Rick and Morty propels the episode nicely. Seeing a Rick-on-Rick battle throughout the Smiths’ house is thrilling with plenty of creative turns. Healthy Morty’s quiet psychopathy builds and builds keeping a comedic hum the whole time. And there’s even some amusing social commentary as Rick’s toxicity ray covers the globe and Morty’s restaurant acquaintance yells out “sea cucumber!” The main event of “Rest and Ricklaxation” is the show boring into the mental processes and damage of its protagonists, but it keeps the tension and the excitement up for what could otherwise be an overly cerebral exercise.
Like nearly all sitcoms must, it then returns things to the status quo. But while for most shows that’s a return to normalcy and sanity, for Rick and Morty it means returning those two characters to the fraught place where they began the episode. One of the most harrowing scenes in the entire series is the two of them sitting in Rick’s craft in the intro. Morty cries; Rick screams in anguish and admits he wasn’t in control, and the episode doesn’t turn away from the unnerving distress and damage these two individuals have accumulated over the course of their adventures.
This is what the combination of good and bad in Rick and Morty gets them. There’s the sense that both need that balance, to keep them tethered and, in different ways, to keep them caring about people, but the results of that cocktail -- of self-glorification and self-loathing, of brash confidence and debasement, of personal fulfillment and global concern -- doesn’t create a pretty picture for our heroes either.
GOD, chaotic bisexual variant loki twins is my vibe now.
I miss this type of episodes in Star Trek, I'm glad to see it brought back. Not only that, this was a good way to end the arc of the doctor and his daughter, neatly tied to the book too.
I hope this is not the end of the his daughter's story and they'll revisit her in the next seasons. There are questions to be answered and possibilities to explore regarding the nebula. Was it something like the Prophets in DS9? Time is irrelevant? But they're stuck in one place?
Who knows. But I for one would like to know more about it.
Thank you. I love this episode.
It felt so frustrated at the end of this episode. All I want is more. Why is it that the shows I love most have the shortest season? 23 episode of The Flash but GOT is like gone in the blink of an eye.
Great first episode. This feels much more like a Star Wars movie than the current trilogy.
Trek as it should be! Great final episode of a fantastic first season. Can't wait for the next season. Why were there only 10 episodes?!
Okay, so apparently this episode aired a day early in Canada? Thank you, Canada. You rock.
That being said, my mind is filled with incomprehensible yelling, and my hands are shaking, so I'll keep this one brief.
Have we just watched Shaw's Winter Soldier origin story?
Sarah Shahi was on fire, hot damn. What an amazing performance.
I was sure that Shaw's escape wasn't real the moment I saw that random-ass boat. Way too convenient. Then the episode made me doubt a few times whether it was a simulation or reality, but in the end it turned out to be exactly what I'd suspected from the beginning.
I'd been waiting to see my baby Shaw again for so long, but I wasn't prepared for that. God, I can't deal with my emotions. It's too much.
I just really want them to kill Greer, all right? Slowly and painfully. Hell, I'd kill that asshole myself if I could.
If the simulation was in Shaw's head, why wasn't it from her point of view? And have those creeps watched Shoot bang every time they've run it?
This episode was unbelievably sad, and I'll probably still be crying about it next week, but Sarah Shahi tearing apart Amy Acker's shirt might just be the greatest thing I've ever witnessed with my own two eyes. Is there any chance we'll get some more of that when Root and Shaw are finally reunited in the real world?
Shaw has chosen to put a bullet in her head 6,741 times instead of killing Root. I'm bawling. Ultimate OTP goals right there.
What an exquisite episode. It struck the perfect balance between heartbreaking and awesome. Easily one of the best they've ever done and definitely in my top 3.
I'll be on the floor sobbing uncontrollably if anyone would like to join me.
HAPPY 100TH EPISODE, EVERYONE!
I just want to say this: I'm so happy, so proud and so, so grateful. I've been in love with this show since I first started watching it 3.5 years ago. The fact that we're here today celebrating this wonderful milestone is a privilege, one that I wasn't sure we'd get this time last year. Agents of S.H.I.E.L.D. has defied the odds time and time again. There has been so much working against it: backlash from hardcore Marvel fans way back when it started; ratings getting lower year after year; ABC itself not giving a shit about it, dumping it first in their worst slot at 10 PM on Tuesdays, and then moving it to Fridays, where most shows go to die; finally, having a completely undeserved reputation of the bastard child of the MCU. Despite all of that, it's still going strong, reaching new creative heights with every season, giving us awesome content, and keeping us on the edge of our seats. Maybe it never quite became the smash hit that Marvel surely expected it to be, but all of us who have stuck with it through thick and thin know just how special it is. "We have a small but active fanbase", indeed.
This episode was beautiful. I don't even know where to start. I think I'll just make a list of everything that stood out to me, it'll help me organize my thoughts a little:
Daisy and Coulson's relationship is absolutely incredible. I started crying as soon as Daisy teared up and I didn't really stop until the end of the episode. Chloe Bennet broke my heart. She's come such a long way since the pilot and grown so much as an actress.
Fake Deathlok trying to convince Phil that it's all in his head gave me major anxiety, mostly because for one horrifying second I imagined them ending the show like this. Just "psych! It was a fantasy all along!". They wouldn't do that, right? RIGHT???
Real Deathlok showed up! Yet another old character to have come back this season!
I saw a theory circulating around Tumblr that Deke is a descendant of FitzSimmons. I was sceptical. But guess what, it's true! Which means there are some cute, genius FitzSimmons babies coming! It does raise some questions, though. They'll have to send Deke back to the future eventually, right? Will he even exist if the team saves the world, or will he get erased? As usual with the time traveling stuff, my head hurts.
Goddamn. FitzSimmons. Wedding. This was where I went from low-key crying to just straight-up bawling. They couldn't have chosen anything better to celebrate the 100th episode with. It was perfect. The setting, Coulson marrying them, their vows... Jemma looked stunning, Fitz looked so handsome (shame about that kilt though, I think they should've gone for it), Elizabeth and Iain's acting was out of this world, as usual. I'm so happy for those two nerds.
What an emotional rollercoaster. I need to lie down for a bit. Huge, huge congratulations to everyone involved in the show, the whole cast and crew. I hope they know that they've created something extraordinary. And I hope that cake they had in celebration of the 100th episode was delicious.
This episode gave me such happy teary moments about halfway through to the end. The actual sweetness of this show (w/o being schmaltzy) is so tremendous. I absolutely loved it. Can't wait for it to continue in January but I so don't want it to be over.
Holden: Guys! Guys!!!
Fred Johnson: What did you do?
Holden: There was a button. I pushed it.
Fred: Jesus Christ. That's really how you go through life, isn't it.
Wish I could rate this an 11. I need to go back and rate every other episode of other shows down one.
HANDS DOWN TO THE SASSIER TRIO ON TELEVISION: CAPTAIN COLD, HEATWAVE AND WHITE CANARY.
One of the greatest Game of Thrones episodes EVER, from the start to the finish. May this season be the best one so far!
Elliot and Mr. Robot talking in unison was horrifying. Actually the whole therapy scene was. Esmail really turning up the horror this season.
Malcolm: And no offense none of you are particularly good actors.
Tell me that was not funny :-P
Honestly this might be my favourite episode so far, although I have pretty much been feeling that way for every new episode. What could have been a fairly clichéd and generic "alt universe/role reversal" story was elevated by the beautifully emotional conclusion to an ongoing plot thread. I was expecting to laugh going in, but I certainly did not think I would end the episode in tears.
This episode was a masterpiece. I love how the machine runs simulations. I love Finch's lesson about "anyone who treats life like a game of chess deserves to lose". I loved the simplified dialogue. I love both kisses. Fusko/Root for whimsy, and Shaw/Root because finally.
But I don't want to see Shaw go. She feels integral to everything. Apparently the actress Sarah Shahi is pregnant so this is the way they deal with that, but that means she is going to be jobless in a year or two, and we never saw the dead body. No body, no death. She got shot a lot but we have seen everyone else come back from worse. It took a grenade in the face to kill Reese in the simulation. So she'll be back. Calling it now.
