I have to say, from season to season I find myself liking felicity less and less. She is so one dimensional...
I was pissed the whole time at Barry for not saying to Patty about him. He was so retarded for being mute all the time she started talking about them and even letting her go in the end like that when she said she's leaving the city. I was like "JUST FREAKING TELL HER ALREADY YOU IDIOT, DON'T BE MUTE LIKE THAT". Jesus. And Wally made zero sense to me, the way he was bitching to Joe about him, and it was him who came to them in the first place. WTF he wants then? Bad script really.
Of course that fucker Bakuto is alive. I hate him so much. He's an awfully weak villain and the actor who plays him definitely didn't go in the right direction with his performance. It's like he was aiming for the Charismatic Bad Guy, only he's yet to show any actual charisma. I want to roll my eyes whenever this guy is on screen.
So we got all the people that the Defenders care about in one room and they didn't interact with each other? That's bullshit.
I don't like how the others ganged up on Matt because of Elektra. Tone down that holier-than-thou attitude. You all have your secrets. And it's not like any of you would've acted differently if you were in his situation.
The overhead shot of Elektra curling up on Matt's bed surrounded by gray with her red costume spilling out from underneath her coat looked like some kind of a baroque painting. I would totally frame it and hang it on a wall in my living room. It was exquisite.
Well, I didn't plan on sleeping tonight anyway.
I do have to say though, aside from the bathtub-smashing spider traumatizing me for life, I enjoyed this episode very much. I've been reserving my judgement of this season, but after 4 really good - in my opinion, at least - episodes, I can officially say that I already like it more than most of Peter Capaldi's run. I mean, I adored Peter himself, but the writing didn't do him justice most of the time.
I fall more and more in love with Jodie every week. Everything she does is so perfect, from her excited "Tea at Yaz's!", rambling about getting a flat and buying a couch, the whole Ed Sheeran thing, her confused "I don't think so. Are we?" (by the way, I am fully on board the Yaz/Thirteen ship, fight me) to her mourning the dead spider mother (despite my raging arachnophobia, I did tear up during that scene because growing to the point where you can no longer breathe is a horrible fate that no creature deserves). Mandip Gill is definitely a standout among the companions. I really like that Yaz follows the Doctor into danger so unflinchingly, I just hope it doesn't get her killed. And so many people seem to think that Bradley Walsh is a bad actor for some reason, but to me, he nailed the emotional moments in this episode. The fact that he keeps seeing Grace everywhere in their house is such a realistic portrayal of grief and it was done in a lovely way. Tosin Cole is the hyperactive 8-year-old of the group, which I don't really mind. Ryan blasting music through the speakers to get the spiders to the panic room did make me laugh. That's just peak Doctor Who.
I also love that the spiders weren't the villains of the story at all. No, the true enemy was a selfish man and corporate greed, which is so true for so many things in real life that it actually hurts. Keep spilling that tea, Doctor Who.
Team Tardis is officially a thing! The Doctor was so happy, bless her hearts. I can't wait to see what shenanigans these losers get into next.
Overall, this episode maybe wasn't flawless, but that's not really what I expect anyway. If something keeps me entertained, leaves me wanting more and actually gets the intended emotional response from me, I consider it good. During this episode I laughed more than once, I felt excited, I felt sad, I felt angry (seriously, fuck that guy) and I'm already pumped for next week. So as far as I'm concerned, mission accomplished. Now, if all of y'all who are getting this episode below 70% could perhaps stop, that'd be great. This was worlds better than fucking Love and Monsters and you know it.
Amazing ending to a lukewarm season, but it so radically ripped apart the fabric of Rick and Morty themselves that I can't help but fear future episodes are just going to jump over it, going back to being episodical and care about what happened here only when they make another Canon delivery.
Also make Mr. Poopybutthole happy, seeing him like that was an extra knife to the heart.
Okay, this show has been Fight Clubbing for a while now. Disillusioned protagonist tries to take down global financial industry through his schizophrenic alter-ego? But the end scene, where they just start playing The Pixie's Where Is My Mind? There's homage, and there's just straight up copying. This show is great, but it is seeming more like a gritty, modern reboot of Fight Club rather that its own thing.
Flash's new opening:
"My name is Barry Allen, and I'm not the fastest man alive. To the outside world, I'm the fucker of past timelines, but secretly, with the help of my friends at the S.T.A.R. Labs museum, I train Kid Flash to be faster and fight metahumans like us. In an attempt to stop the evil speedster Savitar, I supposely didn't lock him up in the speedforce as I should've, and I saw him murder the woman that I love. But I won't screw it up this time. I'm going to take a step back and let Wally do the work, because I am the only one fast enough to screw it. Iris is screwed"
I'm literally shaking right now. These Framework episodes are really freaking stressful.
Aida/Fitz is such a disturbing relationship. It's so creepy that Aida manipulated the Framework to make Fitz love her. She brainwashed him not only into having feelings for her, but probably into having sex with her too, which basically means that she rapes him. She's doing to him exactly what she resents Radcliffe for doing to her: turning him into a thing to be used however she pleases. That makes me nauseous and I can't imagine what Fitz will feel when he wakes up.
Jemma "I'm tiny but I have more than enough rage to go around" Anne Simmons is so going to fight Aida when she gets the chance. At least I hope so. It would be amazing to see her cut the bitch.
Elizabeth has no fucking chill, does she? She just goes and gives us these incredible, deep, powerful performances every week, never failing to bring tears to my eyes and turning me into a distracted, weepy mess for days. Jemma pouring out her heart talking about Fitz was too emotional for me to deal with this early in the morning. And that moment when she screamed his name and their eyes locked? I'm still in shock. The raw intensity of that entire scene killed me.
I never thought I'd be scared of Iain, but I am now. That smile at the end made me want to crawl under my bed and stay there for the rest of the season. How are FitzSimmons going to recover from this?
Stop hurting my baby Daisy! She's already in emotional and psychological pain 99% of the time and now she's going to be tortured? Just fucking rip my heart out while you're at it. I hate that they keep making her suffer. Daisy Johnson deserves the world. And yes, I will fight anyone who thinks otherwise. I love my emo daughter.
Mack joined SHIELD! Also, Hope is adorable and now I feel bad that Mack will have to live without her in the real world. The hits just keep coming, I guess.
The Framework is an absolute nightmare for a lot of reasons. And now it looks like regular people don't have access to the Internet. No smartphones, a woman getting arrested for having a laptop... We've officially crossed into the hell territory in my book.
A part of me wishes I hadn't discovered this show until season 4 ended. That way, I could just binge watch the remaining episodes instead of having to wait a week or longer for each new chapter and spending my days doing the mental equivalent of pacing nervously around a room. I just want to know what will happen next and it's killing me.
ET gets a remake! What a great episode! Definitely one of the best ones I've seen! So much cuteness in just 42 minutes and now I have alien goo in my eyes!
"Isn't that adorable!" Ray "cinnamon roll" Palmer is just simply adorable. The more I know about his childhood the more I fall in love with his character. Gumball was simply lovely! That cute little baby dominator! That head-bobbing while watching Singing in the Rain. Gold. I was looking forward for some insight into Ray's childhood and backstory and here it is.
It was surprisingly emotional. I connect with little Ray in every way possible. His words really pierced my heart. Props for the actor who plays young Ray. He made me laugh, he made me cry and he definitely won my heart.
Zari's character development was perfect. She was great. She being supportive of little Ray was cool. She's so much fun and her dynamic with the team was great as well. She's a great addition to the team.
I really loved Stein's interactions with Jax and calling him family, especially know that we know Victor Garber is leaving the show. And he named his grandson Ronnie! Cute.
I love the writers of this show and the big nerds they are. So many E.T. references. This touched my heart. So many emotions. I loved the flying bicycle scene. That was breathtaking.
MiB agents randomly start singing. This is the show! It was a WTF scene but boy, did I enjoy it! I lost it the minute they said "good morning". This just proves that the show can do whatever they want even if that doesn't make any sense. They don't hold anything.
The Mommynator scenes with Nate were just golden. "I'm gonna brush my teeth forever", lol. Nate was great. His Biff Tannen outfit while waxing the DeLorean was perfect. I love BTTF and I hope they do an episode inspired on it.
That scenes with all of them suited-up was awesome. Zari's suit is amazing. I love that it's loosely based on Isis. I loved Rory robbing candy from those bullies. This show is just awesome!
Nice try show! But I'm not buying what you're selling. Murphy's come such a long way. He's moved way past being a selfish, self serving asshole. He cares too much about his friends to betray them like that. Plus, the writers of this show are too good to give him such a lazy regression. Murphy is too smart for you Josephine! He's just buying time.
Every second of this episode was magnificent. I was worried they were gonna drag out the whole not Clarke thing. But I should've known better. This show doesn't let you catch your breath before throwing you into the next thing. And I loved it so much that it was Bellamy who figured it out. They're each other's person, how could he not? #bellarkeforever
Also Jordan being the most sensible made my heart happy. He's the new moral compass. He definitely takes after his dad! It's not okay that the primes are brainwashing people into thinking it's cool to kill someone to hijack their body. Besides, this boy, who grew up really isolated, was the first one to realize something smelled fishy. And everyone else, who should know better than to take things at face value, were super dismissive about his concerns. I love Jordan.
And how amazing was that Octavia/Diyoza heart to heart? Diyoza certainly knows a thing or two about being a violently ruthless leader. And it seems she has struggled with the guilt and consequences of her actions (much as Octavia is doing right now) and come out the other side. It's also pretty clear she sees herslef in Octavia. Maybe she'll turn into a mentor of sorts (kinda like Indra was in previous seasons), and teach her how to accept and move on, so Octavia doesn't self-destruct and can learn to live with herself and the terrible things she's done, just like all the other characters of the show. Plus there was that weird event with the green light and now her hand is all messed up!
I can't wait for next week!
I liked it. It was better than the first half. One of this Doctor's best episodes. The only thing I didn't like was the laser shoes.
The flow of this episode detracted from its dramatic effect. There were many good pieces in this episode, but their order and the editing of them reduced their impact. Naomi's rescue, the battle with the Rocinante, the battle at the gate, and the reunion with Avasarala, none of these hit with me the way they could've.
Firstly, the nice speech Avasarala gives during the reception would have been much better as the last scene of the episode. After the belters and Martians have taken over the ring, we would be concerned about the future, then Avasarala gives us hope.
The other development that didn't resonate with me was the dissolution of Drummer's team. I understand that they were torn between supporting Marcos and not, but that turmoil was caused by a threat of destruction, not a desire to work with Inaros. The ties between the crew were shown to be extremely strong, emotionally and otherwise. It should take an enormous conflict to break them. The crew knew that the agreement with Inaros was made under duress and so should have understood how fragile it was. The crew faced two options: cooperate with Inaros and do things they did not want to, or risk their lives and their family's lives by defying him. Both options would be reasonable and acceptable to the crew, and it doesn't resonate with me that the crew would be that upset by Drummer making the decision everyone thought she'd make in the first place. I could accept a decision by some of the crew to leave temporarily because their brother was killed, but to blame Drummer for this (and not Inaros) and completely break their bonds is a stretch given their relationship.
Another 5 minutes of this and I'm gonna be mad! It's not my fault this is happening!
Rory's prison break scene was great!!
I'm so glad Monty got the best happy ending he could hope for. He deserved it so much. It felt bittersweet but it couldn't have went better - He could live with Harper in peace, have a family and die at an old age :')
This whole scene at the end would've been a perfect series finale. Guess we'll see the humans from that other ship on the new planet, but I hope the next season won't be immediately about starting a war with them. Instead I would like to see new animals or creatures and them building a civilization there. Of course conflicts will be unavoidable (we're still on The CW here), but please don't repeat the same storyline we've had multiple times by now.
And I hope "End Book One" doesn't mean this show will have 10+ seasons because they haven't really been brimming with original ideas lately, so I would rather have an actual ending at some point instead of a never-ending show.
Happy New Year, everyone!
I know that I'm in the minority when I say that I genuinely liked series 11. For starters, I found the overarching storyline a lot more coherent than a large chunk of Moffat's era. And I thoroughly enjoy Jodie's Doctor. She's bright and quirky and fun and she's got that oh-so-Doctory, slightly unhinged glint in her eye. I absolutely can't wait for her to finally snap Time Lord Victorious-style because I have no doubt that she's gonna do it brilliantly. The companions have grown on me too, as all of their predecessors did. Was last season perfect? No, it wasn't. But did I vibe with it? Yes, I did. I know there are a lot of edgy fanboys out there who'd love to explain to me that it was in fact garbage and the worst thing in the history of everything, but you can pry my enjoyment from my cold, dead hands. It's a lot more fun to like things, even if I see their flaws.
Anyway, I really liked this episode! I felt the mystery was quite compelling, there was a good mix of action, suspense, comedy and drama, and the score was REALLY good. The companions are coming into their own more and more - I particularly enjoyed Yaz and Ryan's scenes together. Jodie is exactly as chaotic and living her best life as I expected her to be, and I would absolutely die for her. And that reveal at the end? Just (chef's kiss) delicious. Can't wait for more!
They did….. what…. They did the episode that ….. I am at a lost for words …. That was like unexpectedly watching end game ….. wtf
The series start very well developing the characters but the last episodes really bring the awesome factor to the show. Vicent D'Onofrio playing Fisk is absolutely brilliant, what a performance. Great season. Can't wait for more.
im not seeing anyone making death threats to writers or crying and downvoting because Sinclair died, but its ok, he wasnt gay so he is unimportant and it doesent matter if he dies
i love Miller and i loved Lexa, but Lexa died to move the plot foward not because the writers thought "oh lets kill Lexa because she is gay haha so funny"
how many main characters have died? more than 10 for sure, so why we only focus on the gay one? gay characters are unkillable? for me they are the same as any character i dont make distinctions and neither the writers
Pike saved Octavia more than once to try and redeem himself. Warrior Princess wannabe had to kill him anyway. She f'd one grounder so that makes her Xena ?
Solid episode nevertheless.
IT'S THE BLOODY HOUND. GIVE HIM HIS CHICKEN!
Great episode.
Was great to see the Blackfish. And Lady Mormont. Massive respect. Showed 10 times more potential than Tommen did or ever will.
That Arya moment what the fuck. I knew something was gonna happen. Please no. I'm going on a riot if something happens to Arya. Writers please. No :|
Was kinda annoyed with Sansa shitting on Davos like that :/
Overall giving this week an 8/10. It was good, but not outstanding.
Based on the promo there's no way Jamie can take on Brienne xD
This has probably been the best episode in the Capaldi era so far. Been waiting a long time for the show to return to its best moments.
Watching this I couldn't stop thinking about the original Pilot.
1) Susan, whose photo we got to see so many times <3, was the one that named the Tardis
2) The ones that happen to find de Tardis, and The Doctor, in the junkyard were Susan's teachers (Ian and Barbara) whereas in this case was a student (Bill)
3) Susan is the one that has that thirst of knowledge. Though she loved Earth she was very curious, just as Bill.
Also, there were what to me felt like hints to the other Pilot this show had: Rose. The idea that Bill was almost not to travel with the Doctor, but he decided to look for her and remind her that his machine also travels in Time (which is part of my favorite headcanon about Nine and I'm glad to see it protrayed here: the idea that between invitations, Nine travelled alone and decided that he needed a companion and went back to look for her).
And, last but not least, the chips. Remember how much fun Rose and Nine had eating chips? And how Rose also worked in a school cafeteria serving chips? And how she, like Bill, had a regular job, came from a working class and was, by The Doctor's standards, sometimes a bit slow at first?
Finally, I never thought we'd see the time when we were reminded that the habit of erasing someone's mind without their consent was absolutely not right. I already love Bill and her determination.
I also love the bit with Clara's song, which I also thought we wouldn't hear again.
Overall, sooooo good. I just hope the season continues in this line.
If only we lived in an alternate universe where Iris actually died last season.
The Lasso Special at the end made me smile big time. I’m now wondering if something like that has ever been done and if it would work :thinking:
I wasn't too excited about this episode when I read the synopsis. I mean, I like flashbacks, but after last episode's big reveal, I wanted to move forward with the story and see what was going to happen next. That being said, I really loved the way our characters crossed paths with each other. Whether it was Lucifer sensing Chloe's presence 5 years before properly meeting her, or Officer Decker facing Charlotte and winning, I thought the way they incorporated it into the story was very clever. Also, Lucifer starting a car because he can "turn anything on" was hilarious and brilliant.
Oh, this was fantastic. Such an intense episode that also did a great job of getting me excited for the next season.
"Haven't you learned anything this year... week... season?"
"It's the end of the season, er, semester."
Fourth wall? What fourth wall?
Shirley's tale of woe complete with seductive poses made me cry with laughter.
I'm really sad that we watched the Quagmires' daring escape and journey from Peru back to their home just for them to perish in a fire. I knew it was coming, but it still hurt.
That musical number at the end was unexpected, but I loved it. Somehow it just fit right in with the rest of the weirdness and absurdity.
Overall, this was an amazing season. All the actors were superb in their roles. Shoutout to Patrick Warburton in particular for being the perfect Lemony Snicket. His smooth voice and calm, somewhat deadpan delivery were exactly what I'd hoped for. NPH IS Count Olaf. He absolutely nailed the role. Malina Weissman and Louis Heyes were a bit stiff and awkward at times, but I still think they did an excellent job, especially considering that they're both just 13 years old and have very little acting experience. I'm sure they're just going to get better with age. And Sunny... Sunny is wonderful. I love her. I love all three of them, actually. They're my children now. I'm going to protect them and keep them safe and comfortable. They're going to eat ice cream for dinner. Their bedtime is never.
This end was kinda of a mess.... What the hell happened here?! Between finding who's who and what's the anomaly, they lost me altogether...
I don’t get the Cara Delevingne hate. More tolerable than Amy Schumer.
Just been rescued after months of painful, psychologically-traumatising incarceration at the hands of the multiverse's biggest, nastiest speedster? Pull out the "I can't leave - what about my life, my friends!?" line when your father tries to save you from a horrible death.
Whoever wrote that needs a whipping.
[8.5/10] One of my complaints about early episodes of The Good Place was that the psychology could be too simple. We’d see the humans face some challenge in the afterlife, flashback to an illuminating vignette in the past that informed their choices and character, and then see them have a breakthrough in the present.
“The Answer” is that idea on speed. We don’t just get a solid Chidi flashback; we get flashbacks to his whole life, to hidden moments over the course of the show we haven’t gotten to see before, to intimate conversations that gave him guidance and solace. And we don’t just get to see him have a breakthrough; we get to see him have the breakthrough, a resolution of his constant need to decide and find the solution to the problem.
The psychology gets sufficiently complex to match. It’s still comprehensible for a network T.V. show presentation, but the story of why Chidi is the way he is has more bumps and bruises along the way than the type of backstory we saw in the first season.
It’s a story about fearing his parents were on their way to divorce and Chidi seemingly arguing them out of it. The idea that, like all kids, he was dismayed by his parents fighting, and unlike most kids, thought that logic and study were the key to preventing it. When that plan seemed to work, it set him down the path to thinking that all problems had solutions, and that any solution could be found with enough diligence and perseverance.
It led Chidi to a life of constantly trying to find the answer, of treating all questions as directed toward one possible resolution that must be excavated through rigorous logic and constant examination of the texts. The show underscores this a little too heavily in Chidi’s scene with his schoolyard chum, but it does well to frame Chidi as having solved his first big problem this way and it having set him on the path that would carry him through the rest of his life...and afterlife.
Granted, no philosophy advisor in the world would tell their grad student that their thesis needs more heart, and Chidi’s girlfriend breaking up with him the same week feels convenient. (Though hey, I’ll never turn down a shout out to David Hume in the process.) But it sets up the twin concerns of the episode: that Chidi treats all questions as both answerable and equally important, and that he thinks love and romantic fulfillment are a problem that can be solved in the same way that a philosophical problem could.
What’s great about “The Answer” is that it not only sets up Chidi being able to get past both of those issues, but it does so through intimate, heart-to-hearts with all his fellow survivors. He gets a lesson in decisiveness and being in the moment from Jason, something the Jacksonville native is an expert in. He gets a lesson on confidence from Tahani, who talks about achieving it through failure, through getting knocked down and getting back up again until the prospect of getting knocked down is no big deal.
He gets an unexpected kiss from Eleanor, and with it, a lesson on the universe-approved love of your life perhaps not being the actual love of your life, but it being something that you have to figure out for yourself. And he gets a final, and most outstanding lesson from Michael, who tells him that soulmates happen through work, not through fiat, and that there’s more to Chidi’s parents story than he ever knew.
Chidi’s parents didn’t reconcile because he argued them into it. They went to counseling; they saw the best of each other in their son; they were reminded of what was already there. Michael drives this home, with his little bits of afterlife-worn wisdom. Just as he’s about to have his memory wiped, Chidi discovers that the ideas he’s founded his life on -- that any problem, including love, can be solved -- are wrong.
That should be devastating, and yet instead it’s freeing. The man plagued by indecision because he’s not sure what path will take him closer to the mythical, platonic (or, more accurately, Kantian) ideal answer, is suddenly allowed to pursue his passions, to follow what moves him, without needing to have it approved and understood from each philosophical underpinning before going after it.
That’s especially true for his affections for Eleanor. I’ll admit, I’m still not fully sold on the Eleanor/Chidi pairing, and I have major qualms about the “finding The One will heal everything that ails you” message that more than a few other T.V. shows and movies subscribe to. And yet, there’s something incredibly stirring about Chidi’s note to himself. He has spent so long in search of the answer that it’s been paralyzing, preventing him from living his best life and being truly happy. Now, he’s found someone who conjures that happiness within him, and he realizes it’s more important than any grand, abstract problem he might otherwise set his mind on. There’s something truly beautiful about that thought.
There’s also something brilliantly ironic about the fact that Chidi has his breakthrough on not needing to find the answer and self-actualizes in a way that frees him from that burden, right when the group needs him to “Go all Chidi” and decide what new principles the afterlife should be founded upon.
But maybe, just as ironically, he’s already found them. Chidi and Michael reach the conclusion that life is not a puzzle that can be solved once and then set aside. Instead, you have to solve anew each day, again and again. Maybe the answer Chidi’s looking for isn’t a new way to formulate points or tally good deeds and bad. Maybe it’s that points, that reductions of the infinite complexities of our existence to dots and dashes and other efforts to chalk up the best and worst of us, inevitably fail to account for who and what we are from day to day. It represents a similar evolution in The Good Place itself -- recognizing that what makes a person who they are takes more than an A-to-B flashback, but a rush of key moments and realizations that build to a greater whole.
Either way, humanity, existence, and more may rest on Chidi’s shoulders, but he’s no longer burdened by the need to solve for x, and content to look into the eyes of the woman he loves with joy and hope. For now, at least, that’s enough.
