Liked the first movie, but this one felt.... Milked. They were almost always running from something, which got quite repetitive. While 'run' is in the series name, it still got old very quickly.
The main character, Thomas, seemed to be the only one who was being developed as a character. Everyone else was bland.
This is rather good but I'm a sucker for alien movies especially when there's a good "they're already here and messing with us" conspiracy behind it.
the presence of the greys is now a fact of life, like death and taxes.
the film is very good...
Better than the first one. Shows more aspects of the purge 'philosophy' together with a danger of its miss-usage.
I'm still sobbing as I write this. The film is very good but it is quite traumatic. It is a subtle meditation on grief (as symbolised by the monster) and will ring true to a lot of peoples experiences. Billed as a family film, though I fear young ones will be too scared by the monster and too upset by the subject matter. Brilliant performance from the young lead and a great script that isn't as heavy handed as it could have been.
An hour and forty minutes of Scarlett Johansson getting naked, seducing guys and killing them in some weird vortex pool inside a house. If you like her, watch it! Scarlett and the awesome film photography are good reasons to do so.
You have to be in the mood to be challenged and completely open to see it as a look of the world through her alien eyes.
It's bizarre, dark, intriguing and is going to make you think "WTF is going on here?!". But it's a boring film overall in which nothing really happens - be aware of that.
I wanted to love this so much, but it just felt... Empty. The characters didn't connect at all and the Fantastic Beasts themselves felt like an afterthought to the franchise they're actually trying to build.
Overall a watchable movie with some charming moments but damaged by a muddy story and atrocious pacing. I expected more from the HP universe.
The three Doctors interacted so wonderfully--especially Tennant and Smith......and then the Gallifrey revelation...WOW!!!!!!
Well, I compleatly enjoyed the movie. I like the music in the movie, it fits in perfectly. The screenplay was nice and acting was good, but the ending for me felt rushed. It feels like they could have made it better, but I still liked it! But I don't know how the book is, so can't say how different the book and the movie is. Maybe I should read the book!
And what is it with movies and trailers lately. In the trailer when Vee goes to the cop car, the police officer know her name and seems to be "part of the game". But it was not like that in the movie. And when i first saw the trailer, that part made the movie seem "better?". But well, I guess the trailers now days lie about the movies ;) cough cough suicide squad
I read the Book this story based on and thought "Why isn't there a movie of that yet?" and 1 or 2 years later Nerve came up. I was instantly hyped and watched it in the cinema. I have to say I really get goosebumps at some parts of the movie. They changed the challenges and some backgroujd Informations but of course the story had the same orientation. As I said I really liked the movie. But the ending in the book was way better in my opinion. In the movie it kinda is pretty boring and disappointed, at least a little bit. Still recommend it, but you should read the book before ;)
[7.6/10] One of the best tacks a horror film can take is rooting its supernatural or outsized sense of terror in something real. That grain of truth at the core of a movie’s scares makes them more vivid and gripping than bare, spooky scenes or the usual collection of ghoulies.
It certainly works to the benefit of The Visit. The film tells the story of two young children, Becca and Tyler, visiting their estranged grandparents for the first time. “Pop Pop” and “Nana” behave strangely, rumbling and being ill in the middle of the night or sneaking out to a mysterious shed, in a way that unnerves their grandchildren.
The smartest choice the film makes is to walk the line between whether this is the sign of something sinister or wrong, or whether it’s simply a combination of dementia and unfamiliarity that’s disturbing the kids. It’s a horror movie, so it’s not hard to guess how things play out, but the film gains strength by playing with that ambiguity. Outside the confines of a Hollywood picture, kids can have trouble relating to their grandparents, understanding the physical and mental challenges their elders are going through. Using that natural anxiety, that natural misunderstanding, both serves as a means to muddy the waters of What’s Really Going On, and to elevate the frightening qualities of when Nana and Pop Pop are acting out.
If there’s a smarter choice, however, it’s in the casting of the two young leads who carry the film. Olivia DeJonge plays Becca, the older sibling who is a budding director, out to document this momentous and fraught family occasion, with a combination of precociousness and vulnerability. Ed Oxenbould plays Tyler, Becca’s colorful, freestyle-rapping little brother, who makes for an amusingly free-wheeling yin to Becca’s very deliberate yang.
Centering a movie around kids is hard, as the challenges of finding the core of a character and maintaining it from beginning to end can be difficult for young actors. But DeJonge and Oxenbould both give their characters a sense of realness in their childlike reactions to the world around them, but also deliver the emotional layers to that experience to make them compelling figures and not just props in this drama.
Much of that comes from the script penned by the famed/notorious M. Night Shyamalan, who also directs the film. He too captures the inquisitive, precious spirit of childhood, while making Becca and Tyler easy characters to become endeared to and fear for. The film also features one of Shyamalan’s tightest scripts. As much as Shyamalan takes time out to be a little loose and show the kids being kids, helping to establish character and tone, he also dots every “i” and crosses every “t” in terms of setting up the mystery and providing plausible hints, convincing red herrings, and a solid build to the truth about what’s happening with their grandparents.
If anything, the film’s narrative is a little too neat. Emotional beats or noted characteristics come back into play at just the right moment, to the point that the viewer can see the strings of why some detail or story was told in the prelude. The plot never feels too convenient, but at times it moves like it’s on rails.
The same cannot be said, however, for the cinematography. Shyamalan employs the “found footage” conceit here, and it gives him a chance to use perspective and the verisimilitude of that choice to accentuate his scares. More than anything, it allows us to better know Becca and Tyler. If we’re not literally seeing their perspective, hearing their voice and seeing their point-of-view from behind the camera, then we see them in confessionals, opening up in the piercing way only a camera lens can admit.
Shyamalan uses that choice -- having the kids “filming” almost all of the movie, for both terror and fun. The hand-held conceit turns a simple game of hide and seek, or a chance encounter with a bystander on a visit to an old high school, into terrifying episodes, filled with crawling figures or troubling confrontations. But it also gives Tyler the chance to goof off in front of the camera in the way a ten year old would, or for Becca to amusingly wax rhapsodic over not wanting to be too intentional in her zooms and cuts, with Shyamalan clearly having a good time poking fun at his profession through the eyes of the child.
The only problem, then, is that once Shyamalan has laid down that initial layer of humor and creepiness, the inevitable reveal leads to a bit of the air coming out of the picture rather than the terror being heightened. Once the scales fall and the ambiguity is no longer there to goose the scares, the film becomes more stock in its horror, and the emotional climaxes coincide with the horror climaxes a little too easily.
Still, The Visit isn’t content to merely offer a snootful of well-crafted horror and an endearing, if frightening kid adventure. There’s a heavily-underlined but potent theme about acceptance and processing anger for those who’ve hurt us, particularly family members. The film isn’t shy in the way it connects the feelings of Becca and Tyler’s mom (Kathryn Hahn, who makes a strong impression in just a little bit of screentime) toward the parents she hasn’t spoken to in a decade and a half, with Becca and Tyler’s own feelings about their absentee dad. As with the scary side of the movie, The Visit pays both of these internal challenges a little too easily, but still convincingly.
It’s hard not to draw comparisons with Shyamalan’s breakthrough film, The Sixth Sense, give both movies’ use of talented child actors and themes of making peace with difficult parts of our lives, but The Visit stands on its own. It’s a tidier film, more self-contained, more human and unvarnished, with its single-location focus and more conventional scares. And it finds the sweet spot between the real things that unnerve us, and the grander horrors of the screen, to make an effective vignette about two kids finding their way through one uncertain situation and resolving another.
The only scary part of the movie is that creepy snapchat smile. It freaks me out every time I see it.
That ending kind of pissed me off. It felt similar to The Ring's solution.
Fun comedy, both cynical and sentimental in the appropriate doses, just like a real wedding.
it was not what i expected but i liked it hh. really fun movie and you don't get the story at first but then u get really hooked on with the characters and their struggles and how they help each other throughout the movie. really fun,enjoyable movie.
The sound track is great and whoever did costume design for this must have been having the time of their life. It's gory as hell, cheesy at times and really sweet at others and a ton of fun overall. I really had fun with this film and i recommend it to anyone who even vaguely enjoys this kind of flick.
Reminded me of the goof times! And the music was just awesome! Listening to it right now. Movie not for all, but definitely will be enjoyed in right hands)
Absolutely loved the retro feel and gore. Good soundtrack and a fun watch. Great B movie.
I was Impressed, I love the 80s style theme, the effects were great, and the sense of humour of the script was on my level. Spot on sound tracks. WTF gore. It's got it all, full on action XD Bring on number 2 :P
Who would have thought a retro super-gory fun-fest would be so sweet!
Hmmm. It is an OK movie. It is tense for sure, but in terms of what actually happens there isn't much let's be honest. As there really is no beginning and no end, it feels like a tv series episode in my opinion. There are also some questionable choices from the characters, one in particular, that do not make sense or have any logic. I'd give it a 5 out of 10, sorry.
Good tension set pieces, if a little repetative as a formula. Totally illogical. Predicatable.
Parents of the year right here.
What a load of crap. The acting was dreadful. Give this a wide berth if possible. Story line was rubbish too. Total thumbs down for me.
I don't care what people say... I liked this movie! Sure some bits where predictable but I laughed most of the movie! Just like Baywatch... Don't think to much and just enjoy the movie
The draw for me to this show was Dwayne Johnson (son of Nova Scotia born Rocky Johnson from Amherst) and Karen Gillian. I'd alway thought I'd enjoy The Rock but was never drawn to his movie choices, and Karen Gillian has been crushing it ever since her DOCTOR WHO days. This movie was a blast! Situationally funny, challenging social mores, drawing life affirming conclusions, big adventure, great comedic timing and talent. It was a hoot and I'll probably watch it again when it is released to DVD. I give it an 8 (great) out of 10. [Young Adult, Action, Adventure, Comedy].
I agree with the other comments that the story is pretty flat, and I really would have liked to have seen more of the actual perfect dates, but the characters were charming, the touching moments relatable (if sometimes cheesy), and most importantly, the jokes were hilarious.
It's an amazing movie provided you know what you're going in for. There'll always be moody critics who will find faults.
This movie is exactly what it's trailer states. A light hearted murder mystery with comedy in between.
Jennifer Aniston was lovely as always.
I especially love the ending to it
Spoiler
They end up on the orient express.
