I hope I can watch this again someday, and enjoy it in a different way. But as far as seeing it in the theater goes, it was a mildly enjoyable journey that turned in to an annoying slog, which ultimately culminated in disappointment.
What the fuck Tarantino? No mystery, no comedy, no trademark dialogue, NO STORY! This movie relies on presupposed knowledge too much. I go into movies that I want to see without reading anything about them or watching any trailers. So if the movie takes until the final act to reveal what the mystery even is, and then subverts it within 10 minutes in a ridiculously, unnecessarily violent way, it doesn't make for an enjoyable movie. It was two hours of a red herring (if you know what it's about already), and then a half hour of "Is this movie seriously going to end without tying together any of these useless, boring storylines?"
First act: Tarantino's use of different film stocks, and his decision to start the movie by showing his version of a corny Oldwest show got me very excited for what was to come. During the first act however, he went back to this a bunch of times, and each time it was a little less enjoyable when it only started out as mildly humorous in the first place. the character development, and relationship between Pitt and DiCaprio was fun to watch. Other character development was pretty flat, and the Bruce Lee scene was just dumb. Pretty early in the movie I started to dislike Pitt's character. this obviously would detract me from enjoying him as the pseudo-hero later.
Second act: The Sharon Tate storyline was really starting to get to me. It's been years since I read about the Manson murders, so when I heard her name, I was thinking "that sounds familiar, I think there was something called the Sharon Tate murders. Maybe Brad Pitt is supposed to end up killing her or something." The more they were following Sharon Tate in her daily activities, the more I was thinking that she better be an important part of this movie or else I wasted about 45 minutes watching something that doesn't even matter.
The scene where Brad Pitt goes to the hippie hideout is easily the best in the movie. Even though at that point I didn't realize this was supposed to be a Manson thing, it was still a very intense scene. Had I known that this was a twist on the Manson family, it would have been a little more entertaining. So maybe Tarantino could have done SOMETHING to tell us this instead of just assuming that everyone is gonna watch every trailer and think that every hippie congregation is supposed to be the Manson family. This was the first time I was taken out the movie by the over-the-top violence inflicted on a character while everyone around me was laughing at it. And if you're supposed to think it's funny even if you don't know that they're supposed to be a murderous cult, then I don't know what the fuck is wrong with people.
Final act: I'm sitting in my seat, and all I can think is "this better be one hell of a third act to bring all these boring, useless storylines together." DiCaprio gets drunk and yells at some hippies. Pretty funny. Pitt takes his dog for a walk, and starts tripping on acid. Kinda funny. then for the first time in two hours, these hippie characters (that you're wondering why are even in the movie to begin with) FINALLY say something that shows they have a murderous leader. Then I start getting excited, finally connecting the dots, and thinking oh man this is gonna be a cool take on the Manson murders. And within five minutes I am not only disappointed by the climax, I am incredibly disappointed in my overall experience with the movie.
The hippie characters only deserved what they got in our real universe where they did the actions that they're know for. But in the movie universe, they were not responsible for these actions, and so their punishment was out of the blue and unwarranted. And if you don't know the real life story of these characters, I would expect that you would be disgusted by what happens, and how everybody is laughing around you in the theater. it was jarring in a way that other Tarantino violent scenes are not. he has made some of the most intensely violent scenes, but they are done for drama, for realism, or to get you disgusted with a character. This violence was done for humor, and I felt very out of place in the theater being the only one who was questioning why people are laughing at a dog ripping a guys genitals off, and then a girls face off while they're both screaming in horror. or apparently everybody's favorite was when the girl's face got smashed over and over into a coffee table until there was nothing left of it. everyone laughed the hardest at that part.
Either I missed something absolutely huge that changed my perception of this movie, or Tarantino has made a huge shift in his writing style, and the audience has made a huge shift in what is funny. Two movies ago Tarantino had a guy getting ripped apart by dogs, and it is one of the hardest scenes for anyone I know to get through, now it's funny because they committed murder in a different reality? I don't get it, I don't get the movie, and fuck you Tarantino for giving us two hours of nothing so you can give us 5 minutes of violence. I enjoyed the first time you did that in Death Proof, when it was actually entertaining. It's a real shame to add this movie to his near flawless career.
2 / 2 directing & technical aspect
0 / 1 story
.5 / 1 act I
1 / 1 act II
.5 / 1 act III
1 / 1 acting
1 / 1 writing
1 / 1 originality
0 / 1 lasting ability to make you think
-.5 / 1 misc (wtf?)
6.5 / 10
Just to preface this, I thought A Force Awakens was emotionless trash that undermined the entire purpose of the original three films.
Rogue One was the opposite.
The best thing about this movie was the emotional impact. It underlined the sacrifices made to make the original trilogy possible. Some people have called it long, but that helped build up characters that you actually felt for, and who weren't carbon copy ripoffs (cough cough A Force Awakens). The final scenes as the two main characters face their fate, recognizing that it was worth it, gave such a high emotional payoff. Each major death scene actually made you feel something.
The second best thing was K-2SO. Very funny, and much needed comedic (but not goofy) relief.
The CGI for landscapes and the world creation was outstanding. When I see a movie like Star Wars I want to be amazed and see things that I haven't seen done before. I want to be impressed and drawn into new, beautifully crafted worlds. In this respect, the movie just kept delivering over and over.
The cinematography was great during the action sequences. The sequences looked epic, and the violence and sacrifice felt meaningful. The Vader fight sequence was intense.
It also had interesting ties to current events with its commentary on terrorism/rebellion/weapons of mass destruction. By the way, the science genius character realizing that he isn't priceless in developing some major device is fantastic. All of the movies with "only so-and-so can figure this out" are very disappointing.
The moral message of the movie was also very clear and well delivered.
I really enjoyed the movie overall and thought that it was a big step in the right direction. It was adventurous again, it was sometimes shocking, original, and most of all meaningful. A Force Awakens failed on all of those points. It's good to see a franchise movie that's taking a bit more risk than average. AFA was just like the new Star Trek films, shiny bling low-impact action movies that just happen to be set in space. Rogue One pushes far beyond to show the what drives the Rebellion in a world we know and love.
Despite the fact that I really liked the movie, it had some flaws:
- Tarkin face CGI
- Some of the acting in the first half.
- Tarkin face CGI
- Some of the cuts were really weird and the pacing felt off for portions of the first half.
- Tarkin face CGI
- Forest Whittaker just deciding to die instead of trying to escape.
- Tarkin face CGI
- A few unbelievable plot lines (thankfully most were minor). Like Cassian being sent to kill Galen for almost no reason, and then deciding not to for no reason, and then Jyn forgiving him surprisingly easily. How did she even know that he was trying to kill her father?
- Tarkin face CGI
- Does every Star Wars movie need to have a father character die? Why didn't Cass follow orders when he heartlessly killed someone else in his first scene?
- Tarkin face CGI
- Heavy handed political messaging.
- Tarkin face CGI
- Said "hope" too many times.
- Tarkin face CGI
- You can just push Star Destroyers that easily?
- Tarkin face CGI
- The word "Stardust"
- Tarkin face CGI
- Too many random worlds introduced that you don't have the time to get invested in.
- Tarkin face CGI
- Too much awkward fan service.
- Tarkin face CGI
- Darth Vader's voice sounded off.
- Tarkin face CGI
- Some of the dialogue was really terrible.
- Tarkin face CGI
Possibly Shinkai's best work so far, and as a massive fan of both 5cm and Garden of Words I do not say that lightly. The animation is breathtaking as always but some scenes go beyond mere visual splendor and are just mesmerizing. The characters are so fun to be around and you'll find yourself rooting for them and hoping it all works out. I was slightly concerned when I saw the "boob fondling" scene in the trailer but even that becomes a genuinely charming gag throughout the movie, believe it or not!
As to be expected of Shinkai, the film also takes you on a roller coaster of emotional highs and lows and keeps you guessing how it will end until pretty much the last minute.
I cannot recommend this enough.
Midsommar is a complicated beast. Those going for something as linear as Hereditary will be immediately disappointed by Midsommars somewhat convoluted plot elements and meandering pace. I sat in the cinema as the credits rolled by, deep in thought about what I just watched, and if it was any good. Nothing really sat well with me, and the film didn't really connect upon immediate completion, but I gave it time to digest.
Ari Asters two movies are very much at odds with each other. Hereditary slaps you with it's excellent presentation, pace, sense of dread and quality of acting on display. Then, upon further inspection, it's woven plot elements and symbolism shine through on subsequent viewing.
Midsommar is very much the opposite. The film almost dawdles in it's presentation and doesn't fully attack you with it's acting chops or narrative (although Florence is simply stunning in her portrayal of Dani). Midsommar more presents it's parts in a very matter-of-fact fashion, and then leaves it up to you to connect the dots of both the plot and what's on display. While there is far too much to unpack in this small comment section, I'd just like to detail some of my favourite themes on display in Midsommar, and why it went from a 6/10 during my cinema viewing, to a solid 8 - 8.5/10 upon reflection.
--- LONG DISCUSSION OF SPOILERS BELOW THIS POINT ---
One of Midsommars central parallels is the individualism/selfishness of Western life and it's stark comparison to the commune we are introduced to. Examples of this are: During the intro, Dani is going through the trauma of a suicidal family member and her boyfriend, Christian, is encouraged by his friends to abandon her in her time of need telling her to see her therapist as it's not his problem. Christian echos these sentiments directly to Dani about her sister, telling her to leave her alone as she is just doing this for attention. Upon arriving at the commune in Sweden, Mark is unwilling to wait for Dani to be ready to take shrooms. Josh, knowing of Dani's recent trauma involving death, subjects her to the suicide of the elders for his own thesis and research. Christian uses the situation to further his own academic efforts, much to the annoyance of Josh. Everyone is acting in their own self interest regardless of the emotional toll this takes on their friendships. This is a stark contrast to how we see the commune deal with distress, emotion and personal issues. When Dani sees Christian cheating on her, the female members of the commune bawl, weep, scream and cry along with Dani, literally experiencing her burden with her to lessen the load. As described by Pelle, the commune "hold" you during your distress, helping you cope and living through those emotions with you. This is further cemented by the scene earlier in the movie, shortly after Dani's sister commits suicide. We see Dani hunched over Christian's lap overcome with emotion, screaming out the pain of the loss of her sister. Christian is anything but present however, his eyes vacant as if he weren't there with her at all. This is possibly my favourite theme of the movie, as it really paints how alone we are in modern society regardless of how many people we surround ourselves with. How many people are actually there for us in our time of need? Sure, they might be physically present, but are they actually there, sharing our pain? It's truly terrifying to think about.
My other favourite theme is who is and isn't a bad person. I've seen many people online say they think Christian is a horrible boyfriend for how he treats Dani. While I can understand their position, I struggle to see how Christian is the bad guy for his actions. Christian finds himself in a dying relationship which he is mentally checked out from but decides to stay to help her through the grief of losing her parents and sister. Christian even goes as far as to bring her on vacation with him to help her through her trauma, even though he wants to split up with her. Would the audience have prefered Christian leave Dani right after she lost her family? That would have been MUCH worse. Do these actions warrant what happens to Christian? I don't think so at all. Christian is so misunderstood in this movie, I can't wait to see it again to draw more conclusions on his character. Is Josh a bad person for wanting to fully envelope himself in a foreign culture? Although we know it is largely for academic gain, Josh does seem to love learning about the culture of these people, wanting to see how they operate and know every intricacy of their faith. Does this warrant his murder for trying to document their sacred texts? Should an outsider be murdered for enjoying and absorbing someone elses culture and customs, or should they be thanked for their interest and passion? (Sidenote, I see Josh's character as a direct reflection of the usual racial stereotypes we see in movies of this ilk. Usually we see the white academic researching the savage native/minority tribe, but Josh is the exactly flip of this, which is a nice touch). Were Connie and Simon wrong for coming into another culture and expressing disgust at their customs? Should they have been so outwardly disgusted and vocal about their disapproval while being welcomed in by the commune? Sure it didn't warrant their ultimate fate, but this small subplot asks an interesting question about outsiders attempting to shape and alter other cultures and customs as it doesn't sit with their ideals.
Other small details:
While it's directly conveyed to the viewer that the red haired girl is attempting to cast a love incantation on Christian via pubes in his pie and runes under his bed, very little attention is given to the fact that Christians drink is a slight shade darker than everyone elses. From the tapestry we see at the start of the festival, we know exactly what the red haired girl has slipped into his drink :face_vomiting: Fantastic subtle horror/grossness.
Pelle talks about how his parents died in a fire and the commune helped him through the trauma of that loss. After the ending, it's pretty clear the fire wasn't an accident, and they evidently died for some kind of ritual.
Artwork above Dani's bed at the beginning shows a girl with crown kissing a bear. While direct foreshadowing to latter events, it also asks the question if this was all fate. Dani's sister's final message reads "I see black now" (potentially a reference to The Black One) before killing herself and her parents. Were Dani's parents 72 and this was the end of their cycle? Was Dani's sister already a distant member of the commune?
Runes are scattered all throughout the film to foreshadow certain character arcs or add more meaning. My favourite hidden rune is the doors to the temple, which when open, make the rune for "Opening" or "Portal". Amazing attention to detail.
Yeah, this movie is much MUCH better on reflection and I absolutely cannot wait to see it again. I really hope Ari's 3 hour 40 minute directors cut is released so there is more to dissect. While not as immediately impressive has Hereditary, Midsommar definitely has the layers and complexity to be a slowburn horror classic.
EDIT: I am now 4 days out from my first viewing and I've not stopped thinking about this movie. I've become a frequent visitor of the films subreddit and have even purchased/listened to the films dread-inducing yet somehow joyous soundtrack a number of times throughout the days. I've been reading up on runes and their meanings, reading up set analysis for hidden meanings and any other small details others can find. A movie hasn't vibed with me like this for a long long time so to reflect this, I think it's only right I bump my score from an 8/10 to a 9/10. When I can get my hands on the digital download/Blu-Ray, I'm sure this might even go higher.
Pirates of the Caribbean meets Indiana Jones.
Nice try, just entertaining, not a masterpiece.
FML I know I went to see Fast and Furious and I expected to see some ridiculous scenes but they sent a car into space to knock out a satellite dish . Were the writers high?
Did Dom and his brother have different mums or Dads as that wasn't explained at all
The original Fast and Furious was the best and the more they make the more they need to outdo the last one.
F10 will have time travel and dinosaurs in it.
Damn the preview looks cheesy. Am I the only one that’s ODed on super hero movies?
Just back from a secret screening of this and it had no business being so good.
Better and more fun than most of the recent Marvel movies!
Didn't have high hopes, and thank god. Still sad to see yet another fan favourite video game character be ruined by the adaption to film.
It's bad, and mostly because of the script. The story is awful and is very inconsistent. Sonic can run around loops and jump on missiles in mid-air but can't run up a slightly tilted wall? Also the amount of force-feeding of exposition they give in the first third is so bad. Not to mention the non-original and unneeded "Ya, that's me, how did I get here?" trope at the very beginning. The writers clearly didn't care how their story would be so generic and fall into the background because Sonic would draw people in. Like, in the action scenes, people should be dead. But, when you look around the streets, there's no one there. It honestly feels very empty throughout.
It feels like a rushed and cheap way to give a character that has been prevalent in the gaming community for almost 30 years a film. It really seems like they found someone's fanfiction and made it into a motion picture. Because if the first trailer was anything to go off of, they probably saw Sonic fanart on DeviantArt and thought that's what he looked like.
But speaking of looks, some positives. The colours work well, the art direction is okay and cinematography ain't half bad. The production design is pretty good and we all know Sonic looks much like himself again. As for a score, I don't remember it. Flat sad music is all that comes to mind.
I truly believe hardly anyone cared about this project, and that goes for the actors as well. I was kinda intrigued by how Jim Carrey would play the role here. After his great show Kidding where he used his over the top acting in a profound way. I was hoping to see it continue with this weird eccentric character. But no, it's just the old Jim Carrey again. His ability to move the way he does did seem to fit right in my mind, but when he spoke it just didn't work. Plus, the way he was written is so lazy.
I laughed once, right near the end at that damn Fitbit joke. The tonal shift of that character and her delivery honestly caught me off-guard. The best part of the movie.
Not the worst video game movie, but certainly not improving the general view on them either.
3/10
Not as solid as I hoped. It's confusing for sure, but they could have done so so much more with this concept and world. But they didn't. It has left us with a story that is interesting, yet unrelatable. Things move way too fast and I would have preferred a longer runtime because it is that intriguing. And while the ending is great, the way that Nolan tries to merge the two viewpoints isn't done well. Leaving me feeling like my dad when he watches Transformers (2007) and asks who is who.
It needed to be simplified a little more because everything else is amazing. The effects, the overarching story, the acting. The music, however, is terrible and overblown to give a sense of action when there isn't enough happening. The only part where it worked well was in the final fight, but even then it needed to be quieter.
The cinematography is good as always, but I feel it is lacking compared to Nolan's previous work.
When it comes to action and the draw to this movie, the reversal shots. They deliver, but they are too and far between. It gives us great scenes of reversal action, then one drawn-out segment at the end that doesn't feel rewarding as like I said before, it isn't merged well.
This movie may grow on me more after a second viewing, but it left me in a state that I don't wish to see it again any time soon. It is not fun enough to see again, it is not engaging enough to associate and learn from. Something that Nolan has done well at in the past is his ability to leave questions with the audience after they finish his films. Here, it just provides answers and left me unsatisfied in that regard.
7/10
First of all, its a pretty cool feeling knowing that you helped produce this film on indiegogo (or kickstarter, whichever one it was). I was impressed by how well made it was. It felt like a big budget movie.
Second, the story was great. A few things happened that I didn't expect to.
The only thing that I didn't like was the ending... It needed 5 more minutes to explain what the hell just happened. Connor said he's going to make things right. But nothing happened. He visits his mom's grave. Then what? He's back where he started, minus having a mom?
Did Garrett essentially replace Marcus with that deal?
Did Park not end up having powers? I definitely thought he was going to have powers.
So Nia got to visit her dad in prison. That's not really a happy ending for her, is it?
Maybe I missed something while I was watching...
2 hours in and nobody's been terrorized by a giant insect... Honey... I shrunk the Trakt score
"El Psy Kongroo" has finally returned for one last finale (this is the official end to the series) and boy was it worth the wait. As an absolute lover of Steins;Gate (I'm possibly biased), this was a very fulfilling and emotional conclusion to the series and really did a good job of tying up loose ends and plot holes that still existed. As the original Steins;Gate was a story about the journey, struggles and decisions of Okabe through time, this movie gives Makise (one of my favorite tsunderes) a turn to shine and really emphasizes the feelings and conflicts of love that the current Steins;Gate world-line Makise was facing that were only touched upon in the OVA.
The continued development of the romance and the true revealing of feelings between the two time-crossed lovers were a treat, and the creators were able to give a more in-depth explanation of the reading Steiner ability and deja vu effect. I and, more importantly, Makise could also finally understand the pain that the current Okabe was still going through even though he had "saved" everyone which was a critical development in my eyes. I also really liked the difficult struggle between the "scientist" Kurisu and the "woman" Kurisu on the decision of whether to risk saving Okabe against his "wishes". The movie could have maybe touched a bit more on the other characters, but in 90 minutes, the resolution of the story between Makise and Okabe is the most important thing to nail down (and they definitely accomplished that).
It starts a bit slow (as do all Steins;Gate related things) but the emotional pay-off is well worth it in the end. You definitely have to have seen the series and OVA in order to get any of this. I loved the movie and it's a must watch for anyone who has seen Steins;Gate. This is the end that we have all been waiting for so don't delay and watch this immediately. Here's to one final goodbye and "tuturuuuu".
how could a film that bases an entire storyline around a Ratatouille joke not be absolutely fantastic?
No one listened to the smart woman, everyone dies except the smart woman and her cat. 9 out of 10
Predictable plot, has some nicely done jumpscares. Saw it in the cinema but this would be better at night home alone instead of the snickering fools in the cinemaroom destroying any carefully built tension so my advice is to wait for the Blu-Ray.
Legend has it, that the script took forever to finish. Every time they finished a line, it disappeared
The amount of bigotry in these comments is disappointing but not all that surprising. I should be used to all these sensitive little bigots running around by now really but I'm not.
With that said the film just ok and a little on the boring side :thumbsup:
What a great movie! It wasn't a good movie, it was a great movie.
“I hate the way you talk to me, and the way you cut your hair.
I hate the way you drive my car,
I hate it when you stare.
I hate your big dumb combat boots, and the way you read my mind.
I hate you so much it makes me sick, it even makes my rhyme.
I hate the way you’re always right, I hate it when you lie,
I hate it when you make me laugh, even worse when you make me cry.
I hate it when you’re not around and the fact that you didn’t call
but mostly I hate the way I don’t hate you, not even close, not even a little bit, not even at all.“
I’m surprised at the low ratings for this film, I thought it was excellent.
It’s a simple tale, told well.
Lots of action from start to finish, great acting and production etc.
It’s a 90 minute film, but it seemed to be over very quickly; which shows how involved I was in the story.
It’s different, not predictable and I loved the simplicity of the story.
Great film!
Tito is the best. Why should I worry is a pretty good song. The story is fine and it has a short run time so that is nice. I had a good time.
Random person: "Do you always get teary eyed on Snapes death scene ?"
Me: "Always..."
I hesitate to comment, as the comments of this movie seem to be infested with Q-Anon crazies filling their pants with glee about a known Q-Anon-believer starring in a halfway decent movie. Because yes: This film is somewhat mired in controversy as Caviezel is an admitted Q-Anon-believer. This, however, does not echo in the movie. Unless you think all C.S.A. is a conspiracy, in which case I feel for you deeply.
And yes: Halfway decent, because even though (or because of) the movie is billed as 'low budget', it's still a very decent movie to watch! The theme around kidnapping and exploiting children is approached with some care, but without pulling punches. Not sensationalist, but not shying away from the realities of this "business". So for that bit: More that worth the watch, whatever your stance on the actor is. The last part of the movie is a bit of a let-down though. The film takes a wrong turn somewhere, and turns into an action romp but fails to take in account the earlier tone. So if you want to watch a good-to-great movie: Stop watching the moment he goes into the jungle. If you are in for a fair-but-flawed movie: Watch it all.
All in all worth your time, unless you are hung up on the cuckoo idea's of the main character.
Unlike many, I went into the theater to see this movie with no primer. The only message I got from this movie was "God does not like child sex trafficking and we should do something about it", and I still don't know what this movie was trying to say other than that, because quite frankly, I don't care. I've heard the lead actor Jim Caviezel is connected to the whole QAnon conspiracy craze, and I feel like that's the only reason he felt the need to add the post-credit ticket mutual aid section to the film, because while it's important to understand the importance of issues like child sex trafficking, I do not understand why else the American political right-wing would latch onto this movie other than if there was some hint in the movie they agreed with that just I didn't get that was connected to the right wing media's obsession with covering this movie and supporting it. My father made me go see it before I left home for college. That's the only reason I went to see it. It's an okay movie, but I wouldn't give it a score any higher than a 5/10.
I'm sorry but I really didn't enjoy this movie. The acting was alright but not enough to carry the movie by itself. The plot was straightforward and never made me care for any of the characters, it felt like everything was glossed over. Not a single relationship, be it between rivals, couples or family members made me feel anything, to the point that I even forgot that some characters existed in this movie until they were shown for another brief period. The plot shows you events (serial killer for example), but never expands on it, so it feels like it was tacked on and could have been cut to make the movie shorter. Speaking about length, the 3 hours runtime is really too long, and it hampered my enjoyment of this movie even more, because it started feeling like a slog halfway through.
I think that the movie didn't pique my interest with any unique features, the plot, acting and cinematography were all okay, but prolonged over a 3 hour period made me dread the time I spent watching the movie.
Most depressing Zombie-Movie I've ever seen, nonetheless a first-class ride
Prometheus was good and curious. Covenant was absurdly stupid. Good mysterious questions built up through decades do not need stupid answers.
When it comes to the Alien franchise you need to do 2 things.
Remember that Alien is a straightforward horror movie and that Aliens is a straight up action movie with horror elements. The two exist in the same franchise universe but as movies are basically separate entities.
There are plenty of stories out there about how Ridley Scott (who created the franchise and original film) disliked the way James Cameron took the whole Alien entity in a different direction. His original vision had nothing to do with a hive like mentality, with a queen alien and so forth. So to enjoy both movies you have to look at them separately within the same universe... Confusing I know, but essential to get the most enjoyment out of both films.
It starts of very nicely, aping the opening feel of the original movie, and the pacing of the first act is slow and methodical. It shows that the 'company' is more concerned about it's profits than it's employees (sound familiar) and is more than willing to scapegoat the only survivor (we find out why shortly after).
Please note that I own and will only watch the directors cut of this movie. I think the extended scenes, added exterior shots and information about how the company sent out some of the settlers to see if Ripley's story was true... Adds a great deal to the viewing enjoyment and I highly recommend that everyone watches it.
By the end of the first act, we have found out that a family was sent out to the crash site from the original movie, and that one of them was attacked by a facehugger... and that contact with the colony on that planet was lost... So a rescue team is on it's way to investigate and they want Ripley along as an advisor/consultant.
The special effects for this movie are pretty damn good considering it's from 1986, James Cameron makes a lot of use of miniature sets with lots of attention paid to details. So the viewer finds it difficult to tell where the miniature set ends and full size begins.
The action and tension begins to get ramped up, there's some great dialogue and friction between members of the Marines and once again female characters are not only present, but there as fully fledged characters, not just some pathetic love interest to fulfill a plot requirement... and of course Sigourney Weaver in the lead role. It's one of the reasons that the Alien franchise has survived 4 films and it's entirely down to her character. The performances of the cast is excellent, the FX are great for the period and the buildup to the final conclusion works really well... and of course has led to the often used quote 'Get away from her you bitch" in many other movies... parody or not. It's become part of pop culture in the same way as Vader telling Luke that he's his father has (albeit to a lesser degree). You mention that line, and people know what/who you are quoting.
I've lost count of the number of times I have watched and purchased these movies over the decades... I owned them on VHS in widescreen directors cuts, then the 20th anniversary 5 disc DVD boxset... then the 25th 9 disc DVD boxset and now I have them on bluray.
I will not however be buying them again in 4K when they inevitably get released again... These movies, the original Star Wars trilogy, Terminator & T2 and The Crow are movies I have spent far too much money on buying again and gain over the years.
My fav movie. "It's game over man, it's game over"
