THIS is how you slowly build up your characters and world to a satisfying payoff. If you have an entire episode that takes place outside of the main universe and put all the main characters into completely different roles yet still manages to retain the core of the show and give viewers enough familiarity to hold onto, then you really do know how to write. Even if the series ends here, what a brilliant, intelligent, and enjoyable adventure The Orville is. Anyone still out there who looks at this show and thinks "Family Guy in space" is in crippling denial. This show is reaching Stargate levels of storytelling and character development now. What started as a chance foot in the door, to get the fleeting chance to stand in the shadows of science fiction giants has evolved into something that actually has the potential to be one of those giants some day.
For this episode in particular, what a delightful blend of TOS movie and Star Wars musical cues, the new ships and places that are a departure from the typical Union aesthetic, and the very best special effects I've seen on this show so far. Effects that are very detailed and eye-popping while still allowing everything to be well-lit and easy to follow. A very bold and dramatic way to cap off a season, especially the second season, and a very enigmatic ending that deliberately left threads hanging while still being satisfying and positive.
THIS show is the hopeful vision of the future we need right now. Not something that just reflects back what we currently are (because, let's face it, what we currently are is embarrassing), but one that shows up what we could be if we could stop resenting ourselves and each other for five freaking minutes. We'll always have our precious mistakes, our warts, our weirdness, but it's wrong to let those things define us. In the past, this kind of love and awareness came from a different show. A show that has sadly decided to move away from the wisdom of the human adventure. Now, thankfully, it's coming from this one. Hopefully, for a long time to come.
World Premiere Review:
If I can sum up it up in one word, it's a giant "meh." I liked all of the new Star Wars up until this point, but this one was so forced. It didn't help that they had to reshoot more than half the movie with a different director, albeit with the great Ron Howard.
First problem, no one can fill Harrison Ford's shoes, it's impossible. The new characters are boring and forgettable. Still, Donald Glover just nails Lando...they should just do a Lando stand alone movie next time. Chewie is also awesome and funny as usual. I should also mention Malla is cannon now from the Christmas Special? Just speculating that's who he kisses with when he frees his people. Lumpy will probably show up in Solo 2. I saw George Lucas shift uncomfortably in the theater a couple seats over during that scene which was amusing. The story is just ok, it's a little slow and boring. At least the action sequences are fun.
Here's my biggest peeve: L3-37 is the most forced, obnoxious Star Wars character since Jar-Jar. I was so happy when this Social Justice Robot, who is supposed to be Lando's co-pilot, gets destroyed close to the end. This attempt to be "relevant to the times" sticks out like a sore thumb and the actress voicing it made me wince every time she spoke. Hopefully that's the last we hear or see of it.
Finally, Emilia Clarke's character has the depth of a sheet of cardboard. Worst of all though was the twist at the end where fucking Darth Maul shows up now post Episode 3. She is working with him and it was so cringey and shoe-horned in, I'm so tired of him not being dead. I tolerated it in the Clone Wars with spider-maul, but he just needs to go away.
