so far (2 episodes), a very boring series. Disney is trying to squeezes every penny they can get from star wars...
They never should have made this into a "universe".
Overly-complicated long fights that make no sense.
Keanu has 10 lines literally.
The only time he delivers lines with emotion is when he's speaking to Laurence Fishburne or - surprisingly - when he's talking in Russian.
Too many new characters that are there only to be killed / to be forgotten and basically nobody cares about them.
The villain is weak.
Too long, which equals too boring.
I am convinced that people just don't get what a good action movie is these days, not only because of the majority of the comments here, but also most people in my theatre liked it so much. Just because there are long complicated fight scenes, doesn't mean that this is a good action movie.
First John Wick film is a perfection. Second one was also very good. I will rewatch them and pretend that this was never a "universe".
This documentary claims to show both sides of the trial, yet it is extremely onesided, favoring Amber, and missing some crucial information from the trial, as if in this 1 year people who have watched it somehow forgot what went on. I understand the show wanted to emphasize social media's impact and extreme reactions, but they did it in such a poor manner, barely showing any of actual trial material, playing countless TikTok videos and depicting those in favor of Johnny as a cult and/or mindless haters (some of them were, but certainly not all). It is barely a documentary, more like a selection of the creator's favorite excerpts and memes.
Solid movie. A perfect balance of levity and psych thriller. I didn’t come away feeling 100% satisfied, but it was very enjoyable nonetheless.
A show notorious for an awful ending comes back from the dead and has an even worse second ending.
An ending which wasn't earned at all:
- Dexter is acting sloppy and idiotic the whole time. This is a man who got away with hundreds of murders.
- Angela, who hasn't been able to solve a series of missing persons cases in her own town for 10+ years, solves the BHB case thanks to a series of plot contrivances, a google search and a freaking retcon (the M99/ketamine inconsistency, that made all of this possible). Her conversation with Batista in the final episode makes no sense either.
- The writing for Harrison is all over the place. After ten episodes I barely know who this kid is and what he wants. He keeps running away from conversations until the final couple of episodes and then we get barely 45 min of father-son bonding out of the whole season. His 180° turn in the next and final episode feels incredibly rushed.
- The show completely falls apart when Dexter kills Logan and he didn’t have to. All the evidence they had on Dexter was circumstantial at best, they had nothing solid to tie him to any of the murders. Any capable lawyer would have got him out of this. So his decision to attack a cop and prove himself a killer is the most illogical and out of character action he could have taken at the time. It was all downhill from there.
I am not upset Dexter died. His death could’ve happened in any number of fulfilling ways that honored the journey and the themes of humanity, morality, consequences, personal growth, development of empathy, justice/vengeance, the lasting effects of trauma the show explored in its' original run.
I’m upset they instead had his own son put him down like an animal while undermining years of character development to tell us he was just a psychopath incapable of feeling all along. Vilifying him entirely at the last second to force this outcome feels like weird moralistic bullshit punishing and mocking us for caring. Miss me with that bullshit.
[Netflix] As with many stories featuring teens, the inability to give them a believable voice is disappointing. Once again, this short stories anthology series, that builds a main plot to stretch it out to exhaustion, offers implausible dialogues of fifteen-year-olds talking as if they were thirty years old. And it reflects on life and death through characters who don't have a solid life experience.
Clichéd and derivative nonsense
Matilda Gray (Lydia Wilson) is a talented cellist whose life is turned upside down when her mother, Janice (Joanna Scanlan), suddenly commits suicide. Whilst going through Janice's possessions, Matilda finds newspaper clippings reporting on the disappearance of a young girl from a small Welsh village 23 years earlier. With her best friend Hal Fine (Joel Fry) by her side, Matilda travels to Wales to try to find out why her mother was so interested in the case, and what she finds will cause her to call into question everything she thought she knew.
Requiem is not a very good show. The plot is utterly derivative, with writer Kris Mrksa stealing bountifully from everything ranging from Henry James's The Turn of the Screw (1898), to Jack Starrett's Race with the Devil (1975) to Robert Eggers's The VVitch: A New-England Folktale (2015). Matilda fails to engender even a modicum of empathy. She's deeply unlikable, and shows little self-awareness as she harasses a child and a clearly mentally-unstable woman. And then there's the tonal raison d'être - the "horror" of it all. Director Mahalia Belo is very much of the modern school of horror filmmaking; mix equal parts shallow focus camerawork, high contrast shadows, and unnatural noises, and finish with a garnish of implausible jump scares. Also Tara Fitzgerald, as antiques dealer and all-round weirdo Sylvia Walsh, appears to have forgotten how to act. The last twenty minutes of the last episode are pretty decent, and properly creepy, but by then it's far too late.
Mostly cringe. Just trying way too hard to fit it jokes. Also the story is so lame. Could have portrayed it better.
This entire season felt like a colossal waste of time. Basically, nothing happens, and the finale solidifies that. There are a few amusing moments throughout, but overall, the acting and writing are bad.
the worst french i've ever heard in my life.
Bloodsport: “Nobody likes a showoff.”
Peacemaker: “Unless what they showing off is dope as fuck.”
James Gunn recently said in an interview that he finds superhero movies “mostly boring” right now. Anything ranging from safe and boring or technically well-made but disposable, at best. Gunn received at bit of heat from fans for those remarks, but in some sense, he’s not wrong. Because sometimes following the same formula will eventually wear fin and more risk taking needs to happen.
And here we have ‘The Suicide Squad’, the soft reboot to the 2016 film, but this time directed by Gunn himself, where he delivers a highly entertaining movie that is bursting with creativity and ultra-violence. James Gunn once again shakes up the superhero formula with a slick style. I’m just glad DC is finally letting directors have a voice and a vision, and I hope it stays like that.
The first 10-15 minutes tells you exactly what the movie is going to be.
I just can't believe we got something like this. It's 2 hours and 12 minutes long, but it's always on the move. It’s bonkers from start till finish, and I enjoyed every minute of it. This is probably one of the best shot movies in the DCU. The soundtrack is great as well and used effectively. The action scenes were insane and made the overall experience one of the most fun I had at the cinema in a long time.
A massive improvement over the 2016 film, AKA ‘the studio cut’, is that the movie doesn’t look ugly and isn’t chopped together by trailer editors. The movie is vibrant in colours that made it look pleasing to the eye. The structure at times is messy, and yet strangely well-paced, as there’s a lot going on.
Did I mention the movie is very gory? It’s cartoonish violence, or what people call "adult superhero movie", so it's not for kiddies or for the faint of heart. You would probably guess that not everybody on the team is going to make it to the end credits, so deaths are to be expected, but how certain characters “bite the dust” are so unexpectedly gruesome and brutal, it took me by surprise each time. The marketing for the movie was right, don’t get too attached. As I said before, James Gunn had complete creative control over the movie, and he doesn’t hold back on what he wrote and show on screen. But then again, it's a movie, it's not real, the actors who die on screen are fine in real life...I think.
All the cast members have equal amount of time to shine, and you like these super villains this time around, as each character had wonderful chemistry with each other. John Cena plays Peacemaker, who can be best described as a “douchebag version of Captain America”. An extreme patriot who will do the most horrific things for liberty. John Cena excels in the deadpan line delivery for comedic effect, but surprisingly enough, worked well in the serious moments. Looking forward to the spin-off show ‘Peacemaker’.
Margot Robbie once again nails the role of the chaotic but gleeful Harley Quinn. While the character isn’t front and centre this time around, more of a side character, but whenever the character is on screen, it’s instantly memorable.
Idris Elba plays Bloodsport, a contract killer who’s doing time in prison after failing to kill Superman with a kryptonite bullet, while also dealing with family issues, especially with his daughter. While the character may sound like Will Smith’s Deadshot from the 2016 film, but trust me, the execution here is much stronger. This is by far Elba’s best work in a while. Charismatic and a strong leading presence.
Polka Dot Man, played by character actor David Dastmalchian, a socially awkward, weird, and lame sounding character that has some serious mummy issues, which has a funny running visual gag throughout. However, because of Gunn’s writing and Dastmalchian's performance, the character is more than a joke, but a unique character to watch.
Ratcatcher 2, played wonderfully by Daniela Melchior, who brought so much warmth and heart to the film. I loved how they tied in her tragic backstory into the finale, as it honestly made me cry. And let’s not forget the king himself, King Shark, voiced by Sylvester Stallone. He stole every scene he’s in, because he’s so adorable and has such kind eyes, but when he’s hungry, he can be a killing machine.
The rest of the supporting cast, even in the smaller roles, still manage to stand out amidst all the chaos. I liked Joel Kinnaman as Rick Flag a lot more this time around, because the actor was given more to work with in terms of good material. Viola Davis is brilliant as the cold and ruthless Amanda Waller. And Peter Capaldi is always a pleasure to see. Also, I like the character of Weasel, who I can describe as a unholy offspring of Shin Godzilla and Rocket Racoon. He may not be beautiful to look at, but he's beautiful to me.
Like ‘Guardians of the Galaxy’, the movie has a lot of heart and I like how they took certain characters, who on page sound stupid and ridiculous but are handled with such love and depth, while also being self-aware of its own characterization.
You can literally watch this as a standalone movie and you won’t be lost or confused, as you don’t need to watch 22 other movies to understand it. This is by far the strongest entry in this jumbled mess of a cinematic universe.
Overall rating: Nom-nom!
When the spin off is better than the original.
Super fun watch.. woulda made a great tv series
Started off as a half decent action movie till the truly horrible third act.
Why would the government not help kill them under the ice, they were quick enough to believe 'the future people'? Just so you can have your small group of outcasts save the world? Why go through more than half of the movie to help 'the future people' and then barely use what you fought for, the toxin? Terrible writing.
Very BAD series, a movie adapted to be a series, a plot with no sense, no character development or even a good animation.
I really wish the season was longer. Really loved how it showed how teens use technology nowadays. Overall pretty great show.
Netflix is really killing it with these international shows. They are 2 for 2 for german shows IMO which is saying a lot seeing how 95% of german TV is absolute shite.
Horror with training wheels that even the younger crowd will find slow.
This movie is god awful. The storyline is just terrible. It's a complete bore. And it's a shame that they waste such a good cast. The final act is just plain bizarre. The entire movie I kept thinking that I would rather be watching Rear Window, or even Disturbia.
It is difficult to reach the end, I was almost giving up but I insisted.
The film is going to be very bad, but it ends up being worth it.
If you can’t take it anymore, skip to when It is difficult to reach the end, I was almost giving up but I insisted.
The film is going to be very bad, but it ends up being worth it.
If you can’t take it anymore, skip to when there’s 25 minutes left and then it can be worth it.
After five minutes into the movie I can already say I hope they all die.
One of the funniest movies I have watched with a good message to see what's on the inside of people rather than the outside.
I was reluctant to see this because of superpowers but did anyway... While I'm very aware of it's positive reception I don't really share that sentiment. It starts out somewhat OK but certainly works around it's budget in quite early on. Where it probably went really wrong for me is the reception of the little main girl as she struck me as an ungrateful little brat and had that annoying stare all the time. As the story went along it felt like TV tier clichés thrown together the ice cream truck was esp. cringe and it jumped all over the place from her being the key for liberation of the "Freaks" to just saving mommy. Thank god she is a Mary Sue so all works out fine and got daddy killed to get her mommy instead...
Script was written by a 12 year old. Effects by bootleg Michael Bay. Nice try to milk some money and good job for ruining franchise.
Wow this was awful. Very disappointed.
Classic show from my childhood!! Dinosaurs rocked!
This show is seriously amazing, I've rewatched it several times and I still laugh at most of the jokes in an episode.
Onde of the Best TV shows from de 80’s and early 90’s. Reminds me of me childhood and adolescence.
There are two kinds of sitcoms - the ones that you can watch every couple of years and still have good laughs about and then the ones you didn't even laugh at the first time. Now guess what this belongs to.
What I love the most about it is the total lack of so-called political correctness. A show like this would be impossible today because there would be an outcry and commitees beeing formed to get this off the air.
Oh what great were those times.