Everyone keeps suggesting there is a paradox concerning the 5D future humans and their ability to save humanity in the past. It's really not a paradox at all. Everyone assumes humanity survived to ascend to the 5th dimension but how could humanity exist in the future if not for the actions of Cooper.. who was guided by future humans (begin endless loop).
Did anyone ever consider the other important character in the movie? Amelia Brand carried on with the rest of her mission (thanks to Cooper). I postulate that Brand used the human seeds as intended and set up a colony. A colony that would thrive and eventually evolve beyond human. Thus Earth is of little importance, and may have indeed died. These colonists, and the generations that followed, would have been told the story of a great man (Cooper) who saved them from extinction. With the ability to manipulate space-time, they would pay homage to their hero "God" by helping him in the past so he may fulfill the mission most important to him, to once again see his daughter. Plan B worked beautifully. But the 5d humans, having the power to bend space-time, decided there's no reason why Plan A had to fail.
Watching order
Because there are some issues with watching this, here is the order.
Copying from the site in case it ever goes down, but this info came from here: http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html
It's probably more confusing here on trakt, so go to the above linked site for a better layout.
The Miniseries
Night 1
Night 2
Season 1
1.01 33
1.02 Water
1.03 Bastille Day
1.04 Act of Contrition
1.05 You Can't Go Home Again
1.06 Litmus
1.07 Six Degrees of Separation
1.08 Flesh and Bone
1.09 Tigh Me Up, Tigh Me Down
1.10 The Hand of God
1.11 Colonial Day
1.12 Kobol's Last Gleaming, Part I
1.13 Kobol's Last Gleaming, Part II
Season 2
2.01 Scattered
2.02 Valley of Darkness
2.03 Fragged
2.04 Resistance
2.05 The Farm
2.06 Home, Part I
2.07 Home, Part II
2.08 Final Cut
2.09 Flight of the Phoenix
2.10 Pegasus (56 minute extended version)
2.11 Resurrection Ship, Part I
2.12 Resurrection Ship, Part II
2.13 Epiphanies
2.14 Black Market
2.15 Scar
2.16 Sacrifice
2.17 The Captain's Hand
Razor (101 minute extended version - not the 81 minute broadcast version)
Important note: This was originally broadcast just before Season 4, but chronologically it fits here, telling more of the Pegasus's story. Some people argue it's better to watch after Season 3, as originally broadcast, but it makes most sense to watch it here.
The reason that the placement of Razor is a hotly contested issue among BSG fans is because of a bit of dialogue at the very end (in the last 10 minutes) which sets the tone for Season 4 (barely even a spoiler). Everything else in this TV movie is not a spoiler.
So why place it here, and not where it was originally broadcast, if there's any sort of issue? Because, chronologically, the story is set here, and by the time you reach the end of Season 3, the story of Pegasus will feel like ancient history. Indeed, that was the complaint echoed around the internet from fans after Razor originally aired -- it had nothing to do with what was going on in the story at that time.
As a result of this, most fans agree it's better to watch Razor here. In doing so, you'll appreciate the story more and it will have greater emotionally resonance. In short: I highly recommend that you follow my advice and watch it here.
There is one small caveat, however: In order to deal with the above dialogue issue, and so not to unintentionally alter the tone of Season 3, I have two, very specific instructions that I recommend that you follow for your absolute optimum enjoyment.
I will try not to spoil anything with these instructions, so pay attention. You need to press MUTE on your TV (and/or turn off any subtitles) in the following two moments. Both of these moments occur in the last 10 minutes of the story, so you can relax and enjoy the first 90 mins before you need to worry.
Press MUTE when:
and shortly afterwards:
That's it! That's all you have to worry about. Two very small moments, and even if you don't unmute it, it's not a huge spoiler, it just unintentionally alters the tone of Season 3 if you don't, so do try your best to follow my instructions.
2.18 Downloaded
2.19 Lay Down Your Burdens, Part I
2.20 Lay Down Your Burdens, Part II
The Resistance
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
Season 3
3.01 Occupation
3.02 Precipice
3.03 Exodus, Part I
3.04 Exodus, Part II
3.05 Collaborators
3.06 Torn
3.07 A Measure of Salvation
3.08 Hero
3.09 Unfinished Business (70 minute extended version - Note: Not included on Region 2 DVDs, but is included on ALL Bluray releases.)
3.10 The Passage
3.11 The Eye of Jupiter
3.12 Rapture
3.13 Taking a Break From All Your Worries
3.14 The Woman King
3.15 A Day in the Life
3.16 Dirty Hands
3.17 Maelstrom
3.18 The Son Also Rises
3.19 Crossroads, Part I
3.20 Crossroads, Part II
Razor: Yes, this again. (Well this is where Razor was originally broadcast, after all.) Remember the last 10 minutes where I told you to MUTE two small moments? Well, guess what, now is when you get to go back and hear what was said. Watch the last 10 minutes of Razor here.
Season 4
4.01 He That Believeth In Me
4.02 Six of One
4.03 The Ties That Bind
4.04 Escape Velocity
4.05 The Road Less Traveled
4.06 Faith
4.07 Guess What's Coming to Dinner?
4.08 Sine Qua Non
4.09 The Hub
4.10 Revelations
Season 4 Continued (aka "Season 4.5" or "The Final Season")
4.11 Sometimes a Great Notion
The Face of the Enemy
A 10 episode web-based series (although it plays together like an intense mini-episode). (36 mins.)
4.12 A Disquiet Follows My Soul (53 minute extended version - only on Bluray releases)
4.13 The Oath
4.14 Blood on the Scales
4.15 No Exit
The Plan (DVD/Bluray movie)
A stand-alone movie that shows (approximately) the first two seasons from the Cylons' perspective. (You finally get to see "The Plan", mentioned all those times in the opening sequence!) Although The Plan was originally released after the show had finished, it is generally agreed that it should be watched here, so that everything is all tied up when you do reach the end.
4.16 Deadlock
4.17 Someone to Watch Over Me
4.18 Islanded In a Stream of Stars (62 minute extended version - only on BluRay releases and Region 1 DVDs)
4.19 Daybreak (150 minute extended version - only on BluRay releases and Region 1 DVDs)
The Plan : This is where this DVD/Bluray movie was originally released (after the show had finished). It seems universally agreed that it's preferable to watch this after No Exit, instead of after you've finished the entire series, but there's no harm in waiting until now.
Then Caprica the series: http://trakt.tv/show/caprica
What a phenomenal show! Being a Marvel production, I fully expected something of quality, but my expectations were blown entirely out of the water. Daredevil has easily taken its place among my favorite shows currently on air and far surpasses the current lineup of comic book-based television properties (including Marvel's own Agents of S.H.I.E.L.D.).
The cast is great. Charlie Cox brings emotional weight to Matt Murdock and an intimidating presence to his vigilante alter ego. Supporting players Deborah Ann Woll, Elden Henson, and Rosario Dawson, all make their respective roles feel critical, never distracting or annoying. But it's Vincent D'Onofrio that really steals the spotlight as Wilson Fisk, bringing to life a villain who is not only vicious and truly terrifying, but also heartbreakingly pitiful.
Daredevil's writing separates it from the current crop of superhero television. The progression of the plot is well organized and dialog rarely (if ever) crosses that line into comic book corniness. You really get the sense that the show runners had a clear vision for where they wanted this freshman season to go, while still laying groundwork for future seasons. Never does it feel like you're just being strung along for bigger and better things to come next season. And the show doesn't constantly try to remind you of the broader Marvel Cinematic Universe, as any references to it are (usually) subtle.
But perhaps Daredevil's greatest strength is its cinematography. Fight sequences are expertly choreographed and coherent (not to mention brutally gritty), even rivaling those of Captain America: The Winter Soldier. The production value is top notch, probably thanks to the refreshingly limited reliance on CGI. But what impressed me the most was the brave willingness to let the camera linger or even meander occasionally. Ending episode 2 with a minutes-long single take fight sequence had me speechless, and is a testament to the level of quality brought to the show.
Daredevil is a strong addition to the Marvel Cinematic Universe. I think Marvel's partnership with Netflix could prove to be one of their best decisions regarding their television properties and I look forward to future shows like A.K.A. Jessica Jones and Luke Cage.
Welp, like Tryion said, We're fucked. Living vs. The Dead. Season 8 A fight that only comes once.
The dragon pit scene was awesome. Getting so many characters all in one place at the same time was great to see. So many quick “oh, hey you’re still alive” moments. One of the best was Brienne and the Hound. Speaking of the Hound, we did not get the Cleganebowl we have been wanting for so long but at least he was able to tell his brother off. Maybe next season…
Cersei, as the hound would say, is a real cunt. She truly is the biggest villain this show has seen. She is lying to everyone about sending her armies north and bringing in more mercenaries to help fight while Dany is a little occupied. She not only threatened to kill not one of her brothers but both of them is the same episode. Jamie is finally getting smart and getting away from her, even if he is leaving to go fight an army of undead. I honestly think she might stick around to the end and keep the iron throne. She has no problem doing whatever it takes. She has a kid on the way and that is all she is worried about now (I still don’t think she will have the child because of the prophecy said she would only have three). Oh and the shot of snow falling on King's Landing was a beautiful reminder that winter is here.
The winterfell storyline finally did something amazing. Sansa’s “trial” of Littlefinger was a long time coming and with Bran there was no denying. I’m so glad Arya got to kill him with his own dagger. The sisters finally started acting like family.
Nice to see Theon having another chance at redemption. He had a nice moment with Jon about their dad, well technically Ned was neither of their father. I hope he gets to save Yara next season. I wonder where she is if Euron is going to Essos or could she already be dead?
The show finally says what all the fans have know for years, Jon is a true Targaryen and the rightful heir to the Iron Throne. And they say it just as the two have sex for the first time, nothing new for this show. I’m sure this won’t be a problem. Dany will be cool with it, right? I mean the old Targaryens were into incest too. Maybe not we'll just have to wait and find out.
That last scene really was a little frightening, to see something that has been keeping the white walkers out for 8000 years to just go down like that. Now that the Night King has a dragon they are really going to cause some havoc. RIP Tormund and Beric? I don't think there were able to get off the wall in time but were they on the part still standing?
Great season, moved a little too fast and missed some of the slower character moments from old season. They definitely had some of the largest battle scenes TV has ever seen and I’m sure we are not done yet. Let the wait for season 8 begin…
Now that I’ve watched the entire series in literally one sitting, I’m ready to go back and go through it more slowly. Maybe take notes on each ep about the things I love and things that might trigger others.
There is just so much world-building for all that it is set right here and now. The layers of detail and the breadth of the world created is just fascinating.
Each location truly feels separate, probably because they did actually film on location heh. And each culture feels very distinct which creates such a sense of realism.
I am genuinely impressed with the technical aspects of this show: directing, writing, editing, cinematography, etc. But the heart of it is the chemistry between the main cast and how well they demonstrate the sudden intimacy that their new situations create.
Nothing felt inevitable, there was always a sense of risk and possibility. At the same time, the things that do happen feel right and true to the characters and situations. It’s masterful.
I feel so fortunate that this show exists and that I got to see it.
All that said, there are some incredibly intense moments in the show. There is a suicide in the early part of episode one. Later there is various levels of gore and violence. And if you have any bodily issues, the fact that the show in no way ignores the biological issues of cis women’s bodies might shock you.
As far as I can recall, however, there is no animal harm or rape/attempted rape. I specifically recall a scene where I was like, “oh thank fuck! he’s only trying to murder her.”
At the end of the day, the people I cared about survived and/or triumphed enough that the hardships they went through felt worth it. Intensity level-wise (language, sex, violence, plot) I would compare it to Starz’s Spartacus series. Quality-wise too, it’s that good.
There's no denying that this season has seen a downturn in the quality of writing. Characters are not acting like themselves and making choices which don't reflect the journeys they've been on. Ridiculous leaps in logic are made and time compression has suddenly made Westeros feel very small. Spectacle has taken centre stage and it feels like the lack of GRRM's own prose has left the show's writers floundering.
And I've got to be honest, it hasn't bothered me all that much, because it's been so incredibly fun. Say what you will, but season 7 has not been dull for a second. Yes, I've found parts frustrating and rolled my eyes in disbelief at the stupidity on display, but there's something to be said for the pure thrill involved in what's going on screen.
I might prefer things to be slowed down a bit and do miss the insightful dialogue and foreshadowing, but I'm not throwing my toys out of the pram over it as so many seem to be. Even in this state, Game of Thrones remains among the best programmes on television. The finale did make up for some of the seemingly moronic writing choices made in earlier episodes and demonstrated that it can still make me care for these characters and fear losing them.
Not perfect and not up to standard, no, but some of the most enjoyable viewing I've had this year.
The second episode does bring the action with an extremely impressive space battle, though fortunately not entirely at the expense of character. I was particularly intrigued by the flashbacks to Burnham's Vulcan upbringing and her initial arrival on board the Shenzhou (finally answered my question about the weird "lateral" transporters, too!). I loved the sneaky tactic of beaming a warhead onto a dead body, and the resulting explosion was great.
I wasn't quite expecting the deaths of what seemed to be main characters (although honestly, I wasn't completely expecting Michelle Yeoh to hang around all that long), so seeing T'Kumva meet his end this early was surprising. It didn't really feel like Burnham did much to try and capture him, as was the initial plan - couldn't she have stunned him and then beamed back with him as her prisoner?
Her interactions with the computer in the brig felt like something we've never seen before on Trek, as typically when a character tries to engage the computer in some kind of speculation or discussion it ends up getting confused. But I liked it. I'm a little bit sad, though, that the computer voice isn't provided by Majel Barret, as there were so many rumours going around that she recorded a vocal library before passing away which could be used to synthesise her voice.
The Klingons feel like the weak point to me. The redesign bugs me a little bit, but not enough to ruin things. More problematic is if they insist on speaking Klingon all the time then it really slows scenes down due to how stilted the actor's dialogue becomes. However, I quite like that they've given them much more of a culture and meaning, as opposed to the drunken "honourable" warrior caricatures that '90s Trek reduced them to.
I'm impressed that the show has done enough this early to make Captain Georgiou's death have an impact. I must admit, thought, that I'm quite surprised that we still haven't seen the USS Discovery.
While some will undoubtedly criticize the perhaps overly meta set-up that accounts for the first 30 minutes of this film, relative to the rest of the movie, that portion was actually my favorite part and I can't help but wish they had just gone all in on the idea. The story of a game designer who is losing his grip on reality felt fresh and unique. The rest of the movie... not so much. At the conclusion of the original trilogy, the Matrix lore was already an incomprehensible mess, but skipping ahead 60 years and dropping a whole new collection of buzzwords and exposition dumps only made things worse. All the more reason to cut ties with all of that baggage and tell some new story in which the Matrix is simply a series of videos games created by a troubled mind. Alas, that's not the movie we got, and after those first 30 minutes the film turns into an unsuccessful rehash of various elements of previous Matrix films. To make matters worse, the action is also not up to par. Even just finishing the movie minutes ago, I'm having a hard time thinking back to any memorable set pieces or sequences.
Luckily, things aren't all bad. The cast are pretty much universally solid, including both new and returning characters/actors. Jonathan Groff leans into his role as the new Agent Smith, Yahya Abdul-Mateen II sells his version of Morpheus, and Neil Patrick Harris delivers some fun monologues as the Analyst. Unfortunately, great acting can only take you so far, enough to sell hammy dialogue or even save individual scenes, but not enough to save the overall plot.
With a number of strong episodes throughout, the first season of the show is powerful and gripping - and yet, I never found myself all that wrapped up in it. It felt like it meandered a little too often, I'm never quite sure where it's all leading. Elisabeth Moss is astoundingly good in the lead role, but she stands head and shoulders above most of the other cast. Any episodes, or indeed moments, that weren't focused on her cause the show to fumble. Yvonne Strahovski and Alexis Bledel do stand out as particularly strong performances, and I can't help but feel heartbreak whenever Madeline Brewer (Janine) is on screen.
In fact, somewhat ironically, it's the male cast which really let things down. Joseph Fiennes becomes a caricature by the latter half of the season and the character of Nick is an absolute stain on the show's otherwise decent offerings (it was a struggle not to fast forward any scenes he's in). Moira was also difficult, the writing for her struck me as completely unnatural (her only interactions with people seemed to be to insult them and tell them how wrong they are) and it was only in the later episodes that that got turned around.
It's the story and setting here which are the reason I kept coming back each week. It's a brutal show with shocking moments each episode. Part of you scoffs at how far-fetched it is, another part of you becomes fearful of the path our current world is going down.
My only other feelings is that the desaturated look of the show actually makes it feel a bit cheap. There's very little sense of a large world when watching this, but that's okay. We're focused on Offred's world and that's the important story.
Visually stunning in my opinion, if Blade Runner was an Anime, this would be it. You can actually find a lot of similarity between this and the cult classic Blade Runner. GiTS as it's more widely known has a massive following throughout the world, based on a Manga by Masamune Shirow (Appleseed, Dominion Tank Police) and directed by the superb Mamoru Oshii (Patlabor, The Sky Crawlers) he and Production I.G (Animation Studio who have worked on The Matrix and Kill Bill Vol 1) brings use a visually stunning and beautifully animated future noir thriller. Do not let this poor quality dubbed version, stop you from seeing it, you can pick it up for couple pound in your local video store or online. But please watch the original cantonese language w/ subtitles. Better yet get the 25th Anniversay Blu-ray edition, then watch / buy Ghost in the Shell 2 Innocence, then if you can watch the GiTS Stand Alone Complex 1st & 2nd Gig TV series', then watch Ghost in the Shell 2.0 the newly revised 2008 edition. A film everyone should take the time to watch, but sadly not this ruined piece of dribble. Oh and while your there grab yourself a copy of the acclaimed cult classic Akira.
"No Peace. No Pussy."
2015 saw Spike Lee release two pictures; one of them a Kickstarter project that ended up being murdered by critics and ignored by audiences who wanted nothing to do with that feature, and then this one - Chi-Raq - a late year surprise that came out of nowhere. Most people didn’t even know of this film’s existence and all over the sudden a bang was heard, Lee’s new feature would be released during Oscar season and the buzz around it was rock-solid, in fact the best of any Lee’s recent joints.
Chi-Raq is a minor comeback to Spike Lee who here produces an immensely flawed, but equally important feature. It’s good to see Lee back being this playful and charming, but above all this critical and urgent. This film might have seen its release in a premature fashion due to some awards hopefulness or maybe because the producers thought this was the best time to release this feature, but in my eyes, I like to think that Chi-Raq was released this way because its message was urgent and vital. Its observation and criticism on gang, racial, police and street violence make this movie a work that’s important to see, even in all its flaws. This urgency and critical eye is in fact the film’s biggest asset.
Even if uneven, one can’t deny Spike Lee’s good intentions. Yes this may have an agenda and yes this may be bluntly indiscreet, but I can’t be truly mad ‘cos its message is so important. Have you ever heard of Marvin Gaye’s album What’s Going On? Well Lee’s film is a bit like that. It’s message is timeless and it is sang wholeheartedly, but the truth is that it isn’t exactly subtle either. Lee here speaks wholeheartedly as he passes the message, that in my view is more important than whether or not the message is conveyed with delicacy.
Asides from the not-so-subtle sensibilities, the film does have other issues and one of them is its pace. Chi-Raq might be a satire fueled with comedy, tits-and-ass, plus some violence, but nevertheless it somehow still drags. Truth is that it is overlong – as it runs for over two hours – and in its late second act and the whole third act lag. Then we have the script; the movie may embrace a different kind of storytelling that has its own texture and sensibilities, Lee’s feature is also witty, charming and playful and there’s no doubt that no movie alike this one was released in 2015, yet Chi-Raq still features convenient and sloppy writing. The prime example is its ending where we see a bunch of guys signing treaties and giving jobs as though it's candy and thus proving world peace. Wait what?!
Yet another problem that this joint features is its unevenness when it comes to tone. Chi-Raq goes from witty satire, to gangs flick, to drama where there is tears and shouts. These moments are transitioned in a not-so-accomplished way since the film soon becomes disengaging and at times even awkward.
On the other hand the film’s positives are its wittiness and playfulness with the subject matter; the picture welcomes its off-kilter qualities. Straight out of Dear White People is Teyonah Parris who’s fire in this picture; she’s sexual and teasing as one can definitely see why Long-D would miss dat ass. Plus we have Wesley Snipes back on the big screen and he’s solid, surprisingly funny actually; L. Jackson also has a small little witty role as our narrator; John Cusack takes a break from appearing in shitty B-Movies and appears here solid, even if over the top; another highlight is Dave Chappelle’s short cameo which is hilarious!
Chi-Raq may be uneven and unbalanced, it may be too long, but it’s worthwhile, since one can’t help but to sympathize with it even if it isn’t just because of its important message.
Ok wow that was good. Like really good.
Man just a lot of fun.
So plot wise this is a movie about two people both of whom are bad people. They meet happenstance and find out they're both going to the same destination wedding. Lindsay is the former fiance of the groom (he left her) and Frank is his half-brother. They both hate the groom Keith but it barely unites them as they both just hate everything.
This plotline sounds familiar because it's basically all you need to know to watch FX's absolutely excellent You're the Worst. But this is just a movie version of that pilot. So what you really look for in this movie is not so much the plot which we all know (Boy meets girl, ... , They get together), but the chemistry and how they get together. Ryder and Reeves have EXCELLENT chemistry and the writing was top notch. Which it had to be because this movie is 90% Lindsay and Frank riffing off one another. It doesn't feel improvy or forced. But the sheer endurance of the back and forth between them is impressive. They should be together based on that alone. But Keanu plays a character that in other people's hands would feel lazy and dull. I love Bruce Willis movies but ever since I learned he has a rider that says he films his parts in like 2 days and then collects his money and they film the rest of the movie. It suddenly clicks what is wrong with his performances lately. It's that he's not performing. Reeves does the oppsite here. He takes a character that is written as lifeless and stiff and he performs that stiffness. Ryder's Lindsay on paper is pathetic. Keith broke off their engnagement like a dick but she sues him and is still coming to this Destination Wedding performatively instead of saying no and sparing herself the pain. Ryder infuses her with pain and anger and spite. Yet she's develops a hesitant but honest and open affection for Frank that keeps her interesting.
This is exactly the sort of movie I would buy just to have on tap when I need something to watch that's entertaining but not stupid.
Thank you, Wachowskis and Netflix, from all the fans of this much adored series for finishing this series SPECTACULARLY! This series debuted in June of 2015, was cancelled, came back for a stand alone episode in December of 2016, was reconsidered for a second season which aired in May of 2017 ending with a cliffhanger and no further episodes scheduled, and, then, responding to great fan support, the 2h 31m series finale was finally filmed and released this past weekend, June 2018. Have i mentioned it is a SPECTACULAR series? Filmed in US, Canada, Mexico, Brasil, Iceland, Scotland, England, Holland, Germany, Italy, Malta, Kenya, India and South Korea - it's not beyond belief that each episode cost Netflix $9 million. I don't know how many times I've blurted out, "I love this series!" while watching it. I love the acting, the profundity, the humour (even the inside jokes about itself and it's fans), the settings, the romance, the action, the diversity of stories, the life affirming concepts (from a humanist perspective). A warning to viewers - it has intensely salacious content (lots of sex), and the stories come from those living on the fringe of their worlds, and may be upsetting to the viewer, but, as excellent storytelling must be, it rings true to the various points of view. I'm sold on this series - solid 10 (totally awesome) out of 10 overall, and never an episode less than a 9 (superb). [SciFi Adventurous Drama]
Previous comments in the page, though short, sum up the frustration with this episode (safe for the eliminated queen. She really sucked in this episode, and it was well deserved).
But on the usual rant: The least funny snatch game in RPRD's history. Clearly, this isn't a season for comedy, only for bitchiness, which some of the queens have to spare. Most characters were, well, horrible. I saw a lot of people complaining that Bob stole the spotlight, but perhaps the blandness of the others just made it too easy for her to do so? Most of them were flailing on dry land, and removing attention from them might have been a blessing in disguise. Derrick finally could play Britney - now, yes, at the right moment to do so, but.. hm. I honestly think Tatianna's Britney would slay Derrick's any day. So... just not impressed. I actually thought Kim Chi's character was funny, and who cares if it was made up. The body language was really nice. Thorgy's Michael Jackson was also pretty good, and the thing about the baby and the blanket was delightfully unexpected and funny. Then there's Bob - which I'm still not sure if she was really very good, or just above average enough to seem in an entirely different category from the rest of awful unfunny barely acting queens. Robbie, which I came to love btw, sunk under her character. Totally sunk, and she then whined with excuses. Robbie, darling, this is not a show for whining, complaining, or justifying yourself - when you suck, you pray you aren't sent home and you LEARN from it. That's all there's to it - unless you can put on a beautiful show when you cry, of course. Also, mention to Naomi: so pretty, so average. I mean, I adore her to the point that sometimes she appears and I just have to stop and wonder how can a queen be so beautiful, but I feel she's beginning to to approach the deep end of the pool, and despite those eternally long legs of hers, she'll be underwater real soon. If I could bet, I'd say she's the next one out... (does a guess require a spoiler alert? Considering it isn't pertinent to this episode, it makes me wonder if it annoys who reads this.)
Now, runway time: TODAY NOBODY COULD CALL CHI CHI BASIC. BASIC ARE THOSE RED KIMONOS. I mean, really, is it some kind of trend? How many of you own red kimonos, did they really just have them there by accident? And when we say Madonna, you all think Nothing Really Matters? It isn't even the most iconic Ray of Light-era look, much less all-time ever. How in the world did they not notice the oriental theme going on around the work room? So many questions for this Gaijin Cherry Blossom festival runway.
But back to Chi Chi, here's my delight in seeing that she has once more shown herself cool under pressure, coming up with what is definitely Madonna's most iconic look on the spot. Well done, my Louisana queen! Ok, Kim Chi's red kimono wasn't so bad - or maybe, it's just my crush talking. Bob's runway makes me ask the same question as before - is she really good, or just good enough to steal the spotlight from this underwhelming lot? Her padding, though, was flawless. And I thought that wig really suited her. She just looked so sweet and pretty when she smiled in the runway, I think she had my favorite make up on too, followed by Chi Chi's amazing glitter eyeshadow. Least favorite make-up was Acid Betty's. I'm not sure if the Victorian actor powder look was intentional, awfully dry skin, or awfully applied translucent powder atop some equally awfully blended highlighter. And to think she's so eager to criticize Trixie's look.... hm.
(As for next week, Marc Jacobs will be the guest judge. Here's to my hopes that the week's winner prize is MJ merch. I'D KILL FOR THAT).
