Twin Peaks is indisputably one o the greatest shows ever, however you have to watch it at the right time and recognize a few things.
First off, if you get to the end of the 3rd episode and you still don't like it, then it may not be your type of a show. That third episode is really the point where you find out if you'll like the rest or not.
Secondly, if you watch it and don't like it, then wait a couple years then come back. I'm pretty sure I wouldn't have liked it if I watched it a few years ago.
Thirdly there is a noticeable drop in quality about halfway through the second season. Hammer your way through these episodes, do not skip them. I know they are painful to watch but the payoff is worth it. The show eventually does get itself back on track just in time for the final episode to be the greatest episode of any television show ever.
I recommend this show to everyone but that doesn't mean it's for everyone. Give it a shot though, it's really fucking good
The friend zone has been taken to a whole new mechanical level.
Bran: I can never be Lord of Winterfell, I can never be Lord of anything, I'm the Three-eyed Raven.
Also Bran: I'm the King.
I feel that the people behind The Office did not quite know where to go after Steve Carell as Michael Scott left, but still they managed to put together a lot of hilarious episodes! So I have to agree with what Brendyn wrote: the episodes individually were mostly fantastic, but the season as a whole just felt a little weird.
However, I am definitively going to watch the last 9th season!
Having enjoyed the first film, which I rewatched recently, this sequel couldn't be more unwelcome.
Unfortunately sequels tend to be bad apples and this one fell so very far away from the tree.
Also, one of the ending dialogs introduces the idea of a potential spin-offs with serial-killer "Man from Earth" types.
Please, just don't, this one was painful enough... don't stain the original's reputation any further.
There... I watched it again.
YEAH - It's that good!
In my opinion one of the modern classics. Amazing storyline with some unexpected twists (think Usual Suspects unexpected), great comic book-like feel to it (thanks to set design, camera angles, color palette etc), some really unique characters, and great acting from every single actor (Bruce Willis, Morgan Freeman and Ben Kingsley in one movie!).
First time I saw this I thought it was really amazing and a couple years later it's still one of my favorites! I don't understand why this didn't get more popular.
Go watch it if you haven't already!
WHAT?!! NO BROWN COATS??!!!!! What a gyp!!!
UAU! Um dos filmes mais divertidos que eu já assisti. É incrível!
This film is great! The film is about two hitmen hiding out in Bruges, awaiting orders from their employer. Things happen that I'm not going to explain because it would spoil the movie, but I will say that the movie's very entertaining and it has a good sense of dark humor. There are some action-thriller elements to it, but it's mostly a comedy. And how refreshing it is to see a comedy that doesn't completely do away with the idea of consequence. The two main characters have an entertaining contrast and they work very well together comedically. Colin Farrell and Brendan Gleeson do very well to play their characters and both can provide a variety of dimensions to the characters in specific scenes. I had no idea who was actually in this movie, so when I saw that ONE actor suddenly appear I was extremely delighted and impressed. An extremely well-written film with plot twists and turns that you will not see coming with plenty of intelligent humour and some dumb humour along the way to make this a very entertaining ride. Like I said, I don't want to spoil too much, so I'm just going to leave it at that and say you should check it out!
Watching order
Because there are some issues with watching this, here is the order.
Copying from the site in case it ever goes down, but this info came from here: http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html
It's probably more confusing here on trakt, so go to the above linked site for a better layout.
The Miniseries
Night 1
Night 2
Season 1
1.01 33
1.02 Water
1.03 Bastille Day
1.04 Act of Contrition
1.05 You Can't Go Home Again
1.06 Litmus
1.07 Six Degrees of Separation
1.08 Flesh and Bone
1.09 Tigh Me Up, Tigh Me Down
1.10 The Hand of God
1.11 Colonial Day
1.12 Kobol's Last Gleaming, Part I
1.13 Kobol's Last Gleaming, Part II
Season 2
2.01 Scattered
2.02 Valley of Darkness
2.03 Fragged
2.04 Resistance
2.05 The Farm
2.06 Home, Part I
2.07 Home, Part II
2.08 Final Cut
2.09 Flight of the Phoenix
2.10 Pegasus (56 minute extended version)
2.11 Resurrection Ship, Part I
2.12 Resurrection Ship, Part II
2.13 Epiphanies
2.14 Black Market
2.15 Scar
2.16 Sacrifice
2.17 The Captain's Hand
Razor (101 minute extended version - not the 81 minute broadcast version)
Important note: This was originally broadcast just before Season 4, but chronologically it fits here, telling more of the Pegasus's story. Some people argue it's better to watch after Season 3, as originally broadcast, but it makes most sense to watch it here.
The reason that the placement of Razor is a hotly contested issue among BSG fans is because of a bit of dialogue at the very end (in the last 10 minutes) which sets the tone for Season 4 (barely even a spoiler). Everything else in this TV movie is not a spoiler.
So why place it here, and not where it was originally broadcast, if there's any sort of issue? Because, chronologically, the story is set here, and by the time you reach the end of Season 3, the story of Pegasus will feel like ancient history. Indeed, that was the complaint echoed around the internet from fans after Razor originally aired -- it had nothing to do with what was going on in the story at that time.
As a result of this, most fans agree it's better to watch Razor here. In doing so, you'll appreciate the story more and it will have greater emotionally resonance. In short: I highly recommend that you follow my advice and watch it here.
There is one small caveat, however: In order to deal with the above dialogue issue, and so not to unintentionally alter the tone of Season 3, I have two, very specific instructions that I recommend that you follow for your absolute optimum enjoyment.
I will try not to spoil anything with these instructions, so pay attention. You need to press MUTE on your TV (and/or turn off any subtitles) in the following two moments. Both of these moments occur in the last 10 minutes of the story, so you can relax and enjoy the first 90 mins before you need to worry.
Press MUTE when:
and shortly afterwards:
That's it! That's all you have to worry about. Two very small moments, and even if you don't unmute it, it's not a huge spoiler, it just unintentionally alters the tone of Season 3 if you don't, so do try your best to follow my instructions.
2.18 Downloaded
2.19 Lay Down Your Burdens, Part I
2.20 Lay Down Your Burdens, Part II
The Resistance
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
Season 3
3.01 Occupation
3.02 Precipice
3.03 Exodus, Part I
3.04 Exodus, Part II
3.05 Collaborators
3.06 Torn
3.07 A Measure of Salvation
3.08 Hero
3.09 Unfinished Business (70 minute extended version - Note: Not included on Region 2 DVDs, but is included on ALL Bluray releases.)
3.10 The Passage
3.11 The Eye of Jupiter
3.12 Rapture
3.13 Taking a Break From All Your Worries
3.14 The Woman King
3.15 A Day in the Life
3.16 Dirty Hands
3.17 Maelstrom
3.18 The Son Also Rises
3.19 Crossroads, Part I
3.20 Crossroads, Part II
Razor: Yes, this again. (Well this is where Razor was originally broadcast, after all.) Remember the last 10 minutes where I told you to MUTE two small moments? Well, guess what, now is when you get to go back and hear what was said. Watch the last 10 minutes of Razor here.
Season 4
4.01 He That Believeth In Me
4.02 Six of One
4.03 The Ties That Bind
4.04 Escape Velocity
4.05 The Road Less Traveled
4.06 Faith
4.07 Guess What's Coming to Dinner?
4.08 Sine Qua Non
4.09 The Hub
4.10 Revelations
Season 4 Continued (aka "Season 4.5" or "The Final Season")
4.11 Sometimes a Great Notion
The Face of the Enemy
A 10 episode web-based series (although it plays together like an intense mini-episode). (36 mins.)
4.12 A Disquiet Follows My Soul (53 minute extended version - only on Bluray releases)
4.13 The Oath
4.14 Blood on the Scales
4.15 No Exit
The Plan (DVD/Bluray movie)
A stand-alone movie that shows (approximately) the first two seasons from the Cylons' perspective. (You finally get to see "The Plan", mentioned all those times in the opening sequence!) Although The Plan was originally released after the show had finished, it is generally agreed that it should be watched here, so that everything is all tied up when you do reach the end.
4.16 Deadlock
4.17 Someone to Watch Over Me
4.18 Islanded In a Stream of Stars (62 minute extended version - only on BluRay releases and Region 1 DVDs)
4.19 Daybreak (150 minute extended version - only on BluRay releases and Region 1 DVDs)
The Plan : This is where this DVD/Bluray movie was originally released (after the show had finished). It seems universally agreed that it's preferable to watch this after No Exit, instead of after you've finished the entire series, but there's no harm in waiting until now.
Then Caprica the series: http://trakt.tv/show/caprica
Impressive. Maybe a bit too much like a Shyamalan movie, but this had better delivery, which is saying a great deal, and is still very original. Its previews did not do it justice. The movie seems as if it doesn't feel obligated to shock or impress you, but rather draw you in to the story, invest you in the characters, then turn on the afterburners. With an epic final few seconds. In other words, a smart, emotional, well-done movie that ranks as one of the best, in at least the past few years.
Beautiful scenography, great acting, and very deep script. Must watch.
After a long time, finally we can see the great Robert Downey Jr. do something different than the superhero Iron Man, or even the very intelligent but insane Sherlock Holmes. Nothing against, as the success of these two blockbusters owes much to his talent and what he gives to his characters. In The Judge we can see him doing a deeper and more serious role, never losing his ironic side and that funny that always makes us laugh whenever it is necessary. Here plays a character that can be perfectly adapted to real life and I confess that I've been missing to see him again in a different register.
The Judge is divided between the courtrooms and the family drama of a family marked by problems from the past that are still unresolved. Attorney Hank Palmer (Robert Downey Jr.) is forced to return to his hometwon in Indiana, 20 years later, for the funeral of his mother. Hank always had problems with his father (Robert Duvall), a very well respected judge in the city, and during his short stay his father is considered the main suspect of an homicide. Hank is forced to help his father to find out the truth and eventually re-connects with his brothers and even with some old acquaintances of the small town.
The film is not simply a story about courts, laws or criminal justice, but a family drama where the characters are going to rediscover themselves, learn how to forgive and respect each other. The emotional side of the story is more important than everything else, and despite the numerous clichés that the film may have, they result in a perfect way to what the film is supposed to give us and it never disappoints.
It is certainly a film of great performances! The chemistry between Downey Jr. and Duvall is really great and all their scenes together are very intense. The entire supporting cast does a very good work, but is mostly Downey Jr. and Duvall what make The Judge to be not just a drama of conflict between father and son, but a real portrait of many families, sincere and honest that has a slightly different ending than we are expecting.
After a long time, finally we can see the great Robert Downey Jr. do something different than the superhero Iron Man, or even the very intelligent but insane Sherlock Holmes. Nothing against, as the success of these two blockbusters owes much to his talent and what he gives to his characters. In The Judge we can see him doing a deeper and more serious role, never losing his ironic side and that funny that always makes us laugh whenever it is necessary. Here plays a character that can be perfectly adapted to real life and I confess that I've been missing to see him again in a different register.
The Judge is divided between the courtrooms and the family drama of a family marked by problems from the past that are still unresolved. Attorney Hank Palmer (Robert Downey Jr.) is forced to return to his hometwon in Indiana, 20 years later, for the funeral of his mother. Hank always had problems with his father (Robert Duvall), a very well respected judge in the city, and during his short stay his father is considered the main suspect of an homicide. Hank is forced to help his father to find out the truth and eventually re-connects with his brothers and even with some old acquaintances of the small town.
The film is not simply a story about courts, laws or criminal justice, but a family drama where the characters are going to rediscover themselves, learn how to forgive and respect each other. The emotional side of the story is more important than everything else, and despite the numerous clichés that the film may have, they result in a perfect way to what the film is supposed to give us and it never disappoints.
It is certainly a film of great performances! The chemistry between Downey Jr. and Duvall is really great and all their scenes together are very intense. The entire supporting cast does a very good work, but is mostly Downey Jr. and Duvall what make The Judge to be not just a drama of conflict between father and son, but a real portrait of many families, sincere and honest that has a slightly different ending than we are expecting.
That might've been one of my favorite cold opens ever. "Maybe I don't have an arch nemesis because I solve all my crimes". It's a good thing Jake was at a police precinct because that was straight up murder.
Best show I've ever seen and trust me I've seen a lot!
It forced me to buy a Twinkie, and I it was disgusting :D The movie was funny, though.
Brazilian childhood: watching this show on Rede Record.
"Hey Siri, Call 911" Boom. Problem solved.
I'm sure most people reading this page wish the show wasn't cancelled. Here is an article from Vanity Fair that talks with Paul Feig about what would have happened with the characters next.
Lindsay Weir (Linda Cardellini)
Paul Feig: I always figured something bad was gong to happen to Lindsay when she was out with the Dead. [The series ended with her ditching a summer-school program to follow the Grateful Dead with Kim Kelly.] I was hoping the second season would open with her being taken out of a concert on a stretcher while Queen’s “Tie Your Mother down” plays. That’s all I had. But I thought it would be interesting—she comes back, has completely lost the trust of her family; so she’s in even deeper having been really been outed as a problem. But there wasn’t a strong direction I had for her; I just knew she’d probably end up at some point in her twenties in Greenwich Village as a performance artist, and after that she’d probably become a lawyer—a human-rights lawyer.
Sam Weir (John Francis Daley)
Sam’s future was going to be drama club. Because that was my experience in school: I got deep into drama club. That was the storyline I was most excited about, because I was going to portray what actually happened to me. I thought he’d be more on the stage crew than actually performing, just because that was kind of interesting, the guys that were keeping it together from behind the scenes. But my drama teacher, who was one of the biggest influences on my life creatively, was an alcoholic, and over the course of my sophomore through senior year, she got worse and worse and started depending on me. I’d get called away from class under the guise of an emergency, and it would be her on the phone saying, “You’ve got to come pick me up. I left my car at the bar last night.” So I was really excited to get that going, this weird kind of taking-care-of-an-adult relationship, while he’s still learning amazing stuff from her, this tortured drama-teacher soul. That bummed me out the most, not getting to play that story out.
Neal Schweiber (Samm Levine)
Another burning desire I had was to get Neal into swing choir. Now Glee has taken it and run with it, but I always thought that would be a funny world for Neal to go into. There’s a weird little clique, and you have all these inside jokes, and all these kind of obnoxious performance things you bond with people over—I just thought he would really blossom in there and think he was kind of the king of the school. We figured it could be his outlet while his parents are going through a really horrible divorce. Since Judd had gone through that in his real life, that was kind of going to be his domain—telling all his tales from adolescence through that.
Bill Haverchuck (Martin Starr)
With his mom dating Coach Fredricks, Judd and I liked the idea of Bill slowly becoming a jock—that he turned out to be good at basketball and started to get into it, so that he was getting pulled a little more over to the jock side. Which would create an odd little rift with him and the other geeks. Because Martin is quite athletic in real life, and we were like, “Oh, let’s maybe play that out for him.” He works out a lot, Martin does, and at the beginning of the show he would come in with these giant biceps—we had to make him stop doing that.
Daniel Desario (James Franco)
Daniel’s such a drifter. I always liked the idea that eventually Daniel would probably end up in jail. [Laughs.] We were kind of, you know, taking him in this different direction. I wasn’t quite sure where that was going to lead. I knew it couldn’t stay in that world. I always liked the idea of: you go away for the summer and you come back and everybody’s kind of in a different place. But it’s hard to say with him; I think he had too many things pulling him in different directions. Having lost Kim, there would be a weirdness between them. But I wasn’t quite sure yet.
Kim Kelly (Busy Philipps)
I wanted Kim Kelly to be pregnant, but it wasn’t necessarily going to be Daniel’s. I thought this actually happened when she was out on the road with Lindsay following the Dead—that she shacked up with some guy, whether she was high at the moment or whatever, and comes back pregnant. That was another burning desire of mine, because when we were in high school there’d always be a girl or two who were pregnant, and it was so mind blowing. I thought it would be interesting with Daniel kind of around, and it’s not his, and it’s weird—and would he step up, since she doesn’t really know who the dad is, or isn’t really in contact with him? So maybe it was a chance for Daniel to become a young teen father—see what could have happened if we had a second season? And Kim and Lindsay—that would become a true friendship. Obviously they would have to have some back and forth and falling apart, but I like the girl power they had at the end of the last episode—they had both come through the fire in different ways and really bonded hardcore.
Nick Andopolis (Jason Segel)
I liked how we were kind of moving Nick towards having to go into the army, because of his badass dad. ’Cause that was a real option for so many people in my school—but he would be desperately trying to avoid it. But I was never quite clear exactly what direction we were going to go with Nick.
Ken Miller (Seth Rogen)
There was a guy I knew in school who was kind of Ken-like and he moved away to Hawaii; we were told he moved there just so he could smoke pot. I don’t know if that was the direction Ken was going to go. I always liked that we had set up that he had rich parents. But Ken’s such an enigma. I think he’s the guy that just kind of hangs around town. My instinct is we would have had the most fun searching for what his life would be. We liked to surprise people with Ken’s character—what was the thing you’d least expect he would do, or place he’d come from? I can completely see us loading him up with a lot of weird shit. I was sad we never got to show his parents, and God only knows whom we would have had him dating. I can definitely see a scenario where Lindsay would have tried dating Ken—that would be really funny. High-school romances are so flash-in-the-pan; there’s that awkwardness of having your ex walking around the school. Or, in my case, girls who turned me down but I had the awkwardness of them knowing I was into them and they had no interest in me.
Millie Kentner (Sarah Hagan)
We had actually thought about trying to turn Millie into a burnout at some point—“What? You’re what?” It would have been really fun to twist where she was going. I love changing people’s alliances. Because no one knows who they are or what they’re doing—basically they’re trying on different hats, different masks, if you will.
Cindy Sanders (Natasha Melnick)
We ended with Cindy as such a hardcore Republican. I liked her being a weird nemesis for Sam—I would have loved seeing them run against each other for student-council president. There’s nothing funnier to me than when the person you were in love with suddenly becomes this monster. You can’t figure out why you liked them. I think we would have had a lot of fun with Cindy.
Full article at http://www.vanityfair.com/online/oscars/2012/12/paul-feig-season-two-freaks-and-geeks
The episodes individually were actually fantastic, but the season as a whole just didn't feel right.
for the love of television gods and my heart, let ventimiglia's character be dead and then she remarried, do not let they fall apart oh please
Be careful. This has been mislabeled as a drama. It's actually a psychological horror film. This film is brutal.
