I'm still annoyed at Otis's behavior throughout the season, but his voicemail to Maeve was actually really sweet and what Isaac did at the end was a total dick move. Tbh given that Netflix has been canceling their shows left and right, the producers are putting a lot of faith in them with that cliffhanger ending. Nothing has really been resolved in a satisfying way, so if we don't get a season 3 it's gonna be awfully disappointing.
Also, Maeve's mom is literally the worst ever. Fuck her. I'll miss seeing Maeve with Elsie too, they had such a cute relationship.
I was reading through the comments and was surprised that some people think Otis is trash this season... Literally the party scene was the only one where he did wrong so far. He's been dealing with his mom and Jakob's relationship (+ Jakob's personality), Ola, Maeve, his own and other people's sex-related problems for a long time - who wouldn't explode at some point?
Just like how Jackson had enough of one of his mother's dictatorship and almost broke down (well, technically with the self-harm he already did) and how Eric stood up face-to-face to Adam and told him his honest thoughts (yaaas, so proud! I was actually afraid that he would change his mind and back down, but I'm so glad that there's a character in existence who doesn't choose the "bad guy" bully at the end!). These characters had enough too, yet I don't see anyone bashing them. And Otis has/had a lot more on his plate than these two.
I'm conflicted about Maeve now. Last time I wrote that they're basically soulmates with Otis, and I really thought that... but then Isaac came, and now I'm kinda rooting for him? But I'm also rooting for Maeve just concentrating on herself? And also rooting for Otis to apologize and speak to Maeve about his feelings while he's sober?
Since Maeve and Otis are 2 of the 3 main characters, and almost the whole SE1 was about them starting to like each other, I guess they'll end up together, but it wouldn't be a first of this show to give things a twist and pair Maeve up with Isaac.
Jackson and Viv are getting closer, yaay! I mean, that was a strong gut feeling right from their first meeting, but it's still nice to see Viv starting to care more about Jackson (and vice versa), little by little.
Wouldn't someone wonder why a low level therapist has access to a secure space that only the upper echelon crew members should have?
It's nothing like the other movies in the series. Very mature, dark and brutal but also authentic in it's own way. The best movie in the X-men universe.
Holy SHIT was this amazing. And it's a real R. I wanted to clap every 15 minutes. Spectacular.
This is the Unforgiven of superhero movies, a brutal yet tender portrayal of former heroes growing old. Logan is tired and world weary, waiting for death to take away his pain. Charles is 90, riddled with drugs to mute his mind, his "super weapon." Despite their friendship their relationship is fractured. Into their lives comes a new mutant and a road trip begins.
I don't want to say much more, having given away a little of the premise already explored in the films trailers. This is a tough, violent and sad film with few moments of humour. There is action but not of the blockbuster kind, one key car chase is like something from a 70's thriller.
This is the swan song of Logan and Charles, both actors giving it their all in their final performances as these characters. To bring them back after this film would undermine their work and the story here.
The film is brilliant and I can't recommend it enough - don't expect a traditional X-Men movie and you will be blown away. If the film itself were a mutant I would say its genes had been spliced with Mad Max and Shane, with a little bit of Children of the Corn (and I mean that in a good way). Excelsior!
After my wordy thoughts regarding how Netflix chose to do the first episode, I feel conflicted about this one... :confused:
On one hand my inner fanboy wants a closer representation of what happened in the books, especially as they decided to cut out practically everything from the original short story "The Edge of the World". I so wanted to hear the witty back and forth between the "devil" Torque and Geralt. I didn't even expect Lille, but at least more of the fun wheat field-scenes....
But then again I can see why they decided to go this route: They had to fit three stories and two and a half meaningful introductions into 60 minutes. And the focus was clearly on Yennefer with 34 minutes, compared to 14 minutes for Geralt and 11 for Ciri. You can't possibly fit a 60-odd page short story into 14 minutes. It just doesn't work. So they didn't even try and just left the parts in that would have been relevant for a "Previously on The Witcher..."-reminder somewhere down the line. I personally would have prefered if they would have decided to use a different story for the introduction of Jaskier, so they could use more of the short story later on.
But did it work as an episode, if you wouldn't try to compare it to the books? Phew... That's a tough one...
Let's start with the easy one: Ciri. Ciri's part worked quite well, fleshing out her character and showing us how she clearly isn't the naive little princess. But she clearly needs some guidance. Without the help of our hooded teenager ex machina she would have died within the first minutes of her screentime. And they cleverly used him and the scenes with the noble familiy's servant to show us that she obviously is far less simple minded and xenophobic than her surroundings. She's going to have a tough time in The Witcher's world.
Geralt: I've already spent 187 words on his 14 minutes, therefore I'll keep this one short: Our Butcher of Blaviken had only little room to develop and or showcase his character, but he used them wisely. Netflix made a wise decision in sticking to his philosophical side and I hope he gets more chances to show it off. This was like the abstract on a multi page paper about the possible future relationship between humans and elves. I hope Netflix lets Geralt read from the main parts of his papers every now and then.
Jaskier: He's very promising and I can't wait to hear more from this witty, whiny and surprisingly musical fellow. I always knew he was supposed to be a great bard, but somehow I thougt he wouldn't be that catchy. We really need his songs out there to buy and or stream!
Yen: This was a Yen-episode and practically everything was original. In the books we only learn very little about her past, so there's a lot of room to go all out for the writers. And I think they will, creating not only an origin story for her, but adding in new, fleshed out characters, new conflicts, and adding lore to the sorcerers and how magic works in The Witcher. I hope they don't try to create a hard magic system for the show, but keep it as soft as it is in the books. I'm interested in how she develops and turns into a multi faceted sorceress.
I'll give this one a 8 out of 10. Why, after I've spent lamenting about the differences to the books for around a third of my comment? Because I stand by my word and will try to see this as a stand alone re-telling of my favorite stories. And it's a promising second episode to what will hopefully turn out to be a very successful and longer running show.
Important note: If I sound joking, ironic, or condescending, I apologise in advance if my words hit you. I have a sharp tongue and usually joke about things, including myself. For example, I came up with the nude girl example in the last paragraph, because some part of me like the book's version with one girl better, so I was joking about myself more than any of you readers :sweat_smile: Thanks for reading!
I've recently re-read the short stories for the forth (or so) time and played two out of the three main games, so I cannot not compare the different interpretations of The Witcher. But I won't spoil anything beyond the first episode and it's all tagged.
First of all: It was obvious there was and is and never will be a way to cater to all fans. It is impossible if there are only two fans in the whole wide world which have only read the books. Or if there a many of them, all with different first contacts with Geralt and his story, and different backgrounds. A German fan has a different approach to many of the stories compared to for example an American one, because he had heard the fairy tales, which Sapkowski wove into his stories, reinterpreted. Just an example.
So obviously that was something Netflix had in mind and it seemed they cared about it. I would have preferred a different decision (sticking closer to the books), but I see why they did what they did and I think it's the right decision.
So what did they do? They chose to use different timelines to introduce Geralt and Ciri with their defining moments: "The Lesser Evil" for Geralt, which marks him as the Butcher of Blaviken, and Cintra's fall for Cirilla (Ciri), which introduces us to her possibilities and sets her on her path. It also hints at the connection between the two stories, but that's for another time.
They also decided to sway in the minor and sometimes bigger details, sticking to the red line of each story and weaving a new telling around it. It reminds me a little of Neil Gaiman's "Norse Mythology", where he admits that his retelling is deviating from the source in some points, because he is re-telling the stories, not copying them. And that's a good thing. Yes, we might not see some moments of dialogues in Netflix's version, but imagine them as someone telling you Geralt's story as you sit around a camp fire. You don't care about the details, if Stregobor did know Geralt beforehand or not, or if Geralt met the Alderman or his daughter. You want to hear the story of the Butcher of Blaviken, how he had to face this dilemma. It doesn't matter if Renfri and the witcher f*cked (Do I need to censor this word here?) in a room or a forest. You want a good time and you'll have it.
And we had it. It was a great first episode, telling two very interesting stories, defining characters, setting up the story. Compared to so many other first episodes of shows, this was a great one. And comparing it to other great first episodes, it doesn't loose either.
Yes, some people may be hurt that they experienced a story that wasn't exactly what they expected. Maybe they are not sold on the cast, maybe they hate that there were more than one nude illusion girl in Stregobor's tower or that Geralt didn't cut someone in two. And that's okay. The Witcher fans are a passionate bunch coming from many different directions. Let's give this retelling of our favorite story a chance. It deserves one.
Was that King Tommen falling out of the window ?
man when they said the show came to an end, my heart stopped. seeing Jeremy cry a little my dick shrunk!! I absolutely love that bloke who asked that question from the audience. all the blood rushed back into my PP.
@Nasa @science pls make immortality pill ASAP !!
we need these 3 forever to keep doing this!! generation and generation should have these 3 just reviewing cars, jets, spaceships!!
Just a brilliant conclusion to the series. Clarkson being upset really moved me. Such a shame to lose this series but hopefully there will be plenty of specials because these guys are just great.
Jimmy Hoffa: “I heard you paint houses.”
Frank Sheeran: “Yes, I do.”
It’s a great day when you get to see a new Martin Scorsese movie, but a new gangster movie staring some of one of the greatest actors that have ever bless cinema, now that’s killing two birds with one bullet. I’ve said this many times before, but whenever Scorsese releases a new movie - I’m there, as I have 100% faith he will deliver something so crafted in style where his passion to create a fresh new experience for audience to slip right back into loving movies. And Scorsese has made another masterpiece.
‘The Irishman’ is an old school masterpiece. A sweeping epic that’s so rich and timely through it’s presentation that I was reminded of the likes of Coppola and Leone. Everything from the razor sharp back and forward conversations with characters, long takes, and the fantastic use of music that helps create the setting and time period.
Now let me talk about the visual effects in the movie - something that everyone including Scorsese himself was worried about. While at first it was a bit uncanny to see fresh faces from De Niro, Pacino and Pesci. The movie has a difficult task, because the entire runtime takes place in the past and occasionally it will cut back to a present day/older De Niro, aka what he looks like now, so it’s so easy to judge on the cgi wizardry. I can safely say you really get use to it after awhile and doesn’t distract from the amazing performances, as I could still feel the emotion from their faces. I bought into it and the evolution of the technical is absolutely astonishment.
Robert De Niro plays a cold, yet charismatic gangster, Frank Sheeran - a friend of Jimmy Hoffa. He follows orders to kill and dose it without a sweat. His children are afraid of him and have seen both sides of him, which would later hit him harder than a million ton of bricks. He doesn’t need to say or do anything to express the characters thoughts and feelings. Fantastic as usual.
Al Pacino plays a loud month Jimmy Hoffa that’s a huge ball of energy and reeks of desperation, which Pacino portrays beautifully. From ‘Dog Day Afternoon’, to this, it’s amazing how Pacino never lost that fiery energy that makes him so captivating to watch. The fact he’s never been in a Scorsese movie baffles me, but am loving his comeback recently.
Joe Pesci plays Russell Bufalino, a silent and collective man who sniffs out trouble and takes care of “business”. If you expect to see the nut job Pesci, then think again. He’s brilliant in the movie. It’s great seeing Pesci back after disappearing from the spotlight for a couple of years, and it’s almost like he never left at all.
With the run time of 3 hours and 29 minutes, not a single frame felt pointless. At times the length was felt, but I was never bored. Thelma Schoonmaker, the editor of Scorsese movies is a legend and needs no introduction. Without spoiling anything, but there’s an incredible scene involving a woman terrified to turn the car engine on as the camera lingers on a shot of keys hanging in the ignition waiting to be turned. When she dose there’s a sharp cut to an exploding vehicle (not hers) with the engine roaring as the sound affect. The most tense scene in the entire movie.
And the cinematography by Rodrigo Prieto was excellent with the use of color that made it visually striking.
Martin Scorsese, the man who revived the gangster genre for what it is and now he’s the one to bury it. The shot outs are often unexpected and messy - basically violence in general. Almost similar to ‘Once Upon a Time In Hollywood’, because there’s an underlining message of age and the modern generation slipping through as the old ways ain't the same anymore. You are taken through a journey of a mobster from youth to old age.
Overall rating: Cinema at its finest. I’m just in awe of the thought we got a movie like this where no other studio wouldn’t dare to touch it for some reason. What an experience.
"What kind of a man makes a phone call like that?"
Nothing to add here after that.
3 and a half hours of a movie trying to understand THAT. I must say the time just flew by. Now that is a sign of a great movie.
Probably Scorcesse's best movie since The Goodfellas.
Finally, a grand tour episode I enjoyed from start to finish. Dubai part was reall fun and spectaculary shot, May finally delivers decent review after that atrocious Kia Stinger review, and Farmkhana finally adds something original and not by the numbers as they usually do nowadays
Dan : ".. after we..."
Lucifer : "You what... ?"
Dan : "Made... love."
Lucifer : "YOU SLEPT WITH MY... M..ARLOTTE !?"
Epic.
Surprised the Asians couldn't hear that conversation through that thin wall.
Easy Peasy Chinese !
Nice kiss at the end... NOT.
One of the iconic episodes the internet loves.
What the flip are you looking at? Plopper! Probably my favorite episode. Which is hard to pick, because the entire series is just perfect.
"What kind of Operating System does it use?"
"It's... Vista."
"We're going to die!"
I love the endings.
Did you see that ludicrous display last night
Come, sit here in my hand.
I quite like Soviet Jen and the extent of the whole Smoking side-plot.
you brush your teeth in the bath. (so?) thats where your balls are.
"Get pregnant. Use your body to give the world more Jake."
Ok, we got a Peraltiago "I love you", we got Jake worried about what it would mean for Amy if something happened to him, we got Jake being THE emotional support of the squad after a little talk with Holt, we got a Rosa + Jake (best friends) hug and we got that beautiful scene at the end Gina + Amy + Rosa not afraid of showing how much they love each other.
THIS SERIES IS A BEAUTIFUL, CHUBBY LITTLE BABY AND I`LL PROTECT IT FOREVER.
