Victoria

The Director's Cut of Little Shop of Horrors is truly something to behold. To think the studio demanded the film recut and a new ending attached is a crime of cockbox scale proportions. Greatful for the Director's Cut edition scatter releases ;)

The original ending is so much better. It's how it was "meant to see". I don't know why the studio demanded a new ending.

Nevertheless, it's a great movie and you should definitely watch it.

Next Gen is a 2018 “Netflix” film with funding from Alibaba’s Movie division and produced by Baozou Manhua, an animation studio I haven’t heard of. When I say the film is from “Netflix”, what I’m actually saying is that Netflix paid 30 million for the world wide streaming rights, an insane amount. It’s apparently based on Wang Nima’s original webcoimic “7723”, with “7723” being the name of the main robot. I have not read “7723” but it has it’s own stories with recent issues with the Chinese government claiming it’s too vulgar and the site being taken down for a bit.

I’ll admit that movie’s semi-“Cassette Futurism” aesthetic is what got me curious. I love the retro design of 7723 & Mai the main protagonist. However, Netflix throwing down 30 Million for a movie from an “unknown” animation studio, based on a webcomic which seems to be in trouble with China’s government added to my interest in the film. The real questions, is it any good?

Next Gen isn’t a flawless movie and the plot is fairly simple, almost laid out from the beginning. The world has become obsessed with robots with everyone having Q-Bots, personal assistants. Pin, the guy that sells these robots is actually evil and has an evil plan that’s over the top. Mai & 7723 need to save the day and defeat evil guy. Straight forward. The story isn’t going to leave you questioning life or viewing the world in a new perspective. That being said it’s a really enjoyable movie with some nice emotional moments and actions scenes. Mai’s back-story and rebellious nature will probably resonate with those from broken homes, loss parents, not fitting in, etc… As well, the way they explained her hatred for robots and the reason her dad left was done nicely. I also like the way they ended her emotional journey, finally admitting her dad was kind of a piece of shit for leaving, and how she was ok with it. She’s still a little mad but ready to move on. It was just… nicely done.

Along with decent character building, the world is well developed and it seems the writers took a moment to think how this world would work if robots did everything, to a point that it’s ridiculous. Hell the ramen bowls are robots that compliment you when you eat them, weird but I loved it. In addition the the city which the story takes place in seems to be a future New York/Beijing. It looks like the team pulled inspiration from Ghost in the Shell, Blade Runner, & WALL-E. You get a cutesy world with fun little robots on the surface, yet in the background a Blade Runner-esc skyline with a dingy lower level with hints of cyberpunk (not overwhelming). I wanted to explore the city more and seeing as Netflix dropped 30 million for distribution of the film I wouldn’t be surprised if they want to push for a series. Not sure where they would go with the story.

I also want to take a moment to talk about the directors, Kevin R. Adams and Joe Ksander, who in my opinion did a great job. Multiple scenes had good shot composition and clever transitions, and the camera work in general was lively and kept the movie interesting. Despite the fact so many big budget animated movies are CGI, most of them seem boring and flat. I would also say the movie had good lighting which gave a few of the scenes a great atmosphere. Overall Next Gen was a tight, and a well put together film. I’m not sure if I’m over selling their work. Maybe because I was expecting this to be a generic Disney/Dreamworks/Illumination “safe” PG movie so I had lower exceptions, but I was actually pleasantly surprised. Speaking of PG…

One of the most surprising bits of this movie was the TV-PG rating in the US, which shows the freedoms you get when distrusting with Netflix. I’m no saint but this movie caught me off guard with it’s swearing, or its lack of swearing, honestly the way it was handled was something I haven’t seen in a PG movie before. You have characters like the Dog & Mom screaming shit, fuck, motherfucker, etc.. except that it's all bleeped out, with hard bleeps. Not your usual convenient truck passing-by drowning out the language. Hard bleeps, like “the [bleep] you say to me?”. Not that I disagree with reasoning behind the swearing. At the end of the movie when the villian is attacking Mai, the mom attacks the him screaming “get the fuck away from my daughter”, which is honestly the most mom/parent thing to do in a situation like that. I would be interested in watching the film uncensored.

Net Gen has some great moments, likable characters, interesting world, good enough story, a good English voice cast, and was a well put together film that feels like it came out of nowhere. I hope to see more of Wang Nima work and Baozou Manhua, if they can produce similar quality films. If you have Netflix and like animation, watch it. If you don't have Netflix I would still recommend you watch, get a one month subscription and binge a bunch of stuff including this movie.

The human sections drag down what was otherwise a very entertaining monster movie with a semi-decent lore behind it. The human characters are just so unbearably annoying and behave in an irrational manner at all times.

I cringed every time the camera cut to the protagonist's family struggling right in the middle of the monsters fighting, as if I was supposed to give one flying fuck about any of them.

Godzilla stepping on the whole lot of 'em and putting them out of their misery while they were driving the Humvee during the fight scene near the end of the movie, or better yet, much earlier in the film when they were all in in Antarctica, would have bumped my score for this movie up by several points.

Oh please. It wasn't that bad. Not every science fiction movie has to be a bang bang shooty shoot fest. For an apocalyptic movie it was strangely relaxing and had a strange degree of comfiness to it. And it ended on a positive note. I'd recommend it if you like science fiction but are also in the mood to watch something easygoing.

Not nearly as bad as the critics made it out to be. Better than X-Men: The Last Stand and overall one of the most entertaining in the series. I'm not disappointed I saw it.

Great 3D effect too. Shame there's not going to be any 3D Blu-ray release of it anywhere in the world. What a waste of a good 3D conversion.

This movie has a wide gulf between audience scores and critic scores. As if we needed further evidence that critics are garbage

First one was better.

Disney quality, this is not.

Gemini Man is a visually stunning movie. It was shot beautifully in 4k at 120 frames per second. The CG used to create the "fresh prince" Will Smith looks great, in dim to dark lit scenes. The tech used here rivals Marvels' own "de-aging" effects and maybe a bit better in close-up scenarios. For me, that's where the good things end. Bad dialogue, poor pacing, hit or miss CG and a cliche plot (you probably have seen this type plot many times before in the late 90s or early 2000s movies) makes this a not recommend for me. I would wait till it hits Netflix.

Rating: 5/10

Theatrical Cut - 4/10
Director's Cut with the proper ending - 6/10

Classic example of the theatrical release of a movie being vastly inferior to the home video release. I recommend watching this on Blu-ray and trying to forget that that 1987 theatrical cut ever existed.

What a dumb plot. Love the worldbuilding and the animation though.

Keep it up guys. This is the first Pokémon movie I've seen that wasn't terrible. I don't regret watching it at all. That's high praise for a Pokémon movie. This live action + CG render combination is the way to go.

I see the Jurassic world added some token black people lol

It's certainly not the best plot ever. That said, it was a greatly entertaining experience due to the number and quality of the action sequences. They're well edited, and well choreographed. It felt like a great Terminator-style action movie from the '80s/'90s bu shot with more modern technology.

From a technical perspective, the movie is outstanding and shows off the benefits of shooting a movie at a framerate higher than 23.976 fps very well. The 3D was solid too, and certainly a welcome experience (as it is for every movie that gets a 3D release), but the 3D ended up taking a backseat to the real draw of the higher framerate.

120 FPS was a great choice particularly for an action movie like this one and I'm happy to see someone in Hollywood willing to be innovative instead of just doing things for the sake of "that's how it's always been done."

From the opening train sequence to flying scenes or scenes that take place in water, it really gives everything an increased sense of speed that looks more close to how these activities would go down in real life. During the action sequences I felt like I was watching a fight taking place right in front of me instead of watching a fight that was recorded on a camera. There was a certain added level of engagement that I normally only feel when playing a modern video game. I think this high framerate technology is going to be a game changer, especially for action movies, if we can just get some of these old fogeys in Hollywood to start dying off and pass the torch on to younger directors who have grown up consuming higher framerate media.

You're certainly going to have the typical peanut gallery of boomers who grew up watching exclusively 23.976 films who have been brainwashed into thinking that a framerate considerably slower than the human eye can process is somehow more "realistic," but hopefully as we see more high framerate movies it will eventually be an adopted video improvement standard like color, widescreen, higher resolutions, surround sound, and HDR. As those older generations kick the bucket you will see less and less opposition to more realistic higher framerates in movies and eventually the majority of the population will think that slideshow framerate 23.976 movies are the ones that look "weird."

The inevitable 4K Blu-ray release with a framerate of 60 FPS is going to be the way to go for this movie, until we get some future format that can deliver the full 4K 3D 120 FPS. If you can see it in a cinema that can play it at 120 FPS, I highly recommend it, but even 60 FPS should be a considerable improvement over your typical movie's framerate.