[7.7/10] This is another episode where I really enjoyed just about everything...except the relationship stuff. Once again, the emotional core of the episode is anchored to the relationship between Eleanor and Chidi, which just has yet to click with me, which means the grand climax here leaves me cold.
But that’s the thing -- I really like most everything else about that part of the episode. D’arcy Carden does amazing work at portraying all of her co-stars. The way she’s able to perfectly capture the specific cadences of characters like Jason and Tahani was impressive, to where it’s easy to forget that it’s not really them as Carden delivers the performance. At the same time, the editors and compositors deserve so many kudos for making it feel totally natural that these were all separate characters interacting in a room together and not just one person green-screened over and over again.
I even like the emotional conceit of the episode -- where Eleanor’s identity crisis turns literally inside the confines of Janet’s void, cracking the place up and making Eleanor transform into other people and forget who she is. Chidi trying to bring her back, avoid intimacy by burying himself in philosophy, and realizing that he knows who Eleanor is and cares about her is a strong concept. And hell, I loved the hell out of the visuals the show used to convey Chidi having his epiphany to the point that it brings both of them back to who they really are. I just don’t really see Chidi and Eleanor as an OTP yet, so it lacked some punch for me.
The other half of the episode was both creative and hilarious though. Bringing in Stephen Merchant to play the head accountant is an inspired bit of casting, and the show managed to deliver a lot of exposition on how the point system works in fun and creative ways. (The beleaguered tone of the “weird sex thing” accountant was a consistent set of laughs.) I enjoyed the revelation that no one has made it to The Good Place in 500 years, and the accountant refusing to accept the notion that there’s anything wrong with that, as it speaks to a certain institutional inertia that works for both comedy and drama. Hell, just imagining the nerve center of the afterlife as a beige-lit cubicle farm, replete with a Neutral Janet is pretty inspired.
And I enjoyed the message of that segment to, with Michael realizing that he keeps looking for an external solution to his problems, someone else to take care of them, when really, he needs to look within himself to starting fixing things rather than waiting for it to happen. Of course, that leads us to yet another reboot and tease, but it’s a promising one, as this show gives us more tantalizing territory to explore.
Overall, I’m still a little leery about how much weight the show is putting on an Eleanor/Chidi relationship that I haven’t bought into yet, but the comedy, creativity, and world-building continues to be superb enough to keep me smiling throughout.
