A little bit too "seen it all before", but I do enjoy stories based around Malloy.
A-ha! I knew that guy was a fox!
Ruined twist notwithstanding, that was a very good episode. Ed takes a backseat again and leaves it to Gordon and Talla to get their hands dirty...
Gordon deserved to be at the center of a serious episode. Even though I can see Orrin's point ("Patriotism is only for people with large families"), it's almost impossible not to consider the deal "for the greater good", even without being adept of utilitarianism per se. After all, the alternative is war, especially one we were given every indication they'd most likely lose... But that's the farthest thing from his mind, which, again, it's completely understandable.
[6.4/10] This is another perfectly acceptable “Off-Brand TNG” outing from The Orville. The balance between a potential peace treaty with a longtime enemy and the morality of turning over a human POW who’s escaped the is the kind of moral thought experiment that Star Trek fans love. There’s added complication of the fact that Malloy has a personal connection to the POW (whose name is Orrin), and the mystery of whether or not he destroyed several Krill ships using only a shuttle, as they claim.
It’s all fine, and the show goes through the motions with all of this. The fact that Orrin definitely did is overly telegraphed, which makes the reveal not particularly shocking. Likewise, anyone who’s seen Firefly knew that his daughter, Leyna, was the key to how he was able to accomplish such a destructive feat, even if it turns out she’s not really his daughter. And the explanation isn’t terribly satisfying, with a deus ex machina “It turns out the mute daughter has explosive blood” twist that comes out of nowhere and is based on Dr. Finn just happening to recognize what’s up without any prior setup.
Part of the problem is that the show elides the real moral conundrum here -- would you turn over an innocent man to save billions of lives? Instead, it makes Orrin obviously guilty of what he’s accused of, and while there’s still plenty of ethical considerations in the “Would you blame a guy whose family was killed by this enemy for wanting to destroy them after twenty years in one of their prison camps?” department, the show centers everything on the “We’ll turn him over if he’s guilty” issue, and there was little doubt in my mind he would be.
I also wasn’t especially compelled by the personal connection between Malloy and Orrin either. It’s something we’re more told than shown, and the performances don’t necessarily feel lived in enough to make up for that. I like Malloy getting a dramatic storyline and having an episode hinge on him, and there’s compelling material in the form of his loyalty to a man who saved his life and has suffered unspeakable things versus his duty as a Union officer. But the execution is just not successful enough to fully realize those ideas, especially in the writing department.
To the same end, there’s not a lot of juice in the Mercer/Malloy relationship to justify the wrinkle of Mercer being jealous of Malloy’s friendship with Orrin. Despite the two being nominal best friends, we see Mercer spend way more tie with Grayson in the show, so it’s another “tell rather than show” sort of thing. Their bond hasn’t been built up enough to justify the kind of sentiment The Orville wants to wring out of their closing moment together.
The mystery also doesn’t do much for me, since again, a lot of it’s either obvious or out of nowhere, and detective Talla doesn’t really seize on much to crack the case. It’s another “here’s a pile of exposition to explain it” bit, and Malloy’s ploy doesn’t work terribly well as a fakeout.
On the whole, this one is fine. The prospect of peace with the Krill is a big thing to hang in the balance, and even at its worst, this episode is thoroughly competent as it dutifully hits the beats for this kind of story. It just never rises above that level.
I can't decide if this script was poorly written, or just lazy.
Ted Danson reprising his role as a Union admiral is nice, I guess. But the fake "twist" when Gordon "goes along with" Orrin's plan was the result of omitting a scene somewhere, and I don't like that writing tactic. It feels cheap.
We also have a pretty big loose end: What happens to the Envall woman Orrin passed off as his daughter after this? As far as we know, she remains sealed in those guest quarters, ready to escape and threaten the ship the next time it loses power.
This episode really was a strange one. On the one hand direction was really off, the acting was so unnatural in many places, especially when people were running and arriving somewhere. You could really see that they had just started seconds before the camera started rolling. One the other hand Scott Grimes really shone in this episode, his acting was on par!
Also that plot was really predictable and not innovative in the least but still I liked it. I can't put my finger on it but despite all the mediocrity I enjoyed this episode.
When hate has consumed us there is no going back
Shout by FinFanBlockedParentSpoilers2019-03-09T17:54:32Z
Yeah, it was a predictable episode. It was obvious he's a foul apple, and the whole "I saved your live" routine. But even with all that it is still a very good episode that deals with loss and friendship. It is not about if he's done it but about the why. You understand the motives that drives one to such actions. Ultimately it was the only way for him.