This was a great episode but it made me wonder why did they lead the show and even bothered producing those first two absolute garbage episodes when they clearly are able to have decent ones like those last two?
Great episode. The mystery keeps on getting more mysterious and we have not gotten any real answers for now. But I’m still very intrigued by the storyline and I also love the Scandinavian setting.
I think this is Fargo’s strongest season since it’s heyday in seasons 1 and 2. The story feels a lot simpler and pared down, but Juno Temple is a treasure. There is plenty of humor with some of the Home Alone-inspired setups, but it maintains Noah Hawley’s touch throughout with some of its more unconventional approaches to visual storytelling. It isn’t as flashy with the slick editing, but it still works. And it isn’t only Juno Temple, the rest of the cast including Jon Hamm, Jennifer Jason Leigh, Joe Keery, and Richa Shukla Moorjani all do a great job rounding out the ensemble.
I can't believe I spent a whole day watching 8 episodes of this junk.
So disappointing.
Might be my second favorite episode of the season, right after the explosion episode a few back. I loved the single location Naomi episode. The show really brought out her struggle after being out in space and now fighting for the survival of herself and her friends. I must get bit cocky, in that I also thought of her solution. Interrupt the broadcast, to notify others something is up. admittedly i didn't think of interrupting the message as a whole to make a new message .. rather, I thought about putting intervals between broadcasts that would translate to a SOS. .. hers is better.
Incest is the last thing I need now
Shockingly awful. There was no reason for this to be as bad as it was. This is another one of those films, like The Banana Splits Movie that uses one of the unused/scrapped scripts thrown out by Scott Cawthon as he works on his Five Nights At Freddy's movie. Studios see some potential in the scripts and just change around the aesthetic to adapt it. Nicolas Cage has a producing credit on this and I don't know why. What a shithead move to not have him speak the entire movie. If they were going for a Man With No Name approach, he should have a couple lines, really killer ones. The idea he says nothing is a comically ridiculous waste. There's no reason for him to be there then. Go Doomslayer if you want the silent killer. Give him a scarf over his mug and cowboy hat, it would complete his look, and then Cage wouldn't require a big check. None of the characters are memorable, recognizable, have any attachment to the story, or warrant the screen time they're given. Characters don't play to any specific strengths or weaknesses. Their names are spoken one or two times, none of them add to the world building or have connections to this restaurant. Any characters that have a chance of redemption are killed on the spot without a second glance, making their place in the script meaningless. Even the sympathetic sheriff groomed by the head sheriff doesn't get his moment to shine, he's unceremoniously killed in a lame, unrealistic situation where somehow an animatronic stowed away in the cop car. The levels of turning your brain off you have to do to even tolerate what's going on are to many to permit. Only one, named Liv, cares about doing the right thing. Neat. She cares about this old, creepy birthday palace why? I don't know. The lore is taken right from FNAF's pages, people possess animatronics to cause havoc, only here, it's serial killers. For what purpose? I have no clue. They only get fed every time the town's folks tricks a passerby to become a night janitor. How often does that happen? It's all just thrown in to one horrible exposition dump as Cage stands there with the same expression he has the whole movie. There's even a second exposition free for all that repeats all the points from the first one, only from the perspective of the townsfolk, and it comes right in the middle of an interesting scene between one of the kids and a suit. When we cut back, the kid is immediately killed. Why does the dude drink that brand of soda and on every break conveniently timed and looped throughout the picture? The only way this story would've been enjoyable is if it was an actual video game, Duke Nukem style. This is the cinematic equivalent of watching someone play Doom, but you don't get to experience the gameplay yourself, it's terrible. It's not even good exploitation. The blood effects are below the grade of a YouTube video, very obvious Kool-Aid mixtures for blood effects that come out of people's mouths. An excuse for violence is a staple of exploitation flicks for sure, but come on, we're far above the lowest tier trash that comes out of the genre. Most others in the medium are far better than this. To call this a slasher movie is insulting to other gore fests. Every scene is a loop. Janitor guy beats the shit out of a suit, he cleans up, takes his break with a soda, stares at the creepy guys on stage, and loop. This happens six times in the runtime; abysmal. It's a joke in itself, shots repeat like the tossing of a soda can in the garbage, like this shit thinks it's clever. If you want that, have some progression. Maybe that pinball game he cleans up, he gets better at and scores a higher score after each time he defeats a suit. No thought put in to anything, no themes. That ties in to the editing. You're not Edgar Wright. Quick cuts and neon lighting is overused now, you aren't interesting and it doesn't even fit the aesthetic of the time or location. Some of the reaction shots are laughable; like Cage will be punching the shit out of a dude, the camera is all wobbling and up close to be intense, then it cuts to a wide static shot of Liv standing there with a dumbfounded reaction on her face, which completely breaks the engagement of the fight, and then it cuts back to that shaking extreme close up of Cage fighting. It's distractedly awkward. The care to environments and visual effects are of a student film. Balloon lights, lighting equipment, and other junk can be seen in a few shots. The camera work is either over produced or television sitcom, most of the time switching in between shots. The setting of Willy's is small and pathetic, like a little store they rented out for the film. One ballpit, a side room for a birthday table, a kitchen where one pinball machine is located, and a very tiny arcade. As for the animatronics, you have to make me believe these were intended to be cute and friendly. The Banana Splits Movie understood this, considering they used actual Hanna Barbera characters so that was their original purpose, but these monstrosities are freaky even in the upbeat commercial. At least try to be subtle with your costume design, or have it so they flick a switch and change appearance to something demonic. It could tie in to the story's core element of Satanism being at the heart of this dandy play place. About the only satisfying scenes are Cage's final music video dancing to the pinball machine and the head sheriff's death by Willy. The score is also decent. Two points for this dreck.
Some movies manage to walk the line of quality with such finesse that it leads to “good-bad” movies. Movies so bad they somehow break through the other side and end up good. Willys Wonderland is not one of those movies. It’s just unapologetically bad. It’s devoid of any of the qualities that make a good-bad movie, leading to an empty, boring and sometimes painful 90 minutes. The FNAF-esque plot is threadbare, the dialogue is stilted and unquotable, the production is poor, Nic is a literal silent protagonist so there aren’t even any classic Cage one-liners to grin at. The animatronic fights lack impact or comedic timing and the effects on some of the caricatures are student film quality. If you’re baked out of your mind and need a Nic Cage fix, Willys Wonderland will probably scratch the itch, but anyone going into this sober should seek out another from Nics repertoire for a more satisfying hit. Mandy or Color Out of Space will serve you much better, trust me.
absolute garbage. I know 5 to 6 year olds with more plausable and entertaining story writing skills.
I really needed Nic Cage to spit out corny one-liners just before he massacres sentient animatronics and I feel like I was robbed of that.
I love Wilson’s ‘no’ at the end haha. He looked so done.
If you love „The Knick“ u will like Ratched
This is one hour and 20 minutes of people screaming eachother's names while running around in a field of tall grass.
Literally. Nothing else.
A masterpiece it's not, but what makes this one special is the sheer stupidity, the comedy, the over-acting, and the gore. All-in-all the most politically incorrect piece of film ever made. Great fun for any cult classic lovers out there...
A very good example of what Bollywood can do outside of its usual norms. A mix of folklore, horror, thriller and historical movie.
Vinayak grows up in a manor where a fabled treasure is hidden, though nobody found it. Coming back as an adult he finds it. However he seems to go back and forth between the city and the manor and only brings back a few gold coins at a time. The main story and mystery part focuses on how he's getting his gold coins. And the reveal of the whole ritual is amazing.
Get at the bottom of the well in the manor's courtyard. There's a corridor with another fortified well at the end. There you enter the goddess' womb. Get down there, draw a protective salt circle. Bring a doll made of flour. As soon as the doll is revealed, Hastar appears. He can't get into the circle, which is great because a simple touch will change you into an undead. Give him the doll, and while he's eating it, quickly spill some coins from his satch and pick them up, but remember, no touching. Then get the hell out of here before he's finished.
The whole movie looks really good. The light work and almost constant rain creates a great gloomy mood. But the womb part... just amazing. It's just the right mix of creepy, disgusting, fantastic and realistic. It fits perfectly. Not only the decor but also Hastar himself.
The rest of the story, with his wife, his kid, his mistress, the opium dealer trying to find the secret are basically fillers here, but it's short and diverse enough to make it an interesting complement to the story and not be annoying. This actualy creates a different focus on the womb sequeces, it's a great choice. The relationship with his kid is weird though. You're not really sure if he's useless and Vinayak is going to sacrifice him, or if the kid will try to take his father's place or whether he will just fuck it up.
The final part, when the kids suggests to steal the satchel instead of a few coins, feels a lot like it's going a goose that laid golden eggs way and ends up totally different where every doll they bring generates an instance of Hastar. That's one of the best twist I've seen in a while. Not only is it surprising and interesting but it doesn't disrupt what we already know, it doesn't come out of nowhere and actually feels quite logical. After all, Hastar only appears when you show a doll, and there's nothng telling that it's the same Hastar every time you get in the womb. After all the satchel is not limitless, maybe it would have emptied by then..
That's also a strength of the movie. Despite being obviously fantastic, the whole thing is actually coherent and makes sense. Every thing that is done to get the gold has its explanation, as well as the weird monster grandmother, up until the final twist.
This is a great, original, masterfully directed and shot story. Incredible for a first film. I'm eagerly waiting for his next ones.
oh my. I'm going to re-watch S4 now.
Not gonna lie, I'm a little peeved we had to wait the entire season for this.
But...it was quite awesome.
Really good episode. At the end, it left me feeling a kind of void because of Rick’s situation, but even though I really liked this finale.
I honestly think this whole season was a waste of time because I can't even name three things that would make this season relevant. It just feels like pure filler with bad writing. I'm sure I could have skipped this whole thing and didn't miss out on anything.
- I can't believe Bear just suddenly remembered he had a camera installed. What an absolute lame "twist" to solve Kenny's death.
- Geraldine was just... pointless? I thought she might be involved with the Twelve or has some personal agenda, hidden secrets or something. But I guess the whole point of her was to have mommy issues?
- I was hoping for more infos about the Twelve when Villanelle becomes a keeper, but I neither know what a keeper even is nor do I have any more knowledge about the Twelve. Disappointing and feels like a wasted story that Villanelle tried to go up the ranks.
- The ending was okay. I wish I could be more emotionally involved, but the whole season was such a drag that I just feel... numb. It's nice they finally chose each other, but I hope that'll be relevant in the next season because the cat and mouse game gets a bit boring by now. And I hope they'll finish with season four.
I thought this was better than the last couple of episodes. Eve going fully feral for a second there with Dasha was maginifcent (Sandra Oh EGOT when), Villanelle got a couple chuckles out of me in that first scene ("thank you for the inappropriate touching"), and Konstantin and Dasha ending up in the same hospital might lead to some really funny interactions. Can't believe the season is ending next week, is it just me or does it feel like not much has happened? Nothing, even Niko getting stabbed or Kenny dying or Villanelle murdering her family felt all that impactful.
I get it, it has to be funny because of the transitions and randomness, but I don’t find this nonsense entertaining.
The saga continues. After a false fresh start, it’s Roger Moore’s turn to step into Bond’s shoes with Live and Let Die.
007 is tasked with solving the mystery of three murders across the globe, all MI6 agents. As ever this takes him all over the world and he meets bad guys, women, shoots guns etc etc. This is the eighth film in the series and we’ve learned by now that it’s not about what he does, it’s about how he does it.
Despite being superficially the same as the others, this is a genuine change of direction for the franchise. The camp tone that was so irritating in Diamonds are Forever actually works in Moore’s hands.
He’s the definition of nonchalant. While Connery was always ready, clenched fist and hand on gun, Moore gets out of danger with a smirk and a raised eyebrow. It sounds silly but he’s so good at it one can’t help but be charmed.
The other changes they make are more hit and miss. There’s no crazy villain trying to take over the world, just a gangster running a drug business. However, even with the apparent simplicity of the story it still manages to be overly convoluted.
Trying to ‘get real’ hurts the film too. The villains simply aren’t that threatening. Not that everyone should be Dr. No but it’s hard to imagine why they send Bond on a errand that frankly should be a matter for the local police.
The producers also clearly attempted a shameless cash grab by imitating the then popular Blaxploitation theme. Bondsploitation. It can be fun to watch at times for the fish-out-of-water value but mostly it makes the film feel too much of its time. No one really wants to see Bond tackling the ‘issues’.
There’s a lot of good though. Jane Seymour stands out as the ‘Bond girl’. She’s only 20 years old here and it really shows. She manages to lend a genuine vulnerable air to the role without hamming it up. However, it is slightly unsettling to watch Bond shamelessly try to screw a teenager using some rigged tarot cards. He’s only one step away from slipping a pill into her drink…
Also good is the theme tune. It’s the first break from a big band style song and it’s a true classic. McCartney still plays it live on stage.
There are some very slick action sequences in Live and Let Die. It’s a shame they are often swamped by really boring ones or just wind up being overly long and losing our interest.
The boat chase is the best example of this. It feels like it’s never going to end, we don’t really know why there even is a boat chase, never mind where it’s actually supposed to be happening (the Bayou I presume?). A shame, because it is punctuated by moments of true greatness. One of the boat jumps broke a Guinness world record. It’s ambitious footage spoiled by a very poor edit.
Live and Let Die has not aged well. It’s confusing and keeps trying to bring race into the plot for no reason. However, one can’t help but enjoy Moore’s performance and if this film does anything, it makes us want to see where he goes with the character.
http://benoliver999.com/film/2015/06/05/liveandletdie/
For a moment I thought this would be like that X-Files episode.
If you think Inception had a complicated plot, this movie isn't for you. Really. There's charts with loops on the Internet which show the plot and what's happening when. You'll probably need to watch this movie at least twice.
It's very, very good.
Another of the early series's classics. This does plenty to move the story arc along and there's more of Jared Harris (as Mr. Jones).
Mr. Jones makes Olivia pass a test to diffuse a bomb that will seal peoples' orifices (you read that right!) if it explodes. Walter's typewriter suggests that he wrote the ZFT book.
Perfect episode is PERFECT. Why couldn't every episode this season be like this PERFECT one? Damn, I really enjoyed it and found myself finally laughing at the show again. Literally all the plots were equally interesting and hilarious. Too bad it's the finale. I need MOOOORE. :cry:
Pretty solid episode, my favourite of the season so far. Entertaining from beginning to end, very creative, this is just it. That's the Doctor Who I know and love!
I'm very pleased to say that I really loved this! As much as I enjoyed the premiere, it didn't fully feel like a Doctor Who episode to me. This one, however, absolutely did. I think it captured the essence of the show perfectly.
Something that Chibnall does very skillfully is create an engaging mystery that really draws you in. I was on the edge of my seat for a big part of the episode, waiting to find out what happened to the population of the planet. And what do you know, it looks like the Stenza are going to be a recurring theme this season! I'm curious to see how that will play out. And what - or who - could the timeless child be?
One of the strongest points of this season is the cinematography. Some of the wide shots that we got in this episode looked like they belonged in a Star Wars movie. And the music is excellent as well. It's kind of subtler than what I've gotten used to with Doctor Who, but it's lovely. The new composer is doing a great job.
Another strong point is obviously the acting. While I do think that Jodie, just like every Doctor, will need a few episodes to fully come into her own, I love everything she's given us so far. The quick wit, the quirks, the boundless energy, the enthusiasm and the charm that she brings to the role - it's all exactly right. And I'll be honest, the emotional moments in this episode really got me. Her face when she saw the hologram of the Ghost Monument and realized it was the TARDIS! And the reunion was so soft and gentle and wonderful! I actually cried happy tears when she said "You've done yourself up! Very nice". I adore Thirteen. And the companions are growing on me too. I like the interactions between the three of them and the Doctor. I can't wait to see these individual dynamics develop over the course of the season.
The opening credits are awesome. I've never seen the classic series, but the theme has a very retro vibe to it and I like the color scheme. It looks like a kaleidoscope. I dig it.
And finally, the TARDIS! She's redecorated all right! The interior looks more organic, kind of like Nine's and Ten's were. I liked the sleek, mechanical designs of the Moffat era, but this one is so appropriately alien. The biscuit dispenser is a cute little touch, especially considering that they put it there as a gift to Jodie and packed it with her favorite custard creams.
Overall, I thought this was a really great episode. Now that we have the TARDIS back, I'm excited to see what adventures await us.
