This was a great episode but it made me wonder why did they lead the show and even bothered producing those first two absolute garbage episodes when they clearly are able to have decent ones like those last two?
Great episode. The mystery keeps on getting more mysterious and we have not gotten any real answers for now. But I’m still very intrigued by the storyline and I also love the Scandinavian setting.
Ends on cliff hanger. Starts new ep. 5 minutes in its good. next 40 minutes its quite disappointing. Ends on cliff hanger. Repeat.
A franchise that gets better with each installment, this was great, the set pieces were brilliant, and the team know exactly what works now, The Cruiser for me is the Postman, he always delivers!!! Thoroughly enjoyed this
Watching order
Because there are some issues with watching this, here is the order.
Copying from the site in case it ever goes down, but this info came from here: http://thunderpeel2001.blogspot.com/2010/02/battlestar-galactica-viewing-order.html
It's probably more confusing here on trakt, so go to the above linked site for a better layout.
The Miniseries
Night 1
Night 2
Season 1
1.01 33
1.02 Water
1.03 Bastille Day
1.04 Act of Contrition
1.05 You Can't Go Home Again
1.06 Litmus
1.07 Six Degrees of Separation
1.08 Flesh and Bone
1.09 Tigh Me Up, Tigh Me Down
1.10 The Hand of God
1.11 Colonial Day
1.12 Kobol's Last Gleaming, Part I
1.13 Kobol's Last Gleaming, Part II
Season 2
2.01 Scattered
2.02 Valley of Darkness
2.03 Fragged
2.04 Resistance
2.05 The Farm
2.06 Home, Part I
2.07 Home, Part II
2.08 Final Cut
2.09 Flight of the Phoenix
2.10 Pegasus (56 minute extended version)
2.11 Resurrection Ship, Part I
2.12 Resurrection Ship, Part II
2.13 Epiphanies
2.14 Black Market
2.15 Scar
2.16 Sacrifice
2.17 The Captain's Hand
Razor (101 minute extended version - not the 81 minute broadcast version)
Important note: This was originally broadcast just before Season 4, but chronologically it fits here, telling more of the Pegasus's story. Some people argue it's better to watch after Season 3, as originally broadcast, but it makes most sense to watch it here.
The reason that the placement of Razor is a hotly contested issue among BSG fans is because of a bit of dialogue at the very end (in the last 10 minutes) which sets the tone for Season 4 (barely even a spoiler). Everything else in this TV movie is not a spoiler.
So why place it here, and not where it was originally broadcast, if there's any sort of issue? Because, chronologically, the story is set here, and by the time you reach the end of Season 3, the story of Pegasus will feel like ancient history. Indeed, that was the complaint echoed around the internet from fans after Razor originally aired -- it had nothing to do with what was going on in the story at that time.
As a result of this, most fans agree it's better to watch Razor here. In doing so, you'll appreciate the story more and it will have greater emotionally resonance. In short: I highly recommend that you follow my advice and watch it here.
There is one small caveat, however: In order to deal with the above dialogue issue, and so not to unintentionally alter the tone of Season 3, I have two, very specific instructions that I recommend that you follow for your absolute optimum enjoyment.
I will try not to spoil anything with these instructions, so pay attention. You need to press MUTE on your TV (and/or turn off any subtitles) in the following two moments. Both of these moments occur in the last 10 minutes of the story, so you can relax and enjoy the first 90 mins before you need to worry.
Press MUTE when:
and shortly afterwards:
That's it! That's all you have to worry about. Two very small moments, and even if you don't unmute it, it's not a huge spoiler, it just unintentionally alters the tone of Season 3 if you don't, so do try your best to follow my instructions.
2.18 Downloaded
2.19 Lay Down Your Burdens, Part I
2.20 Lay Down Your Burdens, Part II
The Resistance
A 10 episode web-based series bridging seasons 2 and 3. (25 mins.)
Season 3
3.01 Occupation
3.02 Precipice
3.03 Exodus, Part I
3.04 Exodus, Part II
3.05 Collaborators
3.06 Torn
3.07 A Measure of Salvation
3.08 Hero
3.09 Unfinished Business (70 minute extended version - Note: Not included on Region 2 DVDs, but is included on ALL Bluray releases.)
3.10 The Passage
3.11 The Eye of Jupiter
3.12 Rapture
3.13 Taking a Break From All Your Worries
3.14 The Woman King
3.15 A Day in the Life
3.16 Dirty Hands
3.17 Maelstrom
3.18 The Son Also Rises
3.19 Crossroads, Part I
3.20 Crossroads, Part II
Razor: Yes, this again. (Well this is where Razor was originally broadcast, after all.) Remember the last 10 minutes where I told you to MUTE two small moments? Well, guess what, now is when you get to go back and hear what was said. Watch the last 10 minutes of Razor here.
Season 4
4.01 He That Believeth In Me
4.02 Six of One
4.03 The Ties That Bind
4.04 Escape Velocity
4.05 The Road Less Traveled
4.06 Faith
4.07 Guess What's Coming to Dinner?
4.08 Sine Qua Non
4.09 The Hub
4.10 Revelations
Season 4 Continued (aka "Season 4.5" or "The Final Season")
4.11 Sometimes a Great Notion
The Face of the Enemy
A 10 episode web-based series (although it plays together like an intense mini-episode). (36 mins.)
4.12 A Disquiet Follows My Soul (53 minute extended version - only on Bluray releases)
4.13 The Oath
4.14 Blood on the Scales
4.15 No Exit
The Plan (DVD/Bluray movie)
A stand-alone movie that shows (approximately) the first two seasons from the Cylons' perspective. (You finally get to see "The Plan", mentioned all those times in the opening sequence!) Although The Plan was originally released after the show had finished, it is generally agreed that it should be watched here, so that everything is all tied up when you do reach the end.
4.16 Deadlock
4.17 Someone to Watch Over Me
4.18 Islanded In a Stream of Stars (62 minute extended version - only on BluRay releases and Region 1 DVDs)
4.19 Daybreak (150 minute extended version - only on BluRay releases and Region 1 DVDs)
The Plan : This is where this DVD/Bluray movie was originally released (after the show had finished). It seems universally agreed that it's preferable to watch this after No Exit, instead of after you've finished the entire series, but there's no harm in waiting until now.
Then Caprica the series: http://trakt.tv/show/caprica
I hope Ford faked his death with a Host version of himself.
I'm not sure what to say. I don't know how I expected this show to end. On one hand, I'm okay with this ending, and I think it was a good way to conclude the show. On the other, I feel completely empty inside. It's strange to think that we're not getting another episode next week.
I was sure that John would be the one to die. It made the most sense. He had a good death, fighting until the very end. Still, I cried my eyes out when it happened.
I'm glad that Shaw is alive, and that she has Bear by her side. I loved how she smiled in the last scene. She totally heard Root's voice on the phone.
Finch is finally reunited with Grace!
So The Machine was talking to a version of herself all along. I'd kind of suspected that.
This was a great episode, and the last few minutes of it were bittersweet but also hopeful. The Machine's final monologue was epic. You know how sometimes you hear something so profound and powerful, something that speaks to you so deeply that you have to fight the urge to get it tattooed on your body? That's what I felt like when I heard that monologue. Overall, I'm quite satisfied with the way they tied it all up.
Now, it's time for me to say goodbye.
I discovered Person of Interest quite late - just a few months before season 5 started. I wasn't hooked right away, but I stuck with the show because I'd read stellar reviews online. It took me almost an entire season to really get into it.
And then Root showed up, kidnapped Finch, stole my heart in about 0.2 seconds, and I was officially obsessed. It took me only 10 days to binge-watch seasons 2-4 (after all, who needs school? Who needs sleep?). This show was a wild ride, and I'm grateful that I got to experience it.
Thank you, Person of Interest.
Thank you for giving us compelling storylines, jaw-dropping plot twists and intense action scenes.
Thank you for exploring fascinating themes, such as AI and the true meaning of humanity.
Thank you for gorgeous cinematography, spectacular score and special effects that blockbuster movies could be jealous of.
Thank you for phenomenal characters, fantastic relationships, consistent characterization and incredible character development.
Thank you for starting my obsession with Amy Acker, which resulted in me binge-watching 19 episodes of Angel in one day (no, I do not possess amazing impulse control).
Thank you for making me laugh, making me cry, making me think, making me lose sleep over you.
Is there something about this show that I'm not happy with? Absolutely. I wish CBS hadn't acted like dicks and had given us a full season instead of measly 13 episodes. I wish Root hadn't died, and a part of me will always be bitter about it. I wish Shaw and Root had had more time. I wish they had paced the final season better (Root and Shaw are reunited after 10 months and over 7,000 simulations, Root dies in the following episode, and then we get a case of the week as if nothing happened? That's just bullshit right there), but I also know that the showrunners tried to do the best they could with a reduced number of episodes. And overall, they succeeded, making Person of Interest one of very few TV shows that were just as, if not more, exquisite in their last season as they were in their first.
Goodbye, Person of Interest. You will always be one of my favorite TV shows of all time. I don't think I'll ever get to watch something as engaging, thrilling, smart, thought-provoking, heartbreaking and powerful as you again.
Someone once told me, television is a flat circle. Every show we've ever watched or will watch, we're destined to watch over and over and over again. Watching this show, sometimes I'm convinced that the creators have lost their minds. But there are other times, I think I'm main-lining the secret truth of the universe.
I honestly think this whole season was a waste of time because I can't even name three things that would make this season relevant. It just feels like pure filler with bad writing. I'm sure I could have skipped this whole thing and didn't miss out on anything.
- I can't believe Bear just suddenly remembered he had a camera installed. What an absolute lame "twist" to solve Kenny's death.
- Geraldine was just... pointless? I thought she might be involved with the Twelve or has some personal agenda, hidden secrets or something. But I guess the whole point of her was to have mommy issues?
- I was hoping for more infos about the Twelve when Villanelle becomes a keeper, but I neither know what a keeper even is nor do I have any more knowledge about the Twelve. Disappointing and feels like a wasted story that Villanelle tried to go up the ranks.
- The ending was okay. I wish I could be more emotionally involved, but the whole season was such a drag that I just feel... numb. It's nice they finally chose each other, but I hope that'll be relevant in the next season because the cat and mouse game gets a bit boring by now. And I hope they'll finish with season four.
It’s often daunting to come to a classic film and try to explain why it works so well. Obvious elements spring to mind - the peerless design work, both of the central creature and the sets themselves; the beautifully haunting score; the creation of one of the greatest female action heroes; the perfect pace of the film (slightly spoilt by the Director’s Cut, but the original edit still shines); the “birth” of the creature that may have lost its ability to surprise over time, but still horrifies largely down to the performances that sell this moment so well; the masterful build-up of tension as each character confronts their fate. But, more importantly, this is simply a story that is well told and a reminder of how powerful an experience film can be when all the elements come together so perfectly. Is it any wonder that Alien has been oft-imitated, parodied and copied, but rarely bettered, if at all?
If you're about to begin with Pretty Little Liars, let me tell you something:
You will love it on seasons 1 & 2 because of the unpredictable shocks and enormous suspense
You will hate it (but secretly you will love it) on seasons 3 & 4 because of the levels of delicious stupidity that the show reaches, but when you reach this point you are going to patiently wait for another episode because you desperately want to know what happens, even that you know that you will not get any answers until the finales.
This is how you make a good trashy tv show!
One of my favorites!
Even my 6-year-old son watches it in complete silence.. There are no words to describe it.
Creepy. Thrilling. Suspenseful. Conjuring.
My friends and I have been planning on seeing The Conjuring for a while now. There was quite a hype going around about how freaked this left a bunch of our friends, so I guess there was some level of expectation. I wasn't expecting much, though. This is the first "horror" movie I've watched in months (I never really saw the appeal in them, except when watching with friends), and it definitely did not disappoint for me.
At the end of the film though, my friends kept saying how it wasn't scary (which contradicted their screams from a few minutes before that lol) and how it does not compare to Insidious, a film which we all watched together two years before.
What my friends did not appreciate was what I liked about it: there actually was a story. It was developed and did not just focus on trying to scare the crap out of you with shocking music and sudden appearances by creepy-faced hags. I have to admit, I still found some scenes definitely cliched and corny.. It's not perfect, but it wasn't bad either, which is saying something because I've hated horror movies growing up.
A very good example of what Bollywood can do outside of its usual norms. A mix of folklore, horror, thriller and historical movie.
Vinayak grows up in a manor where a fabled treasure is hidden, though nobody found it. Coming back as an adult he finds it. However he seems to go back and forth between the city and the manor and only brings back a few gold coins at a time. The main story and mystery part focuses on how he's getting his gold coins. And the reveal of the whole ritual is amazing.
Get at the bottom of the well in the manor's courtyard. There's a corridor with another fortified well at the end. There you enter the goddess' womb. Get down there, draw a protective salt circle. Bring a doll made of flour. As soon as the doll is revealed, Hastar appears. He can't get into the circle, which is great because a simple touch will change you into an undead. Give him the doll, and while he's eating it, quickly spill some coins from his satch and pick them up, but remember, no touching. Then get the hell out of here before he's finished.
The whole movie looks really good. The light work and almost constant rain creates a great gloomy mood. But the womb part... just amazing. It's just the right mix of creepy, disgusting, fantastic and realistic. It fits perfectly. Not only the decor but also Hastar himself.
The rest of the story, with his wife, his kid, his mistress, the opium dealer trying to find the secret are basically fillers here, but it's short and diverse enough to make it an interesting complement to the story and not be annoying. This actualy creates a different focus on the womb sequeces, it's a great choice. The relationship with his kid is weird though. You're not really sure if he's useless and Vinayak is going to sacrifice him, or if the kid will try to take his father's place or whether he will just fuck it up.
The final part, when the kids suggests to steal the satchel instead of a few coins, feels a lot like it's going a goose that laid golden eggs way and ends up totally different where every doll they bring generates an instance of Hastar. That's one of the best twist I've seen in a while. Not only is it surprising and interesting but it doesn't disrupt what we already know, it doesn't come out of nowhere and actually feels quite logical. After all, Hastar only appears when you show a doll, and there's nothng telling that it's the same Hastar every time you get in the womb. After all the satchel is not limitless, maybe it would have emptied by then..
That's also a strength of the movie. Despite being obviously fantastic, the whole thing is actually coherent and makes sense. Every thing that is done to get the gold has its explanation, as well as the weird monster grandmother, up until the final twist.
This is a great, original, masterfully directed and shot story. Incredible for a first film. I'm eagerly waiting for his next ones.
Disappointing. The season starts with 4 characters that all take themselves too seriously in uninteresting situations. Even the music is oddly suspenseful in scenes where not much happens.
I hope we'll get that suspense and mystery from season 1 back in the coming episodes
Ridley Scott's return to the "Alien" universe, and, oh God, does it suck! I don't understand why people liked this movie so much. Were they just hoping and wanting to like it so much that they blinded themselves to what they were actually seeing? The plot makes no sense, the characters are the dumbest I've ever seen on screen, and the science and technical aspects make it feel like it was written by a Texas home-schooled kindergartner (if you're doing science fiction, you better get the science right). Okay, maybe that last bit is a little mean, but it's still pretty bad. I don't think I've ever rooted for characters dying so much in a movie. It has a few nice visuals. A few. That's it. That's all it has going for it.
oh my. I'm going to re-watch S4 now.
I REALLY don't get why most people didn't like it. In my opinion it really worked quite neatly
The best new Star Wars film in three decades and one of the most satisfying films of the year.
I have so much to say about this show and how bad it is. If you want a excellent supernatural drama, then watch this BUT only from season 1 to 5. The fifth season's finale offers a great ending to the show and after that, everything is just plain bad. The plots stop making sense, they bring back characters just to kill them off and introduce new ones nobody gives a shit about. Think about everything that makes the show amazing, all those characters you love. Well, you'll be lucky if they decide to kill them off, because they managed to ruin Castiel and Crowley's characters to a point where I can't even stand them. Season 10's Crowley is just terrible, all he does is sit on his chair in his castle or whatever the hell that is (look i made a pun) and kill random demons. Regarding Castiel, a lot happens to him after the fifth season, sure, but his character just doesn't evolve. This is so irritating because i was such a huge fan of this show but now i feel like i'm gonna have to drop it.
I can only recommend the 5 first seasons, after that everything is just bad.
Just look at the gap between season 1-5 ratings and season 6-10 (or 11 now, since it has been renewed), and really the only people still defending this show are tumblr hardcore fans and shippers.
What the hell are you guys talking about? The show is a great time. It's not taking itself too seriously and it's poking fun at all the horror movie cliches. Good job Ryan Murphy. You've done it again!
The whole theatre burst into spontaneous cheers several times, and the whole theatre completely went silent - people literally stopped chewing their popcorn - on numerous occasions.
Like you've probably already heard, the movie REALLY is a phenomenal throwback to the original trilogy, with an extra oomph and insane amounts of creativity and new found inspiration that will take the franchise to a whole new level.
The characters are three-dimensional, it's nowhere near as strictly black and white, good vs. evil like in most of the previous movies, and Adam Driver as Kylo Ren is the best example of that. Hands down, the best villian to appear in the Star Wars franchise other than Darth Vader.
Daisy Ridley & John Boyega are thrilling to watch, the old cast members, popping in during the movie were just as fun to watch.
J.J. Abrams and the writers somehow managed to create a plot that was very confined in space and time, yet they effortlessly captured the grand universe that is Star Wars with some pretty great throwbacks to the old trilogy plot-wise. Some might argue that it's lack of creativity and unnecessary repetition, but I thought it was a wonderful homage. It flowed naturally and there really was no dull moment.
Absolutely phenomenal. :)
Oh hi trakt
This show has nothing exceptional about it at all. It's pretty lame and cookie cutter. Disappointing.
Good acting, it is a shame they went with the Scooby Doo writers guild. They had so many options for the writers to do more than making just another cop show. Zombies, crime writers, cops from the future, people with amnesia all fighting crime. Seems that the only professions that exist in TV land are cop, cop sidekick, doctor or lawyer.
Something like this comment was originally a reply to @Pedro, but I thought I'd put it here.
This show starts a little slow. It does that thing where the first few episodes are your typical boring cop procedural to show the network they know how to paint by numbers. Then it picks up.
It starts actually exploring the morals of mass surveillance, and (minor spoilers) it turns out the Machine is an AI, and they deal with all the interesting ramifications of living in a world secretly run by a benevolent(?) AI. One of the nice aspects of this show is the only fictional element of the Machine is software. Makes for a very grounded science fiction.
The characters start to deal with total corruption of the police system and attempt to take it down, meanwhile learning and redeeming themselves from their dubious past.
They also deal with taking down organised crime, and what to do when someone tries to consolidate power within the families, even though the new boss is less violent.
They get caught up in vast government conspiracies waging massive secret intelligence wars, and must stop innocent people from getting killed while remaining hidden from powerful people.
Heartbreak, romance, homoerotic sexual tension, SciFi, shooting people, explosions!
They stop making another cop show and start making some really compelling television.
"It's just a flying saucer, Ed. We gotta go." lol, Peggy kills me.
