There is no heterosexual explanation of that Buck and Eddie scene... :___
and the award for worlds slowest elevator goes to...
The Punisher was fighting to find redemption while Jon Bernthal was fighting for an Emmy Award.
Graveyard scene is one of the best scenes in the history of television! Wow!
Loving this season.
Rahim and Eric on the dance machine were just about the sweetest thing.
Jakob has started to annoy me. I don’t like when people act like they own someone else’s place. There’s a time for that, but I don’t feel that time has come yet.
Poor Aimee. It’s so typical. You think you’re the one inconveniencing everyone because well, it’s just a sneeze, but then you suddenly find yourself invaded and scared and triggered. Woop.
OKAY BUT THIS SCENE WOW
Where is my mother?
I ate her
I didn't even know that was possible
I loved Georgie so much. Killing her off was a huge mistake.
Anyway, it was a good episode
i like this episode but i feel like maddie & chimney are such a good couple, they deserved more than a hospital wedding. was this all really necessary?
Finally! Vampire diaries/Originals crossover! <3
Why the hell do they always hire actors that cannot speak spanish, at all? If you know the language you can tell they're just repeating phonetically, but they don't know what they're saying.
I began questioning my own existence after this episode.
a episode isnt bad because a character died, fu*k people who is downvoting here and IMBD because of Lexa's death, it was vital to move the plot foward, there was no other way and Lincoln died, yes, but we dont know the repercusions is going to have
also characthers die all the time in shows like this, get over it its FICTION, chill and enjoy the plot please.
edit: WTF with people harassing writers and producers of the show? the fanbase is disgusting
I don't know why some people are shocked at the ending. It’s basically the plot line of Crime and Punishment (the allusions to the book were given frequently). Joe isn’t punished in the sense of being in prison, and even though he’s technically free, now he is stuck with a girl just like him and a baby on the way when he would rather be with a “normal” girl he can manipulate and control. He is trapped and it’s a Gone Girl-esque ending. He even compared his new home with Love to a Siberian prison.
It was so funny watching Joe judge Love for all the shitty things she’s done. Like she was somehow worse. His murder sprees are not repulsive to him because he did them and he felt justified. That logic does not extend to others, just him. It’s a perfect mirror for showing just how delusional Joe is. The series isn’t about how he finds love. It’s about how Joe is a predator, using love as a way to convince himself he’s doing things for the right reasons. The whole point of Joe's character is that he will never be satisfied. It’s in his nature to crave what he can’t have. That’s why I thought the ending was perfect. Of course he is already interested in his “normal” neighbor. He is going to start fantasizing about her to escape his “tortured existence”.
Totally saw the Love twist coming from a thousand miles away. She was always coming on strong. Her killing Delilah was super predictable too. I actually liked that they made her psycho because Joe somewhat got a taste of his own medicine.
Overall, I enjoyed this season, but:
I’m a little disappointed in the lack of creativity. Season 2 had a lot of similar storylines to the first one: Love is the new Beck, Ellie - the new Paco.
Realism isn't necessary in fiction but some of the plot holes were annoying. How did Candace know exactly which storage unit was Joe’s? How could Forty turn on Joe so fast? Officer Fincher thought Joe could have been the murderer because of some expensive headphones but has done absolutely nothing about it. Joe reconstructing the glass box in the storage container was a bit of a stretch for me. This whole season, while entertaining, is completely unrealistic. It requires all characters to be morons and the hugest of coincidences to happen at every turn.
I was incredibly disappointed absolutely nothing from Joe's old life came back (other than Candace). He moved to a new city and changed his name - poof all his problems are solved? What happened to the PI the Salingers hired?
Candace's character had potential. They hyped her up in the first season so I thought she would do something but no, she didn't have an actual plan and was outmatched at every turn.
Was it the writers intention to insert cringy millenial jargon into every possible piece of dialogue? Really went too far compared to last season. And all the "woke" dialogue was so cringe, boring and trite.
Actress who plays Eleven is sensational. Great show so far
I died laughing when the girls are running to freedom and the guard comes out and is like "NOPE..." and walks back in lol
holy fuck evan peters wearing make up and having sex with a black guy just improved my life quality from 480p to 1080p
Anyone else kinda wants Adam and Eric to get together? Adam is super mean but I can't help it
I really like Jon Bernthal as The Punisher, his scenes are masterful.
im so proud of my son eric. he did that!
soso and poussey are adorable ahhh
I just can't stand with the comments calling her a slut, etc. I think she's free to live her sexuality and have sex with whoever she wants. She's not officially dating the weird guy. So, stop judging her.
Haha Gender Studies Theo... Hopefully he dies
Giving Beck a voice was great. It removed the creepy idolization stain on her from seeing her only from Joe's perspective. It gives her agency that is starting to be needed to take this show to a new level.
Michael Langdon's entrance was phenomenal! Can't wait to learn more of him. Also, really digging this new Sarah Paulson character as a vilain instead of her usual crying and screaming. Let's see what's next episode is like... can't wait. Also, also. I am so giddy to see the opening credits with elements from Coven and Murder House, always loved how different it is every season, i hope this season lived up to what those 2 season gave!
those snipers at the end have horrible aim.
I'm enjoying it on the whole but could do without the Kara/James stuff. There is no chemistry there and would be nice if a show with a female lead didn't focus on her longing for love like most of the time.
four episodes in and abc gave me everything I ever wanted fox you are NOTHING to me
[9.2/10] Avatar: The Last Airbender has been scary before. There’s moments where our heroes are under threat or some strange new monster or power is after them, or some freaky thing called “the face dealer” is in play. But never before has the show been as downright creepy as it is here. “The Puppetmaster” plays like an episode of Tales from the Crypt, with a mystery, a friend turned tormentor, and a dark secret.
The very idea of bloodbenders, of someone who can control other life forms, be they animals or human beings, is intriguing and haunting in turn. The episode builds up to that nicely, with Hama initially taking water from plants, and seeming slightly unnerving in her presence before the big reveal. One of the things I like about Avatar is that it takes the natural nerd-y questions about these elemental powers and takes them to their logical, sometimes disturbing extremes, whether that’s Toph being able to bend metal or Hama being able to manipulate human beings filled with fluid.
But what I like about Hama is that the show doesn’t make her just an evil witch. For one thing, she is a link to Katara and Sokka’s history and tradition. She is, for all we know, the last water-bender from the southern water tribe. There is a sense of communion with her and Katara, a connection between them that Katara cannot forge with anyone else given the circumstances and what the Fire Nation did to their people. That immediately makes her reveals, her attacks, and her methods more damning and haunting – because she is, at least nominally, on the side of the good guys.
And yet what I love about Hama is that she’s basically Magneto from X-men (right down to breaking out of prison built to evade her powers using substance contained in a human being). She does terrible things and she has a binary, retributivist view of right and wrong that perpetuates the cycle of violence. Still, you absolutely understand who she is and what she does and why she is that way given what she’s been through and what’s been done to her. She’s seen the worst of the fire nation’s trespasses against her people; she’s seen the way they wiped out her brothers and sisters, and she has no forgiveness in her heart for them or anyone who bears their brand. She is a victim rounding up the descendants of her tormentors. That is horrifying, but complex.
It’s also unnerving because she tries, and arguably succeeds, in passing that legacy down to Katara. Hama is worried about the practices of her people dying out, and so works to teach bloodbending to Katara, to force her to use the techniques. The very sight of her controlling Aang and Sokka and using their bodies to attack Katara is creepy enough, and the same goes for the way she contorts Katara’s arm. But the real tragedy is that she forces Katara to use the bloodbending to stop her, passing this terrible mantle down to her in the process.
AtLA can be scary, but it can also be much deeper than that. “Puppetmaster” succeeds at telling a horror story as good as any that could be whispered around the sort of campfire at the beginning of the episode, but it grounds it in complicated notions of vengeance, legacy, and agency that take a horrifying thing and given it an unavoidable human dimension.
