Seriously? This junk really won awards? It's not even a movie. More like a crappy CGI test demo where nothing exciting happens the whole way through. The only thing I remember is Clooney trying to hit on Bullock. Fail.
Criminally underrated.
In the age of Transformers-, Pacific Rim-, Godzilla- and Marvel-movies that is churned out every other month this is a great alternative Sci-Fi film. I loved the pacing and tone, but I understand that a lot of people that are used to the same formula and action every 30 seconds - it could be viewed as boring. It isn't. Brad Pitts performance is perfect and the driving force of this space adventure.
Visually stunning and with beautiful music, this hits almost every note with perfect pitch. A must-see for Sci-Fi fans and a must-buy for me when it's time for a blu-ray release.
An absurd film full of heart and humor. Amazing action, brilliant setpieces, and a strong core message that's expertly delivered raise it above the crowd. GOAT for me!
A truly sensational film! The utter definition of a must-watch.
'Everything Everywhere All at Once' is impressive from every single viewpoint. I had heard murmurs of it being a great film, yet it still managed to completely smash my expectations. This 2022 release features a superb cast, a fascinating story and some top notch visuals. The editing and pacing, in particular, are brilliant.
The onscreen talent are all fantastic, but Michelle Yeoh is still the absolute standout from this. What a performance! I could watch her in this role over and over and over. With that said, Ke Huy Quan (welcome back!) is awesome as well, as are Stephanie Hsu, James Hong and Jamie Lee Curtis. Everyone plays their part very, very well.
All of the humour lands, with some parts being truly funny. It also manages to show supremely enjoyable action alongside a highly meaningful side too. In short: EEAAO is outstanding - you must see it if you get the opportunity!
Raccacoonie :eyes:
Awesome, an instant classic.
A24 and the Daniels made a more entertaining movie than the studio system has been able to put out in years.
How are these action sequences so well helmed with a budget of only 25 million? Did they get the Daredevil crew or something? It’s insane.
Great acting, imaginative, really well edited (it takes a few minutes to adjust to its pacing, but its a smooth ride from there on), funny, stylish, moving, and it manages to blend many film genres in fascinating ways.
It also gets surprisingly substantive and profound in the second half, but that shouldn’t be too surprising considering that it’s A24 (it’s hard to imagine that they’d finance this without the second half).
This is destined to be one for the books, it’s going to be remembered for a long time.
9.5/10
I’ve been eating films for a while and people ask me why I never give 10 out of 10. I now have an answer, I was waiting for this film. It is the best film I’ve ever seen, it reaffirmed my love for cinema and made me very happy.
10/10
Amazing. Stunning. Wildly imaginative. A visual and emotional journey I never expected. Seriously one of the best films I have seen in a long time. The primary cast were absolutely perfect and I’m happy Yeoh has this vehicle.
You know this is Cinema when the movie makes you cry over rocks.
Funniest movie I have seen in years. There is no way Dr Strange In the Multiverse of Madness is going to do multiverse better.
Yeah, there's plot holes. But the movie is so damned funny you just don't care. When they first explained how the multiverse thing worked my reaction was "Really? Is that all?". But it just got better and better and better.
There's periods of the movie you're struggling to breathe you're laughing so hard, and others that are just slow, deep, and sad. It's heartbreaking and hilarious. Slow and a thousand miles per hour. Nothing happening and more happening than you can possibly keep track of at once.
This movie is, without a doubt, brilliant.
Simple , Elegant GoodNight Watch
Kim Go Eun and Jung Hae In have such beautiful chemistry. Their love story spans from 1994 to 2005, and we get to see the retro technology like radio, telephone booth, Windows 95, flip phone, and so on. It's a memory delight for viewers growing up in the 90's and amazement to the generation afterwards.
Fate and hardship of life meets and tears them apart each time in 1997 and 2000 until the last meeting in 2005. Each time, the lack of communication between the couple is the real antagonist in separating them. And it seems like also the lack of communication from the production team separate the movie from the viewers with choppy scenes and bumpy relationship growth. The ambiguous open ending as doesn't help harness any more fans
That being said, the time gaps were poorly done. Conflict arises over situations that could easily be fixed. The breakups and reunions are very clumsily done. Definitely not a movie to watch for the story but more so for the feeling it leaves you with.
The movie is saved by great acting skills of main and supporting actors and actresses, and the chemistry between Jung Hae In and Kim Go Eun is sweet. And off course some nice music. As mellow as it is, I will not re-watch this movie again.
Watch it if you are hung over either Goblin(Kim Go-eun) or One Spring Night (Jung Hae-in)
Totally sick. I loved it. Lanthimos has an extraordinary vision.
I don't know where all the negative comments are coming from. I loved this sequel.
The Matrix Resurrections keeps to the theme of the original movie, while leveraging plot points from the previous sequels to resurrect the Neo :heart: Trinity love story after 20 years (according to the movie timeline it's 60 years) .
The Matrix movie critics love to over-intellectualize the philosophy of the story arcs and characters. Over the last 20 years, I've heard critics trying to justify religion (ex: Buddhism) using the Matrix movies. Today, reading the comments here, this seems to have evolved into people trying to explain transgenderism using The Matrix (maybe because the creators of Matrix are transgender?).
I always believed that these movies oppose group think and are about breaking free from hive-minds and intellectual-echo-chambers (aka The Matrix). For example, Twitter today, with its Leftist cancel mobs, is a great example of a Matrix. Every time I read about a famous person getting "cancelled" or "de-platformed" by a social media platform, I picture an image of Neo being dragged out of the embryonic sac and getting violently unplugged by machines and thrown away (from the original Matrix movie).
For me, as a career software engineer, The Matrix movies are also about algorithms and logic. The unpredictability of a code base as it gets larger and complex. Eventually, leading to anomalies and vulnerabilities. I loved Neil Patrick Harris' performance as the new Architect of the Matrix. What a legend!
Is the franchise getting stale? Absolutely. It's a formula movie franchise. I watched all Fast and the Furious movies and the spin-offs too. I'm not the one to judge. :rofl:
When you watch a movie and wish that it went for another 2 hours - fantastic.
Denis Villeneuve is the man!
There’s only one word that came into my mind after watching it: finally.
Finally, a blockbuster that isn’t afraid to be primarily driven by drama and tension, and doesn’t undercut its own tone by throwing in a joke every 30 seconds.
Finally, a blockbuster that puts actual effort in its cinematography, and doesn’t have a bland or calculated colour palette.
Finally, a blockbuster with a story that has actual substance and themes, and doesn’t rely on intertextual references or nostalgia to create a fake sheen of depth.
Finally, a blockbuster that doesn’t pander to China by having big, loud and overblown action sequences, but relies on practical and grounded spectacle instead (it has big sand worms, you really don’t need to throw anything at the screen besides that).
Finally, a blockbuster that actually feels big, because it isn’t primarily shot in close ups, or on a sound stage.
And of course: finally, a blockbuster that isn’t a fucking prequel, sequel, or connected to an already established IP somehow.
(Yeah, I know Tenet did those things as well, but I couldn’t get into that because the characters were so flat and uninteresting).
This just checks all the boxes. An engaging story with subtext, very well set up characters, great acting (like James Gunn, Villeneuve's great at accentuating the strengths of limited actors like Dave Bautista and Jason Momoa), spectecular visuals and art design (desaturated but not in an ugly washed out way), pacing (slow but it never drags), directing, one of Hans Zimmer’s best scores: it’s all here.
I only have one real criticism: there’s too much exposition, especially in the first half.
It can occasionally hold your hand by referencing things that have already been established previously, and some scenes of characters explaining stuff to each other could’ve been conveyed more visually.
Other than that, it’s easily one of the best films of the year.
I’ve seen some people critiquing it for being incomplete, which is true, but this isn’t just a set up for a future film.
It feels like a whole meal, there are pay offs in this, and the characters progress (even if, yes, their arcs are still incomplete).
8.5/10
A too long runtime and the few action scenes make this movie boring most of the time.
A decent movie. Too much patriotism always annoys me and plot holes hurt. Very enjoyable for anyone who has a US flag fetish.
I'm sure the plot was fine. At points clever, And it was fun.....ny. Whenever movies are involved with hardcore patriotism it gets kinda hilarious. no offense, it's just how it is.
This is a solid crime drama with a little bit of a twist. Harrison Ford is great, as always. The score was pretty good too. The ending let me down a little.
A great movie. Not sure what movie the 2 bad reviewers here saw. It's a winner of 2 Oscars and Harrison Ford was nominated for it. Witness is definitely one of his best.
The movie that propably had the most impact on my life.
I was little over 10 at the time I saw it first. My dad brought it home on VHS. From the first second my eyes were glued to the screen. Immediately after it was over I rewound the tape and watched it again which up to today, close to 35 later, I haven´t done with any other movie. I recorded it on audio tape so I could listen to it, even wrote down the whole thing on paper (that was well before the internet, folks). We re-ennacted the scenes, I had memorized every line. I cannot recall how many times I`ve seen it since then.
I would give it 11 if possible.
this movie for me is more of : “Wtf did i just watch but w/e it's fkin awesome”
While I appreciate the cinematography, and the imagery can be impressive, and the score, the movie(?) seems to be abstract solely to be abstract. It never seems to have a point, or produce a real plot.
I've just watched and I'm like: what a waste of time.
